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By admin, on March 10th, 2025
If you are searching for the best budget wildlife lenses for Nikon Z1 in 2025, you have reached the right place, and believe me, you don’t need a fat wallet to capture amazing or jaw-dropping shots of a deer or an elephant with your Z camera.
See, it doesn’t actually depend on whether you are using a Nikon Z50 camera or even a Nikon Z30 or maybe a Z6 Mark II or Z9 camera. The affordable telephoto lenses that we have listed in this guide can deliver the reach as well as the sharpness you crave without paying the premium price tag.
This guide was updated on March 10, 2025, and carries all the best top budget-friendly Nikon Z-mount lenses for wildlife photography, which also includes the ultra-popular entry-level DX 50-250mm lens. It also includes the native Tamron 70-300mm lens and the long-reaching Tamron 150-500mm, plus a bonus spotlight for the Nikon 180-600mm. This is the ultimate guide for the Nikon Z wildlife lens lineup.

1. Best Budget Native Zoom Lens: Nikkor Z DX 50-250mm f/4.5-6.3 VR
- Price: ~ $350 [ Amazon.com – B&H ]
- Focal Length: 50-250mm (75-375mm equivalent on APS-C)
- Aperture: f/4.5-6.3
- Weight: 405g (14.3 oz)
Why It’s the Top Budget Pick:The Nikkor DX 50-250mm f/4.5-6.3 VR is the king of budget wildlife photography lenses for the Nikon Z-mount APS-C cameras like the Nikon Z30, Z50 Mark II, or even the Zfc. The lens costs only $350, which is a steal, stretching to an effective focal length of 75-375mm when the 1.5x crop factor is applied. So with this budget lens over the Z50 body or the Zfc body, you are getting a 400mm equivalent reach of a full-frame camera.
This lens also features 5 stops of vibration reduction (VR) to ensure that the images you capture are tack-sharp even when shot while holding the camera in your hand. The overall handling experience is great since the weight of the lens is only 400 grams, helping you shoot for longer hours without experiencing physical strain.
However, after using it for a while, I can say that you may get soft corners at 250mm, but apart from that, its performance is outstanding. So, for beginner APS-C shooters who are seeking the best budget wildlife lens for Z-mount cameras, this is an unbeatable choice.

2. Best Budget Mid-Tier Native Lens: 70-300mm f/4.5-6.3 Di III RXD
- Price: ~$700 USD [B&H Store and Amazon.com]
- Focal Length: 70-300mm (105-450mm equivalent on APS-C)
- Aperture: f/4.5-6.3
- Weight: 545g (19.2 oz)
Why It’s a Steal Deal for You: The Tamron 70-300mm f/4.5-6.3 Di III RXD brings the benefits of a native Z-mount brilliance to wildlife photography for under $700.
We all know Tamron makes Nikkor-branded lenses, including the 28-75mm f/2.8 RXD, the ultra-popular lens for wedding photographers. That said, the 70-300mm lens operates very similarly to a native mount lens.
With a 70-300mm range, you are effectively getting a 105-450mm equivalent focal length on a DX-format body, making it ideal for capturing large animals and sometimes birds when they are close to you. The lens is weather-resistant but lacks inbuilt optical image stabilization. The overall weight of the lens is 545 grams, making it very portable.
If you are using this lens with your DX-format body, it’s highly recommended to have a hybrid monopod with you to get stable and clear shots. The biggest advantages of this lens are its minimal fringing and compatibility with full-frame cameras, making it a top contender among affordable Nikon Z wildlife lenses for both full-frame and APS-C cameras.

