Canon EOS R1 isn’t a rumor actually, Canon has confirmed several times in interviews they are working on a flagship mirrorless camera. Earlier we expected that camera to arrive at the end of 2022, but its looks like the announcement are being delayed this time.
This is the set of most authentic information(s) we have related to the Canon EOS R1
45+ megapixels, 8K video recording at various framerates
and one more rumored specs
Met a fellow photographer today who “was” a Canon Explorer” and he just got back from Japan.
His exact words were, “I spoke to a friend of mine at Canon while I was in Japan and the R1 is shooting for 85MP at 24fps in RAW with over 15 stops of dynamic range,”.
Now we wait and see….. If he’s right or should I say his friend is right… That is exactly double the resolution of the 1DXMKIII and 40% more than the NIkon Z9.
As usual, a camera maker tests several prototypes before the final announcement of any flagship camera. These two sets of specs are the knowledge to us, let’s wait for further confirmation about the same
Canon R5 mark II camera expected to arrive before Q3 of 2023. The camera is rumored to feature a new 61 MP Fullframe BSI CMOS sensor developed by Canon. R5 Mark II camera also has the capability to record 8K Oversampled video up to 60FPS. With an advanced, heat sink unit the camera is able to record videos up to 4K 60p up to 60min without overheating and u can also record 4k videos @ 120fps. Take a look at the rumored specification of the upcoming Canon R5 Mark II camera.
The Canon R50 is said to be the true sensor of the Canon M50 Mark II and 200D Mark II cameras. As per the initial set of specifications we have the Canon R50 is actually a budget Canon R10 camera with a compact body similar to Sony ZV-E10 or Nikon Z30.
Canon EOS R100 Rumored specification
24.2MP APS-C CMOS Sensor (Same as Canon R10) (Confirmed)
4k 24, 30fps (Limited to 8 bit) (Confirmed)
No HDRPQ mode like Canon R10
14 FPS burst mode (un-Confirmed)
3.0″ 1.04m-Dot Vari-Angle Touchscreen (Confirmed)
Coming in Q1-Q2 2023
The initial set of rumors suggests Canon R10 will share the same 24MP Sensor as the Canon R50 Camera. But, we will have limitations in Video frame rates (No 4k 60fps) and limited burst Mode.
The camera is expected to arrive sometime in Q1 or Q2 of 2023.
4. Canon R7C
Canon R7C or Canon C7 ? – a compact cinema mirrorless camera with RF Mount and APS-C CMOS Sensor ? is a cheaper alternative to the Canon C70 and an FX30 perfect competitor ?, rumors start drooling out more and more after the announcement of the Sony FX30 camera.
So, we do have a high possibility, that we may have a Canon compact cinema camera like an FX30 camera, with a 32.5MP Dual gain Sensor including BNC Timecode and Mini-XLR Audio Inputs.
We do expect its announcement Q3/Q4 of 2023. Stay tuned we will publish more updates soon as it become available to us.
The Canon EOS R Mark II or Canon R8 ? the name of the camera isn’t confirmed yet, but both Canon R8 and R9 are reserved for Canon upcoming cameras and we do expect the EOS R Mark II will have an R8 Name.
Canon EOS R successor is yet to arrive with a redesigned 30.3MP Full-Frame CMOS DPAF 2 Sensor with updated processing for more improved AF, and impressive uncropped 4K videos.
More Rumored specs of Canon R8 / Canon EOS R Mark II
NEW 24 MP Sensor
DIGIC X Image Processor
AI AF Algo same as of Canon R3
Sensor shift IS up to 7.5 to 8 Stops
UHD 4K 30 FPS Oversampled and uncropped
UHD 4k 60 FPS Cropped [Uncropped optional]
Multi-Function Shoe, Wi-Fi, and Bluetooth
Dual UHS-II Memory Card Slots
The Camera will arrive in the summer of 2023 if everything goes on schedule inside Canon.
6. Canon R5S
A very Less and unreliable set of information is available about the Canon R5S. Most likely the rumor is false.
7. Canon EOS Rp or Canon R9 Camera
Rumor mills are completely silent about the Canon Rp update, so as soon as we will get any information related to the Canon Rp update we will update here too.
8. Canon G7X Mark IV or something else…?
We have been told Canon will announce 1 compact camera next year, either we will have a Canon G7X Mark IV or a Canon G1X Mark IV. The camera will be more vloggers-centric with some sort of surprise inside it. That’s all information available about Canon compacts right now
9. Canon’s upcoming Lenses
List of Canon RF Mount lenses expected to arrive in the year 2023
The two cameras feature the latest X-Processor 5 engine and an APS-C sensor, but the specs of each are quite different from each other.
First, the X-H2 has 40.2MP, whereas the X-H2S has 26.1MP.
