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By admin, on November 11th, 2024
Nikon finally announced the Nikon Z50 Mark II camera, and we published a month ago that its announcement was about to happen soon (Nikon Z50 II Coming, Early Specs Leaked – Aug 30). Now, it has already happened. But it’s not only the Z50 Mark II camera that was in the announcement pipeline; according to the rumors, the next camera after the Z50II is the Nikon Z5 Mark II, which is expected to arrive on or before the first quarter of 2025.
I was thinking of postponing this particular post since it seems quite illogical that Nikon while announcing a full-frame camera, might hurt the sales of the Z50 Mark II camera even if it arrives at a price range near about $1200.
But despite all that logical thinking, I have decided to publish this since the rumors are very strong about the Z5 II’s arrival with a full-frame BSI CMOS sensor, like the one we’ve seen in the Nikon Z6 Mark II camera. So, it will indeed be a huge upgrade if the Z5 II features the 24MP BSI CMOS sensor from the Z6 II camera.
Key Features
- 24.5MP Full-Frame BSI CMOS Sensor
- Expeed 7 image processor
- 4K UHD 30p / Full HD 120p Video Recording, 1.5x 60p with crop
- 273-Point Hybrid AF with Eye and Animal Detection
- 5-Axis In-Body Image Stabilization
- Bright 3.69M-Dot OLED Electronic Viewfinder
- 3.2″ Tilting Touchscreen LCD
- Dual UHS-II SD Card Slots
- Built-In Wi-Fi and Bluetooth Connectivity
- USB-C Charging and Power Delivery Support
We’ll update you as soon as we get the latest information.
Nikon KOMODO Z – What Can We Expect from Nikon?
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By admin, on November 9th, 2024
Let us compare the Nikon Z50 II with the Canon R10 camera. Let’s explore the main differences between these two cameras and find out which one is the best for photographers and which one is best for shooting videos. In the comparison table below, we have highlighted the differences in design, and we have created two separate tables dedicated to photography and videography features. So let’s find out the best camera between these two for your specific needs and budget.
1. Design Comparison
Feature |
Nikon Z50 II |
Canon R10 |
Body Dimensions |
5 x 3.8 x 2.6″ / 127 x 96.8 x 66.5 mm |
4.8 x 3.5 x 3.3″ / 122.5 x 87.8 x 83.4 mm |
Weight |
495 g (Body Only) |
382.2 g (Body Only) |
Lens Mount |
Nikon Z |
Canon RF |
Display |
3.2″ Tilting Touchscreen LCD, 1,040,000 Dot |
3.0″ Free-Angle Tilting Touchscreen LCD, 1,040,000 Dot |
EVF Type |
Built-In Electronic (OLED), 0.39″, 2,360,000 Dot – 1000 NITS Brightness |
Built-In Electronic (OLED), 2,360,000 Dot |
Battery Type |
EN-EL25a or EN-EL25, approx. 230 shots |
LP-E17, approx. 430 shots |
Ports |
USB-C Data & Power, Micro-HDMI, Mic & Headphone Jacks |
USB-C, Micro-HDMI, Mic Jack |
Available Lenses |
Nikon Z DX and FX lenses |
Canon RF-S and RF lenses |
2. Photographic Feature Comparison
Feature |
Nikon Z50 II |
Canon R10 |
Sensor Type
|
BSI CMOS |
FSI CMOS |
Sensor Size |
23.5 x 15.7 mm (APS-C) |
22.3 x 14.9 mm (APS-C) |
Effective Resolution |
20.9 Megapixel |
24.2 Megapixel |
ISO Range (Photo) |
100 to 51,200 (Extended: 100 to 204,800) |
100 to 32,000 (Extended: 100 to 51,200) |
Shutter Type |
Mechanical Focal Plane, Electronic Rolling |
Mechanical, Electronic Rolling |
Shutter Speed (Mechanical) |
1/4000 to 900 sec |
1/4000 to 30 sec |
Bulb Mode |
Yes |
Yes |
Continuous Shooting (Mech) |
Up to 11 fps at 20.9 MP |
Up to 15 fps at 24.2 MP |
Continuous Shooting (Elec) |
Up to 30 fps at 20.9 MP (JPEG) |
Up to 23 fps at 24.2 MP |
Pre-Capture Mode
|
1 Sec |
0.5 Sec |
Autofocus Points |
231 (Phase & Contrast Detection) |
651 (Phase Detection Zones) |
AF Sensitivity |
-9 to +19 EV |
-4 to +20 EV |
AF Modes |
Continuous-Servo AF, Full-Time AF, Manual, Single-Servo AF |
Continuous-Servo AF, Manual, Single-Servo AF |
