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By admin, on September 20th, 2022
Again one more re-branded lens? So, it looks like Nikon is in the mood to announce Tamron’s most popular Trio Lenses under its name. Now we are waiting for the third one the Tamron 70-180mm F2.8 VXD under the NIKKOR brand.
Just as Nikon did with its Nikkor Z 28–75mm F2.8 lens, which appeared to be reworked and rebadged Tamron 28-75mm f/2.8 Di III VXD G2 lens, this Nikkor Z 17-28mm F2.8 seems to essentially be a ‘Nikonized’ version of Tamron’s 17-28mm f/2.8 Di III RXD lens. dpreview
The Nikkor Z 17-28mm F2.8 will be available ‘in late October 2022’ for an MSRP of $1,200.
Get this lens from B&H Store
Nikon 17-20mm F2.8 Press release
Wide, bright and super-light: Get more of the Story with the new
NIKKOR Z 17-28mm f/2.8
Capture the Big Picture with Nikon’s Latest Affordable f/2.8 Zoom Lens
MELVILLE, NY (September 20, 2022) Nikon Inc. has announced the NIKKOR Z 17-28mm f/2.8, the latest addition to the growing selection of extremely-capable and very affordable f/2.8 zoom lenses. This new full-frame lens combines the versatility of an ultra-wide angle of field view with the benefits of large fixed aperture, putting low light performance and gorgeous bokeh within reach.
“The amount of NIKKOR Z lenses continues to increase at a rapid pace, giving all kinds of creators mirrorless lenses built with the latest in optical innovation,” said Jay Vannatter, Executive Vice President, Nikon Inc. “The new NIKKOR Z 17-28mm f/2.8 is derived from the same mutual concept as the recent NIKKOR Z 28-75mm f/2.8 lens, establishing a series of affordable zooms that open a gateway to fast-aperture performance and absolute versatility.”
The NIKKOR Z 17-28mm f/2.8 is a lens for storytellers, captivating the viewer with vast landscapes, grand interiors or enveloping their senses with the starry night sky. The combination of the ultra-wide angle perspective and bright constant f/2.8 aperture liberates the creator, turning everyday scenes into impressive images and videos that grab the viewers’ attention or establish the scene. This wide aperture not only enhances the lens’ low light performance, but also creates a gorgeous out-of-focus area to make the subject pop. Scenes that were previously difficult to photograph are easier than ever to capture in vibrant detail, such as a packed dance floor at a wedding reception or a backlit subject within a cityscape.
The new NIKKOR Z 17-28mm f/2.8 is ready to go anywhere. This extremely lightweight and portable lens weighs in at only 450 g (15.9 oz), which is approximately 30% lighter than the NIKKOR Z 14-24mm f/2.8. It’s also lighter and more compact than the NIKKOR Z 14-30mm f/4 lens, and uses a 67mm threaded mount for circular polarizers or neutral density filters. The lens’ minimal weight and internal zooming make it easy to pack or carry anywhere, and create an ideal partner for gimbals since the balance of the lens never changes.
The lens is constructed for creators who aren’t afraid to go off the beaten path in pursuit of their content. The entire lens is sealed to prevent entry of dust and water droplets¹, while the front element features an antifouling coating which makes it easy to wipe away dirt, smudges and fingerprints. The NIKKOR Z 17-28mm f/2.8 puts an emphasis on sharpness, utilizing an optical formula that employs a Super ED glass element for maximum image quality at all focal lengths.
Autofocus speed is blazing fast, thanks to the use of a high-speed stepping motor (STM), working seamlessly with Nikon Z mirrorless cameras to acquire critical focus on faces and eyes within the frame. The STM is also nearly silent, significantly reducing drive noise during video recording. Video content creators will especially appreciate the minimized focus breathing and click-less control ring for smooth exposure transitions. For additional versatility in photos and video, minimum focus distance is a mere 7.56 inches (0.19 m)², letting users get close-up for products and beauty shots with a magnificently blurred background.
Pricing and Availability
The new NIKKOR Z 17-28mm f/2.8 will be available in late October 2022 for a suggested retail price of $1,199.95*. For more information about the latest Nikon products, including other NIKKOR Z lenses and the entire collection of Z series cameras, please visit nikonusa.com.