Finally, we have a Fuji X-T5 (XT series flagship camera) that uses the highest resolution sensor ever used in an APS-C Camera. Not only is it High resolution the sensor is made on BSI tech so you will also get a decent low-light performance from this sensor. The BEST part is, right now the X-T5 is the most affordable Fuji Camera to have a NEW 40MP BSI CMOS X-Trans APS-C sensor.
Now, the Fuji X-H2s is Fuji’s First model to feature a newly developed 26MP X-Trans STACKED sensor that is 3.6x faster than the single-layered BSI design in the X-T3 and 4. Now with the adoption of a Stacked CMOS sensor technology, the camera enjoys a significant speed boost sensor readout speed. The Major advantage we are getting in still part after having the new 26 MP Stacked CMOS sensor is it allows the camera to capture full-resolution images at up to 40 frames per second with full-time AF/AF support as well as you can capture 4K videos @ 120FPS.
Both of them use the new X-Processor PRO and the new X-Processor 5 is 65% faster than the previous generation of processors.
Fuji X-T5 a Best Budget 40MP Camera?
The Fuji X-T5 camera is the best budget camera with Fuji’s new 40MP sensor if ur limited to Wedding photography and fashion when you don’t need that much buffer and video. Then undoubtedly the best camera under budget is 40mp.
Fuji X-T5
Fuji X-H2S
Sensor Resolution
FUJIFILM X
FUJIFILM X
Sensor Type
Effective: 40.2 Megapixel (6240 x 4160)
Effective: 26.16 Megapixel (6240 x 4160)
Crop Factor
23.5 x 15.6 mm (APS-C) CMOS
23.5 x 15.6 mm (APS-C) CMOS
Image Stabilization
1.5x
1.5x
Built-In ND Filter
Sensor-Shift, 5-Axis
Sensor-Shift, 5-Axis
Capture Type
None
None
Stills & Video
Stills & Video
Best AutoFocus Camera ?
Both X-H2s and The X-T5 offer the same range of subject recognition autofocus modes as the X-H2S.
Face/Eye
Animal
Car
Motorbike & Bike
Airplane
Birds
Trains
Humans (incl. wearing glasses and mask)
Cat
Dog
Horse
Open-wheel
Rally cars
Passenger cars
Motorbike
Bicycles
Fighter jet
Passenger plane
Prop aircraft
Birds
Trains
Faster sensor readout speed and Less resolution for better AF tracking
Fuji X-T5 uses a 40Mp non-stacked CMOS sensor, so sensor readout speed will be slow due to the absence of technology and also due to the higher resolution. So, if we talk about AF tracking and sensitivity despite having the same X-processor PRO inside them or maybe the same AI AF algorithms inside them, the Fuji X-H2s camera will do better object tracking compared to X-T5.
Fuji X-T5
Fuji X-H2s
Focus Type
Auto and Manual Focus
Auto and Manual Focus
Focus Mode
Continuous-Servo AF, Manual Focus, Single-Servo AF
Continuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus Points
Photo, Video
Contrast Detection, Phase Detection: 425
Photo, Video
Contrast Detection, Phase Detection: 425
Built-In Flash
No
No
Flash Modes
Auto, Commander, First-Curtain Sync, Manual, Off, Second-Curtain Sync, TTL Auto
Auto, Commander, First-Curtain Sync, Manual, Off, Second-Curtain Sync, TTL Auto
Maximum Sync Speed
250 Second
250 Second
External Flash Connection
Hot Shoe, PC Terminal
Hot Shoe, PC Terminal
Fuji X-H2s Best Camera for wildlife and Sports Photography
AF speed may take a hit because the X-H2 can’t read out its sensor as fast as the ‘S’ model, though AF information usually comes from a faster, low-resolution readout, also the absence of Stacked tech.
Now, we have great news for those who love to do sports and wildlife, the camera is able to shoot up to 40FPS @ 26 MP [full resolution], yes we are talking about the Fuji X-H2s camera and not about the Fuji X-T5 with limited 15 FPS of burst mode and very limited buffer memory of 119 Jpeg.
Fuji X-H2s Buffer Memory Size
The Fuji X-H2s with the camera is able to shoot 184 JPEGs or 175 Raws at 40 fps and over 1000 JPEGs in 30fps or 15 fps modes, and 400 Raws at that lower speed.