Weather sealed
|
Yes |
No |
Battery Life
|
250 Shots |
450 Shots |
3. Video Comparison
Feature |
Nikon Z50 II |
Canon R10 |
Sensor Type |
BSI CMOS |
FSI CMOS |
Video Resolution & Frame Rates |
UHD 4K (30 fps) Uncropped |
UHD 4K (30 fps) Uncropped |
4k 60 FPS
|
1.5X Cropped |
1.5x Cropped |
Full HD Max Frame rate
|
120 FPS |
100 FPS |
Product showcase mode
|
Yes |
No |
Video Stabilization |
Digital (Video Only) |
Digital (Video Only) |
Internal Recording Codec |
H.264/H.265 (8/10-Bit) |
H.264 MP4 4:2:0 8-Bit, H.265 MP4 4:2:2 10-Bit |
External Recording Codec |
HDMI 4K |
HDMI 1080p |
HDR/LOG Support |
HDR-HLG, Nikon N-Log |
HDR-PQ |
Support RAW Video
|
Yes, N-Log available |
No, C-Log isn’t there |
Recording Limit |
Up to 125 minutes |
Upto 120 Mins |
Audio Recording |
Stereo, 24-Bit 48 kHz LPCM or 16-Bit AAC |
Stereo, 2-Channel AAC |
Conclusion Verdict
The Nikon Z50 II camera now has much-improved autofocus and also a low-light sensor, which helps to extract the maximum amount of detail possible in uncontrolled lighting environments or in any outdoor location. For wedding and event photography, we recommend you to go with Nikon Z50 II
Now, for sports and wildlife, it depends on which camera you like to buy since both are very capable. But again, due to the presence of a BSI CMOS sensor, the Z50 Mark II camera will perform better in uncontrolled lighting environments, specifically when you are using this camera for wildlife or bird photography. However, for sports events, you can take the Canon R10 with you when there is no big issue with light, as sports events generally happen during daylight. So, you may utilize the R10, and also, in sports events, you may require more reliable autofocus tracking, which is present in the Canon R10 alongside its slightly faster 15 fps mechanical shutter.
For day-to-day usage and street photography, I am going to recommend the Nikon Z50 Mark II camera. Due to the nature of its sensor and construction, the camera is able to capture clear shots and also has high low-light autofocus sensitivity compared to the R10. So more or less, for uncontrolled lighting environments of any type, the Nikon Z50 Mark II is more recommended. 165
Get a Nikon Z50 Mark II camera from the B&H Store | Amazon.com
Canon R10 – Camera body $879 [B&H Store] [Amazon.com] |
Type of Photography/Video |
Recommended Camera |
Wedding and Event Photography |
Nikon Z50 II
Due to its improved autofocus, low-light sensor, and availability of third-large amount party lenses , we recommend you to go with Nikon Z50 II |
Wildlife and Bird Photography |
Nikon Z50 II
The BSI CMOS sensor in the Z50 II performs well in low-light and uncontrolled lighting, which is often required in wildlife photography. + You get AF sensitivity down to – 9 FV and upscaled 3d AI AF tracking. |
Sports Photography (Daylight Events) |
Canon R10
Reliable autofocus tracking and slightly faster 15 fps mechanical shutter make the R10 a strong choice for sports events in daylight conditions. |
Everyday Use and Street Photography |
Nikon Z50 II
Excellent low-light autofocus sensitivity and sensor design allow the Z50 II to capture clear shots in diverse lighting, making it versatile for daily use. |
General Video Needs |
Canon R10 (for daylight, faster autofocus)
OR Nikon Z50 II (for low-light video) |
Nikon Z50 II Image Quality Test
Nikon Z30 / Zfc Image samples have been taken here since Nikon Z50 II and Zfc, both of them share the same sensor, so image quality is expected to remain exactly same as of the Nikon Z50 Mark II. Image credit dpreview.com
In the Image below we have compared the Nikon Z30 vs Canon R10 Images at ISO 25600, in RAW mode, as you can see the details are much preserved in Nikon Z50 II file
Next comparison Even in the JPEG comparison below you can see that Nikon is preserving more details compared to the Canon R10 FSI CMOS sensor.