By admin, on September 20th, 2022
According to the latest rumor, Tamron 17-28 MM Lens Coming for Z Mount, and DX 12-28mm Lens is expected to arrive on the same day. Stay tuned, We will publish more information about both upcoming lenses soon.
The information was first leaked by the how2fly Twitter handle.
Also, see – Nikon Upcoming Camera Roadmap and Multiverse of…
Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM to get live news + Nikon Rumors
By admin, on September 17th, 2022
Creative image of upcoming Sony FX30 Camera
According to the information we have gathered, Sony could announce the FX30 around September 28th (the date varies by region). Please look forward to it. The specs of the FX30 are as follows.
The camera is rumored to feature a 26 MP CMOS sensor and 4K video recording at 40fps.
We know if Sony is making a cinema camera, we would expect at least 6K resolution from a 26MP sensor, and open gate video recording and timecode functionality.
Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM, If you have time –>see more Sony Alpha Rumor
source SAR.com
By admin, on September 16th, 2022
Finally, a very tough competitor for the Canon R7 camera coming, the Nikon Z90 is said to feature a stacked CMOS Sensor instead of FSI or BSI to deliver the MAX speed possible in burst mode and without any rolling shutter effect.
Nikon Z90 Arrival Date
According to the leaked roadmap of Nikon’s upcoming cameras. The Nikon Z90 is rumored to arrive in the month of March 2023.
Nikon Z90 Early Specification
As per the above roadmap, the camera you can see the camera is expected to arrive DX format Stacked CMOS sensor and a 6K video recording capability.
We will post an update as soon as we get any new information
Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM to get live news + Nikon Rumors 24X7
By admin, on September 15th, 2022
The above is a screenshot of Nikon’s upcoming cameras roadmap leaked by Nikon Rumor Mill. If we believe the above, The Nikon Z6 mark III and Nikon Z7 Mark III announcement should happen in Sep 2022. And the Nikon Z7 mark III will also have the ability to record 8K videos.
At the same time, Twitter handles such as how-to-fly claimed in the past that Nikon Z6 Mark III or Nikon Z7 Mark III camera was coming this year. Only Z8 will arrive.
Nikon Upcoming Models 2023
- Nikon Z90 – APS-C flagship| Stacked APS-C Sensor | 6K | Arrival 2023 March
- Nikon Z5 Mark II | 2023 Jan
- Nikon Z50 Mark II | Oct 2023
- Nikon Z8 | March 2023
- Nikon Z6 Mark III & Z7 Mark III |Sep 2022
Z6 Mark III & Z7 Mark III OR Nikon Z8 in Sep 2022?
The rumor mill is only talking about Nikon Z8 camera in the leaked roadmap which is said to arrive in the month of March 2023, but in the same roadmap Z6 Mark III and Z7 Mark III is also mentioned with the announcement date of Sep 2022, but no one is talking about them. Why?
PS: The Nikon Upcoming Camera Roadmap says the Nikon Z5 uses a BSI CMOS sensor, which is false. The Nikon Z5 Camera uses an FSI Sensor. So, from the nature of information we are getting from this isn’t 100% accurate and the lens road-map is old (made before the announcement of the Nikon Z5 camera.)
I will post an update soon as it will become available to us
Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM to get live news + Nikon Rumors 24X7
Source Nikonrumor.com | Howtofly
By admin, on September 15th, 2022
DJI Osmo Action 3 Finally announced by DJI – Son finally we have a new and very strong contender against the HERO 11. The new camera features DJI’s RockSteady 3.0 technology, which reduces camera shake in all directions with footage up to 4K/120p. HorizonBalancing and later more firmware updates will arrive to upscale the IS performance of the camera. The camera uses a 1/1.7 (7.4 x 5.6mm) sensor module that can capture 4K video at up to 120 frames per second (fps).
DJI Osmo Action 3 Press Release
DJI Unleashes Osmo Action 3 To Capture Moments Beyond the Edge
Osmo Action 3’s Extreme Battery and native support for vertical shooting empower users for their biggest adventures
September 14, 2022 – DJI, the world’s leader in civilian drones and creative camera technology, today introduces Osmo Action 3, the most powerful and content-friendly action camera DJI has ever made. With a battery that empowers users through the most extreme conditions and native vertical shooting for a new perspective of creative freedom, Osmo Action 3 is one of the most versatile, robust, and reliable action cameras available today.