Mechanical Shutter
1/8000 to 900 Seconds in Manual Mode
1/8000 to 900 Seconds in Shutter Priority Mode Electronic Shutter
1/32000 to 900 Seconds in Manual Mode
1/32000 to 900 Seconds in Shutter Priority Mode Electronic Front Curtain Shutter
1/8000 to 900 Seconds in Manual Mode
1/8000 to 900 Seconds in Shutter Priority Mode
1/8000 to 30 Seconds in Aperture Priority Mode
Mechanical Shutter
1/8000 to 900 Seconds
1/8000 to 4 Seconds in Program Mode Electronic Front Curtain Shutter
1/8000 to 900 Seconds
1/8000 to 4 Seconds in Program Mode Electronic Shutter
1/32000 to 900 Seconds
1/32000 to 4 Seconds in Program Mode
1/32000 to 30 Seconds in Aperture Priority Mode
Fixed 1 Second in Bulb Mode
1/8000 to 1/4 Second in Movie Mode
Bulb/Time Mode
Bulb Mode
Bulb Mode
ISO Sensitivity
Photo
160 to 12,800 in Auto Mode (Extended: 80 to 51,200) Video
160 to 12,800 in Auto Mode (Extended: 160 to 25,600)
Photo
160 to 12,800 in Manual, Auto Mode (Extended: 80 to 51,200) Video
160 to 12,800 in Manual, Auto Mode (Extended: 160 to 25,600)
Mechanical Shutter
Up to 15 fps at 26.1 MP for Unlimited Frames (JPEG) / 1000 Frames (Raw)
Up to 10 fps at 26.1 MP for Unlimited Frames (JPEG) / Unlimited Frames (Raw)
Up to 8 fps at 26.1 MP for Unlimited Frames (JPEG) / Unlimited Frames (Raw) Electronic Shutter
Up to 40 fps at 26.1 MP for up to 184 Frames (JPEG) / 140 Frames (Raw)
Up to 30 fps at 26.1 MP for Unlimited Frames (JPEG) / 180 Frames (Raw)
Up to 20 fps at 26.1 MP for Unlimited Frames (JPEG) / 800 Frames (Raw)
Up to 15 fps at 26.1 MP for Unlimited Frames (JPEG) / 1000 Frames (Raw)
No option to add an external fan to the new Fuji X-T5 camera
Best Cinema Camera the Fuji X-H2s
Why is Fuji X-H2s Considered to be a better cinema or video camera when both X-T5 and Z-H2S record MAX videos Res of 6.2K?
. The X-H2S can shoot 6.2K or 4K at up to 30p from 14-bit readout in its F-Log2 mode, the X-H2S uses an entire 26 MP sensor and u don’t have to face any crop till 4k 60fps mode. Additionally, the Fuji X-H2 supports external Fan input, so whenever you need an extra cooling mechanism for your camera you can use the external cooling fan.
In Fuji X-T5 we use a slower sensor that in turn will generate more heat and no option to cool down the camera, we don’t have any option to use an external fan with X-T5. Other than that if we talk about the video core specs, then the Fuji X-T5 camera does 4k, 24 & 30 fps oversampled readout with 1.22 x crop, and the camera uses pixel binning or line skipping algorithm while recording 4k 60fps.
In addition to internal H.264, H.265, and ProRes (422 HQ, 422 or 422 LT) capture, the X-H2S via its HDMI port can output a 6.2K or 4.8K Raw which can be further encoded as ProRes RAW by the Atomos Ninja V+ recorder or BRaw using a Blackmagic Video Assist 12G HDR.
Dual-Base ISO in Fuji X-H2s: We have high-gain and low-gain ISO circuits active while shooting a Flog2, with the help of Dual base ISO we will get more cleaner output compared to the conventional way of capturing videos.
The camera’s full-sized HDMI port conforms to v2.1 of the standard, meaning it can also output 4K/120p video in up to 10-bit 4:2:2.
Full HD (17:9) -2048 x1080: 59.94p/ 50p/ 29.97p/ 25p/ 24p/23.98p 360Mbps/ 200Mbps/ 100Mbps/ 50Mbps
H.265 Long GOP/MOV 4:2:2 10-Bit
6240 x 4160 at 23.98/24.00/25/29.97 fps [50 to 720 Mb/s]
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps [50 to 720 Mb/s] MOV/ProRes 422/ProRes 422 HQ/ProRes 422LT 4:2:2 10-Bit
6240 x 4160 at 23.98/24.00/25/29.97 fps [1277 to 2754 Mb/s]
Video ISO Range
125-12800
Flog 640-12800
Flog 1250 – 12800
Recording Limit
No recording limit
No limit
No express type B Card option in the Fuji X-T5 camera, and the entire read-write process slows down that’s why the camera isn’t able to do full sensor readout or record images of more than 119 in a single burst, yes not only buffer memory the absence of CF Express card is also the reason behind these limitations.