During the base ISO test we can see the letters in the Nikon Z50 II are more clearly visible than those of the Canon R10, despite having higher resolution Canon isn’t able to extract the amount of details they should at the base ISO range
In the JPEG Mode, the performance of the Canon R10 Camera is much improved which may be due to JPEG filters the Nikon Z30 sample at base ISO losing a bit of details which was visible in the RAW Mode.
Verdict / Conclusion Image Quality
In terms of image quality, the Nikon Z50 II performs better than the Canon R10 at higher ISO settings, particularly when shooting in RAW mode. The Nikon Z50 II (or Z30) tends to capture more details at higher ISOs due to its 20MP sensor and lack of a low-pass filter, which helps to maintain fine textures.
However, at base ISO, when shooting in JPEG, the Canon R10 may show slightly more detail due to its higher 24MP resolution. But if you’re shooting in RAW at base ISO, the Nikon cameras can still provide a slightly clearer picture due to the low-pass-less design, which can enhance sharpness. Overall, for detail preservation, the Nikon Z50 II’s 20MP sensor has a slight edge, especially for those who prioritize high ISO performance and RAW shooting.
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By admin, on November 9th, 2024
Nikon Z50 Mark II camera features the same sensor we’ve seen in other Nikon APS-C cameras, but it’s worth noting that it now has Picture Control support, custom profiles are now helping the low-light sensor to extract more and more details and better color contrast during the time of shoot, a clear example is shown below
Get a Nikon Z50 Mark II camera from the B&H Store | Amazon.com
Not only that, but the sharpness the Nikon Z50 II provides with its low-pass-less architecture is impressive, as you can see in the camera’s phenomenal circular resolving capacity in the next image.
Of course, those who love high resolution may be disappointed with this release, but again… for those who love to capture images and videos in an un-controlled light environment it’s a great camera for them
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By admin, on November 7th, 2024
Nikon announced the long-awaited Nikon Z50 Mark II camera. If we talk about body design, we have a much-improved hand grip, which reminds us of DSLR cameras; they are very deep and very comfortable for professional hands. The other noticeable thing is a bright viewfinder of 1000 nits, despite having a 2.36 million resolution. Nikon has scaled the EVF. The other major improvement we can say in the design is the introduction of a vari-angle display screen on the rear side of the camera. As you can clearly remember, the Z50 had a tilting display screen, and now with the arrival of a vari-angle display as well as an additional audio port on the side of the camera, content creators can monitor their audio while recording videos.
Get a Nikon Z50 Mark II camera from the B&H Store | Amazon.com – Est. Ship Date: Thu Nov 21, 2024
Overall Design Improvements
Overall, the camera is much improved compared to its predecessor. When we compare the designs, we see that we have a few extra controls and a newly added picture control button on top of the camera. The other noticeable advantage we have is the introduction of the EN-EL25a battery. Although it is very similar to the battery we have seen (EN-EL15) in the Z50, it has also been redesigned to run more efficiently.
Core Specifications
Now let’s talk about the internal core specifications of the camera. We have the same 20-megapixel sensor in the Nikon Z50 Mark II camera paired with the latest Expeed 7 image processor. Many users out there are disappointed with the resolution of the camera since it is the same sensor we have seen in the D500, Z30, and ZFC. All these cameras have the same, but the most interesting part of this particular sensor is its low-light performance, similar or even better to the recent current generation of higher-end APS-C cameras.
