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By admin, on May 24th, 2025
Canon mirrorless cameras have become a perfect choice for professional photographers and beginners in 2025. The camera offers cutting-edge autofocus technology, high-resolution sensors, as well as a wide range of native lenses, along with a huge range of DSLR lenses that are fully adaptable with the new RF system cameras. And now Canon has started to open up to third-party leading lens manufacturers like Sigma and Tamron, for the APS-C RF mount cameras.
Why choose a Canon mirrorless camera in 2025?
Cameras are a combination of portability, advanced technology, and versatility. Canon’s Dual Pixel Autofocus system does seamless focus and never misses any subject since the entire sensor pixels are involved in autofocusing and none of the pixels are dead, unlike in hybrid CMOS or contrast-detect focus sensors where the fabricated autofocus points are actually dead pixels and don’t contribute anything to the image quality. And that’s why the Canon sensors are able to achieve the industry’s best tonal quality for capturing human portraits with advanced accuracy in their new AI Auto White Balance mode.
Canon isn’t dependent on any other third-party sensor maker or lens makers for their system cameras. They design everything indigenously and that’s why their RF system is so perfect.
Top 6 mirrorless cameras for photography in 2025
Let’s dive into the details, the best Canon mirrorless cameras for 2025. Each camera is handpicked for different photographic needs. Either you are a professional photographer, an action or sports lover, or an entry-level buddy photographer, we are starting from pros and going down to budget-friendly options.
1. Canon EOS R5 Mark II – the professional’s dream machine
What’s inside: We have a 45-megapixel STACKED full-frame CMOS sensor. The readout speed of the sensor is 6.3 milliseconds. The camera is able to record 8K videos up to 60 frames per second and features 5,850 autofocus points. You are getting 8.5 stops of sensor-shift image stabilization and continuous shooting speed up to 30 RAW frames per second.
Why it rocks: I think Canon should get the flagship camera award for the Canon R5 II. Canon R5 Mark II camera is said to be the Swiss Army knife of cameras. The 45-megapixel full-frame CMOS sensor gives highly detailed images, perfect for landscape photography. Since Canon is known for its skin tonal quality, and the Canon R5 Mark II is also highly suitable for portrait photography, it is the best mirrorless camera for professional photography in 2025. The autofocus tracks everything from bird eyes to bride’s eyes with laser precision, and the stabilization gives you the ability to shoot at slow shutter speed without worrying about blur. If you are a habit shooter, then 8K video is the cherry on top.
Perfect for: The camera is perfect for wedding photographers as well as professional portrait photographers. Anybody who loves to have highly detailed images from their camera, the R5 Mark II is the best option.
Price – $4099 – Buy from B&H Store and Amazon.com
2. Canon R1 – built for speed
What’s inside: 24.2-megapixel full-frame stacked CMOS sensor, 2.7 milliseconds of readout speed, 40 FPS RAW capture, 1/64000s shutter, dual CFexpress card slots, 7.5 stops of IBIS.
Why it rocks: The Canon R1 was announced back in July 2024, and it is Canon’s fastest mirrorless camera yet. Canon R1 is the best camera for sports photography in 2025. It freezes the action like no other without any trace of rolling shutter effect, as well as the low-light performance is excellent. The autofocus of this camera does magic in reality—it sticks to fast-moving subjects, and you have to just compose the image and capture the frame, and nothing else you have to do. The Canon R1 camera features a rugged and completely rainproof design, a perfect mirrorless camera for wildlife photography in 2025.
Perfect for: Sports photography and wildlife photography
Price: $6,299 – Buy from B&H Store | Amazon.com (used from $4899 at Amazon)
3. R6 Mark II – All-Rounder Camera
What’s inside: We have a 24.2 MP full-frame sensor able to capture 40 frames per second with electronic shutter and also records uncropped 4K 60fps video with advanced autofocus support and approximately 7.5 stops of IBIS.
Why it rocks: The Canon R6 Mark II camera actually captures the best sweet spot in Canon lineup, for those who love to have professional features in their camera without breaking the bank. Yes, we are waiting for Canon R6 Mark III, and possibly in the fourth quarter of 2025 we may have it. Meanwhile, the R6 Mark II is available at a very reasonable price, and if you love to have a professional feel in your hand, then the R6 Mark II is the perfect choice. The ISO ranges up to 204800, making it ideal for professional portrait photography with Canon mirrorless cameras in 2025. A lot of wedding photographers out there also use the Canon R6 Mark II camera bod,y pairing it up with the Canon 28-70 f/2.8 lens. Whether you are shooting candid events or fast-moving kids, the autofocus speed always catches you, and the stabilisation makes everything so perfect. For now, the Canon R6 Mark II camera at its price is the best option.