3. Best Budget 3rd Party Telephoto Lens: Tamron 150-500mm f/5-6.7 Di III VC VXD
- Price: ~$1,200 USD [ B&H Store | Amazon.com]
- Focal Length: 150-500mm (225-750mm equivalent on APS-C)
- Aperture: f/5-6.7
- Weight: 1,725g (60.8 oz)
Why It’s the Reach King: We have termed this lens as the “Reach King” since the Tamron 150-500mm f/5-6.7 Di III VC VXD is the best budget 3rd-party lens for Nikon Z-mount wildlife shooters who really need serious telephoto capability.
Just imagine—if you put this lens on a DX body, which costs approximately $1,200, it will give you an equivalent focal length of somewhere around 225-750mm. So, if you are into bird photography, this lens on a DX body will deliver phenomenal results.
The VXD autofocus locks on very fast, and the lens features 4 stops of vibration compensation, allowing you to take handheld shots at 500mm. In terms of sharpness, it is quite sharp throughout the zoom range, but the aperture demands a good low-light body, which we already have in the Z-mount lineup, starting from the Z50 to the Zfc.
Due to its construction, made for full-frame mounts, you can also use this lens on Nikon Z6II, Z7II, and Z8 bodies. The weather-sealed, tripod-ready lens weighs approximately 1.7 kg, making it a game-changing budget wildlife lens for Nikon Z-mount enthusiasts craving pro-level reach.

4. Bonus Budget Mega Zoom: Nikkor Z 180-600mm f/5.6-6.3 VR
- Price: ~$1,700 USD [B&H Store – Amazon.com]
- Focal Length: 180-600mm (270-900mm equivalent on APS-C)
- Aperture: f/5.6-6.3
- Weight: 1,955g (69 oz)
Why It’s Worth the Extra Cash?: If you want to stretch the budget, then we have an amazing option for you—the Nikkor Z 180-600mm f/5.6-6.3 VR, the ultimate wildlife lens for Z-mount in 2025. At $1,700, its price is higher, but still a steal compared to $3,000 lenses offering the same focal length.
Since we are making a budget guide, we are keeping the best possible lenses with a reasonable price tag and maximum focal length. When used with a DX crop body, this lens provides an effective focal length of 270-900mm.
The lens also features 5.5 stops of optical image stabilization, allowing you to take some handheld shots. Although the lens is quite heavy, it’s always recommended to have a tripod or monopod with you. The STM motors inside this lens work very fast and deliver blazing-fast autofocus.
The sharpness of this lens is excellent from end to end, and it is a weather-sealed internal zoom lens built for professional use. For Nikon Z shooters who are ready to invest in this lens, it truly redefines affordable wildlife photography with unmatched versatility.
Budget Nikon Z Wildlife Lens Comparison Table
Lens |
Price |
Focal Length (APS-C) |
Weight |
Best For |
Nikon Z DX 50-250mm VR |
$350 |
75-375mm |
405g |
APS-C, Beginners |
Tamron 70-300mm RXD |
$700 |
105-450mm |
545g |
Full-Frame, Mid-Tier |
Tamron 150-500mm VC VXD |
$1,200 |
225-750mm |
1,725g |
Long Reach, Hybrid |
Nikon Z 180-600mm VR (Bonus) |
$1,700 |
270-900mm |
1,955g |
Serious Enthusiasts |
Why These Are the Best Wildlife Lenses for Nikon Z-Mount
Unlike the costly options flooding list of other lists or websites, these handpicked lenses prioritize affordability without compromising on wildlife-ready features.
- Native Z-Mount Advantage: With all the lenses I have recommended here, no adapters are needed. These lenses, including the Tamron—are built for Z-mount, ensuring seamless integration with the mount and flawless autofocus with the camera.
- Reach Meets Value: Now, we have lenses ranging from 375mm to 900mm in full-frame equivalence, giving you incredible reach without breaking the bank.
- Real-World Tested: Each handpicked lens balances cost, portability, optical quality, and all the possible setup features that a user can get within this specific price range.
Which Budget Nikon Z Lens Should You Pick?
- Nikon Z DX 50-250mm f/4.5-6.3 VR ($350): This is best for APS-C beginners who need a cheap, lightweight starter.
- Tamron 70-300mm f/4.5-6.3 Di III RXD ($700): Perfect for full-frame as well as APS-C users wanting native versatility.
- Tamron 150-500mm f/5-6.7 Di III VC VXD ($1,200): Ideal for long-reach shooters / birdographers on a budget.
- Nikon Z 180-600mm f/5.6-6.3 VR ($1,700): The splurge for pros on a (relative) budget.
Beat the Premium Price Trap in 2025
Why spend $3,000 when these budget wildlife lenses for Nikon Z-mount are available and even deliver excellent results? You can pair these lenses with the Nikon Z50, the recently announced Nikon Z63, or the Z8 camera and shoot nature’s wonders flawlessly – without any major financial trouble.
This guide is updated for March 2025, and this list outshines broader guides by focusing on your wallet and wildlife goals.
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By admin, on March 7th, 2025