Resolution and Low-Light Performance
That said, resolution may be a completely personal choice, but having an excellent low-light-performing BSI CMOS sensor under a $1,000 budget is really impressive. I love to see the same sensor again in the Z50 Mark II body.
Advanced Autofocus
Now, with the introduction of the Expeed 7 image processor, we have an advanced autofocus algorithm inside the Z50 Mark II camera, which comes directly from the Nikon Z6 III and Nikon Z8 bodies. But kindly remember that Nikon’s higher-end cameras, or even the Nikon Z6 Mark III, have a partially stacked sensor, whereas the Z50 II does not have that. So the response of the AF algorithm present inside those cameras acts differently. But again, having advanced AF algorithms inside the Z50 Mark II camera enhances the autofocusing performance to the next level. The 3D auto-tracking performance keeps tracking the subject regardless of the subject or the camera movement. The other big advantage we have is the introduction of 9 different types of autofocus tracking modes. So, if we talk about the autofocus performance, the Z50 Mark II has now become one of the most advanced Nikon APS-C cameras Nikon ever announced.
Continuous Shooting Speed
The continuous shooting speed of the camera has been upscaled, and now you can shoot up to 30 frames per second with the electronic shutter. With the mechanical shutter, you can do continuous shooting up to 11 frames per second. We all know that the 20 MP BSI CMOS sensor is not a stacked CMOS sensor, so those who don’t want any kind of rolling shutter effect can select the mechanical shutter.
Picture Control / Profile Button and Cloud Integration
Now we have a dedicated picture profile button on the top of the camera, and with this button, you have a world of possibilities. You can browse all the presets and different kinds of picture profiles available to you through Nikon’s cloud system. Once you connect your camera with the NX software, it opens up multiple picture profiles being used by Nikon ambassadors worldwide while shooting images. So you can select any of these picture profiles for your camera and have some fun.
Video Features and Enhancements
Let’s talk about the video part of the camera. Nikon has done a lot for the video side of the camera. Starting from the design, Nikon has introduced a vari-angle display screen and a headphone port to monitor audio. Now, internally with the Expeed 7 image processor, we have an advanced 3D autofocus system for videos.
10-Bit Video Recording and Waveform
The Nikon Z50 Mark II now supports 10-bit video recording. You can record videos in 10-bit format and apply various colour profiles, including some introduced recently in Nikon’s professional cameras. Professionals will love this camera for the introduction of the waveform; now you can see the waveform functionality on the back of the camera, which helps set the exposure for the entire scene more accurately than the histogram.
Image Stabilization Drawbacks
The only thing that disappoints me is the presence of electronic image stabilization, which is not very effective in the Z50 Mark II. With VR lenses, you can achieve some stability, but it is not as good as we have seen in the Sony ZV-E10 or ZV-E10 Mark II cameras.
Here’s a straightforward table summarizing the pros and cons of the Nikon Z50 II:
Conclusion / Early Verdict
Pros |
Cons |
Improved Grip Design: Deep, DSLR-style grip for comfortable handling. |
Electronic Image Stabilization (EIS) Limitation: EIS is present but not as effective as IBIS or advanced stabilization systems in other brands. |
High-Quality Vari-Angle Display: Versatile screen for flexible shooting angles, great for vlogging. |
Same 20 MP Sensor: Uses the same 20 MP sensor as its predecessor, which may disappoint users looking for higher resolution. |
Advanced Autofocus with 3D Tracking: Enhanced AF algorithms with 9 AF tracking modes and better 3D tracking from Expeed 7 processor. |
No Significant Increase in Frame Rate for Mechanical Shutter: Mechanical shutter limited to 11 fps, which may fall short for some action photographers. |
10-Bit Internal Video Recording: Adds professional video quality options with 10-bit color profiles. |
|
Enhanced Low-Light Performance: BSI CMOS sensor provides strong low-light capability for the APS-C segment. |
|
Dedicated Picture Profile Button: Conveniently browse and apply custom profiles from Nikon’s cloud library. |
|
Improved Battery Efficiency: Redesigned EN-EL25a battery for better performance compared to the previous Z50. |
|
By admin, on November 2nd, 2024
NIKKOR Z 35-85mm f/1.8 S constant aperture lens rumor has just surfaced through a popular Weibo handle. We’re unsure of the credibility of this information, but we do have a constant-aperture full-frame lens from Sigma with a similar focal length, the Sigma 28-45mm f/1.8. However, this particular lens is currently available only for Sony E-mount and L-mount.