“Ever since we released the original Osmo Action in 2019, we have been continuously inspired by the stunning footage captured with it,” said Paul Pan, Senior Product Line Manager at DJI. “As our users keep pushing further, moving faster, and diving deeper, our mission is to provide a device built to keep up with them. Every new feature made Osmo Action 3 the most reliable, tough, and easy-to-use action camera. We can’t wait to see what our users create when they push their limits with Osmo Action 3.”
A Battery for the Extreme, and More
Osmo Action 3 was designed as a single solution for capturing an active lifestyle, no matter how adventurous. This all starts with a 1770mAh Extreme Battery that lets the camera record for up to 160 minutes.¹ It also handles temperatures as low as -20° C (-4° F),² and charges from 0-80% in as little as 18 minutes and 0-100% in 50 minutes³, thanks to native fast-charging support, a first for action cameras. The Osmo Action 3 Extreme Battery comes with Osmo Action 3 by default; no separate purchase is required.
Adventures, Now Vertical
A world driven by social media needs a vertical-first way to capture compelling action – and Osmo Action 3 goes full send. The camera has a built-in mounting system that instantly and securely clips the camera to handlebars, helmets, and more, optimizing the quick-release system first seen in Action 2 by adding notches for a locked-in, impact-resistant hold. A new Horizontal-Vertical Protective Frame brings this quick-mounting technology in a vertical orientation, perfect for social media platforms.⁴ With a tight, reliable hold that withstands bumps, tumbles, and breaking waves, Osmo Action 3 keeps you and your most extreme moments in a perfect frame.
A Dynamic Imaging Powerhouse
Osmo Action 3 is packed with bleeding-edge hardware and software to keep up with your dynamic lifestyle. Its 1/1.7-inch imaging system shoots in 4K/120fps⁵, provides a 155° super-wide FOV, and films smooth footage with a world-class EIS suite. An improved heat management system enables continuous 4K/60fps recording until the battery runs out of power, solving the overheating issue common to many other action cameras.⁶ D-Cinelike Color Mode is available in video, slow-motion, and timelapse modes for those looking for more room to edit in post-production.⁷ And for those willing to dive deeper, Osmo Action 3 is waterproof at depths of up to 16 meters without needing any additional housing.
Steady and Smooth Footage with RockSteady
Osmo Action 3 builds on DJI’s legacy of innovative image stabilization that has transformed cinematography and aerial photography. For a multitude of dynamic shooting scenarios, Osmo Action 3 has three distinct electronic image stabilization options:
- RockSteady 3.0 effectively eliminates camera shake in all directions. It works up to 4K/120fps, providing a stable and immersive first-person perspective. This is the ideal stabilization for sport-specific scenes like bike riding, and on-the-go handheld filming.
- HorizonSteady helps to eliminate camera shake in all directions and even horizontally corrects tilt at any angle. That means footage can remain horizontally level, even through heavy bumps and 360° rotations, creating the effect of a perfect horizon without any post-production, even in off-kilter pursuits like surfing.
- HorizonBalancing corrects the tilt horizontally within ±45° and supports recording stable 4K/60fps videos. A perfect middle ground between RockSteady and HorizonSteady, this mode is ideal when the priority is a smooth 4K picture in a dynamic environment, such as an FPV obstacle course run.
Be Seen and Heard, Loud and Clear
Osmo Action 3 is more than a rugged camera for high-intensity action; it’s also the perfect camera for vloggers and streamers alike. Osmo Action 3 is the first action camera with dual touchscreens, letting users access settings from any angle while keeping the camera in perfect position. Three-mic stereo recording reduces wind noise and boosts the audio quality of the footage. Wi-Fi Livestream supports 1080p/30fps, 720p/30fps and 480p/30fps, and pausing recording during the stream. UAC/UVC Webcam support offers high-quality video and audio for conference calls and livestreams.
Additional Features
- Shutter/Record Button & Quick Switch Button offers immediate recording and instant mode switching.
- Quick Switching Between Five Custom Modes gives access to user-created camera modes at the touch of a button.
