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Nikon Zf vs Sony A7C II

By admin, on September 25th, 2023

First, let’s look at the body design of the two cameras. The Nikon ZF features a retro body design with extensive manual controls. So, if you’re a photographer, the Nikon ZF is highly recommended, especially from a design perspective.

What I love about the Nikon ZF, apart from its extensive manual control, is the placement of the electronic viewfinder and its higher resolution. Not only does the EVF have a higher resolution, but the display of the camera also features a higher resolution compared to Sony’s A7 C Mark II.

You might feel that the hand grip isn’t as perfect as you’d expect in a modern camera. With the ZF, you can buy an external hand grip at a very reasonable price if you feel the need.

Unfortunately, the Sony A7 C Mark II features a single card slot. In contrast, the Nikon ZF has a MicroSD card slot along with a UHSII SD card slot. As a photographer, you get an extra slot to save your JPEG files if you wish to.

Both cameras lack a joystick, but in the Nikon ZF, you have the option to use your display screen as a touchpad for selecting or moving autofocus points while looking at the viewfinder.

That’s another interesting feature that we have inside the Nikon ZF camera. Overall, design-wise, I highly recommend that if you are a photographer, you should go with the Nikon ZF camera.

Lens Mount	Nikon Z	Sony E
Sensor Resolution	Actual: 25.28 Megapixel Effective: 24.5 Megapixel	Actual: 34.1 Megapixel Effective: 33 Megapixel
Image Sensor	35.9 x 23.9 mm (Full-Frame) CMOS	35.9 x 23.9 mm (Full-Frame) CMOS
Image Stabilization	Sensor-Shift, 5-Axis \| 8 Stops	Sensor-Shift, 5-Axis \| 7 Stops
Built-In ND Filter	None	None
Capture Type	Stills & Video	Stills & Video

Now let’s look at the internal core specifications of both cameras:

1. 24 megapixels versus 33 megapixels

As we all know, the Nikon ZF camera uses a 24-megapixel APS-C sensor from the Nikon Z6 Mark II camera and the Sony Mark II camera uses the sensor from Sony’s A7 IV.
Does this resolution difference matter that much? Should we change our minds and forget about the design preferences that we are getting with the Nikon ZF camera?

To find out, we have compared images from the Nikon Z6 Mark II camera with those from the Sony A7 IV and tried to find out the difference between the two.

Side by Side Comparison

We are comparing two images side by side. On one side, we have the Nikon Z6 Mark II camera, and on the other, we have the Sony A7 IV. These two cameras were chosen for comparison because the Nikon ZF camera uses the same sensor as the Nikon Z6 Mark II, and the Sony A7C Mark II uses the same sensor as the Sony A7 IV.

From the two images, it is quite clear that the Sony A7 IV camera’s 33-megapixel sensor captures slightly more detail. Therefore, those who are using the Sony A7 Mark II camera will certainly observe more detail compared to the Nikon Z6 Mark II.

2. Multi-Shot 96 MP High-Resolution Images

One of the major key differences between the two is that the recently announced Nikon ZF camera can capture 96-megapixel high-resolution images. However, these images should be taken with a tripod. Once the shot is done, it should be uploaded to the Nikon NX software to merge all the images. This means that the camera will not merge the images; it will only capture them. It’s also not recommended to use a handheld when capturing 96-megapixel resolution images.

Get Sony A7C Mark II from B&H Store | Get Nikon Zf from B&H Store

Get Sony A7C from Amazon.com | Get Nikon Zf from Amazon.com

Best Camera for Capturing More Details

Before we jump in and discuss the different aspects of the auto-focusing system or perhaps the continuous burst speed of a camera, it’s a fact of the matter, and it’s also visible from the comparisons that we have done with the images, that the Sony A7C Mark II camera is able to capture slightly more details compared to the Nikon ZF.

The Nikon ZF does offer 96-megapixel images, but with the condition that you have to use your camera on a tripod. This means that if you are a studio photographer, the Nikon ZF camera will undoubtedly be of great help to you. However, for general purpose photography, the Sony A7 will capture slightly more detail compared to the Nikon ZF. This is the difference between the two.

Focus Type	Auto and Manual Focus	Auto and Manual Focus
Focus Mode	Automatic, Full-Time Servo, Manual Focus, Single-Servo AF, Touch AF & Shutter	Continuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus Points	Photo, Video Contrast Detection, Phase Detection: 273	Photo Contrast Detection, Phase Detection: 759 Video Phase Detection: 627
Autofocus Sensitivity	-10 to +19 EV	-4 to +20 EV

3. Auto Focusing

Let’s discuss the auto-focusing system of both cameras. For the first time, we are seeing the auto-focusing algorithms of the Nikon Z8 and Nikon Z9 in a camera under $2000.

If we compare the auto-focusing points, on one side we have 759 in the Sony A7C Mark II, and on the other side, in the Nikon ZF, we have only 273. At the same time, being a Sony camera, we have no doubt about the focusing capabilities of the Sony A7C Mark II.

The Nikon ZF’s auto-focusing has very much improved and now has the ability to track 9 different types of subjects or objects in its tracking mode. So more or less, both cameras are the best in their own class.

Shutter Type	Electronic Shutter, Mechanical Focal Plane Shutter	Electronic Shutter, Mechanical Focal Plane Shutter
Shutter Speed	Mechanical Shutter 1/8000 Up to 30 Seconds in Manual Mode 1/8000 Up to 4 Seconds in Shutter Priority Mode Electronic Shutter 1/8000 to 30 Seconds in Manual Mode 1/8000 to 4 Seconds in Shutter Priority Mode	Mechanical Shutter 1/4000 to 30 Seconds Electronic Shutter 1/8000 to 30 Seconds 1/8000 to 1 Second in Movie Mode
Bulb/Time Mode	Bulb Mode, Time Mode	Bulb Mode
ISO Sensitivity	Photo 100 to 64,000 in Manual Mode (Extended: 5 0 to 204,800) Video 100 to 51,200 in Manual Mode (Extended: 204,800)	Photo 100 to 51,200 in Manual Mode (Extended: 50 to 204,800) 100 to 12,800 in Auto Mode Video 100 to 51,200 in Manual Mode (Extended: 50 to 102,400) 100 to 12,800 in Auto Mode
Metering Method	Center-Weighted Average, Matrix	Aperture Priority, Auto, Manual, Program, Shutter Priority
Exposure Modes	Aperture Priority, Auto, Manual, Program, Shutter Priority	-5 to +5 EV (1/3, 1/2 EV Steps)
Exposure Compensation	-5 to +5 EV (1/3 EV Steps)	-3 to 20 EV
Metering Range	-4 to 17 EV	2500 to 9900K Presets: AWB, Cloudy, Daylight, Flash, Fluorescent, Manual, Overcast, Shade, Tungsten
Continuous Shooting Speed	Up to 15 fps Mechnical and up to 30 Fps Elec.	Up to 10 fps for up to 44 Frames (Raw) / 1000 Frames (JPEG)