Fuji X-T5
Fuji X-H2s
Media/Memory Card Slot
Dual Slot: SD/SDHC/SDXC (UHS-II)
Slot 1: CFexpress Type B
Slot 2: SD/SDHC/SDXC (UHS-II)
Video I/O
1 x Micro-HDMI Output
1 x HDMI Output
Audio I/O
1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input
1 x 1/8″ / 3.5 mm TRRS Headphone/Mic Microphone Input on Camera Body 1 x 1/8″ / 3.5 mm TRRS Headphone/Mic Headphone Output on Camera Body
Power I/O
1 x USB-C Input/Output
1 x USB-C Input/Output
Other I/O
1 x USB-C (USB 3.2 / 3.1 Gen 1) Data Input/Output (Shared with Power Input) 1 x 2.5 mm Sub-Mini Control Input 1 x PC Sync Socket Output
1 x USB-C (USB 3.2 / 3.1 Gen 2) Control/Data/Tether Input/Output (Shared with Power Input) 1 x 2.5 mm Sub-Mini Control Input 1 x PC Sync Socket (Sync) FlashSync Output
Wireless
Wi-Fi, Bluetooth
2.4 / 5 GHz Wi-Fi 5 (802.11ac)
Bluetooth
Global Positioning (GPS, GLONASS, etc.)
None
None
Viewfinder
Type
Built-In Electronic (OLED)
Built-In Electronic (OLED)
Size
0.5″
0.5″
Resolution
3.69m DOT OLED
5.76 m DOT OLED
Coverage
100%
100%
Conclusion: If you only care about shooting still images under budget and don’t want to take ur self into wildlife or sports when u need a faster frame rate or more buffer then its better to settle with X-T5, if you are into professional cinema then undoubtedly the best camera is Fuji X-H2s camera.
The Canon R6 Mark II Camera announced by Canon with the same sensor as we have seen in the Canon EOS R3 camera and the image processor is also the same, so those who were not able to buy the Canon EOS R3 camera due to its high price, they can have the R6 Mark II. Or it’s better to say finally we have a budget Canon EOS R3 Model in front of us.
The Canon R6 Mark II features 4779 selectable AF points, the AF point further divided into AF Zones to make the user selection process easy. Using the same deep-learning AI technology we applied to the EOS R5, R6, and Canon EOS R3, the Canon EOS R6 AF performance is of the next level. The camera recognizes people, animals, and now motorsport vehicles. Hundreds of thousands of images from different photographers and agencies have been used to teach the camera exactly what the real world looks like – and how it moves. Subject tracking is now supported for all AF area settings.
The Camera records oversampled high-quality 4K 60FPS video, and with an advanced heat sink unit, the camera never disappoints you despite the adverse weather conditions you have. Professional content creators or Cinematographers can also enjoy the in-built 7.5 Stops of IBIS and when paired with Lenses like 24mm IS STM and 35mm IS STM, you will get a total IS of 8 Stops.
Canon R6 is a perfect camera for sports, landscape, wedding photographers, cinematographers, and content creators.
MELVILLE, NY, November 2, 2022 – Canon U.S.A., Inc., a leader in digital imaging solutions, announced today the launch of the new EOS R6 Mark II camera body, Canon’s new hybrid full-frame camera, and the first EOS R series full-frame mirrorless to take the step into the second generation. In addition, Canon is also introducing the new RF135mm F1.8 L IS USM mid-telephoto portrait lens and Speedlite EL-5 flash unit.
Ideal for advanced amateurs and featuring user-friendly functions, the EOS R6 Mark II camera is a high-performance hybrid camera that’s designed to capture decisive moments in both photo and video formats. It will satisfy a wide range of needs including professional production, vlogging, still pictures, filmmaking, and more. The camera is also well-suited for various photography subjects such as portrait, landscape, sports and wildlife. With the EOS R6 Mark II camera, creativity has virtually no borders.
As the market share leader for mirrorless cameras in the United States through Q3 of 2022[i], Canon continues to strengthen its innovative EOS R lineup with the new EOS R6 Mark II camera. The EOS R6 Mark II offers enhanced video and photo functions, such as in-body Image Stabilization, as well as specifications that can satisfy video production needs, such as controlled focusing.
“As a filmmaker who is always on the move, I need a camera I can trust in a multitude of environments as well as keeping up with my fast paced style of shooting and the new Canon EOS R6 Mark II does just that.” said Canon Co-Lab Creator, Sam Newton.
In addition to its compact size and ease of use, the EOS R6 Mark II camera also features:
24.2 megapixels, full-frame image sensor
4K 59.94p video recording
External 6K RAW video recording / Internal 4K video recording oversampled from 6K
High-speed burst shooting
Canon Log 3 maximizing dynamic range
Autofocus (AF): highly accurate subject detection with human, animal[ii], vehicle and automatic settings
Horses, trains, and airplanes are newly detectable through the use of deep learning technology
Continuous movie recording that exceeds 30 minutes
Up to 12 frames per second mechanical shutter
Up to 40 frames per second with electronic shutter
In-body Image Stabilization as effective as up to 8 stops faster shutter speed[iii]
Price & Availability
The Canon EOS R6 Mark II camera body only and kits with either the Canon RF24-105 F4 L IS USM or the RF24-105 F4.0-7.1 IS STM USM lens will be available in late November 2022 for estimated retail prices of $2499.00, $3599.00 and $2799.00 respectively*.