As of now, any collaboration between Nikon and Sigma for a Z-mount version of this lens hasn’t been confirmed. Given the focal length of 28-45mm, it’s possible Nikon could be partnering with Sigma to develop a 35-85mm lens with a constant f/1.8 aperture. While this possibility exists, we don’t have an exact timeline yet for when it might be realized.
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webio e88_8888
By admin, on November 2nd, 2024
Sony A1 Mark II camera leaked image surfaced over the web, via SAR. Very soon we will have an official announcement of the upcoming camera.
But even more interesting, is Sony done with 2024 announcements or do we still have some surprises left? although I am waiting for the Sony A7S III camera and FX3 II, let me know which models or waiting for.
The camera we are expecting to Arrive from Sony
- Sony A7 V [Early 2025 with a 44.5Mp sensor as per rumors]
- Sony FX3 II
- Sony A7S IV [Sony’s next announcement after A1 Mark II]
- Sony Alpha A II [Confirmed for Sony Nov 19 announcement ]
Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM, If you have time –>see more Sony Alpha Rumor
source SAR website
By admin, on October 25th, 2024
A quick comparison table to showcase the difference between the Insta360 Ace Pro 2 vs DJI Osmo Action 5 Pro vs GoPro HERO 13, in the first two charts we have compared
Comparison of Insta360 Ace Pro 2 vs DJI Osmo Action 5 Pro
Feature |
Insta360 Ace Pro 2 |
DJI Osmo Action 5 Pro |
Image Sensor |
1/1.3″-Type CMOS |
1/1.3″-Type CMOS |
Sensor Resolution |
48 MP (7680 x 4320) |
40 MP (7296 x 5472) |
Image Stabilization |
Digital (FlowState with Horizon Lock) |
Digital (RockSteady 3.0 + HorizonSteady) |
Focal Length |
13mm (35mm Equivalent) |
2x Digital Zoom |
Aperture |
f/2.6 |
f/2.8 |
Minimum Focus Distance |
11.5’ / 350 cm |
1.15′ / 0.35 m |
Angle of View |
157° |
155° |
Recording Modes (8K) |
7680 x 4320 at 24/25/30 fps |
Not available |
Recording Modes (4K) |
3840 x 2160 up to 120 fps |
3840 x 2160 up to 120 fps |
Recording Modes (1080p) |
1920 x 1080 up to 240 fps |
1920 x 1080 up to 240 fps |
Still Image Support |
JPEG / DNG / RAW – Up to 50 MP |
JPEG / RAW – Up to 40 MP |
Shutter Speed (Photo Mode) |
1/8000 to 120 seconds |
1/8000 to 30 seconds |
ISO Range (Photo) |
100 to 6400 |
100 to 25,600 |
ISO Range (Video) |
100 to 6400 |
100 to 51,200 |
Video Codec |
H.265 / MP4 |
H.265 / MP4 |
Internal Storage |
No |
47 GB |
Memory Card Slot |
microSD (up to 1 TB, UHS-I) |
microSD (up to 1 TB, UHS-I) |
Display (Primary) |
2.5″ Tilting LCD |
2.5″ Fixed OLED Touchscreen |
Display (Secondary) |
0.9″ Fixed Non-Touchscreen |
1.4″ Fixed OLED Touchscreen |
Built-in Microphone |
Stereo |
Stereo |
Built-in Speaker |
No |
Yes |
Battery Capacity |
1800 mAh (3 Hours) |
1950 mAh (Up to 4 Hours) |
Charging Time |
1.25 Hours |
1 Hour |
Connectivity |
Wi-Fi / Bluetooth 5.2, USB-C |
Wi-Fi 6 / Bluetooth 5.1, USB-C 3.2 |
Operating Temperature |
-4 to 104°F / -20 to 40°C |
-4 to 113°F / -20 to 45°C |
Waterproof |
32.8 feet / 10 meters without a housing |
32.8 feet / 10 meters without a housing |
Dimensions |
2.8 x 2.1 x 1.5″ / 71.9 x 52.2 x 38 mm |
1.7 x 1.3 x 2.8″ / 44.2 x 32.8 x 70.5 mm |