- Multifunctional Battery Case stores three batteries and two microSD cards, intelligently fast charges three batteries, and can be used together with those batteries as a power bank to charge other devices like your smartphone.
- Voice Prompt informs users of current modes without needing to unmount the camera.
- Voice Control recognizes voice commands with a high recognition rate to control the camera when hands are busy.⁸
- InvisiStick for Skiing recognizes and digitally hides the selfie stick in snowsport situations.⁹
- 1.5m Drop Resistance from Corning Gorilla Glass for the touchscreens and lens cover.¹⁰
- Timelapse with low-power consumption, preset for common scenarios (crowds, clouds, sunset), and dynamic timelapse video stabilization for smooth exposure and color temperature changes.
- Digital Lens shoots in Standard (Dewarp), Wide, and Ultra-Wide for all shooting modes.
- Digital Zoom of up to 4x can be adjusted while recording for better image composition.
- DJI Mic Compatibility via the Type-C port, and external mics via 3.5mm to Type-C cable.
- Loop Recording for continuous recording and overwriting according to a preset time.
DJI Mimo and LightCut: Two Ways to Create
Osmo Action 3 connects with the DJI Mimo smartphone app via Wi-Fi or Bluetooth for even more functionality, including a live feed of the camera, various story templates, quick in-app editing, and more.¹¹ In addition, the LightCut video editor app is thoroughly optimized for use with Action 3. It can automatically select clips and intelligently match them with exclusive templates to generate ready-to-share video edits.
Expand the Action with Dedicated Accessories
Osmo Action 3 was made to capture anything and everything. For every scenario, a suite of dedicated accessories helps you maximize all the possibilities of this action camera, including:¹²
- Osmo Action 3 Waterproof Case¹³
- Osmo Action 3 Extreme Battery
- Osmo Action 3 Multifunctional Battery Case
- Osmo Action 3 Adhesive Base Kit¹⁴
- Osmo Action 3 Lens Protective Cover¹⁵
- Osmo Action 3 1.5m Extension Rod Kit
- Osmo Action 3 Magnetic Ball-Joint Adapter Mount
- Osmo Action Chest Strap Mount
- Osmo Action Handlebar Mount
- Osmo Action Helmet Chin Mount
- Osmo Action Suction Cup Mount¹⁶
- Osmo Action Surfing Tether
Price and Availability
Osmo Action 3 is available today from store.dji.com and most authorized retail partners in several configurations. The Osmo Action 3 Standard Combo retails for $329 and includes Osmo Action 3, one Osmo Action 3 Extreme Battery, the Osmo Action 3 Horizontal-Vertical Protective Frame, the Osmo Action 3 Quick-Release Adapter Mount, and the Osmo Flat Adhesive Base. The Osmo Action 3 Adventure Combo retails for $439 and includes Osmo Action 3, three Osmo Action 3 Extreme Batteries, the Osmo Action 3 Horizontal-Vertical Protective Frame, two Osmo Action 3 Quick-Release Adapter Mounts, one Osmo Flat Adhesive Base, and the Osmo Action 3 Multifunctional Battery Case.
For more information on all the new features, accessories, and capabilities, please visit www.dji.com/OsmoAction3
DJI Care Refresh
DJI Care Refresh, the comprehensive protection plan for DJI products, is now available for Osmo Action 3. The replacement service covers accidental damage, including natural wear, collisions, and water damage. For a small additional charge, you can have your damaged product replaced if an accident occurs.
DJI Care Refresh (1-Year Plan) includes up to two replacements in one year. DJI Care Refresh (2-Year Plan) includes up to three replacements in two years and extends the original warranty up to two years from the date of purchase. Other services of DJI Care Refresh include free shipping. For a complete list of details, please visit: www.dji.com/service/djicare-refresh
By admin, on September 12th, 2022
The Fuji X-H2 features 40.2MP, whereas the X-H2S has 26.1MP.
The 40MP Sensor is a BSI CMOS sensor and the 26MP sensor in the X-H2S camera is a stacked CMOS Sensor. The stacked technology is basically implemented for speed, the X-H2S camera has minimal rolling shutter as well as more precise AF tracking due to faster Sensor readout speed. On, the other side we have an X-H2 Camera with BSI Tech to save its low light performance. Yes, it is possible to integrate the Stacked and BSI together but the production line cost will be raised, and so the camera price tag.