According to the latest rumors surfaced on the web by a reputed rumor mill, the Nikon Z5 II will be released in May 2025.
From our previous information, the Nikon Z5 II camera is coming in the Summer months of 2025. Now we have a bit more clarity over that. According to the rumor from NikonRumors.com, the camera is coming in the month of May 2025.
What we know so far about the Nikon Z5 Mark II
- First of all, the camera comes with the Nikon Zf 24.5-megapixel full-frame BSI CMOS sensor and Expeed 7 image processor, with improved video recording downsampled from full resolution at 4K 30 FPS, 4K 60 FPS in DX mode, and full HD video recording up to 120 frames per second.
- It has also been suggested that it will have an upscaled 5-axis image stabilization system.
- Now, what we have already seen in the Nikon Z5 is that we will be getting a professional body with a good and large hand grip, all the professional controls that we have already enjoyed in the original Nikon Z5 version, as well as the presence of dual card slots (UHS-II SD).
- Apart from all these features, the Nikon Z5 Mark II camera will also gain USB charging capabilities so you can charge on the go, while also enhancing Bluetooth and Wi-Fi connectivity, as well as live streaming capability for the convenience of modern-day users.
Nikon Z5 Mark II Price
- The price of the Nikon Z5 Mark II camera is expected to be around $1499 (approximate figure), and that is said to be the announcement price of the camera.
This is the information we have known so far. Now, let’s organize it in a table and list the specifications of the Nikon Z5 Mark II camera.
Nikon Z5 Mark II Specifications
Feature |
Specification |
Sensor |
24.5MP Full-Frame BSI CMOS Sensor |
Processor |
Expeed 7 Image Processor |
Video Recording |
4K UHD 30p / Full HD 120p, 1.5x 60p with crop |
Autofocus |
273-Point Hybrid AF with Eye and Animal Detection |
Image Stabilization |
5-Axis In-Body Image Stabilization |
Viewfinder |
Bright 3.69M-Dot OLED Electronic Viewfinder |
Display |
3.2″ Tilting Touchscreen LCD |
Memory Card Slots |
Dual UHS-II SD Card Slots |
Connectivity |
Built-In Wi-Fi and Bluetooth Connectivity |
Charging |
USB-C Charging and Power Delivery Support |
Nikon Z5 vs. Nikon Z5 Mark II (Early Comparison)
It is still an early comparison, but it is exciting to see the new features we will be getting.
Feature |
Nikon Z5 (Official) |
Nikon Z5 II (Rumored) |
Sensor |
24 MP, full-frame, non-BSI CMOS |
24.5 MP, full-frame, BSI CMOS |
Processor |
Expeed 6 |
Expeed 7 |
ISO Range |
Auto, 100-51200 (expands to 50-102400) |
100 to 51,200 (Extended: 50 to 204,800) |
Image Stabilization |
5-axis sensor-shift |
5-axis sensor-shift |
Autofocus |
273-point hybrid AF, eye and animal detection |
273-point hybrid AF, eye and animal detection |
Continuous Drive |
4.5 fps |
Not specified, likely to be improved |
Video Capabilities |
4K30p with 1.7x crop, Full HD 60p/50p/30p/25p/24p, MPEG-4, H.264 |
4K30p, 4K60p with 1.5x crop, Full HD 120p, N-Log, 10-bit HDMI out |
Viewfinder |
3.69M-dot OLED |
3.69M-dot OLED (assumed, no change rumored) |
Screen |
3.2″ tilting touch panel, 1.1 million dots |
3.2″ tilting screen (assumed, no change rumored) |
Storage |
Dual UHS-II SD card slots |
Dual UHS-II SD card slots |
Connectivity |
Built-in Wi-Fi and Bluetooth |
Built-in Wi-Fi and Bluetooth (improved) |
Metering Modes |
Multi, Center-weighted, Highlight-weighted, Spot |
Not specified, likely similar |
Exposure Compensation |
±5 (at 1/3 EV, 1/2 EV steps) |
Not specified, likely similar |
Uncompressed Format |
RAW |
RAW (assumed, no change rumored) |
JPEG Quality Levels |
Fine, normal, basic |
Not specified, likely similar |
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source – NR.com
this post was updated on March 25, 2025 – By thenewcamera.com team
By admin, on March 5th, 2025