4. Burst Speed

The continuous burst speed of both cameras is quite different. The Nikon ZF is able to shoot up to 15 frames per second with a mechanical shutter, and while shooting with the mechanical shutter, you will not have any rolling effect with the camera up to 15 FPS. After 15 FPS, the electronic shutter gets activated and now with the electronic shutter, you can shoot up to 30 frames per second.

With the Sony A7C Mark II camera, the maximum burst speed of the camera is limited to 11 frames per second with a mechanical shutter. Although you do get a higher resolution sensor at 33MP, if you are a wildlife photographer, then without a doubt, I would recommend you to go with the Nikon ZF camera since you have two options: one is a faster mechanical shutter with 15 FPS and the other is the electronic shutter with a speed up to 30 frames per second.

5. Upto – 10 EV AF sensitivity in Nikon ZF

One key factor to consider before making a decision is the low-light focusing capability of the cameras. The Nikon ZF camera is able to focus up to -10 EV at an aperture of f1.2, making its focusing capability in near-dark situations best in its class. On the other hand, the Sony A7C Mark II camera has an auto-focus sensitivity of -2 EV. This information could be crucial depending on your photography needs.

6. Nikon Zf uses a Touchscreen as a Touchpad

Another advantage of the Nikon ZF camera is that you can use your touchscreen as a trackpad while looking through the viewfinder. This means you can focus on your subject while looking at the electronic EVF, and at the same time, you can use your touchscreen display as a trackpad to move your auto-focusing points. With the Sony A7C Mark II camera, this is not possible as it neither has the touch and track capability of the Nikon ZF nor a joystick controller on the rear side of the camera.

Verdict – Best Camera for Photographers

If you consider all factors, not only image quality but also body design, higher resolution, and the advanced features of the Nikon Z8 and Nikon Z9 cameras, such as the out-of-focus system with -10ev autofocus sensitivity, the ability to use the touchscreen as a touchpad for shifting autofocus points, and the ability to shoot at a continuous speed of up to 15 frames per second with a mechanical shutter and up to 30 frames per second with an electronic shutter, then without a doubt, the Nikon Z8 and Z9 are better cameras compared to the Sony Alpha 7C mark II.

If image quality is your primary concern and other factors such as the design, focusing part of the camera, or the dual card slot are less important to you, and you desire a camera that provides slightly more detail, then the Sony Alpha 7C Mark II is highly recommended. This camera is known for its exceptional image quality, boasting a 33.0MP full-frame Exmor R back-illuminated CMOS sensor. It also offers excellent autofocus and is compact in size. However, it’s always important to consider all aspects of a camera before making a decision.

Internal Recording Modes	UHD 4K (3840 x 2160) at 23.98/25/30.00 fps 1920 x 1080 at 23.98/25/29.97/50/59.94/100/120 fps	XAVC HS 4:2:2/4:2:0 10-Bit 3840 x 2160 at 23.98/50/59.94 fps [30 to 200 Mb/s] XAVC S 4:2:2/4:2:0 8/10-Bit 3840 x 2160 at 23.98/25/29.97/50/59.94 fps [60 to 200 Mb/s] XAVC S-I 4:2:2 10-Bit 3840 x 2160 at 23.98/25/29.97/50/59.94 fps [240 to 600 Mb/s]
External Recording Modes	None	4:2:2 8/10-Bit via HDMI UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
Recording Limit	Up to 125 Minutes	None
IP Streaming	Yes	MJPEG, UVC/UAC 3840 x 2160 at 12.5p, 14.99p, 25p, 30p 1920 x 1080 at 25p, 30p, 50p, 60p 1280 x 720 at 25p, 30p

7. Best Camera for Video

When comparing the video capabilities of the Nikon ZF and Sony Alpha 7C Mark II, both cameras can record oversampled 4K videos at 24 and 30 fps. However, the Sony Alpha 7C Mark II, with its 33-megapixel full-frame sensor, is expected to provide slightly more detail in video quality.

In the 4K 60 fps video mode, both cameras crop at 1.5x, meaning that the 4K 60fps is recorded in APS-C format.

The recording time limit for the Sony Alpha 7C Mark II is unlimited, while the Nikon ZF has a recording time limit of 125 minutes in 4K. This is more than sufficient unless you plan to use your mirrorless camera as a security camera.

Both cameras are capable of recording 10-bit videos internally.

The Nikon ZF has a pre-shooting buffer that you can set to timings like 30 seconds, 1 minute, or 1 minute and 30 seconds.

The Sony Alpha 7C Mark II has some videography features absent in the Nikon ZF, such as AI auto framing and a gyroscopic image stabilization mechanism. These features make the Sony Alpha 7C Mark II more helpful for content creators due to its AI autofocusing and auto-framing techniques.

Get Sony A7C Mark II from B&H Store | Get Nikon Zf from B&H Store

Get Sony A7C from Amazon.com | Get Nikon Zf from Amazon.com

Both cameras feature very angle-displays, making them suitable for professional-level content creation.

Verdict – Best Camera for Video

In terms of video resolution, both cameras capture the same video resolution. So, if you’re a photographer as well as a content creator, it might be better to go with the Nikon ZF. However, if you’re solely focused on content creation and prefer a Sony camera, then the Sony Alpha 7C Mark II would be a good choice.