The Canon RF135mm F1.8 L IS USM will be available in late January 2023 for an estimated retail price of $2099.00*.
The Canon Speedlite EL-5 flash unit will be available in late March 2023 for an estimated retail price of $399.99*.
Both of the Fuji Cameras feature the latest X-Processor 5 engine and a 5th-gen 40MP X-Trans BSI APS-C sensor, despite having the same sensor and image processor we do have some differences in the core specs of both cameras.
Camera
FUJI X-T5
FUJI X-H2
Sensor Type
Effective: 40.2 Megapixel (6240 x 4160)
Effective: 40.2 Megapixel
Crop Factor
23.5 x 15.6 mm (APS-C) CMOS
23.5 x 15.6 mm (APS-C) CMOS
Image Stabilization
1.5x
1.5x
Built-In ND Filter
Sensor-Shift, 5-Axis
Sensor-Shift, 5-Axis
Capture Type
None
None
Stills & Video
Stills & Video
The Autofocus specification of both cameras is exactly similar to each other since we have the same sensor and image processor here. So, more or less the image quality of the camera and the AF performance of both are expected to remain the same.
FUJI X-T5
FUJI X-H2
Focus Type
Auto and Manual Focus
Auto and Manual Focus
Focus Mode
Continuous-Servo AF, Manual Focus, Single-Servo AF
Continuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus Points
Photo, Video
Contrast Detection, Phase Detection: 425
Photo, Video
Contrast Detection, Phase Detection: 425
Built-In Flash
No
No
Flash Modes
Auto, Commander, First-Curtain Sync, Manual, Off, Second-Curtain Sync, TTL Auto
Auto, Commander, First-Curtain Sync, Manual, Off, Second-Curtain Sync, TTL Auto
Maximum Sync Speed
250 Second
250 Second
External Flash Connection
Hot Shoe, PC Terminal
Hot Shoe, PC Terminal
As you can see we have a slightly better base ISO range in the Fuji X-H2 camera. Although the extent ISO range of both cameras remains the same.
X-H2 125 to 12,800 in Manual, Auto Mode (Extended: 80 to 51,200)
X-T5 – 160 to 12,800 in Auto Mode (Extended: 80 to 51,200)
Mechanical Shutter
1/8000 to 900 Seconds in Manual Mode
1/8000 to 900 Seconds in Shutter Priority Mode
1/8000 to 30 Seconds in Aperture Priority Mode
1/8000 to 4 Seconds in Program Mode
Up to 60 Minutes in Bulb Mode Electronic Shutter
1/32000 to 900 Seconds in Manual Mode
1/32000 to 900 Seconds in Shutter Priority Mode Electronic Front Curtain Shutter
1/8000 to 900 Seconds in Manual Electronic Shutter
1/8000 to 1/4 Second in Movie Mode
Mechanical Shutter
1/8000 to 4 Seconds in Program Mode
1/8000 to 30 Seconds in Aperture Priority Mode
1/8000 to 15 Minutes in Manual Mode
Up to 60 Minutes in Bulb Mode Electronic Shutter
1/8000 to 4 Seconds in Program Mode
1/8000 to 30 Seconds in Aperture Priority Mode
1/8000 to 15 Minutes in Manual Mode
Fixed 1 Second in Bulb Mode
Bulb/Time Mode
Bulb Mode
Bulb Mode
ISO Sensitivity
Photo
160 to 12,800 in Auto Mode (Extended: 80 to 51,200) Video
160 to 12,800 in Auto Mode (Extended: 160 to 25,600)
Photo
125 to 12,800 in Manual, Auto Mode (Extended: 80 to 51,200) Video
125 to 12,800 in Manual, Auto Mode (Extended: 80 to 25,600)
Mechanical Shutter
Up to 15 fps at 26.1 MP for up to 38 Frames (Raw) / 110 Frames (JPEG)
Up to 10 fps at 26.1 MP for up to 44 Frames (Raw) / 164 Frames (JPEG)
Up to 8 fps at 26.1 MP for up to 49 Frames (Raw) / 200 Frames (JPEG)Electronic Shutter
Up to 20 fps at 26.1 MP for up to 36 Frames (Raw) / 79 Frames (JPEG)
Up to 30 fps at 20.9 MP for up to 35 Frames (Raw) / 60 Frames (JPEG)
Up to 20 fps at 20.9 MP for up to 37 Frames (Raw) / 114 Frames (JPEG)
Up to 10 fps at 20.9 MP for up to 48 Frames (Raw) / 500 Frames (JPEG)
The difference in BASE ISO Range
So, with such a little difference in the base ISO range, we don’t expect much difference in the performance of both cameras. Yes, under LAB TEST results we may see some difference in DR due to the minor difference we have in the base ISO range, but in real-world usage, we won’t be able to spot any difference.