Devil Lies in the details
For those who work in controlled light environments, the Fuji X-H2 camera is made for them, the camera will enormous amount of details in still images when paired with prime lenses and uses at its sweet spot (or near about that). In video mode, the 40MP sensor generates 8K oversampled files for 4K and 6k, so you will be getting a high amount of details in 4K 24, 30fos files too. The 8K pro res RAW is also available (BMCRAW or PRO-RES RAW)
Details capturing ability / preserving more details at low light
The best 26MP sensor camera they have ever created yet is the Fuji X-H2S. For the first time, I was impressed with the AF performance of a fuji mirrorless camera, the X-H2S AF tracking performance is highly improved compared to the previous generation of Fuji cameras. Now, if we talk about the low-light performance of the camera captures an amazing amount of details even in low light. The main advantage is the rolling shutter is also very minimal while capturing motion.
|
FUJIFILM X-H2 |
FUJIFILM X-H2S |
Sensor Resolution |
Actual: 40.2 Megapixel
Effective: 40 Megapixel |
Effective: 26.16 Megapixel (6240 x 4160) |
Sensor Type |
23.5 x 15.6 mm (APS-C) CMOS |
23.5 x 15.6 mm (APS-C) CMOS |
Crop Factor |
1.5x |
1.5x |
Image Stabilization |
Sensor-Shift, 5-Axis |
Sensor-Shift, 5-Axis |
Built-In ND Filter |
None |
None |
Capture Type |
Stills & Video |
Stills & Video |
Focus Type |
Auto and Manual Focus |
Auto and Manual Focus |
Focus Mode |
Continuous-Servo AF, Manual Focus, Single-Servo AF |
Continuous-Servo AF, Manual Focus, Single-Servo AF |
Autofocus Points |
Photo, Video
Phase Detection: 425 |
Photo, Video
Phase Detection: 425 |
Auto Focus
The Autofocus of Fuji X-H2s is slightly better than X-H2, despite the fact both of them use the same image processor and the AF algorithms. Due to the stacked CMOS sensor in the Fuji X-H2S camera. The sensor readout speed is much faster than the Fuji X-H2 camera. That’s why the X-H2 remains limited to 24MP files while shooting at 20FPS.
|
FUJI X-H2 |
FUJI X-H2S |
Shutter Type |
Electronic Shutter, Mechanical Focal Plane Shutter |
Electronic Shutter, Mechanical Focal Plane Shutter |
Shutter Speed |
Mechanical Shutter
1/8000 to 4 Seconds in Program Mode
1/8000 to 30 Seconds in Aperture Priority Mode
1/8000 to 15 Minutes in Manual Mode
Up to 60 Minutes in Bulb Mode
Electronic Shutter
1/8000 to 4 Seconds in Program Mode
1/8000 to 30 Seconds in Aperture Priority Mode
1/8000 to 15 Minutes in Manual Mode
Fixed 1 Second in Bulb Mode |
Mechanical Shutter
1/8000 to 900 Seconds
1/8000 to 4 Seconds in Program Mode
1/8000 to 30 Seconds in Aperture Priority Mode
Up to 60 Minutes in Bulb Mode
Electronic Front Curtain Shutter
1/8000 to 900 Seconds
1/8000 to 4 Seconds in Program Mode
1/8000 to 30 Seconds in Aperture Priority Mode
Up to 60 Minutes in Bulb Mode
Electronic Shutter
1/32000 to 900 Seconds
1/32000 to 4 Seconds in Program Mode
1/32000 to 30 Seconds in Aperture Priority Mode
Fixed 1 Second in Bulb Mode
1/8000 to 1/4 Second in Movie Mode |
Bulb/Time Mode |
Bulb Mode |
Bulb Mode |
ISO Sensitivity |
Photo