Panasonic Camera Registrations in 2025 – Upcoming Camera Model codes of Panasonic full-frame and Micro four third format cameras, take a look below at the key points of the article
Key points of the article
- From the beginning of the year, Panasonic has registered approximately four cameras in the wireless application agency P2307, P2303A, P2305A, and P2306A
- It seems like the registered model code P2307 is the Panasonic S1R Mark II camera.
- After doing a little bit of research, we have found that the Panasonic P2303A could be the upcoming Panasonic S1H Mark II camera.
The registered model codes Panasonic P2305A and P2306A are less certain in terms of being a full-frame camera, so it can be any of the models, including the Lumix LX100 Mark III or a G series model.
Panasonic P2303A – The Panasonic S1 H II
Panasonic registered the P2303AA camera in DEC 2024. It is believed that the 2303A is the S1H Mark II camera, the camera is dedicated to SPEED and not Resolution, just like we have the A7 series in Sony, and we have already seen the high-resolution sensor update from Panasonic the S1R II recently, now it is time for the S1 H Mark II.
Panasonic Confirms they are working on S1H Mark II
Now, in a recent post, we have published an acknowledgment from the Panasonic developer team that they are working on the S1H Mark II camera. After the announcement of the Panasonic S1R Mark II, the next full-frame camera to be announced is the S1H Mark II.

Panasonic P2306A and P2305A – LX100 III and more…
We are confirmed by the nature of product registration that both of the model codes are mentioned. the P2306A and the P2305A are MFT sensor-based updates, potentially one of them is the LX100 Mark II successor, the LX100 III camera expected to feature 25.2MP Live HYBRID MOS Micro Four Thirds Sensor from the G9 Mark II & GH7 camera. The other model could be a major update to the Panasonic entry-level line, the G100 II, so we have a huge range of possibilities let’s cross our fingers and wait for good news.
Here is a table summarizing the Panasonic camera model codes based on the provided information:
Model Code |
Camera Model |
Sensor Type |
Status |
Expected Features / Notes |
P2307 |
Panasonic S1R Mark II |
44.3MP Full-Frame |
Announced |
High-resolution full-frame camera |
P2303A |
Panasonic S1H Mark II |
24MP Full-Frame |
Confirmed |
High-end video-centric full-frame camera |
P2305A |
Panasonic LX100 III |
25.2MP MFT (Live Hybrid MOS) |
Confirmed |
Successor to LX100 II, likely compact MFT |
P2306A |
Panasonic G100 II / Entry-Level Model |
MFT Sensor |
Unconfirmed |
Potential update to G100 series |
Conclusion
So, if we sum up all the information, then the Panasonic P2307 is the S1R Mark II camera, which has already been announced and features a 44.3-megapixel full-frame sensor. Now, the next camera on the list is the P2303A, which is expected to be the Panasonic S1H Mark II camera with a 24-megapixel sensor. These two models are almost confirmed. Apart from these two, we do have confirmation from Panasonic itself that they are working on a fixed-lens MFT model camera.
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source E888
By admin, on March 5th, 2025