Buffer Limitation
Fuji X-T5 is able to save only 119 Jpeg in single bursts whereas the Fuji X-H2 camera is able to save up to 1000+ Jpeg in a single burst. CF CFexpress Type B also missing in the new X-T5.
Raw
7680 x 4320 up to 29.97 fps MOV/MP4/MPEG-4 AVC/ProRes 422/ProRes 422 HQ/ProRes 422LT
UHD 8K (7680 x 4320) at 23.98/24.00/25/29.97 fps [50 to 720 Mb/s] MOV/MP4/MPEG-4/ProRes 422/ProRes 422 HQ/ProRes 422LT
6240 x 4160 at 23.98/24.00/25/29.97 fps [50 to 720 Mb/s]
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps [50 to 720 Mb/s]
UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps [50 to 720 Mb/s]
DCI 2K (2048 x 1080) at23.98/24.00/25/29.9 /50/59.94 fps [50 to 720 Mb/s]
1920 x 1080p at 23.98/24.00/25/29.97/50/59.94/100/119.88/200/239.76 fps [50 to 720 Mb/s]
Video Limitations of X-T5
The high resolution on the sensor allows the X-H2 to record 8K up to 30p (RAW available). You can also select 6.2K video up to 30p. In 4K, you can work up to 30p with oversampling from 8K, or up to 60p with sub-sampling. In Full HD, the frame rate goes up to 240p with the High-Speed mode. With the Fuji X-T5 camera, you can record Full HD Videos up to 240fps but the MAX Video resolution available here is 6.2K video up to 30p. Undoubtedly the X-H2 is a better video camera with more features compared to X-T5.
No External Fan Support in Fuji X-T5 Camera
If you live in a western country then it’s ok, but in Asian countries where the temp goes really high in the summer season, X-T5 is left with no option to add an external fan to the camera due to the introduction of a tilting screen.
The ports of the camera and display screen are more or less likely to be the same.
FUJI X-T5
FUJI X-H2
Media/Memory Card Slot
Dual Slot: CFexpress Type B (SD Express)
Dual Slot: CFexpress Type B (SD Express)
Video I/O
1 x HDMI Output
1 x HDMI Output
Audio I/O
1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input
1 x 1/8″ / 3.5 mm TRRS Headphone/Mic Input on Camera Body 1 x 1/8″ / 3.5 mm TRRS Headphone/Mic Output on Camera Body
Power I/O
1 x USB-C Input/Output
1 x USB-C Input/Output
Wireless
Wi-Fi, Bluetooth
2.4 / 5 GHz Wi-Fi 5 (802.11ac)
Bluetooth
Global Positioning (GPS, GLONASS, etc.)
None
None
High-Quality Viewfinder
The Fuji X-H2 camera features a HighResolution Viewfinder of 5.76 Million dots, yes the X-H2 features class-leading core specs.
Type
Built-In Electronic (OLED)
Built-In Electronic (OLED)
Size
0.5″
0.5″
Resolution
3,6M-dot OLED electronic
5.76M-dot OLED electronic
Eye Point
23 mm
100%
Coverage
100%
Approx. 0.8x
Magnification
Approx. 0.75x
-5 to +3
yes, u will have a very minimal difference in battery life. X-H2 Features a 720-shot battery life and X-T5 features a 740-shot battery life in ECO mode.
Conclusion: Which camera should you buy Fuji X-H2 or Fuji X-T5
Core specification wise we have very little difference between them and so on the price tag. If spending $200 extra on a camera body isn’t an issue for you, than its better to buy the Fuji X-H2 camera. Since u will get a slightly better base ISO range, Better EVF, and 8K video recording capability.
Fujifilm has unveiled its new high-end APS-C camera, the X-T5. the camera carries the same 40MP APS-C X-Trans5 BSI Sensor as we have seen in the Fuji X-H2, which means there are now two flagship models: both focus on resolution.
Let’s compare the Fuji X-T5 vs Fuji X-T4, X-H2 sports a backside-illuminated, APS-C-format 40MP X-Trans 5 HR sensor paired with the new he X-Processor 5—which uses 64-bit processing to realize 3x faster speeds for both video and photo tasks compared to the X-T4.
