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Best Canon Mirrorless Camera for Photography in 2025

Canon mirrorless cameras have become a perfect choice for professional photographers and beginners in 2025. The camera offers cutting-edge autofocus technology, high-resolution sensors, as well as a wide range of native lenses, along with a huge range of DSLR lenses that are fully adaptable with the new RF system cameras. And now Canon has started to open up to third-party leading lens manufacturers like Sigma and Tamron, for the APS-C RF mount cameras.

Why choose a Canon mirrorless camera in 2025?

Cameras are a combination of portability, advanced technology, and versatility. Canon’s Dual Pixel Autofocus system does seamless focus and never misses any subject since the entire sensor pixels are involved in autofocusing and none of the pixels are dead, unlike in hybrid CMOS or contrast-detect focus sensors where the fabricated autofocus points are actually dead pixels and don’t contribute anything to the image quality. And that’s why the Canon sensors are able to achieve the industry’s best tonal quality for capturing human portraits with advanced accuracy in their new AI Auto White Balance mode.

Canon isn’t dependent on any other third-party sensor maker or lens makers for their system cameras. They design everything indigenously and that’s why their RF system is so perfect.

Top 6 mirrorless cameras for photography in 2025

Let’s dive into the details, the best Canon mirrorless cameras for 2025. Each camera is handpicked for different photographic needs. Either you are a professional photographer, an action or sports lover, or an entry-level buddy photographer, we are starting from pros and going down to budget-friendly options.

1. Canon EOS R5 Mark II – the professional’s dream machine

What’s inside: We have a 45-megapixel STACKED full-frame CMOS sensor. The readout speed of the sensor is 6.3 milliseconds. The camera is able to record 8K videos up to 60 frames per second and features 5,850 autofocus points. You are getting 8.5 stops of sensor-shift image stabilization and continuous shooting speed up to 30 RAW frames per second.

Why it rocks: I think Canon should get the flagship camera award for the Canon R5 II. Canon R5 Mark II camera is said to be the Swiss Army knife of cameras. The 45-megapixel full-frame CMOS sensor gives highly detailed images, perfect for landscape photography. Since Canon is known for its skin tonal quality, and the Canon R5 Mark II is also highly suitable for portrait photography, it is the best mirrorless camera for professional photography in 2025. The autofocus tracks everything from bird eyes to bride’s eyes with laser precision, and the stabilization gives you the ability to shoot at slow shutter speed without worrying about blur. If you are a habit shooter, then 8K video is the cherry on top.

Perfect for: The camera is perfect for wedding photographers as well as professional portrait photographers. Anybody who loves to have highly detailed images from their camera, the R5 Mark II is the best option.

Price –  $4099 – Buy from B&H Store and Amazon.com

2. Canon R1 – built for speed

What’s inside: 24.2-megapixel full-frame stacked CMOS sensor, 2.7 milliseconds of readout speed, 40 FPS RAW capture, 1/64000s shutter, dual CFexpress card slots, 7.5 stops of IBIS.

Why it rocks: The Canon R1 was announced back in July 2024, and it is Canon’s fastest mirrorless camera yet. Canon R1 is the best camera for sports photography in 2025. It freezes the action like no other without any trace of rolling shutter effect, as well as the low-light performance is excellent. The autofocus of this camera does magic in reality—it sticks to fast-moving subjects, and you have to just compose the image and capture the frame, and nothing else you have to do. The Canon R1 camera features a rugged and completely rainproof design, a perfect mirrorless camera for wildlife photography in 2025.

Perfect for: Sports photography and wildlife photography

Price: $6,299 – Buy from B&H Store | Amazon.com (used from $4899 at Amazon)

3.  R6 Mark II – All-Rounder Camera

What’s inside: We have a 24.2 MP full-frame sensor able to capture 40 frames per second with electronic shutter and also records uncropped 4K 60fps video with advanced autofocus support and approximately 7.5 stops of IBIS.

Why it rocks: The Canon R6 Mark II camera actually captures the best sweet spot in Canon lineup, for those who love to have professional features in their camera without breaking the bank. Yes, we are waiting for Canon R6 Mark III, and possibly in the fourth quarter of 2025 we may have it. Meanwhile, the R6 Mark II is available at a very reasonable price, and if you love to have a professional feel in your hand, then the R6 Mark II is the perfect choice. The ISO ranges up to 204800, making it ideal for professional portrait photography with Canon mirrorless cameras in 2025. A lot of wedding photographers out there also use the Canon R6 Mark II camera bod,y pairing it up with the Canon 28-70 f/2.8 lens. Whether you are shooting candid events or fast-moving kids, the autofocus speed always catches you, and the stabilisation makes everything so perfect. For now, the Canon R6 Mark II camera at its price is the best option.