125 to 12,800 in Manual, Auto Mode (Extended: 80 to 51,200)
Video
125 to 12,800 in Manual, Auto Mode (Extended: 80 to 25,600) |
Photo
160 to 12,800 in Manual, Auto Mode (Extended: 80 to 51,200)
Video
160 to 12,800 in Manual, Auto Mode (Extended: 160 to 25,600) |
Metering Method |
Average, Center-Weighted Average, Multi-Zone, Spot |
Average, Center-Weighted Average, Multi-Zone, Multiple, Spot |
Exposure Modes |
Aperture Priority, Auto, Manual, Program, Shutter Priority |
Aperture Priority, Manual, Program, Shutter Priority |
Exposure Compensation |
-5 to +5 EV (1/3 EV Steps) |
-5 to +5 EV (1/3 EV Steps) |
White Balance |
2500 to 100,000K
Presets: Daylight, Shade, Tungsten, Underwater |
2500 to 10,000K
Presets: Auto, Daylight, Fluorescent, Incandescent, Shade, Underwater |
Continuous Shooting |
Electronic Shutter
Up to 20 fps for up to 1000 Frames (JPEG) / 1000 Frames (Raw)
Mechanical Shutter
Up to 15 fps for up to 1000 Frames (JPEG) / 1000 Frames (Raw) |
Mechanical Shutter
Up to 15 fps at 26.1 MP for Unlimited Frames (JPEG) / 1000 Frames (Raw)
Electronic Shutter
Up to 40 fps at 26.1 MP for up to 184 Frames (JPEG) / 140 Frames (Raw)
Up to 30 fps at 26.1 MP for Unlimited Frames (JPEG) / 180 Frames (Raw)
Up to 20 fps at 26.1 MP for Unlimited Frames (JPEG) / 800 Frames (Raw)
Up to 15 fps at 26.1 MP for Unlimited Frames (JPEG) / 1000 Frames (Raw) |
Interval Recording |
Yes |
Yes |
Still Image Capture
The Mechanical shutter speed is similar in both the camera limited to 15 fps, but with the help of a stacked CMOS sensor and a bit lower res, the Fuji X-H2s is able to capture the images at 40FPS without any crop and full-time AF tracking active. The X-H2 remains limited to 20fps, but only with a 1.29x crop on the sensor, which gives you a file of 24MP.
|
FUJI X-H2 |
FUJI X-H2S |
Aspect Ratio |
1:1, 3:2, 16:9 |
1:1, 3:2, 16:9 |
Image File Format |
C-RAW, HEIF, JPEG, Raw, TIFF |
HEIF, JPEG, Raw, TIFF |
Bit Depth |
16-Bit |
14-Bit |
Video Mode
The Fuji X-H2 does full sensor readout and gives an 8K video recording option in ProRes RAW format (accessible through HDMI).
While doing 8K RAW, you have two options to record ur 8K RAW video externally. Blackmagic RAW or Pro Res RAW. And if u have selected the BMRAW then u have to use the Black magic video assist (recommended) and when u have selected PRORES RAW u can use the Atmos Ninja.
The Fuji X-H2 camera is able to record any resolution internally (except 8K RAW). We have three triers of Apple Pro Res available for recording which includes
- High BIT rate 422 HQ
- Standard 422
- Compressed 422 LT
Heat Management same as X-H2s: Both of the camera support external Fans. So, if ur shooting into hot and humid places you can buy this accessory. None of the cameras has any recording limit.
No 8K in Fuji X-H2S: The X-H2S doesn’t record 8K, the camera is limited to 6.2K 30p in the 3:2 aspect ratio (open gate), as well as 4K 120p (with a 1.29x sensor crop).
Better low-light performance – Fuji X-H2s with its lower resolution sensor is able to give better low-light video as well as still performance compared to the Fuji X-H2 camera.
Here are all the most important specifications.