Price: $1999 Lowest since launch – B&H Store | Amazon.com
4. Canon R8 Camera – Full-Frame on a Budget
What’s inside: The camera features a 24.2 megapixel full-frame CMOS sensor and continuous shooting speed up to 40 frames per second. Canon R8 also records uncropped 4K 60fps video with advanced autofocus and excellent tonal quality.
Why it rocks: Canon R8 is one of the best budget-friendly Canon mirrorless cameras for photography in 2025. The camera arrives at a super budget price and is able to offer you a full-frame sensor with 4K 60fps uncropped recording and continuous shooting speed up to 40 frames per second which no one else is able to offer. The body doesn’t have IBIS so you need to keep OIS lenses to get the perfect shot.
Perfect for budget-conscious shooters waiting for full-frame performance.
Price $1299 Lowest since launch – Buy from B&H Store | Amazon.com
5. Canon R10 – The Best Beginner Camera
What’s inside: The Canon R10 features a 24.1-megapixel APS-C CMOS sensor with maximum mechanical continuous shooting speed up to 15fps, and records 4K 30fps APS-C video.
Why it rocks: The Canon R10 is one of the best cameras for new photographers. If you’re a beginner and looking for an all-rounder camera, then the Canon R10 is definitely a perfect choice for you. The Canon R10 is actually fast enough for action and sports photography, and pairs up flawlessly with native and third-party RF-S lenses, making it the best Canon mirrorless camera for beginners in 2025.
Price: $879 – Buy it from Amazon.com
6. Canon R50V – Cinematography on Budget
What’s inside: 24.2 APS-C sensor, records 4K 60fps video without any crop, in-body LUTs, false color, and vertical tripod support.
Why it rocks: The Canon R50V camera is a recent announcement from Canon. The Canon R50V is a compact powerhouse for cinematography on a budget. The camera features extensive videographic features that make you feel like you are using a professional cinema tool in your hand. The box-like body design and compatibility with RF-S dual fisheye lenses to create VR content make you feel it’s a professional cinema camera available at only $649.
Perfect for vloggers: Bloggers, YouTubers, and beginner cinematographers.
Price: $849 Amazon.com
How to Pick Your Perfect Canon Mirrorless Camera?
If you are not sure which one is right for you, we have made a quick guide that will help you pick the best Canon camera for you.
Budget: Budget-wise, Canon R50V, Canon R10, and Canon R8 keep the overall cost low. In the higher price range, we have the Canon R5 Mark II and Canon R1 — these are the premium professional mirrorless cameras.
Photography versus cinematography: Canon R1 camera has been recommended for sports and wildlife photographers. The Canon R5 Mark II camera is a multipurpose camera but is usually being recommended for landscape photography, wedding photography, and professional portrait photography. At the very same time, Canon R6 Mark II camera is known for its versatility, and Canon R50V is for budget cinematography and video.
Sensor size: We have full-frame cameras — the Canon R5 Mark II, the Canon R1, Canon R6 Mark II, and the Canon R8 — all these nail low light very well. On the other side, we have the APS-C — the Canon R10 and R50V — which saves a lot of money.
Portability: When you are in travel mode and portability is an important factor to you, then having Canon R50V, Canon R10, and Canon R8 are the best options as these are super lightweight. Cameras like Canon R1 or even the R5 Mark II are built like a tank and are a bit bulkier.
Lenses: All these cameras mentioned in the list work flawlessly with RF lenses, and if you have some budget issues, then you can buy the DSLR lenses with the adapter — even those will work flawlessly in most cases. In APS-C range, we do have third-party lens maker support from Sigma and Tamron, so you have more options in the APS-C range compared to full-frame.
Recommended Lenses to Pair with Your Canon Mirrorless Camera
We have listed some of the most popular lenses among our subscribers.
FAQ: Best Canon Mirrorless Cameras for Photography and Cinematography in 2025
What is the best Canon mirrorless camera for professional photography in 2025?