Media/Memory Card Slot	Slot 1: SD/SDHC/SDXC (UHS-II) Slot 2: microSD/microSDHC/microSDXC	Single Slot: SD/SDHC/SDXC (UHS-II)
Video I/O	1 x Micro-HDMI (Unspecified Signal) Output	1 x Micro-HDMI (Unspecified Signal) Output
Audio I/O	1 x 1/8″ / 3.5 mm TRS Stereo Microphone (Plug-in Power) Input	1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input on Camera Body 1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output on Camera Body
Power I/O	None	1 x USB-C Input/Output
Other I/O	1 x USB-C Input/Output	1 x USB-C Data Input/Output (Shared with Power Input)
Mobile App Compatible	Yes: Android & iOS *As of September 2023: Check with the manufacturer for the most up-to-date compatibility	Yes: Android & iOS App Name: Creators’ App Functionality: Access Stored Files, Adjust Settings, Remote Control *As of August 2023: Check with the manufacturer for the most up-to-date compatibility

One of the most important things that you will notice is that the camera is able to have two SD card slots, one is micro SDHC and the other is UHS-II standard.

Display Size	3.2″	3″
Resolution	2,100,000 Dot	1,036,800 Dot
Display Type	Articulating Touchscreen LCD	Tilting Touchscreen LCD

One of the good things associated with the Nikon ZF camera is that you will get a higher resolution display as well as a higher resolution that really helps a photographer if they would like to have a better experience and better shooting experience with a camera.

Type	Built-In Electronic	Built-in electronic (OLED)
Size	0.5″	0.39″
Resolution	3,690,000 Dot	2,359,296 Dot
Eye Point	21 mm	22 mm
Coverage	100%	Approx. 0.7x
Magnification	Approx. 0.8x	-4 to +3

Flash

Built-In Flash/Light	No	No
Maximum Sync Speed	1/250 Second	1/160 Second
Flash Compensation	-3 to +1 EV (1/3 EV Steps)	-3 to +3 EV (1/3, 1/2 EV Steps)
Dedicated Flash System	iTTL	Shoe Mount

General

Battery Type	1 x EN-EL15c Rechargeable Lithium-Ion	1 x NP-FZ100 Rechargeable Lithium-Ion (Approx. 530 Shots)
Shoe Mount	1 x Hot Shoe	1 x Intelligent Hot Shoe
Tripod Mounting Thread	1 x 1/4″-20 Female (Bottom)	1 x 1/4″-20 Female (Bottom)
Material of Construction	Magnesium Alloy	Magnesium Alloy
Dimensions (W x H x D)	5.7 x 4.1 x 1.9″ / 144 x 103 x 49 mm	4.9 x 2.8 x 2.5″ / 124 x 71.1 x 63.4 mm
Weight	22.2 oz / 630 g (Body Only)	1.1 lb / 514 g (With Battery, Recording Media) 15.1 oz / 429 g (Body Only)

10 New Features of Nikon Zf Camera

By admin, on September 20th, 2023

Finally, the Nikon ZF camera has arrived at almost the same announcement price as the Z6 Mark II. For those who were waiting for the Z6 Mark 3 camera update, this can be a perfect replacement for the Z6 Mark II camera.

The sensor isn’t new; it is the same sensor that we have seen in the Nikon Z6 Mark II camera. However, we do have a brand new image processor that enables many new features that we have seen in the Nikon Z8 or Z9 camera.

10 Brand New Features of Nikon Z8 Camera

Ability to create 100-megapixel images from the pixel shift mode: With the large full-frame sensor and amazing low light capability, the camera also features a pixel shift shooting mode. However, unlike Panasonic, Nikon doesn’t claim it’s a handheld pixel shift shooting mode, so you have to use it carefully with the help of a tripod or a monopod. Also, you have to merge them in NX Software, once the images are shot.
Upto 8 stops of image stabilization mechanism: The Nikon ZF is one of the first Nikon mirrorless cameras under the $2000 price range that offers an image stabilization mechanism of 8 stops, which is now on par with the Canon R6 Mark II camera and better than the recently announced Sony A7 C2. But, it’s more advanced since, The IBIS center can be shifted with the AF point in the Photo Mode. Traditionally all the cameras IBIS is most effective in the center of the image and not in the corners.
With the introduction of the Expeed 7 image processor and a new artificial intelligence autofocus system, the camera is now able to track 9 different types of subjects with its improved 3D tracking mechanism. The AF system is directly coming from Nikon Z8 and Nikon Z9.
Now, with the help of a new image processor and improved image recording algorithms, noise is much more controlled, and you can expand the camera’s ISO range up to 20,4800. The standard ISO range goes up to 64,000.
The high-efficiency compression format is now added to the Nikon ZF camera that was first introduced in the Nikon Z9.
Burst rate or continuous shooting speed: With the help of a mechanical shutter, you can get up to 15 frames per second, and with an electronic shutter, you get 30 frames per second limited to Jpeg. One more thing to be added is that the camera now supports pre-burst options. In JPG-only C30 mode, the camera uses a video stream to capture 30 frames per second images to store pre-burst data inside the camera. Since the sensor is same as the Nikon Z6 II we recommend you keep yourself limited to a Mechanical shutter to avoid the rolling shutter effect.
Highly detailed black and white mode: This gives you a chance to select mono profiles including a low contrast flat mono profile as well as a deep tone mono. The deep tone mono enhances the red color details in the scene. BW mode can be quickly selected from the top dial of the camera.
The camera can shoot 4K videos up to 60 frames per second but in crop mode of 1.5 X (that is in DX mode). When you are recording 4K videos up to 24 frames per second or 30 frames per second, the camera uses a 6K oversampled file to generate 4K videos up to 30 fps. So you will get highly detailed video footage from your camera if you are using your camera up to 4K at 30 FPS.
The first Nikon Camera Under $2000 Range to have a 2.1 Million dot Full articulating Display screen, Content creators now can easily buy this camera without having a second thought in their brains.
First Nikon Camera Under the $2000 Price range to have AF sensitivity up to – 10 Stops @ F1.2 Aperture, so literally you Lock AF in near about dark environment with bright aperture-based lenses.

