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By admin, on March 28th, 2025
According to your latest set of rumors, the Nikon Z5 Mark II camera will be available on the second of April, so the wait is over, and it is about to arrive very soon. As a user, it has now been confirmed that the camera features the future Nikon ZF Camera sensor, Expeed 7 image processor, and the goodness of the Z6 Mark III.
It will create a benchmark in terms of the full-frame camera level. Stay tuned more updates coming
Nikon Z5 Mark II Specifications
| Feature |
Specification |
| Sensor |
24.5MP Full-Frame BSI CMOS Sensor |
| Processor |
Expeed 7 Image Processor |
| Video Recording |
4K UHD 30p / Full HD 120p, 1.5x 60p with crop |
| Autofocus |
273-Point Hybrid AF with Eye and Animal Detection |
| Image Stabilization |
5-Axis In-Body Image Stabilization |
| Viewfinder |
Bright 3.69M-Dot OLED Electronic Viewfinder |
| Display |
3.2″ Tilting Touchscreen LCD |
| Memory Card Slots |
Dual UHS-II SD Card Slots |
| Connectivity |
Built-In Wi-Fi and Bluetooth Connectivity |
| Charging |
USB-C Charging and Power Delivery Support |
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source – NR.com
This post was updated on March 28, 2025 – By thenewcamera.com team
By admin, on March 26th, 2025
Let’s compare the specifications of the Canon R50V and Sony ZV-E10 cameras. We are also focusing on their video graphics features. Both specifications are up to date as of March 26, 2025. Enjoy the specs comparison between the two.
Specification Comparison Table: Canon R50V vs Sony ZV-E10
| Category |
Canon R50V |
Sony ZV-E10 |
| Release Date |
March 26, 2025 |
July 27, 2021 |
| Sensor |
24MP APS-C CMOS |
24.2MP APS-C Exmor CMOS |
| Processor |
DIGIC X |
BIONZ X |
| Lens Mount |
Canon RF-S (compatible with RF lenses) |
Sony E-mount |
| Native ISO Range |
ISO 100-32,000, extendable to 51,200 |
ISO 100-32,000 (expandable to 50-51,200) |
Video Specifications
| Feature |
Canon R50V |
Sony ZV-E10 |
| Max Video Resolution |
4K 60p (cropped), 4K 23.98p (assumed uncropped based on preview footage) |
4K 30p (1.23x crop), 4K 24p (uncropped, oversampled from 6K) |
| Full HD Capabilities |
1080p up to 120p (implied from slow-motion options) |
1080p up to 120p |
| Video Codecs |
H.265, H.264 (10-bit 4:2:2) |
XAVC S (H.264, 8-bit 4:2:0) |
| Color Profiles |
C-Log3, custom picture profiles from Canon cinema series |
S-Log2, S-Log3, HLG |
| Internal Recording |
10-bit internal recording with C log |
8-bit internal recording S Log |
| Streaming |
4K 30p via USB-C (dedicated quick streaming button) |
720p via USB-C (requires software setup, no 4K streaming natively) |
| Slow Motion |
1080 120p Supported with option to bake in or exclude audio (specific frame rates not detailed) |
1080p 120p (no audio baking options specified) |
| Recording Limit |
Not specified / No limit |
No recording time limit |
| Autofocus in Video |
Dual Pixel AF II (fast, reliable tracking, eye detection) |
Fast Hybrid AF with Real-time Eye AF, Tracking, Product Showcase mode |
| Stabilization |
No IBIS, relies on lens IS (e.g., 14-30mm PZ) or digital stabilization (crops further) |
No IBIS, Active SteadyShot (digital, ~1.44x crop in Active mode), lens OSS support |
| Cinematic Features |
“Peter McKinnon mode” (baked-in cinematic bars) |
No SCinetone mode |
Audio Specifications
| Feature |
Canon R50V |
Sony ZV-E10 |
| Microphone Port |
Yes (3.5mm) |
Yes (3.5mm) |
| Headphone Port |
Yes (3.5mm) |
Yes (3.5mm) |
| Onboard Microphone |
Standard stereo mic (not emphasized as vlogging-specific) |
Directional 3-capsule mic with windscreen (optimized for vlogging) |
| Digital Audio Support |
Digital hot shoe (24-bit, 4-channel audio with compatible Canon mics) |
Multi-interface shoe (digital audio with compatible Sony mics) |
Body Design
| Feature |
Canon R50V |
Sony ZV-E10 |
| Dimensions |
116 x 86 x 69 mm |
115 x 64 x 45 mm |
| Weight |
~375g with battery |
343g (with battery and SD card) |
| Viewfinder |
None (EVF omitted to reduce cost) |
None |
| Screen |
3-inch vari-angle LCD 1.04 Mdot |
3-inch fully articulated LCD (921k dots) |
| Tally Light |