The Canon R5 Mark II camera is the top pick for professional photographers. It should be termed as Canon’s flagship camera without a doubt. If you look at the set of features of the Canon R5 Mark II — featuring a 45-megapixel full-frame stacked CMOS sensor, ability to record 8K video, and unbeatable autofocus — for professional photography with Canon’s cameras in 2025, the Canon R5 Mark II is the best option.
Which Canon mirrorless camera is best for beginners in 2025?
We have two different types in this. The first one is Canon R50 V, which is best for beginner videographers in 2025, and the next is Canon R10, which is perfect for beginners.
What is the best Canon camera for sports photography?
The Canon R1 is a speed monster camera, with 40FPS shooting mode and shutter speed up to 1/64000 of a second. Perfect for sports photography with Canon mirrorless camera in 2025. Although if you’re a beginner and looking for a budget-friendly option, then you can start with Canon R10 with 14 FPS mech shutter speed or Canon R50 with 40 FPS continuous shooting speed.
Which Canon camera is best for low-light photography in 2025?
The Canon R8 or 6 Mark II camera—both are excellent tools for low light photography, featuring a full frame CMOS sensor of 24 MP and sensitivity up to 204800. They are able to grab excellent low-light images. So these two are perfect for low-light photography with a Canon camera in 2025.
Can I use my old EF lenses with a Canon RF camera in 2025?
Absolutely yes, you can use your old EF lenses with the Canon EF to EOS R adapter. It will allow you to use all of your EF lenses with no loss in quality.
What is the cheapest Canon mirrorless camera for video in 2025?
The Canon R50 V, which is available at 64,900 only, is the most budget-friendly Canon camera for cinematography in 2025. It gives you all the possible professional video features like 4K 60 FPS, uncropped and false color recording in a compact body under budget.
The Canon mirrorless cameras will give you creative superpower—whether you talk about the recently announced Canon R50 V or the professional Canon R5 Mark II camera, or even the Canon R1. All the cameras now pack professional tech, and Canon is now very aggressive with its core specification, and they are testing limits literally with whatever they are giving in the price range. Shahid Afridi wants to create a cinematic camera on a budget for you—want to capture every fine detail? They have it all. Use this guide to find out the best Canon mirrorless camera for photography and cinematography in 2025 for you, and you can also check the Canon official website for the latest details on cameras and lenses. Thanks very much for reading this article—let me know if you have any questions.
By admin, on May 21st, 2025
If you believe the latest rumors published on the web, the Fuji X-E5 camera will be available in the summer of 2025. Summer months in the USA are June, July, and August, so we will most probably have our camera on or before August 2025.
The Fuji X-E5 was overdue for an update, The Fuji X-E4 camera was announced back in March 2021, and the Fuji X-E3 camera was announced in September 2017. The gap between the Fuji X-E3 and X-E4 announcements is approximately 3.5 years. But, this time Fuji took +1 year of time to bring the update of Fuji X-E series camera.
Fuji X-E5 Expected core specification
- 40MP APS-C X-Trans CMOS 5 HR Sensor
- 4K Video Recording at 60p, 6.2K at 30p (4:2:2 10-Bit)
- In-Body Image Stabilization (IBIS)
- 425-Point Intelligent Hybrid Autofocus System
- 3.69m-Dot OLED Electronic Viewfinder
- 3″ 1.84m-Dot Tilting Touchscreen LCD
- 20 fps Electronic Shutter, 15 fps Mechanical Shutter
- 160MP Pixel Shift Multi-Shot
- Bluetooth and Wi-Fi Connectivity
- ProRes & Blackmagic RAW via HDMI
Post Update: Fuji X-E5 Coming in June 2025 [Confirmed]
We are updating the post with the latest information. It is now almost confirmed that the Fuji X-E5 Camera will be available in June 2025. The camera’s core specification is expected to remain the same as mentioned above, with some added perks.
Stay tuned for more updates coming
The article “Fuji X-E5 Camera Announcement on or Before August 2025” written and updated by thenewcamera.com team on Dec 13, 2024 at 19:07 2025, Greenwich Mean Time (GMT) and Updated on 4:47 am, Wednesday, 21 May 2025 Greenwich Mean Time (GMT)| Follow us for more updates and Get LIVE RUMORS –> FACEBOOK | TWITTER | INSTAGRAM to get live news — > get live news + –> See More Fuji Rumors
source Fujirumor.com
By admin, on May 15th, 2025
Sony is finally getting up to announce the Sony FX2 camera, and the announcement is expected on May 28, 2025.