During initial tests, Digital Photography Review team members found that the rolling shutter of the Nikon ZF camera is at 22 milliseconds in 4K at 30p capture which is exactly similar to Panasonic S5 Mark II camera. One thing to note is that it’s not only a coincidence; Panasonic also shoots 4K at 60fps video in crop mode (that is in 1.5 x DX crop mode).

The Nikon ZF camera has a body design similar to the Nikon FM2, with extensive manual control and a small LCD on top to show the current aperture value. The camera looks extremely amazing from its design perspective. Since it’s an FM2 design-based camera, technically you don’t get a hand grip. A Micro SD card slot was added to make it more compact and also to give photographers dual cars slot option, so you have one USH II SD and one USH I Micro SD card slot.

Get your Nikon Zf Camera from B&H $1996 | B&H Store with 24-70mm Lens

Nikon Zf Press Release | Full Specification

By admin, on September 20th, 2023

Nikon finally announced the long rumored Nikon Zf Camera, the camera features lot of new features, although the sensor remains same as of the Nikon Z6 Mark II camera. Take a look at the Major set of features of the camera

Key specifications

24MP full-frame BSI CMOS sensor
In-body image stabilization rated up to 8EV
Dedicated Monochrome mode
Up to 14fps continuous shooting (JPEG), 11 fps Raw
AF system with tracking and recognition of 9 subject types
4K/60 video from 6K capture with 10-bit N-Log recording
32-shot high-res mode to give 96MP images
SD and MicroSD card slots

The camera is available B&H $1996 | B&H Store with 24-70mm Lens

Nikon Zf Press Release

THE NIKON Z f: INNOVATION THAT DRIVES CREATIVITY

The Nikon Z f is the Beautiful Convergence of Groundbreaking Technology + Iconic Design

MELVILLE, NY (September 20, 2023) Today Nikon announced the release of the Z f, a full-frame mirrorless camera that harmonizes a timeless aesthetic with the best of Nikon’s next-gen camera technology, derived directly from the acclaimed Z 8 and flagship Z 9. At first glance, the Z f is a definitive statement in functional design that ignites the desire to craft an image. Looking closer, it’s a veritable powerhouse of modern performance fueled by the EXPEED 7 processing engine that enables an enhanced AF system, impressive speed and astounding low-light capability. The new processing power also adds incredible new features such as pixel-shift shooting, the most advanced in-body stabilization of any Z series camera, plus the addition of a dedicated monochrome mode.

“It’s exciting to see the leaps in innovation that propelled the Z 9 trickling down, making the latest technology and features more accessible than ever before inside the Z f, a camera which is a beautiful marriage of form and function,” said Jay Vannatter, Executive Vice President, Nikon Inc. “The Z f is more than a means to simply capturing an image; using the camera is an experience unto itself, one which not only sparks creativity, but also elevates the user’s intent with its advanced performance and feature set.”

Technology Forward
The Z f is equipped with the EXPEED 7 image-processing engine, enhancing response time, burst speed and AF performance, while adding new features to create an entirely new category of Z series full-frame mirrorless. The 24.5-megapixel full frame BSI CMOS sensor effortlessly captures stunning colors and incredible definition with minimal noise and stellar dynamic range, even in challenging light. This well-balanced sensor is paired with an AF system that offers 3-D Tracking plus subject detection developed with Deep Learning technology, detecting and locking on to 9 different types of subjects. Similar to the Nikon Z 8, the camera finds people, dogs, cats, birds, cars, motorcycles, bicycles, trains and planes. It can even detect the world’s smallest1 size of a face in the frame — approx. 3% of the frame’s longest side. The AF system uses 299 AF points in Auto Area AF, covering 96% of the horizontal axis of the frame, making it easy to lock on and track a subject, even near the edge of the viewfinder. When the inspiration hits to go fully manual, the Z f uses Eye/Face-Detection in MF mode, recognizing the eye and allowing users to magnify the area on the screen to nail critical focus.

With the additional processing power, the Z f achieves 5-axis in-camera vibration reduction (VR) image stabilization equivalent to an 8.0-stop2 increase in shutter speed, the best among Nikon Z series cameras. The Z f is also the world’s first camera3 to support focus-point VR4, which minimizes blurring at the focus point rather than the center of the frame, even when subject is positioned near the edge of the viewfinder. The camera is also capable of high-speed continuous shooting at approx. 14 frames per second, or up to 30 frames per second5, when High-Speed Frame Capture+ (C30) is set. To ensure no shot is missed, the camera is also capable of using the Pre-Release function to start recording before the shutter is fully pressed.6 What’s more, the additional processing power in combination with the BSI sensor improves low-light performance, raising the standard ISO range from 100 to 64,000. In challenging light, even fine details and textures come out sharp and clear with rich saturation, while mid-tones, where noise tends to increase, come out much cleaner than before.

For those who want the ultimate in fidelity while reducing moiré, false colors and noise for immersive depth, the Z f is the first Nikon camera capable of pixel-shift shooting7 to create images up to 96 megapixels. Ideal for landscape, architecture and commercial artists, the system works by subtly shifting the image sensor position when capturing between 4, 8, 16 or 32 RAW (NEF) files, acquiring more accurate color information and massive resolution.

Forever Iconic

The heart of the Z f is “fusion”- an idea embedded in the name while paying homage to important models through Nikon’s history. It represents the fusion of past, present and future. With an iconic exterior design reminiscent of the FM2, the Z f links Nikon’s heritage of innovation and precision craftsmanship. The magnesium-alloy body is durable and features a glossy finish, which is adorned with a classic Nikon logo. The characters on the mechanical dials for shutter speed, ISO and exposure compensation are all etched, and provide the user with satisfying tactile response, while the feel of the shutter-release button was given meticulous consideration.

Black and white capture is an ageless medium, one that lets the user see a different perspective and explore the principles of light in new ways. The Z f includes a physical switch to engage a dedicated B&W photo mode, which enables multiple monochromatic Picture Controls. In addition to the sharp, dynamic and higher-contrast “Monochrome” mode in Picture Control, the new “Flat Monochrome” mode reproduces tones with a smooth gradation from shadow to light, rich in mid-tones for a warm, soft impression. The new “Deep Tone Monochrome” mode expresses high-contrast and highlights by bringing more emphasis to dark tones, keeping mid-tones dark and with fewer blocked shadows.