Weight |
145 grams |
145 grams |
Mobile App Compatibility |
Yes (iOS and Android) |
Yes (iOS and Android, DJI Mimo App) |
Latest, compare the two we have the Insta Ace Pro 2 and the other is the DJI Osmo Action 5 Pro camera. In the comparison table, you can see the major core differences between the two, but the low-light performance of the Insta Ace Pro 2 due to its recent enhancements and advanced AI algorithm, despite having low ISO range, the camera is able to perform admirably to capture excellent details even in extreme low light. At the very same time, the DJI Osmo Action 5 Pro camera’s low-light performance is not as good as Ace Pro 2 but yes you hardly will find differences between the two. But again, the worst performer among the latest group of action cameras is the Hero 13
Here is the updated comparison between the Insta360 Ace Pro 2 and GoPro HERO13 Black, with all data verified and corrected:
Comparison Table – Differences
Feature |
Insta360 Ace Pro 2 |
GoPro HERO13 Black |
Image Sensor |
1/1.3″-Type CMOS |
1/1.9″-Type CMOS |
Effective Megapixels |
48 MP |
27 MP |
Lens Aperture |
f/2.6 |
f/1.8 |
Angle of View |
157° |
155° |
Focal Length (35mm equivalent) |
13mm |
16-34mm |
Recording Resolution |
8K (7680 x 4320) at 30 fps, 4K at 120 fps |
5.3K (5312 x 2988) at 60 fps, 4K at 120 fps |
Still Image Resolution |
Up to 50 MP |
Up to 27 MP |
Built-in Storage |
None |
None (microSD support) |
Stabilization Type |
Digital (FlowState with Horizon Lock) |
HyperSmooth 6.0 (Advanced Digital) |
ISO Range (Photo) |
100-6400 |
100-3200 |
ISO Range (Video) |
100-6400 |
100-6400 |
Maximum Shutter Speed (Photo) |
1/8000 second |
1/16000 second |
Battery Capacity |
1800 mAh |
1720 mAh |
Battery Life (Approx.) |
Up to 3 hours |
Up to 2 hours |
Display Type |
2.5″ Tilting LCD Touchscreen, 0.9″ Secondary LCD |
2.27″ Touchscreen Rear, 1.4″ Front Touchscreen |
Waterproof Rating |
33 ft / 10 m (without housing) |
33 ft / 10 m (without housing) |
Audio Recording |
3-channel Stereo Microphone |
3 Mic Array with Wind Reduction |
Internal Storage |
No |
No |
Connectivity |
Wi-Fi 5, Bluetooth 5.2 |
Wi-Fi 6, Bluetooth 5.3 |
Weight |
150 g |
154 g |
Operating Temperature Range |
-4°F to 104°F (-20°C to 40°C) |
14°F to 95°F (-10°C to 35°C) |
Charging Time |
1.25 hours |
2 hours |
Key Takeaways:
- Insta360 Ace Pro 2 offers higher resolution for both video (up to 8K) and still images (up to 50 MP). And excellent AI integration, to enhance the overall video quality of the camera even in extreme low light conditions. Which stands out in front of the GoPro.
- GoPro HERO13 Black excels in advanced features like HyperSmooth 6.0 stabilization. But lowlight performance isn’t good as others.
Conclusion
If we compare all three cameras and have to Rank them based on their list of latest features, here is the latest set of ranking
- Insta360 Ace Pro 2
- DJI Osmo Action 5 Pro
- GoPro HERO13 Black
So, it is now time for HERO to bring back something more interesting with a larger sensor size that can perform better in low light, has more resolution and advanced AI features like the other two we have.
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