The FX2 is Sony’s first camera that uses an integrated tilting electronic viewfinder, and it is one of their first FX line of cinema cameras which uses the same 33 megapixel full frame sensor that we have seen in the Sony A7 IV. So let’s explore the core specification of the Sony FX2 camera.
Sony FX2 Specifications
1. Integrated Tiltable Electronic Viewfinder
Integrated tiltable electronic viewfinder:
For the first time, a Sony camera is using a tiltable electronic viewfinder, which was first seen on the Panasonic GX9 camera. It will help photographers to recompose their shots in a very easy manner by hand-holding their camera even in daylight situations.
2. 33 Megapixel Full Frame CMOS Sensor
33 megapixel full frame CMOS sensor: It’s the same sensor that we have seen in the Sony A7 IV camera. We were expecting a kind of a new sensor, but yeah, it’s the same.
But the camera does deliver high-quality output. The only problem that users have faced with the Sony A7 IV camera from the time of announcement is the overheating limit, which is now completely fixed in the upcoming FX2 with the introduction of:
3. Built-in Fan for Thermal Management
Built-in Fan:The FX2 camera, despite being an entry level cinematography camera, does have a built-in fan which helps the camera to dissipate the heat in the best possible way.
So while using its 33 megapixel sensor even at 4K 60p mode, you can record videos up to unlimited time.
4. AI Powered Autofocus with BIONZ XR
AI powered autofocus: The upcoming camera with BIONZ XR image processor will have the latest generation of AI algorithm inside it.
So users will experience next level of auto focusing performance as well as subject tracking.
5. 4K 60 FPS Video in Super 35mm Mode (1.5x Crop)
4K 60 FPS video in Super 35 mm mode: Super 35 mm mode at 4K 60p sounds fascinating, but that’s not a good thing — that’s actually a limit masked under a good name.
As we usually know, the Sony 33 MP sensor has its own readout limitations. That’s why the 4K 60p is limited to 1.5X crop. But at the very same time, I think that Sony can easily put uncropped 60p in the camera with pixel binning or line skipping algorithm if they wish to.
6. 32-bit Float Audio Support via XLR
32 bit float audio: 32 bit float audio support is available via XLR input. So for professional filmmakers and cinematographers, that’s a great thing to have in their camera.
7. Mechanical Shutter for Still Photography
Mechanical shutter: It’s good to see that Sony is still preserving mechanical shutter inside their camera.
8. Compact, Robust Design with a Unique Look
Compact robust design: As per the initial report, the FX2 is slightly thicker than the FX3 camera. Also, it includes a kind of a tilting EVF, so it looks quite different than the conventional FX series box-style cameras.
Sony FX2 Camera Price
The price of Sony FX2 camera: Sony FX2 camera is priced at $3000 without any tariff, so potentially it may rise up to $3500 depending upon its manufacturing location and additional taxes.
Sony FX2 Release Date
The arrival date of Sony FX2 camera: The Sony FX2 camera official announcement is about to happen on May 28, 2025. We will confirm more about its pricing and availability details.
Stay tuned, more updates are coming
The article “Sony FX2 Coming Soon” was published at 3:36 pm Thursday, 15 May 2025 Greenwich Mean Time (GMT). By thenewcamera.com Team. You can follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM, –>If you have time –>see more Sony Alpha Rumor Latest Camera News
Source – Thanks for sharing sonyalpharumors.com
By admin, on May 15th, 2025
Which one is the Best Camera for Recording Video – Panasonic Lumix S1 II vs. Nikon Z6 III? this the the most asked question in my DM and mailbox from the day of the announcement of the Panasonic S1 II camera. I wish I had a one-size-fits-all all answer, but there just isn’t one…
Why Panasonic S1 II better, and what about the Nikon Z6 III?