Primary features of the Zf

Full-frame 24.5-megapixel BSI CMOS sensor combined with the new EXPEED 7 Processing engine for amazing fidelity and image quality paired with stellar processing power.
Excellent AF tracking capability with 3D-tracking mode for photographers and dedicated Subject-tracking AF in video mode.

With up to 299 points in Auto-area AF, the range of coverage and number of focus points used in Auto-area AF mode have been increased for better focus acquisition performance with distant or moving subjects.

The first full-frame Z-series mirrorless camera to be equipped with a vari-angle touchscreen monitor.

Starlight view mode boosts display brightness for users to visually confirm composition in extremely dark scenes. It also achieves sharp focus with the low-light limit extendable down to -10 EV.8

Video frame rates and resolutions up to 4K UHD 30 oversampled from 6K,9 as well as 4KUHD 60P (DX-mode) and 1080/120P with recording times up to 125 minutes.10

The first Nikon camera to feature video recording in shutter-priority auto mode, letting the user select the shutter speed, while the camera adjusts the aperture and ISO.

In-camera, 10-bit H.265 recording, allowing users to record full-scale video directly to the camera without the need for an external recorder.

The first Z-series camera to support Touch Fn for adjustment of camera settings while framing pictures in the viewfinder. The user is now able to move the focus point via the LCD screen while looking through the viewfinder.

Supports the merging of NEF (RAW) images shot with pixel shift shooting to create a highly detailed image up to 96 megapixels.

Fast shooting, with up 14 fps bursts plus High-Speed Frame Capture+ (C30), which achieves high-speed continuous shooting at up to 30 fps. Pre-Release Capture is also available, buffering the images before the shutter is fully depressed.

Advanced features for dedicated portrait photographers include the skin softening function and a portrait impression balance function for users to better achieve the portraits they intended. Rich Tone Portrait Picture Control is a new setting that better captures details of the subject’s complexion.

Equipped with two memory card slots, one compatible with widely available UHS II SD cards and the other compatible with Micro SD cards.

Rugged and reliable construction, with magnesium alloy on the front and top covers, for maximum durability with minimal weight. The camera is engineered with high dust- and drip-resistance,11 effective sealing on the exterior cover joints, shutter-release button and vari-angle mechanism. Additionally, an electro-conductive coat that keeps the surface clean from dust and a fluorine coat that makes for easier cleaning.

In addition to the basic black body, the Z f lets users express their own style through six different color options. These premium exteriors render the embossed artificial leather sections of the camera — covering the grip and all around to the rear of the folding camera monitor — in three rich, expressive standard colors (Indigo Blue, Sepia Brown, Bordeaux Red) and three deep, warm natural colors (Sunset Orange, Moss Green, Stone Gray), rendered with individually matching surface textures. These colors will be sold in limited quantity and will be sold exclusively through the Nikon Store.

Price and Availability

The new Nikon Z f will be available in mid- October 2023 for a suggested retail price of $1999.95* for the body only, with the retro-styled NIKKOR Z 40mm f/2.0 SE for an SRP of $2239.95*, or with a NIKKOR Z 24-70mm F/4 S lens for an SRP of $2599.95*. The additional color options will be available as body-only for an SRP of $2099.95* exclusively from the Nikon Store. Nikon is working with SmallRig to develop a custom grip bracket, which will be available at a later date. For more information about the latest Nikon products, including the vast collection of NIKKOR Z lenses and the entire line of Z series cameras, please visit Nikonusa.com

Nikon Zf Fulll Specification Download PDF

Nikon Zf Camera Announcement on 20th Sep [More Confirmations]

By admin, on September 19th, 2023

On September 8, 2023, we were one of the first websites to tell you that the Nikon Z retro camera would be released on September 20th. Finally, the day is almost upon us and we are expecting the Nikon ZF camera announcement from Nikon on September 20th.

Nikon Zf Updated Core Specification

Black camera body
24.4 MP BSI-CMOS sensor
Expeed 7 processor
Weight: 700g (inc. battery, the Z5 is 590g, the Z6II is 615g )
Dimensions: 144mm x 101mm
Up to 30fps (JPG/HEIF)
High Extended Shooting for RAW and HEIF
4k 60 video CROP
10-bit H.265 HEVC video (SDR/HLG/N-log)
1080 120p
USB C PD (fast-charging technology based on the USB-C standard)
ISO 100-64,000 (for comparison the Z6II ISO range is 100-51,200)
AF (273 focus points) comes with features from Z8/Z9 with 3D tracking
Shutter selection options: Mechanical / Electronic Front-Curtain / Auto
AF (273 focus points) comes with features from Z8/Z9 with 3D tracking
New feature related to AF
EN-EL15 battery
The Z f logo is moved to the left (the Zfc has it on the right)
Dual memory card slots (SD+MicroSD) – this is probably why the first reports came out with only one memory card slot, the second slot could
be hidden and be used just like the internal memory on some cameras
Pixel Shift: new high-res mode will be implemented for the first time in a Nikon mirrorless camera
August-September announcement, shipment before the end of 2023
Improved autofocus compared to Z5/Z6II
A few different lens kits/bundles will be available in the $2,000-$2,500 price range
Price for body only: $1,999
One of the bundles will be with the Nikkor Z 40mm f/2 (SE) lens (no new lens will be introduced with the Zf)
Very similar (but improved) design/layout from the Nikon Zfc
Small LCD screen on top for aperture display
New 3rd function on the sub lever of the shutter speed dial (besides photo/video) for B&W mode (B&W/Photo/Movie)
Has a little grip/bump like the Nikon Df (see the mockup pictures)
Better build quality compared to the Nikon Zfc
Fully articulating screen
Magnesium Alloy body
Size: 144mm x 101mm x 57mm

Panasonic G9 II vs Sony A6700

By admin, on September 16th, 2023

Panasonic recently announced the Panasonic G92 camera. According to Panasonic, the camera features a major upgrade. The camera is dedicated to still photography, but after looking at its core video specifications, it can also become a perfect companion for cinematographers.

We are comparing the Sony A6700 camera with the Panasonic G92. Based on the major code differences, which camera should you pick for cinematography or for photography? You will get a clear set of answers in this article.