Yes (front-facing, with red box on screen) |
Yes (red tally light on front) |
| Vertical Video Support |
Quarter-20 mount on side for vertical tripod/gimbal use |
No dedicated vertical mount |
| Weather Sealing |
None |
None |
| Ergonomics |
Compact, lightweight, minimal grip |
Compact, lightweight, minimal grip |
Ports and Connectivity
| Feature |
Canon R50V |
Sony ZV-E10 |
| USB |
USB-C (supports streaming and charging) |
USB-C (supports streaming and charging) |
| HDMI |
Micro HDMI |
Micro HDMI |
| Microphone Port |
Yes (3.5mm) |
Yes (3.5mm) |
| Headphone Port |
Yes (3.5mm) |
Yes (3.5mm) |
| Remote Port |
Yes (2.5mm) |
No |
| Hot Shoe |
Digital hot shoe (24-bit, 4-channel audio support) |
Multi-interface shoe (digital audio support) |
| Wireless |
Wi-Fi 5 |
Wi-Fi (2.4 GHz), Bluetooth 4.1 |
Battery and Storage
| Feature |
Canon R50V |
Sony ZV-E10 |
| Battery Type |
LP-E17 |
NP-FW50 |
| Battery Life (CIPA) |
270 shots per charge |
440 shots |
| Charging |
USB-C charging supported |
USB-C charging supported |
| Storage |
Single SD slot UHS-II |
Single SD slot UHS-I |
Still Photography
| Feature |
Canon R50V |
Sony ZV-E10 |
| Resolution |
24MP |
24.2MP |
| Burst Shooting |
15 fps (electronic), 12 fps (electronic first curtain) |
11 fps (mechanical/electronic) |
| RAW Support |
Yes |
Yes |
| Image Stabilization |
None (lens-based only) |
None (lens-based only) |
Price and Kit Options
| Feature |
Canon R50V |
Sony ZV-E10 |
| Body Only |
$649 |
$699 |
| Kit Option |
$849 with RF-S 14-30mm f/4-6.3 PZ IS STM (22-48mm equiv.) |
$799 with E PZ 16-50mm f/3.5-5.6 OSS (24-75mm equiv.) |
| Lens Ecosystem |
RF-S (limited native APS-C lenses, full RF compatibility) |
E-mount (extensive native APS-C and full-frame options, third-party support) |
Additional Features
| Feature |
Canon R50V |
Sony ZV-E10 |
| Vlogging Features |
Tally light, vertical mount, quick streaming button, cinematic bars, Canon’s own product showcase mode, and many new features |
Product Showcase mode, Background Defocus button, directional mic |
| Customizability |
Custom picture profiles from the cinema series |
SCinetone Missing |
| Firmware Updates |
Not applicable yet (preview model) |
Regular updates (e.g., improved streaming with firmware v2.00) |
Conclusion: Canon R50V vs Sony ZV-E10
The Canon R50 V camera features updated video recording capability, including 10-bit 4:2:2 internal recording and 4K video recording up to 60 frames per second (1.5x crop). However, the Sony ZV-E10 remains limited to 8-bit, and 60 FPS 4K mode is unavailable. Even in the live streaming option, the Canon R50 V can live stream up to 4K 60 FPS. Additionally, in the body, you get a vertical mount to record vertical videos for YouTube Shorts, Instagram, or other media networks.
The only reason Sony excels now is the vast lens found in the E-mount. We have a range of options, and nowadays, even Viltrox Air series lenses are available at very affordable prices and can be easily purchased for the Sony ZV-E10 camera. On the other side, in Canon R50 V, we have a very limited number of lenses, so you have to choose wisely—either go with a higher-priced Sony body like ZV-E102 and later buy affordable lenses or get the R50 V and pay for pricier lenses.
Also see – Canon R50V vs Sony ZV-E10 Mark II | Canon V1 vs Sony ZV-E10
Canon RV Camera available at B&H Store | Adorama.com | amazon.com
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By admin, on March 25th, 2025
The LUMIX DC-S1R Mark II is a mirrorless camera from the LUMIX S series, announced at the end of February 2025. It is equipped with a newly developed 44MP BSI sensor and a processor that supports high-speed processing using L2 technology. It supports 40 frames per second continuous shooting and 8K 30p video recording. As an alternative to expensive stacked CMOS sensors, it has high-speed performance.
At the same time, it is significantly smaller and lighter than the previous model, and the selling price, at least in North America, is cheaper. Furthermore, it has a high-resolution EVF and a tilt + vari-angle monitor, but the body size is close to that of the S5II.