Panasonic Lumix DC-S1 II’s video capabilities “surpass” the Nikon Z6III in its broader range of video features, such as Open Gate recording (6K/30p, 5.1K/60p) and as we all know that the open gate recording is not available in the Nikon Z6 III camera., extensive monitoring tools (vectorscope, anamorphic lens support and in camera desqueez), although we all know that now Nikon has also included waveform support, timecode in their camera but some specical features that may fall under the “must have” list of a PRO cinematographer may be absent in the Z6 III. So, it actually at the end depend on users what they want from the camera and the budget boundaries are.
and let’s explore the 4 K high frame rate mode, in the 4K/120p with a smaller crop (1.17x vs. Z6III’s APS-C). However, there are some features that only the Nikon Z6 III has at this moment, the Z6III can record 6K/60p in N-Raw, which the S1II cannot, as its 6K is limited to 30fps and internal NRAW, which is about to arrive in S1 II in paid firmware update section. The S1II’s strengths lie in its creative flexibility and toolset, but the Z6III’s 6K/60p capability gives it an edge for high-frame-rate, high-resolution video.
| Feature / Spec |
Panasonic Lumix DC-S1II |
Nikon Z6III |
| Price |
$3197 – B&H Store |
$2096 – B&H Store |
| 6K Recording |
6K/30p (Open Gate), 5.9K/60p (16:9), 5.1K/60p (Open Gate) |
6K/60p (N-Raw) |
| High-Frame-Rate Video |
4K/120p with 1.17x crop |
4K/120p with APS-C crop (~1.5x) |
| Rolling Shutter Performance |
~12.8ms |
~9.4ms (better for fast motion) |
| Recording Formats |
ProRes, ProRes RAW, internal 10-bit |
N-Raw, ProRes RAW (via external) |
| Internal fan |
Yes |
No |
| Monitoring Tools |
Vectorscope, waveform, anamorphic desqueeze, LUTs, timecode |
Waveform and timecode available
(No vectorscope or anamorphic tools) |
| Audio Features |
24 Bit standard Audio input
32-bit float audio support with XLR |
Standard audio support
no XLR option |
| Creative Flexibility |
High (Open Gate, multiple aspect ratios, pro tools) |
Moderate (focus on resolution and frame rate) |
| Crop at 4K/120p |
1.17x |
APS-C crop (~1.5x) |
| Overall Advantage |
Better for filmmakers, flexible workflows |
Superior for 6K/60p high-res, high-speed video |
When buying a camera for filmmaking or wedding cinematography, here’s an oversimplified way to look at it:
See, we have three major factors supporting the Panasonic S1 II camera, and here they are: Open Gate modes, advanced monitoring tools, and a less severe crop at 4K/120p, which provide creative flexibility for PRO filmmakers. However, I don’t overlook the Z6III’s ability to record 6K/60p in N-Raw, a significant advantage for users needing high-resolution, high-frame-rate video without cropping. The S1II’s 6K is capped at 30fps, and while it offers 5.9K/60p and 5.1K/60p, these don’t directly match the Z6III’s 6K/60p capability. The Z6III’s edge in 6K/60p while noting the S1II’s strengths in other areas, ensuring accuracy and relevance.
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By admin, on May 14th, 2025
Panasonic finally announced the Panasonic S1 II camera. The camera features 24 Mp BSI CMOS sensor that we have seen in the Nikon Z6 Mark 3, continuous speed up to 70 frames per second including RAW and 1.5 seconds of pre-burst capture which is longest among competitors, and also it includes open gate 6K video recording with full-width 5.9K and up to 4K 60p recording, 4K 120 APS-C with slight crop, and 6G-SDI over HDMI as well as they have included a built-in fan for extended recording. So these are the basic features we have with the camera.
Get Panasonic S1 II Camera from Amazon.com | B&H Store
Key specifications
- 24MP partially-stacked BSI CMOS sensor
- Up to 70fps shooting, including Raw
- 1.5 seconds pre-burst capture
- 96MP multi-shot mode with in-cam combination and motion correction
- 10-bit HLG HEIF still images
- In-body stabilization rated at up to 8.0EV of correction
- Open-gate 6K video up to 30p
- Full-width 5.9K or 4K up to 60p
- 4K/120p video with slight crop
- 6K Raw output over HDMI
- Built-in fan for extended recording
- External SSD output for video
- V-Log with 15-stops in DR Boost mode
- Arri C-Log3 paid upgrade option
- 4-channel and 32-bit float audio with XLR2 adapter
- Bluetooth timecode sync
The Panasonic S1 II will ship in June 2025 at a recommended price of $3199. That’s way too high compared to the Nikon Z6 III camera , which is available for $2096.