1. Panasonic G9 Mark II, has a large body but is useful for Photographers

Starting from the design part, the Panasonic G9 II camera is fairly large in size and a bit bulky (658g. 134 x 102 x 90 mm vs 493g. 122 x 69 x 75 mm) and adopts the body of the Panasonic S5 Mark II camera. The body design and control type of electronics you find is almost identical to that of its full-frame S5 Mark II.

When compared to the design part of the Sony A6700 camera, the first and foremost thing you will notice is the presence of a large electronic viewfinder in the center of the camera. As a photographer, I would love to have a perfectly placed viewfinder on a camera.

Sensor Size	Micro Four Thirds	Sony E APS-C Format Sensor
Sensor Resolution	Actual: 26.52 Megapixel Effective: 25.21 Megapixel	Actual: 27 Megapixel Effective: 26 Megapixel (6192 x 4128)
Image Sensor	17.3 x 13 mm (Four Thirds) MOS	23.3 x 15.5 mm (APS-C) CMOS
Crop Factor	2x	1.5x
Image Stabilization	Sensor-Shift, 5-Axis	Sensor-Shift, 5-Axis
Built-In ND Filter	None	None
Capture Type	Stills & Video	Stills & Video

2. More Customizable Controls and Dial in Panasonic G9 Mark II

The Panasonic G9 II has more customizable controls and dials, not only on the top side of the camera but also on the rear side. We have a joystick controller on the back side of the Panasonic G9 so we can easily jump to the setting we want to. No joystick controller is present on the rear side of the Sony A6700 camera.

3. Dual Card Slot and Full-Size HDMI in Panasonic G9 II

Dual card slot support is available with the Panasonic G9 II camera, whereas the Sony A6700 camera is limited to a single card slot. At the same time, we also have a full-size HDMI port in G9 Mark II.

4. APS-C vs M4/3 Format Sensor

When it comes to sensor size comparison, the Sony a6700 camera features a large APS-C size sensor. Without a doubt, with a larger sensor and slightly higher resolution, we will have more details in standard shooting modes. Due to the nature of the physical sensor size, the low-light performance of the Sony a6700 camera is expected to be better in low-light shooting environments when compared to the Panasonic G92.

5. Pixel Shift Hand Held High Resolution Mode in Sony

High Resolution Handheld Mode The High Resolution Handheld mode isn’t a new feature for Panasonic cameras; it was introduced with the Panasonic GH6. With the help of pixel shift technology, this mode allows a photographer to capture 100-megapixel images without the need for a tripod. We’ve added some samples to give an idea of how the handheld high-resolution mode works in Panasonic cameras. For reference, we’ve taken images with the Panasonic GH6 camera and compared them to those from the Sony a6700 camera.

Standard Shooting Condition

Pixel Shift Shooting @ 100Mp [ Panasonic GH6 taken as example here]

In the pixel shift mode, as you can notice the camera is able to extract an amazing amount of details even while using it handheld

High-Resolution Sample 2

ISO 1600, you can see the amount of detail Panasonic cameras are able to extract when compared to a 24-megapixel camera like Sony a6700.

Shutter Type	Electronic Shutter, Mechanical Focal Plane Shutter	Electronic Shutter, Mechanical Focal Plane Shutter
Shutter Speed	Mechanical Shutter 1/8000 to 60 Seconds Up to 30 Minutes in Bulb Mode Electronic Shutter 1/32000 to 60 Seconds Up to 60 Seconds in Bulb Mode Electronic Front Curtain Shutter 1/2000 to 60 Seconds Up to 30 Minutes in Bulb Mode	Mechanical Shutter 1/4000 to 30 Seconds Electronic Shutter 1/8000 to 30 Seconds
Bulb/Time Mode	Bulb Mode	Bulb Mode
ISO Sensitivity	Photo 100 to 25,600 (Extended: 50 to 25,600) Video 100 to 12,800 (Extended: 50 to 12,800)	Photo 100 to 32,000 in Manual Mode (Extended: 50 to 102,400) 100 to 6400 in Auto Mode Video 100 to 32,000 in Manual Mode 100 to 6400 in Auto Mode
Metering Method	Center-weighted average, Highlight Weighted, Multiple, Spot	Center-weighted average, Multi-Zone, Spot
Exposure Modes	Aperture Priority, Auto, Manual, Program, Shutter Priority	Aperture Priority, Auto, Manual, Program, Shutter Priority
Exposure Compensation	-5 to +5 EV (1/3 EV Steps)	-5 to +5 EV (1/3, 1/2 EV Steps)
Metering Range	0 to 18 EV	-3 to 20 EV
White Balance	2500 to 10,000K Presets: AWB, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4	2500 to 9900K Presets: ATW, AWB, Auto, Cloudy, Color Temperature, Color Temperature Filter, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
Continuous Shooting	Mechanical Shutter Up to 14 fps at 25.2 MP for up to 170 Frames (Raw) / 200 Frames (JPEG) Electronic Shutter Up to 75 fps at 25.2 MP for up to 200 Frames (Raw) / 200 Frames (JPEG)	Up to 11 fps at 26 MP for up to 59 Frames (Raw) / 1000 Frames (JPEG)
Interval Recording	Yes	Yes
Self-Timer	2/10-Second Delay	2/5/10-Second Delay

6. The burst speed and Pre-Shooting Buffer

The Panasonic G9 Mark II camera includes features such as a pre-shooting buffer, which you can set the time frame for. When discussing mechanical shutter speed in continuous burst, the G9 Mark II can achieve up to 14 frames per second. If we switch to electronic, it can reach a maximum of 60 frames per second with full-time auto-focus support. Without continuous auto-focus, the G9 Mark II can reach a maximum burst speed of 75 frames per second.
Focus

Focus Type	Auto and Manual Focus	Auto and Manual Focus
Focus Mode	Continuous-Servo AF, Manual Focus, Single-Servo AF	Automatic, Continuous-Servo AF, Direct Manual Focus, Manual Focus, Single-Servo AF
Autofocus Points	Phase Detection: 779	Photo Phase Detection: 759 Video Phase Detection: 495
Autofocus Sensitivity	-4 to +18 EV	-3 to +20 EV

7. Hybrid AF – Sony is the Beast, G9 Mark II Reliable

One of the biggest advantages of the G9 Mark II camera is that for the first time, we have a sensor that is equipped with 779 hybrid auto-focusing points. This significantly improves the focusing performance of the camera compared to its predecessor. Now, the camera is able to track cars, animals, and planes.

