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By admin, on June 24th, 2017
Finally the long rumored Canon SL2 / 200D images leaked today, the camera features ultra compact body design loaded with a 24 MP sensor and new image processor and continuous shooting speed of 5 frames per second, take a look at the major specification of the to be announced camera
Canon 200D Major Specification
- Color: Black · White · Silver
- Number of pixels: 24.2 million pixels
- Continuous shooting performance: 5 frames / sec
- Rear liquid crystal: 3.0 type Bali angle angle liquid crystal, touch panel
- Battery: LP-E 17
- Size: 122.4 x 92.6 x 69.8 mm
- Weight: 453 g
On the too of the camera we can see a dedicared WiFi button, that clearly indicated that world smallest DSLR will have built-in WiFi for remote shooting and wireless sharing.
On the rear side of the camera we have a large 3: Vari-angle touch display screen that will allow user to compose their creations more easily as they want. A Excellent seflie shooter camera when combined with wide fast lenses.
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By admin, on June 21st, 2017
ZEISS Milvus 1.4/35 Lens image leaked today, the lens announced for Nikon and Canon DSLRs. The lens is dedicated for shooting portraits, landscapes and streets. The high-grade optics doesn’t show any sign of chromatic aberrations according to Zeiss. Take a look at one of the sample available to us,
 Creative combinations of focus and blur: The ZEISS Milvus 1.4/35 is particularly suitable for portrait photography thanks to its speed. If you want to explore more samples you have to create account at zeiss website, agree with TOS and then you can download images from here
Press Release
ZEISS Milvus 1.4/35 Camera Lens for DSLR Cameras
The tenth lens in the ZEISS Milvus series for DSLR cameras already shows its many benefits at full aperture
OBERKOCHEN/Germany, 2017-06-21.
ZEISS has launched a new lens for full-frame DSLR cameras from Canon1 and Nikon2 on the market: the ZEISS Milvus 1.4/35. Now the tenth lens in the Milvus family, the ZEISS Milvus 1.4/35 is particularly suitable for portrait photography thanks to its speed. “The high maximum aperture enables the subject to stand out clearly against the background, and the photographer can achieve creative combinations of focus and blur,” says Christophe Casenave, Product Manager at ZEISS. “The manual focus enables very exact focusing, and the creamy bokeh provides an excellent image look. And even at full aperture the image quality leaves nothing to be desired.” The ZEISS Milvus 1.4/35 is also perfectly at home in landscape photography: “The 35-millimeter focal length is a genuine all-rounder.” Like all lenses in the ZEISS Milvus family, it is protected against dust and splashes and, according to Casenave, even bad weather is no problem. The metal barrel gives the lens its robust and durable character.
Practically no chromatic aberrations thanks to a new optical design
With aspherical lens elements, special glass materials and advanced correction, ZEISS has given the lens a completely new optical design. “This means the photos are practically free from chromatic aberrations,” says Casenave. Thanks to their excellent edge-to-edge imagery the ZEISS Milvus lenses are designed for high-performance digital cameras. “The resolutions of camera sensors are constantly becoming higher, and this also increases the demands made on the lenses. For ZEISS Milvus lenses this is no problem. They are a solid investment in the future.”
Also suitable for filming
The ten lenses in the ZEISS Milvus family, ranging between 15 and 135 millimeters, are also suitable for film productions: the manual focus with a large rotation angle can be operated with the aid of a ZEISS Lens Gear with a follow-focus system. The de-click function allows the aperture to be set continuously in the version for Nikon3 cameras. A further benefit for filming: ZEISS has matched the color characteristics of the ten lenses. Filmmakers can therefore switch between the focal lengths and still have a uniform color look. “This facilitates editing enormously,” says Casenave.
Price and availability
The ZEISS Milvus 1.4/35 will be available from specialist dealers and in the ZEISS Online Shop from July 2017. The recommended retail price is 1,999 euros.
You can find further information at www.zeiss.com/photo/milvus1435
By admin, on June 21st, 2017
The long rumored Tamron 18-400mm lens announced today, press release claims that the lens “Think of a 100-400mm with portrait (yes Tamron is talking about Canon 100-400mm lens for FF cameras), 1:2.9 macro, and wide angle capability for added convenience.”
According to Tamron this Lens will cover all your need from portrait to telephoto to macro. All in one.
Tamron Announces 18-400mm All-In-One™ Zoom
We are pleased to announce the latest addition to the all-in-one™ zoom line-up:
- 18-400mm F/3.5-5.6 Di II VC HLD all-in-one zoom lens (model B028) in Canon and Nikon mounts
The 18-400mm is a new exciting flagship lens that adds to our current line-up and exemplifies Tamron’s all-in-one expertise and the options these great lenses afford photographers of all levels. This new unprecedented all-in-one is positioned as a compact ultra-tele zoom with all-in-one, wide-angle versatility for APS-C cameras. It will target enthusiasts who desire even greater ultra-tele capability for sports, wildlife and more, but also enjoy the versatility of the all-in-one lens for various photographic opportunities. Think of a 100-400mm with portrait, 1:2.9 macro, and wide angle capability for added convenience.