Better Sensor Compared to Fuji X-T4
Advanced Sensor inside the Fuji X-T5 Camera, we have a massive upgrade in sensor compared to X-T4. The X-H2 sports a backside-illuminated, APS-C-format 40MP X-Trans 5 HR sensor, paired with X-Processor 5 the sensor gives us 13 Stops of DR range while shooting still images and very clean images even at ISO 6400.
Camera Models
Fuji X-T4
Fuji X-T5
Sensor Type
26.1 Megapixel (6240 x 4160)
Effective: 40.2 Megapixel (7728 x 5152)
Crop Factor
1.5x
1.5x
Image Stabilization
Sensor-Shift, 5-Axis
Sensor-Shift, 5-Axis
Built-In ND Filter
None
None
Auto-Focusing System
Fuji X-T5 – With the improved processing benefits, autofocus performance is noticeably faster and more intelligent. This hybrid focusing system uses 425 phase-detection points and is now sensitive down to -7 EV for working in truly low-light conditions. With the help of the new AI AF Tech, the AF speed and tracking improved dramatically in the new camera. Compared to the previous generations of Fuji Cameras.
Fuji X-T4 – The sensor’s design also includes an expanded phase-detection autofocus system, which has 425 selectable points that cover nearly the entire sensor area. This AF system delivers faster, more accurate focusing performance in various lighting conditions down to -6 EV.
Mechanical Shutter
1/8000 to 900 Seconds in Manual Mode
1/8000 to 900 Seconds in Shutter Priority Mode
Up to 60 Minutes in Bulb Mode Electronic Shutter
1/32000 to 900 Seconds in Manual Mode
1/32000 to 900 Seconds in Shutter Priority Mode
1/32000 to 30 Seconds in Aperture Priority Mode
1/32000 to 4 Seconds in Program Mode
Fixed 1 Second in Bulb Mode Electronic Front Curtain Shutter
1/8000 to 900 Seconds in Manual Mode
1/8000 to 900 Seconds in Shutter Priority Mode
Up to 60 Minutes in Bulb Mode Electronic Shutter
1/8000 to 1/4 Second in Movie Mode
Mechanical Shutter
1/8000 to 900 Seconds in Manual Mode
1/8000 to 900 Seconds in Shutter Priority Mode
1/8000 to 30 Seconds in Aperture Priority Mode
1/8000 to 4 Seconds in Program Mode
Up to 60 Minutes in Bulb Mode Electronic Shutter
1/32000 to 900 Seconds in Manual Mode
1/32000 to 900 Seconds in Shutter Priority Mode
1/32000 to 30 Seconds in Aperture Priority Mode
1/32000 to 4 Seconds in Program Mode
Fixed 1 Second in Bulb Mode Electronic Front Curtain Shutter
1/8000 to 900 Seconds in Manual Mode
1/8000 to 900 Seconds in Shutter Priority Mode
1/8000 to 30 Seconds in Aperture Priority Mode
1/8000 to 4 Seconds in Program Mode
Up to 60 Minutes in Bulb Mode Electronic Shutter
1/8000 to 1/4 Second in Movie Mode
Bulb/Time Mode
Bulb Mode
Bulb Mode
ISO Sensitivity
Photo
160 to 12,800 in Auto Mode (Extended: 80 to 51,200) Video
160 to 12,800 in Auto Mode (Extended: 160 to 25,600)
Photo
160 to 12,800 in Auto Mode (Extended: 80 to 51,200) Video
160 to 12,800 in Auto Mode (Extended: 160 to 25,600)
Mechanical Shutter
Up to 15 fps at 26.1 MP for up to 38 Frames (Raw) / 110 Frames (JPEG)
Up to 10 fps at 26.1 MP for up to 44 Frames (Raw) / 164 Frames (JPEG)
Up to 8 fps at 26.1 MP for up to 49 Frames (Raw) / 200 Frames (JPEG) Electronic Shutter
Up to 20 fps at 26.1 MP for up to 36 Frames (Raw) / 79 Frames (JPEG)
Up to 30 fps at 20.9 MP for up to 35 Frames (Raw) / 60 Frames (JPEG)
Up to 20 fps at 20.9 MP for up to 37 Frames (Raw) / 114 Frames (JPEG)
Up to 10 fps at 20.9 MP for up to 48 Frames (Raw) / 500 Frames (JPEG)
Continuous Shooting Speed: As you see in the stats the Continuous shooting speed of the new Fuji X-T5 limits at 20FPS (1.29x Crop) @40MP whereas the X-T4 is able to deliver up to 30FPS. Although due to the new image processor and AI Algo inside it, the AF tracking performance of the new X-T5 is much improved than that of the X-T4.