While the Sony a6700 camera with dedicated artificial intelligence will perform more precisely and accurately in terms of auto-focusing performance since the camera is now backed by the AU Chip and Sony is making of the Hybrid AF sensors from generations. For the first time, Panasonic introduced HYBRID AF in the G9 Mark II is also very useful for general purposes shooting and tracking moving subjects. The auto-focus system in the G9 Mark II is much better than the previous generation’s Depth from Defocus (DFD) auto-focus system.

Verdict: Panasonic G9 Mark II vs Sony A6700 – Best Camera for Photographers

Despite the fact that the Panasonic G9 Mark II camera has a small sensor, it is still capable of producing approximately 100-megapixel detailed images due to its handheld high-resolution mode. This makes the G9 Mark II one of the most suitable cameras for studio photographers who capture images in a controlled environment or work with models.

However, for those who often work in candid situations, such as wedding photographers or street shooters, the G9 Mark II’s handheld high-resolution mode may not be as effective. This is particularly true in cases where subjects are constantly moving, including wildlife and sports photography. In these specific scenarios, it is recommended to consider alternatives like the Sony a6700 or Canon R10, which offer higher continuous burst speeds.

Get Panasonic G9 Mark II from B&H Store | amazon.com

Get a Sony A67o0 camera from B&H Store | Amazon.com

Internal Recording Modes	H.264 ALL-Intra/H.265 Long GOP 4:2:2/4:2:0 8/10-Bit 5760 x 4320 at 23.98/24.00/25/29.97 fps [200 Mb/s] 5728 x 3024 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps [200 to 300 Mb/s] 4352 x 3264 at 47.95/48.00/50/59.94 fps [300 Mb/s] 4096 x 2160 at 23.98/24.00/25/29.97/47.95/50/59.94/100/120 fps [150 to 600 Mb/s] 3840 x 2160 at 23.98/24.00/25/29.97/47.95/50/59.94/100/120 fps [72 to 600 Mb/s] 1920 x 1080 at 23.98/24.00/25/29.97/47.95/50/59.94/100/120/200/240/300 fps [20 to 400 Mb/s] ProRes 422/ProRes 422 HQ 1920 x 1080 at 23.98/24.00/25/29.97/50/59.94 fps [121 to 454 Mb/s]	XAVC HS 4:2:2 10-Bit UHD 4K (3840 x 2160) at 23.98/50/59.94/100/120 fps [50 to 280 Mb/s] XAVC HS 4:2:0 10-Bit UHD 4K (3840 x 2160) at 23.98/50/59.94/100/120 fps [30 to 200 Mb/s] XAVC S 4:2:2 10-Bit UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/100/120 fps [100 to 280 Mb/s] 1920 x 1080 at 23.98/25/29.97/50/59.94 fps [50 Mb/s] XAVC S 4:2:0 8-Bit UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/100/120 fps [60 to 200 Mb/s] 1920 x 1080 at 23.98/25/29.97/50/59.94/100/120 fps [16 to 100 Mb/s] XAVC S-I 4:2:2 10-Bit UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [240 to 600 Mb/s] 1920 x 1080 at 23.98/25/29.97/50/59.94 fps [89 to 222 Mb/s]
External Recording Modes	4:2:2 10-Bit via USB 5728 x 3024 at 23.98/24.00/25/29.97 fps 4096 x 2160 at 23.98/24.00/25/29.97/47.95/50/59.94 fps 3840 x 2160 at 23.98/24.00/25/29.97/47.95/50/59.94 fps	4:2:2 10-Bit via HDMI UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps HD (1920 x 1080) at 23.98/50/59.94 fps
Fast-/Slow-Motion Support	Yes	Yes
Gamma Curve	HDR-HLG, Panasonic V-Gamut, Panasonic V-Log	HDR-HLG, S Cinetone, Sony S-Log 3
Recording Limit	None	None
Broadcast Output	NTSC/PAL	NTSC/PAL
IP Streaming	None	None
Built-In Microphone Type	Stereo	Stereo
Audio Recording	MOV: 2-Channel 24-Bit 48 kHz LPCM Audio MP4: 2-Channel 16-Bit 48 kHz AAC Audio	XAVC: 2-Channel 16-Bit 48 kHz LPCM Audio

8. Best Camera for Video

The Sony A6700 comes with a host of impressive features:

Full pixel readout from the 6K sensor for high-quality UHD 4K video, minimizing moiré and aliasing.
UHD 4K recording with frame rates up to 120p and full HD recording up to 240p, using full 1:1 pixel readout without binning.
Advanced XAVC HS and XAVC S-I formats for recording in 10-bit 4:2:2, providing consistent performance and quality at bitrates up to 600 Mb/s.
The S-Log3 and S-Gamut3.Cine Gamma Curves offer more than 14 stops of dynamic range for increased post-production flexibility, including matching video from other Sony Cinema Line cameras.
User-created LUTs and presets can be set for accurately monitoring footage or previewing a specific look during shooting. These can be applied to the camera’s monitor, EVF, or HDMI out.
AI Autoframing for content creators.
The ability to record for more than two hours in 4K 30p, or more than 40 minutes at 4K 60p on a 128GB card.

Panasonic G9 Mark II Features

DCI 4K and UHD 4K 60p UNCROPPED unlimited recording with 4:2:2 10-bit color, and for videographers who want to create high-resolution slow-motion video, the camera also supports C4K/4K 120p video capture with 4:2:0 10-bit color.
AWB Lock mode locks in auto white balance and Advance Autofocus MODE to rack focus motion picture effect.
Supports ProRes 422 codec delivering outstanding image quality with low compression. performance and quality at bitrates up to 800 Mb/s.
Real Time LUT video recording to streamline your workflow and color grading.
Recording and playback is supported using an external SSD via USB. Additionally, you have the ability to record ProRes 422 HQ and 4:2:2 10-bit All-Intra directly to an SSD, which combines portability and high capacity for improved efficiency in data backup and post-processing.
Larger Body the same heatsink unit as of the Panasonic S5 Mark II.