The 16-300mm will remain in the line for the enthusiast customer also looking for great range and versatility, but from a more compact, all-in-one lens prioritizing wide angle for travel and full range for every-day shooting and more.
These two lenses, while similar in many ways, offer different choices for the customer from the pioneer and leader of the all-in-one zoom lens category.
KEY FEATURES:
The power of ultra-telephoto. The versatility of all-in-one.
Powerful performance that exceeds your imagination. Introducing the world’s first ultra-telephoto all-in-one zoom with a 22.2X zoom range. Now you can shoot everything from vast landscapes to details of a bird with a single lens. The latest optical design includes a complex series of elements including LD (Low Dispersion) glass and an aspherical lens. Problems like chromatic aberration and distortion are controlled throughout the entire zoom range, resulting in sharp, superior images-whether you’re shooting at wide-angle or telephoto. Capture thrilling close-up action in a snap.
- World’s first 22.2x ultra-telephoto all-in-one zoom lens
- 620mm full-frame equivalent telephoto reach
- VC for confident telephoto shooting
- HLD means quick, accurate and quiet autofocus
- 1:2.9 Max. Mag. Ratio for versatile close-up capability
- Moisture-Resistant Construction
- Compatible with TAMRON TAP-in Console™, an optional accessory product
By admin, on June 20th, 2017
We have told you on May 11th, 2017 24-70mm F2.8 Di VC USD G2 Coming this year. Finally Tamron 24-70mm F2.8 lens images leaked today, Not only standard Fullframe Lens for DSLRs Tamron is also expected to announce APS-C lens of 18-400mm (Images here)
24-70 lens specification leaked
- Mount: For Canon · For Nikon
- Lens construction: 11 groups of 16
- Number of diaphragm blades: 9 (circular aperture)
- Minimum shooting distance: 17.7 inches (about 0.45 m)
- Maximum magnification: 1: 2.9
- Image stabilization effect: Approximately 3.5 steps
- Filter diameter: 72 mm
- Maximum diameter × length: 3.1 in × 4.8 in (about 79 mm × 122 mm)
- Weight: 25.6 oz (about 726 g)
 The next gen of Tamron lens coming with improved optics and advance built-in optical image stabilizer, will sure put a big load on Canon and Nikon native 24-70mm F2.8 lens sales graph.
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By admin, on June 20th, 2017
 creative image Canon 6D Mark II vs Canon 5D Mark III ? Which camera should I buy, should I hold my purchase for a $2K 6D Mk II or should I get a $2.3k 5D Mark III camera ?
We are getting a lot of questions like this prior to the announcement of Canon 6D Mark II camera.
We are doing a specification comparison prior to the announcement of 6D Mk II, of course thiis will give a perfect answer. Read the article and decide yourself should you hold your purchase for Canon 6D Mk 2 or should you go with 5D Mk 3.
| Feature/Models |
Canon 6D Mark II |
Canon 5D Mark III |
| Megapixel |
26mp CMOS DPAF Sensor |
22.3 megapixels |
| Sensor size |
Full frame (36 x 24 mm) |
Full frame (36 x 24 mm) |
| Image processor |
DIGIC 7 |
Digic 5+ |
| AF system |
Hybrid Sensor + Dedicated Phase AF Module |
Contrast Detect Sensor + Phase AF Module |
| AF points |
45 pt AF all cross-type |
61 |
| ISO |
NA |
50 – 102400 |
| Shutter speed |
NA |
1/8000 to 30 sec |
| Image Stabilization |
No |
No |
| Continuous shooting speed |
NA |
6fps |
| Video |
1080p @ 60 fps |
1080p @ 30 fps |
| Display |
Vari-Angle LCD (First time in Canon FF Camera) |
Fixed 3.2″ 1,040,000 Clear View II TFT LCD |
| Hot shoe |
Yes |
Yes |
| Wireless |
WiFi + NFC |
WiFi (Optional) |
| Environmentally sealed |
Yes |
Yes |
| Battery life |
NA |
950 shots |
| Weight |
|
950 g |
| Size |
144.0 x 111.8 x 75.5 mm |
152 x 116 x 76 mm |
1. New Sensor
Canon 6D Mark II coming with dual pixel CMOS AF (DPAF) sensor whereas the Canon 5D Mark III camera is limited to contrast sensor. The other major improvement you are getting with Canon 6D Mark II camera is more resolution. Canon 5D Mark III camera give 22 megapixels where as 6D mark II camera offers you 26 MP resolution that will be going to helpful to pick up more details of a given frame.
2. New Image Processor
The other one of the most noticeable improvement we can see is the introduction of digit 7 image processor inside the Canon 6D Mark II camera that will going to boost the overall speed as well as the image quality of the camera.
New processor directly means new image processing algorithm is also implemented inside the camera and And hence we are confident that low light performance of Canon 6D Mark II camera will going to be better compared to Canon 5D Mark III
3. Phase AF Module
The Phase AF module of Canon 6D Mark II is still inferior compared to Canon 5D Mark III camera. The Canon 5D Mark III features 65 point Phase AF system whereas the Canon 6D Mark II camera features 45 point AF system. But, at the same time we can say that 6D Mark II is using DPAF tech that will upscale the AF performance of the camera to next level.