Key points of Panasonic S1R II Test Results
- According to the Photons to Photos test results, NOISE REDUCTION is applied to RAW from ISO 6400 onwards, which results in higher test scores, but caution is advised if you value detail over noise. The results are very similar to DPReview’s studio scene test.
- On the other hand, unlike the previous model, which applied noise reduction even at base ISO, it seems that the noise reduction process is not applied at low ISOs. If you are shooting stars, etc., it seems that there will be no problem if you keep the ISO up to around 5000.
- While the peak values are lower than other high-resolution sensors, the difference in performance is not surprising, and in comparison, the results are better from ISO 6400 onwards (thanks to noise reduction).
| Maximum PDR |
Low Light ISO |
Low Light EV |
| S1RII |
11.08 |
8139 |
11.35 |
| S1R |
11.37 |
4522 |
10.50 |
| α7R V |
11.70 |
5244 |
10.71 |
| α1 II |
11.61 |
5768 |
10.85 |
| α1 |
11.36 |
5215 |
10.70 |
| R5 II |
11.45 |
4846 |
10.60 |
| R5 II ES |
10.92 |
4392 |
10.46 |
| Z 7II |
11.60 |
4157 |
10.38 |
| Z9 |
11.30 |
4144 |
10.37 |
- Please note that the DC-S1R only performs better where the noise reduction is performed on the RAW data.
Lumix S1R II Rolling Shutter Exposed: The 48p Trick You Need to Know
Panasonic Camera Registrations in 2025 – Upcoming Camera Model codes
This article, “Panasonic S1R II Dynamic Range Test Results – Photons to Photos,” was first published on TheNewCamera.com.
source www.photonstophotos.net
By admin, on March 25th, 2025
Panasonic S1H camera gets a firmware update, the main update is minor, the camera adds a popup message when using a Panasonic collapsible lens to alert users, and improves the overall stability of the response speed of the camera.
Click here to download the latest updates
Check the latest pricing of the used Panasonic S1H camera from B&H store with Warranty 90 Days
By admin, on March 25th, 2025
One of the best budget cameras to record 6K open-gate recording, earlier or when it was announced, there was a 4K 15-minute recording limit in the camera, and for which it was criticized at the time of announcement. But Panasonic listened to us, and on October 9, 2024, they released their first firmware update, version 1.1, and they removed the recording limit. Now, it does not have any recording limit in 4K 30fps mode or even in open-gate recording as long as your memory card isn’t full or the camera doesn’t face any kind of overheating issues.
But again, practically, the overheating performance of this camera is very good, and users are quite happy with the usage of this camera. Just keep in mind the camera is using the first generation of hybrid autofocus similar to what was used with the Panasonic S5, S5II, and S5IIX, so autofocus tracking is not on par with Canon and Sony cameras.
In the latest firmware update, version 1.3, they have again tried to optimize the overall operational speed of the camera. Additionally, they fixed a problem where when connecting to a Wi-Fi network, the password was always required. Now, it has become a one-time entry, so overall connectivity performance has been improved along with the operational speed of the camera.
Dlownload the latest Update from here
Details of the update
- Feature changes due to security enhancements
– When directly connecting the camera and smartphone via Wi-Fi, the connection has been changed to always require password authentication. (The [Wi-Fi Password] menu has been removed.)
– The [TKIP] encryption method is no longer supported when connecting to Wi-Fi via an access point.
– The [No Encryption] option in network authentication is no longer supported when connecting to Wi-Fi via an access point.
– The image transfer feature to PC via Wi-Fi has been removed. (Only European/Ukrainian models)
- Other improvements
– The startup speed when powering on has been improved.
– The operational stability has been improved.
Panasonic Major camera announcement in April 2025
Lumix S1R II Rolling Shutter Exposed: The 48p Trick You Need to Know
Panasonic Camera Registrations in 2025 – Upcoming Camera Model codes
This article, “Panasonic S9 Becomes Better with Latest Firmware Update Ver.1.3,” was first published on TheNewCamera.com.
By admin, on March 20th, 2025
Sony just posted an teaser of their upcoming Fullframe cinema camera announcement, as per the leaked image its visible its scaled-down VENICE expansion module on March 26, 2025,
More over this – Sony itself accicxently leaked upcoming VENICE Extension System in a video which was removed later, the image you see below is The VENICE Extension System Mini (model CBK-3621XS) has a built-in 8.6K full-frame CMOS sensor that retains the image quality of VENICE 2
 VENICE Extension System Mini Approximately 70% smaller than the VENICE Extension System 2 (image block volume ratio). Flexibility is built into every corner of the compact design. A slim, soft, detachable cable brings greater freedom to filmmaking, while also opening up XR content creation and stitching shooting. The PL mount adapter supports more lens selection and metadata recording. Assignable buttons and numerous mounting holes allow photographers to mount and shoot to their preferences. This compact system is ideal for handheld, gimbal, and POV shooting.
Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM, If you have time –>see more Sony Alpha Rumor
By admin, on March 18th, 2025
Let’s talk about the Nikon ZV camera. It’s a rumored camera that features the goodness of all the video core specs that we have already seen in the Nikon Z6 Mark 3, but it’s actually an extension of Nikon’s new videography cinema mirrorless line.
Nikon ZV / Z6V Rumor
As per the recent set of rumors we have from the rumor mill, Nikon is currently working on a video-oriented Z6 Mark 3 camera, which uses the same 24.5-megapixel sensor as now, and it has a body that looks very, very similar to the Sony FX3 camera. You can relate to that, or you can also relate to the Nikon Z30, which does not have an electronic viewfinder inside it. So, you can just imagine a full-frame variant of the Nikon Z30 using the Z6 III sensor.
Possible Naming and Branding
The name of the camera is actually not known yet, but we are calling it Nikon ZV. It may also be called Nikon Z6V at the time of announcement. The rumor mill is suggesting that Nikon may start its video-focused branding with the ZV name.
Nikon Z6 III Key Features
The Nikon Z6 III camera was launched in 2024, and the camera features a 24.5-megapixel stacked sensor, which offers approximately 3.5x faster readout speed compared to its predecessor. Due to that, and with the pairing of the Expeed 7 image processor, the camera is able to capture 6K 60 FPS RAW videos, and it can save internally at the same time. You can also record 4K 120 FPS with slight crop and Full HD videos per second, making it a perfect choice. At the same time, the upcoming ZV camera will have all the possible set of core specifications that we have already witnessed in this camera by extending it further.
Nikon ZV / Z6V Specification (Expected)
Core Imaging and Processing
- 24.5MP Partially-Stacked CMOS Sensor
- EXPEED 7 Image Processor
- Up to 20 fps Raw, 60 fps JPEG Shooting
- Blackout-Free, 5760k-Dot EVF
- 493-Point AF with AI-Based Subject Detection
Advanced Video Capabilities
- 6K 60p N-RAW, 6K 30p ProRes RAW
- 4K 120p, Full HD 240p Slow Motion Video
- Open Gate Recording
- 2x-anamorphic squeeze or custom aspect ratios.
- shutter angle control
- false color display,
- DCI-Spec Alignment
- Enhanced post-production stabilization, complementing 5-axis IBIS & electronic VR.
- Internal ND Filters
- Active Cooling System – Enables longer high-frame-rate video recording by preventing overheating.
Enhanced Audio and Connectivity
- 32-Bit Audio Support – Upgraded from 24-bit PCM, offering higher fidelity for post-production, plus line-in and XLR accessory compatibility.
- Multiple USB Ports & Improved Functionality – Two USB-C ports: one for data transfer, external recording, and power, and another for audio input
- Camera-to-Cloud Direct Connectivity – Seamless cloud integration for efficient workflow.
User Experience & Interface
- 3.2″ 4-Axis Tilting Touchscreen LCD
- Improved Video Interface
- CFexpress Type B & SD Memory Card Slots
Cinema & Professional Lens Compatibility
- Compatibility with Z Cine Lenses – Seamless integration with Nikon’s Z-mount cinema lenses.
Mounting Points for Accessories – Ergonomic design for video rigs and additional time code, time-lapse, and dual-format recording support.
Nikon’s Acquisition of RED and Its Impact
Nikon’s acquisition of RED was done in 2024. Now, we also have Nikon Z-mount-based RED cinema cameras—the RED Raptor and the RED Komodo. Nikon engineers are now working in power with the RED team to ensure the future of RED cameras, as well as integrating the best cinematography features possible for the new-age mirrorless camera, which is directly coming from the RED core development program.
RED Technology Integration in Nikon ZV
So, the upcoming camera will have some RED tech inside, possible enhancements from RED could include:
- Deeper integration of RED’s color science for nuanced color reproduction.
- Support for professional formats like Redcode RAW.
- Enhanced connectivity, such as XLR inputs and SDI outputs.
- Robust build quality for harsh shooting conditions.
- Improved thermal management for extended recording.
These enhancements aim to align the camera with RED’s cinema-grade capabilities
Expected Release Timeline
The camera is expected to arrive sometime in Q3 or Q4 of 2025, and if we get any updates related to the same, we will be posting them here at TheNewCamera.com.
Latest Post
📢 Article “Nikon ZV Latest Rumors, Specifications and Arrival Date” Published on: March 18, 2025
📝 By: The New Camera Editorial Team Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM, to get get Camera News + Nikon Rumors 24X7
source nikonrumor.com
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