Raw Recording |
Blackmagic RAW, PRoResRaw
7680 x 4320 up to 29.97 fpsMOV/MP4/MPEG-4 AVC/ProRes 422/ProRes 422 HQ/ProRes 422LT
UHD 8K (7680 x 4320) at 23.98p/24.00p/25p/29.97p [50 to 720 Mb/s]
MOV/MP4/MPEG-4/ProRes 422/ProRes 422 HQ/ProRes 422LT
6.2K (6240 x 4160) at 23.98p/24.00p/25p/29.97p [50 to 720 Mb/s]
DCI 4K (4096 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [50 to 720 Mb/s]
UHD 4K (3840 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [50 to 720 Mb/s]
DCI 2K (2048 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [50 to 720 Mb/s]
Full HD (1920 x 1080) at 23.98p/24.00p/25p/29.97PsF/50p/59.94p [50 to 720 Mb/s]
Full HD (1920 x 1080) at 100p/119.88p/200p/240p [200 to 720 Mb/s] |
H.265/MOV 4:2:2 10-Bit
6.2K (6240 x 4160) at 23.98p/24.00p/25p/29.97p [360 to 720 Mb/s]
UHD 4K (3840 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [360 to 720 Mb/s]
H.265 Long GOP/MOV 4:2:2 10-Bit
6.2K (6240 x 4160) at 23.98p/24.00p/25p/29.97p [50 to 720 Mb/s]
DCI 4K (4096 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [50 to 720 Mb/s]
UHD 4K (3840 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [50 to 720 Mb/s]
DCI 2K (2048 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [50 to 720 Mb/s]
H.265 Long GOP/MOV 4:2:0 10-Bit
6.2K (6240 x 4160) at 23.98p/24.00p/25p/29.97p [50 to 720 Mb/s]
DCI 4K (4096 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [50 to 720 Mb/s] |
Recording Modes |
|
FUJIFILM F-Log, FUJIFILM F-Log 2 |
Recording Limit |
Up to 160 Minutes for UHD 8K (7680 x 4320) at 29.97p (4:2:2 10-Bit) |
Up to 90 Minutes |
Audio Recording |
MOV: 2-Channel 24-Bit 48 kHz LPCM Audio
ProRes: 2-Channel 24-Bit 48 kHz LPCM Audio
MPEG: 2-Channel 24-Bit 48 kHz LPCM Audio
MP4: 2-Channel AAC Audio |
NTSC/PAL
MOV: 2-Channel 24-Bit 48 kHz LPCM Audio
MP4: 2-Channel AAC Audio |
External Video Capture
Raw Output |
HDMI In ProResRAW, Raw Mode:
7680 x 4320 12-Bit up to 29.97 fps |
Raw 12-Bit via HDMI
6.2K (6240 x 4160) |
IP Streaming |
None |
Yes |
The best thing I like about Fuji Cameras is they give Full-Size HDMI output, in both the cameras you are getting Full-Size HDMI, a USB-C port for data and charge on the go, and a Headphone in and Mic out port.
Media/Memory Card Slot |
Dual Slot: CFexpress Type B (SD Express) |
Slot 1: CFexpress Type B
Slot 2: SD/SDHC/SDXC (UHS-II) |
Video I/O |
1 x HDMI Output |
1 x HDMI Output |
Audio I/O |
1 x 1/8″ / 3.5 mm TRRS Headphone/Mic Input on Camera Body
1 x 1/8″ / 3.5 mm TRRS Headphone/Mic Output on Camera Body |
1 x 1/8″ / 3.5 mm TRRS Headphone/Mic Microphone Input on Camera Body
1 x 1/8″ / 3.5 mm TRRS Headphone/Mic Headphone Output on Camera Body |
Other I/O |
1 x USB Type-C |
1 x USB Type-C Input/Output |
Power I/O |
1 x USB Type-C Input/Output |
1 x USB Type-C (USB 3.2 / 3.1 Gen 2) Control/Data/Tether Input/Output (Shared with Power Input)
1 x 2.5 mm Sub-Mini Control Input
1 x PC Sync Socket (Sync) FlashSync Output |
Wireless |
2.4 / 5 GHz Wi-Fi 5 (802.11ac)
Bluetooth |
2.4 / 5 GHz Wi-Fi 5 (802.11ac)
Bluetooth |
Global Positioning (GPS, GLONASS, etc.) |
None |
None |
Price of both the camera
The X-H2 is less expensive, with a retail price of $2000 or £1900.
The X-H2S can be found at $2500, £2500 or €2750.
Note that these prices are for the body only, as of September 2022.
Fuji X-H2 is Recommended for
Commercial shooters and filmmakers are those who work in a controlled light environment. Are recommended to get the Fuji X-H2 Camera with a massive 40M resolution. For those who mostly work outdoors / in uncontrolled light environments or are related to action and sports, X-H2S is more recommended.
Get Fuji X-H2 Camera from Amazon | B&H Store
Get Fuji X-H2S camera from Amazon | B&H Store
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