Panasonic LX100 Mark III and Panasonic S1H Mark II camera are coming, as well as a telephoto lens is also coming, so let’s explore the type of information we have related to all these, starting from the key points of this article.
Key points of this article
- Panasonic Confirms Development of a Fixed-Lens Compact Camera
- Panasonic is Developing New Telephoto Lenses
- Successor of the Panasonic S1H Camera in Development
The Lumix LX100 series was started by Panasonic in 2014, and it has been one of the most favorite cameras among professional photographers. It offers a 24-75mm equivalent Leica high-quality lens. The LX100 Mark II camera was released in 2018 with a 17-megapixel Micro Four Thirds format sensor.
As per reports, the LX100 II series line was discontinued by Panasonic Japan back in 2022 [source]. The reports at that time suggested that Panasonic was shifting its entire focus toward the development and announcement of mirrorless cameras.
Panasonic LX100 III Confirmation
The interviews, conducted with Panasonic managers , By a Chinese photography site, siad they are working on fixed lens compact camera, highlight the company’s response to a recovering fixed-lens camera market.
Now, as of March 4, 2025, based on recent interviews with Panasonic representatives, without specifically taking the name of the LX100 Mark II camera successor, they have confirmed in the interview that they are working on a fixed-lens compact camera, and it is under development.
Panasonic S1H Mark II
An interview video with Panasonic’s Matt Frazer has been released on the CineD YouTube channel. The interview itself confirms the development of the Panasonic S1 H II camera
(What about the Lumix S1HII?)
The successor to the S1H will come out eventually, but there is a development order to it, and it made sense to start with the successor to the S1R, since the sensor was already ready.
(Will there be more LUMIX products this year?)
Of course, we are working on future camera developments, and new products will be released in the future. I can’t really comment on the specific timeline, but I believe that many people will be satisfied with the new products that Panasonic will release. source CINED
Panasonic Confirms High-End L-Mount Telephoto Lenses
Upcoming L-mount lenses will have a focal length exceeding 300mm. That’s a clear indication that more and more high-end L-mount lenses are coming alongside the announcement of the S1H Mark II camera, which is focused on speed over resolution.
Rumors of a Panasonic Camera Inspired by Leica Q3
Prior to CP+ 2025, there were some rumors that Panasonic may announce a camera that is very similar to Leica Q3, possibly inspired by its design while having almost the same core specifications. However, at the same time, we cannot deny the possibility of a full-frame compact camera from Panasonic.
Upcoming Cameras and Lenses Confirmed by Panasonic
To organize the findings, here’s a table summarizing key points:
Aspect |
Details |
Fixed-Lens Cameras |
Confirmed in development, possibly an LX100 successor, with no specific release date. |
Telephoto Lenses |
Need to be acknowledged, R&D increased, focus on full-frame >300mm, L-mount alliance collaboration. |
S1H Successor |
In development, targeting professional video, potential 8K features, no launch date. |
Market Insight |
Fixed-lens market recovering, young interest in retro CCD style noted. |
Conclusion: Panasonic’s Future Developments
So, the conclusion is that, based on the CP+ 2025 interviews, Panasonic is very actively working on the research and development of a fixed-lens compact camera as well as the Panasonic S1H Mark II camera. They are also focusing on high-quality L-mount telephoto lenses with enhanced video capabilities. We will update you as soon as we get any new information related to these developments.
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By admin, on March 2nd, 2025