Verdict: Best Camera for Video Panasonic G9 Mark II vs. Sony A6700

The Panasonic G9 Mark II camera is highly usable for professional cinematography work. These features include direct recording to SSD drives, 4K 60fps uncropped recording mode, a heat sink mechanism similar to the S5 Mark II camera, ProRes mode, and bit rates up to 800 megabytes per second.

For content creators who produce short videos for their YouTube channels, the Sony a6700 camera may be more suitable due to its AI auto-framing technology, which is undoubtedly highly beneficial for content creators working alone.

The introduction of a hybrid cinema auto-focus sensor in the Panasonic G9 Mark II has significantly improved its auto-focusing performance in video. Additionally, the introduction of 8 stops of image stabilization helps to create handheld content in a much better way compared to previous generations of Panasonic mirrorless cameras.

One of the most notable features of the G9 Mark II is its larger body with a better heat sink mechanism, similar to the Panasonic S5 Mark II. This ensures that the camera can operate for extended periods without overheating.

Get Panasonic G9 Mark II from B&H Store | amazon.com

Get a Sony A67o0 camera from B&H Store | Amazon.com

Media/Memory Card Slot	Dual Slot: SD/SDHC/SDXC (UHS-II)	Single Slot: SD/SDHC/SDXC (UHS-II)
Video I/O	1 x HDMI (Unspecified Signal) Output	1 x Micro-HDMI (Unspecified Signal) Output
Audio I/O	1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output on Camera Body 1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input on Camera Body	1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output 1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input
Power I/O	1 x USB-C Input/Output	1 x USB-C Input/Output
Other I/O	1 x USB-C (USB 3.2 / 3.1 Gen 2) Data/Video Input/Output (Shared with Power Input)	1 x USB-C (Shared with Power Input)
Wireless	2.4 / 5 GHz Wi-Fi 5 (802.11ac) Bluetooth 5.0	2.4 / 5 GHz Wi-Fi 5 (802.11ac) Bluetooth 4.2
Mobile App Compatible	Yes: Android & iOS App Name: LUMIX Sync Functionality: Access Stored Files, Adjust Settings, Firmware Update, Remote Control *As of September 2023: Check with the manufacturer for the most up-to-date compatibility	Yes: Android & iOS App Name: Creators’ App Functionality: Access Stored Files, Remote Control *As of July 2023: Check with the manufacturer for the most up-to-date compatibility
Global Positioning (GPS, GLONASS, etc.)	GPS *Via Connected Smartphone	GPS *Via Connected Smartphone

Battery Type	1 x DMW-BLK22 Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 370 Shots)	1 x NP-FZ100 Rechargeable Lithium-Ion (Approx. 550 Shots)
Shoe Mount	1 x Hot Shoe	1 x Intelligent Hot Shoe
Tripod Mounting Thread	1 x 1/4″-20 Female (Bottom)	1 x 1/4″-20 Female (Bottom)
Material of Construction	Magnesium Alloy	Magnesium Alloy
Dimensions (W x H x D)	5.3 x 4 x 3.5″ / 134.3 x 102.3 x 90.1 mm (Without Protrusions)	4.8 x 2.7 x 3″ / 122 x 69 x 75.1 mm
Weight	1.4 lb / 658 g (With Battery, Recording Media) 1.3 lb / 575 g (Body Only)	1.1 lb / 493 g (With Battery, Recording Media) 0.9 lb / 411 g (Body Only)

Get Panasonic G9 Mark II from B&H Store | amazon.com

Get a Sony A67o0 camera from B&H Store | Amazon.com

Panasonic G9 II Images and Full Specification Leaked

By admin, on September 11th, 2023

Panasonic G9 II, boasts a new 25.2 million pixel image sensor and a new engine, above all the image plane phase-detection AF guarantees sharp, precise focus, while the 60fps AFC continuous shooting. The camera also features up to 8.0 stops of image stabilization and 4K/4 K 60p 4:2:2 10bit recording and comes with a pre-installed V-Log, providing more flexibility for post-production. The camera also supports C4K/4K 10bit 120p/100p, enabling super slow-motion video capture. More Details below

Panasonic G9 II Specification

New 25.2 million pixel image sensor
new engine
Image plane phase detection AF
60fps AFC continuous shooting
8.0 stops of image stabilization
7.5 steps Dual IS
C4K/4K 60p 4:2:2 10bit
V-Log
1.84 million dot tilt free angle monitor
3.68 million dot OLED viewfinder
Dustproof and splashproof
Capable of continuous shooting for 3 seconds without blackout
Pre-continuous shooting function
~AFS 75fps
LEICA Monochrome with L2 technology
Real-time LUT
C4K/4K 10bit 120p/100p
8 direction joystick
Wifi
Bluetooth
Lineup covering from 16mm to 1600mm (35mm format equivalent)

Stay tuned more updates coming

source asobinet.com

Sony A9 III Surfaced, Announcement Soon

By admin, on September 11th, 2023

Sony A9 III registered on Sep 4, 2023. This camera supports 5.1G, which usually means it’s a mid-range to high-end camera. Based on Sony previous announcement patterns we are expecting the arrival of the Sony A9 III camera sometime between Nov to Jan 2023.

Sony Cameras registration vs. official announcement date

– ZV-E1 was registered on December 12th and announced on March 29th (3.5 months)
– ZV-1II was registered on February 2nd and announced on May 23rd (3.5 months) –
α6700 was registered on February 16th and announced on July 12th (4 months)
– α7CII and α7CR were registered on June 12th and announced on August 29th (2.5 months)

Take a look at the set of rumored specifications of the Sony A9 III camera

Sony A9 III Specification [Rumored]

50MP Full-Frame Exmor RS BSI CMOS Sensor
Up to 60 fps Shooting, ISO 50-102400
8K 30p and 4K 120p Video in 10-Bit
3.7 m-Dot EVF (Blackout free)
759-Pt. Fast Hybrid AF, Real-time Eye AF
5-Axis SteadyShot Image Stabilization
Dual CFexpress Type A/SD Card Slots

Stay tuned we will post an update as soon as we get an update

source SAR.com

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