Pixel Shift Multishot – Fuji X-T5 allows Pixel Shift Multishot to take multiple exposures in rapid succession, each one precisely shifting the image sensor by half a pixel, capturing the subject on a different part of the image sensor each time and yielding a single 160-Megapixel image with the help of the Pixel Shift Combiner software
Built-in 5-axis sensor-shift image stabilization helps to minimize the appearance of camera shake by up to 7 stops. slightly improved by X-T4 which is capable to shoot 6.5 Stops.
Fuji X-T4
Fuji X-T4
Internal Recording Modes
H.264/H.265/MOV 10-Bit
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps [100 to 400 Mb/s]
UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps [100 to 400 Mb/s]
DCI 2K (2048 x 1080) at 23.98/24.00/25/29.97/50/59.94 fps [50 to 200 Mb/s]
1920 x 1080p at 23.98/24.00/25/29.97/50/59.94/100/119.88/239.76 fps [50 to 200 Mb/s]
Undoublty if you will compare the Fuji X-T4 video specs with the X-T5, you will clearly X-T5 features 6K video capturing ability, but the advancement doesn’t end up here. The camera is also backed with advanced AI AF algorithms inside for High performing AF performance. So, if you are more into Photos and video go with Fuji X-T5, if ur more into cinematography and pro content creation u can also have the Fuji X-H2s Camera.
Memory cards: The Newly announced camera features an option for a CF Express Type B Card slot. Dual memory card slots include one CFexpress Type B slot and one SD UHS-II slot for file-saving flexibility. The CFexpress Type B slot should be prioritized for higher bitrate video recording and fast continuous shooting, and the SD slot is a convenient alternative for backups or less speed-critical shooting.
Fuji X-T4
Fuji X-T5
Media/Memory Card Slot
Dual Slot: SD/SDHC/SDXC (UHS-II)
Dual Slot: CFexpress Type B (SD Express)
Video I/O
1 x Micro-HDMI Output
1 x HDMI Output
Audio I/O
1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input
1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input
Power I/O
1 x USB-C Input/Output
1 x USB-C Input/Output
Other I/O
1 x USB-C (USB 3.2 / 3.1 Gen 1) Data Input/Output (Shared with Power Input) 1 x 2.5 mm Sub-Mini Control Input 1 x PC Sync Socket Output
1 x USB-C (USB 3.2 / 3.1 Gen 1) Data Input/Output (Shared with Power Input) 1 x 2.5 mm Sub-Mini Control Input 1 x PC Sync Socket Output
Wireless
Wi-Fi, Bluetooth
Wi-Fi, Bluetooth
Global Positioning (GPS, GLONASS, etc.)
None
None
The display screen of the Fuji X-T5 is now more dense than of the Fuji X-T4
Fuji X-T4
Fuji X-T5
Size
3.0″
3.0″
Resolution
1,620,000 Dot
1,840,000 Dot
Display Type
Articulating Touchscreen LCD
Articulating Touchscreen LCD
Viewfinder – Of both the camera remains the same
Fuji X-T4
Fuji X-T5
Type
Built-In Electronic (OLED)
Built-In Electronic (OLED)
Size
0.5″
0.5″
Resolution
3,690,000 Dot
3,690,000 Dot
Eye Point
23 mm
23 mm
Coverage
100%
100%
Magnification
Approx. 0.75x
Approx. 0.75x
Diopter Adjustment
-4 to +2
-4 to +2
Conclusion: From the inital set of specifications we have, we have a lrage set of improvementd in still part as well as video part of the camera. The New X-T5 models is arrived with a massive updgrade and a lower-price then of the Flagship X-H2 camera. So, if we consider all these factors, the X-T5 is a worthwhile investement.
According to the latest rumors surfaced over the web, the Canon R6 Mark II camera’s official announcement is about to happen on Nov 2 2022. Canon china’s social handle uploaded a teaser of the same, check below
November 2nd at 11:52 noon . Embark on an illusionary journey of space and time and witness the collision of technology and reality. It’s worth going to, go and make an appointment for Kangkang [translated text]
Rode announced two new mics for professional content creators XDM-100 ($249) and XCM-50 ($150) as usual D for dynamic and C for the condenser. In short Dynamic mic are better and with built-in noise cancellation units but is costly, and Unify software is specifically for streamers for mixing audio on the go.
Both of the newly announced microphones are USB only (no XLR), unify creates a couple of virtual audio interfaces on your PC and you can then control which app uses what, and where that sound goes.
The XCM-50 is usual a condenser mic so u need the sound room – aka acoustically treated, or “softer” rooms. This mic is cheap and grabs all the environmental sounds so u have to work on it, or u can download the audacity software to remove the noise, change the pitch, etc for free.
The XDM-100 has a more classic “dynamic” microphone sound. The mic features noise cancellation, is slightly more affordable than the competition, and arrives Rode’s free UNIFY software offers advanced processing via the mic’s powerful internal DSP.
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