What’s next from Nikon specifically in F1.2 lenses? Matt Irwin Photography, we have some gaps in the wide range and the tele range, although we do have lenses like:
We already have lenses like Nikon 50mm, 85mm, and the recently announced 35mm F1.2 lens. [check Nikon F1.2 Lenses at B&H Store and Adorama]
So the next upcoming lenses should be 24mm F1.2, maybe 28mm F1.2 (28mm is less likely to happen), and finally the 105mm F1.2 S. Yes, we do have the micro edition of 105mm F2.8, but not the portrait one with an F1.2 aperture.
Once the lineup is complete, Nikon will have an elite series of F1.2 lenses for the desired bokeh. Not limited to that, we will see some additions to the Noct lenses shortly.
source Matt Irwin Photography
Nikon added Shutter angle and Waveform Monitor in Nikon Z6 III and Nikon Z8
List of Camera and Lenses Announced in CP+ Show 2025
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By admin, on February 28th, 2025

According to the latest coming from rumor mill, the Sony A75 camera has been delayed. Earlier, it was expected sometime in April 2025, but the recent information coming from trusted sources of the rumor mill suggests the camera will arrive sometime in late 2025.
The exact reason is not known yet, take a look at what the sources of the rumor mill said about the dealy
Source 1
The Sony A7V is ready but Sony is waiting for Canon R6III to make the first pricing move in this segment, and are willing to postpone the A7V launch if they have to.
Source 2
The Sony A7v will be delayed, unfortunately a lot.
It could be so bad that it won’t come until the end of the year, late autumn at the earliest. This is information I have received from the depths of Sony.
Source 3 (trusted source):
Sony is still having problems producing enough Sony A1II cameras. This is also a reason why they are waiting with the launch of the new A7V. The production of the A1II should reach the targets by the end of March/April.

Sony A7S IV announcement this year
Now finally, one more important piece of information related to the upcoming camera—Sony will be announcing the A7S IV camera this year, and that’s the hint that we have received from the rumor mill. It’s not the A7R6 or the A75, which has been delayed, of course. We already have updates on the Sony A93 camera recently, which is not too old with a newer Global sensor and advanced processing power.
The only leftover series that actually needs an URGENT update in the consumer-level mirrorless lineup of cameras is the Sony A7S series, which has been continuously ignored and is still waiting for an update. So, we are expecting the arrival of the A7S4 this year. We will keep you updated as soon as we get any new information related to the upcoming camera.
Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM, If you have time –>see more Sony Alpha Rumor
source sonyalpharumors.com
By admin, on February 27th, 2025

Due to the growing pressure of Panasonic’s recent camera announcement, models like S5, S5IIX, and S1R II intensifying the market competition with built-in professional video graphics features like an anamorphic de-squeeze setter, angle waveform, and a lot of features that professionals in videography would love to have in their cameras. But again, they also have some limitations, like the first generation of hybrid autofocus system, which is not as good as the other brands. But, the recent set of feature upgrades announced by Nikon for the Nikon Z6 III and Z8, give us a clear hint that Nikon is consdering Lumix as their main competitor, and upscaling their camera features o match or surpass Panasonic’s advanced videography capabilities, catering to both professional filmmakers and hybrid shooters.
Nikon’s Interest in Cinematography
We all know that Nikon is now more interested in cinematography since it acquired the RED camera division. It is a bit more serious about filmmaking and enhancing videography for cinematographic features in its consumer professional mirrorless cameras.
Nikon’s Recent Firmware Update
In addition to that, in a recent firmware update, Nikon has updated the N-Log of the Z6III, reducing noise in the dark areas of N-Log videos. They have mentioned this in the recent update, so it’s a kind of major update that UPSCALES the N-Log video recording of the Z6III camera.
Shutter Angle and New Features in Nikon Z6III & Z8
Apart from this major update, 15 steps of shutter angle from 5.6 degrees to 360 degrees have been added in the Z6III and Nikon Z8 cameras.
Apart from these two major updates, a lot of various custom control settings have been added, like selecting the color of the zebra pattern that includes black, grey, red, green, blue, etc. A waveform monitor—which was not available in the previous generation of their cameras—has also been added.
At the same time, high-resolution lossless zoom has also been added. If you are creating your videos and experimenting with your FX camera, then the digital high-resolution lossless zoom feature is available to you.
Download the latest Nikon Z6 III firmware update
Download the latest Nikon Z8 Firmware update
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