At the end the bottom-line is the when we are talking about phase AF module the Canon 5D Mark III is better.
4. Better Video
Canon 6D Mark II is limited to Full HD mode only, whereas the upcoming camera is rumored to feature Full HD video at 60fps. The camera will also offer fast AF support due to DPAF tech used inside the sensor, which will be relatively faster compared to the 5D Mark II camera.
5. Introduction of Vari-angle LCD
If all the rumors are true then for the first time Canon is about to bring a vari-angle tocuh display screen in a fullframe DSLR. Which will going to upscale the overall user experience to a next level.
Yes, WiFi and NFC is going to persent inside the upcoming Canon 6D Mark II which allow you to share your data and do remote shooting flawlessly with 6D Mk 2.
Price difference – Canon 5D Mark III available at $2.3K Amazon | B&H |||| Canon 6D Mark II rumored to have $2K price tag
Conclusion
We have done a rumored specification comparison, more then 40% of data isn’t available right now. But, from the available data it is very clear that Canon 6D Mark II will have advance sensor, better image processor and new Phase AF module. BTW, the phase AF module isn’t as good as 5D Mk 3 AF module but that doesn’t actually matter when you have a DPAF sensor in your hand.
We will going to update this specification comparison review soon, stay with us for latest updates.
Join our dedicated Canon 6D Mark II page for live updates and news.
By admin, on June 19th, 2017
Tamron to be announced lens images surfaced over the web today, the 18-400mm lens is expected to be announced in next few hours. Tamron 18-400mm lens is made APS-C sensor based cameras. It covers a excellent range and a perfect all-rounder solution for entry level shooters.
Tamron 18-400mm Lens Specification
- Mount: For Canon · For Nikon
- Lens construction: 11 groups of 16
- Number of diaphragm blades: 9 (circular aperture)
- Minimum shooting distance: 17.7 inches (about 0.45 m)
- Maximum magnification: 1: 2.9
- Image stabilization effect: Approximately 3.5 steps
- Filter diameter: 72 mm
- Maximum diameter × length: 3.1 in × 4.8 in (about 79 mm × 122 mm)
- Weight: 25.6 oz (about 726 g)
Stay with us & we will bring more update to u. Follow us on FACEBOOK | TWITTER | GOOGLE+
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By admin, on June 18th, 2017
If you are willing to try your hands on Sony a 9 or Sony A7R III and you don’t want to invest on Sony lenses… we have an solution for you
There are many photograph of around the world who invested a lot amount of money and their effort in a fav Canon DSLR brand and now they also want to put their hands on Sony A7 or A9 series camera.
But now they want to put their hands on Sony FE mount cameras due to their creamy specification and low price tag.
Getting an Sony A7 series camera or A9 isn’t an hard thing for an Hard thing for a professional photographer but getting compatible lenses that will going to allow him to work flawlessly is more important, one of them is this problem for Sony and Nikon users the native Canon lenses doesn’t support Sony A7 or A9 cameras and for that you have to buy third party adapters that going to ease your job.
Now one of the biggest question is, what type of third party adapters available for that will allow Canon lenses to work perfectly with the Sony A7 or A9 camera ?
Now we have a list of adapters that are made for this job, these adapters will allow you to use your Canon L series lenses as well as non L series lenses to work perfectly with Sony full frame mirrorless cameras.
one of the most popular and best Lens adapter for your sony A7 series camera is.
1. Metabones Mark V
Metabones Mark V : The fifth generation of Metabones adapter allows you to do autofocus, auto exposure, image stabilization, aperture control from the camera body, saving Exif information, and more. The lens supports PDAF on Canon lenses. I promise you you will forget you are using a Sony Camera, it’s look like using an Future Canon camera on native lenses. All the lenses work flawlessly until and unless you got a bad unit.
Not only Canon the Metabones Mark V is full compatible with thirdparty Canon lenses, that includes Tamron as well as recently announced Sigma Art as well as regular lenses.
Metabones Mark IV is available at an cost of $399 from B&H and Amazon
Download Lens Compatibility List
2. FotodioX Canon EF Lens to Sony E-Mount Camera
The next name we recommend you is FotodioX Canon EF Lens to Sony E-Mount Camera. It is affordable compared Metabones Mark V. FotodioX claims that this lens enables Autofocus and AutoExposure. The Adapter also retains Image Stabilization, you can also Control Aperture from Camera Body, it also transfers Exif Data to Camera, one of the best and affordable solution for you.
Buy Fotodiox Lens adapter from Amazon | B&H
3. Vello Canon EF/EF-S Lens
Vello Canon EF/ EF-S adapter is just like copycat of FotodioX, the lens adapter do have AF and AE support and allow you to use lens based IS. But this lens adapter doesn’t work perfectly with Sony A7 and Sony A7S II camera. So if you have these two camera pls read the lens compatibility chart provided by the company available at B&H store.
Buy Vello lens adapter from Amazon | B&H
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