Panasonic S1 II Press Release
Panasonic Announces Two New Full-Frame Mirrorless Cameras – LUMIX S1II and LUMIX S1IIE – and New LUMIX S 24-60mm F2.8 Lens
Newark, N.J. (May 13, 2025) – Panasonic is pleased to announce the expansion of its renowned LUMIX S Series with the introduction of two new models, the LUMIX S1II and S1IIE. These cameras are designed to offer exceptional photographic and videographic capabilities, characterized by remarkable image quality, dynamic color representation, and significant advancements in video technology.
Meticulously crafted for professional photographers and videographers, the LUMIX S1II features a newly developed 24.1MP full-frame partially stacked CMOS image sensor and is powered by an advanced-generation Venus Engine. This synergy enables faster readout speeds and processing, supporting high frame rate recording in formats such as 4K120p and 5.8K 60p. (*1) For superior dynamic range, the Dynamic Range Boost mode delivers up to 15 stops (*2) in V-Log at frame rates below 30p. Photographers can also take advantage of high-speed continuous shooting at up to 70 frames per second (*3) with SH / SH pre-burst shooting up to 1.5 seconds allowing the capture of even the most fleeting moments.
Elevating workflow efficiency, the LUMIX S1II enhances creative flexibility and streamlines content production. The highly-acclaimed Open Gate feature now supports additional formats beyond 6K30p–including 5.1K60p–unlocking even more options for creators. An upcoming firmware update will introduce multiple frame marker displays, providing further tools for precise and flexible framing.
The LUMIX S1IIE, joins the second-generation S1 series, maintaining the celebrated design and ergonomic excellence of the S1II and S1RII, offering potential for creative exploration. It is equipped with a 24.2MP sensor inspired by the characteristics of the LUMIX S5II, ensuring exceptional image quality tailored for diverse shooting conditions. Incorporating many of the standout features from the S1II, the S1IIE positions itself as a comprehensive tool for creative projects. Notably, it introduces a new Cinemascope video format (2.4:1), available in various frame rates without cropping, up to 60p.
Panasonic anticipates the LUMIX S1IIE will become a preferred choice for those seeking upgrades in ergonomic design and refined engineering.
With the debut of the LUMIX S1II and S1IIE, Panasonic continues to empower creators within the S1 Series. Both new models are designed to support the pursuit of self-expression through elevated performance and versatility.
The LUMIX S1II and S1IIE camera will be available starting late June at valued channel partners.
LUMIX S1II Main Features
High framerate recording and wide dynamic range with a newly developed partially stacked sensor
- Adopts a newly developed 24.1MP full-frame, partially stacked CMOS image sensor
- Supports LUMIX’s first 5.1K 60p high-speed recording option, along with other high-speed formats such as 4K 120p / 5.8K 60p for enhanced performance. (*1) (*4).
- Offers LUMIX’s first 15 stops of dynamic range video recording (*2) in V-Log at frame rates below 30p. (*4)
- High-speed continuous shooting, offering up to 70 fps (*3) with the electronic shutter “SH/SH PRE” mode, and an extended continuous shooting “H+ (High Speed Plus)” mode of approximately 10 fps with a mechanical shutter, allowing you to experience post view blackout-free shooting.
LUMIX S1IIE Main Features
Exceptional image quality tailored for diverse shooting conditions
- Adopts 24.2MP sensor inspired by the performance characteristics of the LUMIX S5II
- Supports 6K 30p (3:2) open gate video recording
- Offers 14+ stops of dynamic range video recording in V-Log
- High-speed continuous shooting, offering burst shooting up to 30 fps with the electronic shutter “SH/SH PRE” mode, and an extended continuous shooting “H+ (High Speed Plus)” mode of approximately 10 fps with a mechanical shutter, allowing you to experience post view blackout-free shooting.
LUMIX S1II and S1IIE Common Features
Enhanced core performance that unlocks new creative possibilities
- Redefined real-time recognition Phase Hybrid AF with improved eye and face detection and AI-driven tracking accuracy for people.
- Addition of the new AF recognition for ‘Urban Sports’, accurately capturing dynamic movements like breakdancing, skateboarding, and parkour.
- Enhanced 8.0-stop (*5) in-body image stabilization (B.I.S.) and newly developed cropless E.I.S. video distortion correction, which stabilizes without cropping the angle of view.
- ARRI LogC3 (*6) (*7) available for the first time for S series by using DMW-SFU3A Software Upgrade Key (sold separately). (*4)
- Supports 5.8K 30p / C4K 60p Apple ProRes RAW HQ / ProRes RAW internal recording to a CFexpress Type B card.
Outstanding reliability and efficiency
- High-resolution 5.76 million-dot electronic viewfinder (EVF) and a versatile 1.84 million-dot tilt and free-angle monitor and are equipped with a sturdy shutter mechanism rated for up to 400,000 cycles.
- Operating efficiently at temperatures as low as -10 degrees Celsius.
- Dual recording media options supporting SD and CFexpress Type B cards.
- Seamless integration with accessories such as the DMW-BG2 and DMW-XLR2.
Apps and software that seamlessly support workflow
- Compatibility with Capture One, making it work seamlessly with professional studio photography’s widely used editing software.
- Compatibility with Frame.io, enabling smooth progression from shooting to editing, as well as cloud sharing and collaboration.
- Supports LUMIX Lab, simplifying the transfer, editing, and color personalization of photos and videos for seamless smartphone integration and social media sharing.
- Updated ver.1.5 supports the following feature:
- Supports LUMIX Flow, which assists with storyboard creation, on-site checks during filming, and automatic data organization after shooting to support the video production workflow.
- Updated ver.1.1 supports the following features:
- Wireless connection
- Additional assist features (Wave form monitor / Vectorscope / False color)
- Mirroring monitor function
- Capable of setting distinct parameters for photography and videography and seamlessly transfer settings from one camera to another using an SD card, thus ensuring uniform settings across diverse camera models.
By admin, on May 12th, 2025
We have already published the leaked images of the Panasonic S1E II; now, it’s time for the full specifications.
Panasoinic LUMIX S1IIE (Official Text)
Elevate your storytelling with the new CinemaScope 4K 60p aspect ratio, delivering a cinematic view without any cropping. With the intuitive operation of the S1 series, including the LUMIX S1RII and S1II, the S1IIE enhances creative exploration with ease. Both models feature advanced AF precision and new ‘Urban Sports’ recognition, and 8.0-stop in-body stabilization for steady shooting.
Panasonic LUMIX S1E II Specification
Main Features
- Adopts a 24.2MP sensor that inherits the performance characteristics of the LUMIX SSII
- Realizing high image quality in a variety of shooting condition
- Supports 6K 30p (3:2) open gate video recording
- V-Log allows video recording with a dynamic range of over 14 stops
- Experience blackout-free shooting with the electronic shutter mode “SH/SH PRE” for high-speed continuous shooting at up to 30 frames per second and the extended continuous shooting mode “H+” at approximately 10 frames per second using a mechanical shutter
- 14+ stops of dynamic range V-LOG
- Full frame 6K30p OG, 6K60p 2.4:1, 4K30p 16:9/17:9, 4K60p 2.4:1
- APS-C 3.3K 50p 4:3, 4K60p 16:9/17:9
- S&Q 4K 2.4:1 60fps, FHD 180fps
- 120Hz 5.76 million dot EVF
- 779 points Phase AF
- Dual Native ISO 100/640 5-
- Axis image stabilization 8 stops at center, 7 stops at periphery
- 1/8000s mechanical shutter
- 30fps continuous shooting with electronic shutter, 10fps mechanical shutter
Second-generation S1 series, the LUMIX S1IIE maintains the acclaimed design and ergonomic excellence of the S1II and S1RII, offering potential for creative exploration. It is equipped with a 24.2MP sensor inspired by the characteristics of the LUMIX S5II, ensuring exceptional image quality tailored to various shooting conditions. It incorporates notable features from the S1II, positioning itself as a comprehensive tool for creative projects. Notably, the LUMIX S1IIE introduces a new Cinemascope (2.4:1) video format available in various frame rates, including uncropped 60p. Panasonic anticipates that the LUMIX S1IIE will be the preferred choice for those seeking improvements in ergonomic design and refined engineering.
LUMIX S1IIE
- Cinemascope 4K60p aspect ratio
– Delivers a cinematic view without cropping for improved storytelling
- The S1 series’ intuitive operability makes creative exploration
easy
- Advanced AF precision and new “Urban Sports” recognition
- Equipped with 8.0-stop in-body image stabilization
- Award-winning design and ergonomics on the S1II and S1RII
- Equipped with a 24.2MP sensor inspired by the features of the LUMIX S5II
- Equipped with the outstanding features of the S1II, it is a comprehensive tool for creativity
- Introduces new Cinemascope (2.4:1) video format available in a variety of frame rates including non-cropped 60p
Improved core performance to unlock new creative possibilities
- Real-time recognition redefined:
On-chip phase detection AF improves eye and face detection, and enhances AI-enabled people tracking accuracy.
- Equipped with new AF recognition for “urban sports” –
accurately captures dynamic movements such as breakdancing, skateboarding, and parkour
- 8.0-stop in-body image stabilization (BIS)
- Newly developed No-Crop EIS video distortion correction has been improved
- By using the separately sold software update key DMW-SFU3A, ARRI LogC3 will become available for the first time on the S Series.
- Supports internal recording of 5.8K 30p / C4K 60p Apple ProRes RAW HQ / ProRes RAW to CFexpress Type B cards.
The image sensor appears the same as the S5II’s 24MP CMOS. There may not be any major improvements in image quality or rolling shutter performance, but CFexpress (high bitrate internal recording), improved AF, image stabilization, and video functions are likely to be its strengths.
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Source Webio E8M
By admin, on May 10th, 2025
According to the latest rumors, the Panasonic S1 Mark II and Panasonic S1 Mark IIE announcement on expected on May 13th, 2025. Not only these cameras, LUMIX S 24-60mm F2.8 is also expected to arrive along with these two new cameras.
Panasonic S1 II and S1E II Leaked Images now available, The body design looks very similar to the latest Panasonic S1R Mark II Camera. We have already shared the leaked specification of these upcoming cameras
Also, have a look at the Leaked Image of the S1 Mark II / S1 II, you can see the differences in the logo of both the camera and the images look very authentic
Panasonic S1 II Specifications
24MP partial stacking – Same sensor as we have seen in the Nikon Z6 Mark III
70fps – Maximum Electronic Continuous shooting speed scalable with Partially stacked CMOS sensor
No blackout – Upscaled EVF
4k120p non-cropped – All thanks to the New sensor and enhanced readout algorithm
3500€ – Not possible? since the nearest competitor – NIKON Z6 III Mirrorless Digital Camera (Body Only) ; Select Package. 24-120mm f/4 S Kit. Body ; EUR €1,839.00
Panasonic S1 IIE Specifications
24 MP Same sensor as of the Panasonic S5II S5IIx (more confirmation needed)
2,800€.
Lower video specs than the S1II
LUMIX S 24-60 F2.8
544g
999€
control button (Sony Style)
These are the initial specs coming from the rumor mill. We will post an update as soon as we have any new information.
Update on 3:45 am Friday, 9 May 2025 Greenwich Mean Time (GMT)
The S1 and S1H were technically different from each other, and at the time of announcement, the Panasonic S1H was better in video core specification
In this table, we have shown you the major difference between the Panasonic S1 and S1H cameras
And the NEXT update is about the Panasonic S1 II with Z6 III 24 MP Partially stacked CMOS sensor
|
S1 |
S1 (with DMW- SFU2 upgrade) |
S1H |
| 4K resolution options |
|
|
|
| System frequency |
- Region dependent
(non-switchable)
|
- Region dependent
(non-switchable)
|
|
| LUT-upload? |
|
|
|
| Waveforms? |
|
|
|
|
Log gamma options
(10-bit modes only) |
|
|
|
|
4K bitrate options
(up to 30p) |
- 10-bit 4:2:0
72Mbps Long GOP (HLG mode only)
|
- 10-bit 4:2:2
150Mbps Long GOP
|
- 10-bit 4:2:2
400Mbps ALL-I
150Mbps Long GOP
|
- 8-bit 4:2:0
100Mbps Long GOP
|
- 8-bit 4:2:0
100Mbps Long GOP
|
8-bit 4:2:0
100Mbps Long GOP |
|
4K bitrate options
(up to 60p) |
|
- 10-bit 4:2:2
HDMI output only
|
- 10-bit 4:2:2 (H.265)
200Mbps LongGOP
|
- 8-bit 4:2:0
150Mbps Long GOP
|
- 8-bit 4:2:0
150Mbps Long GOP
|
8-bit 4:2:0
150Mbps Long GOP |
Some more images
Post Update
The post was updated on 4:06 am, Saturday, 10 May 2025, Greenwich Mean Time (GMT) by thenewcamera.com team member
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source Lrumor Image source & Credit- The Association of Independent Photographers Webio
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