Price: $1999 Lowest since launch – B&H Store | Amazon.com

4. Canon R8 Camera – Full-Frame on a Budget

What’s inside: The camera features a 24.2 megapixel full-frame CMOS sensor and continuous shooting speed up to 40 frames per second. Canon R8 also records uncropped 4K 60fps video with advanced autofocus and excellent tonal quality.

Why it rocks: Canon R8 is one of the best budget-friendly Canon mirrorless cameras for photography in 2025. The camera arrives at a super budget price and is able to offer you a full-frame sensor with 4K 60fps uncropped recording and continuous shooting speed up to 40 frames per second which no one else is able to offer. The body doesn’t have IBIS so you need to keep OIS lenses to get the perfect shot.
Perfect for budget-conscious shooters waiting for full-frame performance.

Price $1299 Lowest since launch – Buy from B&H Store | Amazon.com

 

5. Canon R10 – The Best Beginner Camera

What’s inside: The Canon R10 features a 24.1-megapixel APS-C CMOS sensor with maximum mechanical continuous shooting speed up to 15fps, and records 4K 30fps APS-C video.

Why it rocks: The Canon R10 is one of the best cameras for new photographers. If you’re a beginner and looking for an all-rounder camera, then the Canon R10 is definitely a perfect choice for you. The Canon R10 is actually fast enough for action and sports photography, and pairs up flawlessly with native and third-party RF-S lenses, making it the best Canon mirrorless camera for beginners in 2025.

Price: $879 – Buy it from Amazon.com

 

6. Canon R50V – Cinematography on Budget

What’s inside: 24.2 APS-C sensor, records 4K 60fps video without any crop, in-body LUTs, false color, and vertical tripod support.

Why it rocks: The Canon R50V camera is a recent announcement from Canon. The Canon R50V is a compact powerhouse for cinematography on a budget. The camera features extensive videographic features that make you feel like you are using a professional cinema tool in your hand. The box-like body design and compatibility with RF-S dual fisheye lenses to create VR content make you feel it’s a professional cinema camera available at only $649.

Perfect for vloggers: Bloggers, YouTubers, and beginner cinematographers.

Price: $849 Amazon.com

How to Pick Your Perfect Canon Mirrorless Camera?

If you are not sure which one is right for you, we have made a quick guide that will help you pick the best Canon camera for you.

Budget: Budget-wise, Canon R50V, Canon R10, and Canon R8 keep the overall cost low. In the higher price range, we have the Canon R5 Mark II and Canon R1 — these are the premium professional mirrorless cameras.

Photography versus cinematography: Canon R1 camera has been recommended for sports and wildlife photographers. The Canon R5 Mark II camera is a multipurpose camera but is usually being recommended for landscape photography, wedding photography, and professional portrait photography. At the very same time, Canon R6 Mark II camera is known for its versatility, and Canon R50V is for budget cinematography and video.

Sensor size: We have full-frame cameras — the Canon R5 Mark II, the Canon R1, Canon R6 Mark II, and the Canon R8 — all these nail low light very well. On the other side, we have the APS-C — the Canon R10 and R50V — which saves a lot of money.

Portability: When you are in travel mode and portability is an important factor to you, then having Canon R50V, Canon R10, and Canon R8 are the best options as these are super lightweight. Cameras like Canon R1 or even the R5 Mark II are built like a tank and are a bit bulkier.

Lenses: All these cameras mentioned in the list work flawlessly with RF lenses, and if you have some budget issues, then you can buy the DSLR lenses with the adapter — even those will work flawlessly in most cases. In APS-C range, we do have third-party lens maker support from Sigma and Tamron, so you have more options in the APS-C range compared to full-frame.

Recommended Lenses to Pair with Your Canon Mirrorless Camera
We have listed some of the most popular lenses among our subscribers.

FAQ: Best Canon Mirrorless Cameras for Photography and Cinematography in 2025

What is the best Canon mirrorless camera for professional photography in 2025?
The Canon R5 Mark II camera is the top pick for professional photographers. It should be termed as Canon’s flagship camera without a doubt. If you look at the set of features of the Canon R5 Mark II — featuring a 45-megapixel full-frame stacked CMOS sensor, ability to record 8K video, and unbeatable autofocus — for professional photography with Canon’s cameras in 2025, the Canon R5 Mark II is the best option.

Which Canon mirrorless camera is best for beginners in 2025?
We have two different types in this. The first one is Canon R50 V, which is best for beginner videographers in 2025, and the next is Canon R10, which is perfect for beginners.

What is the best Canon camera for sports photography?
The Canon R1 is a speed monster camera, with 40FPS shooting mode and shutter speed up to 1/64000 of a second. Perfect for sports photography with Canon mirrorless camera in 2025. Although if you’re a beginner and looking for a budget-friendly option, then you can start with Canon R10 with 14 FPS mech shutter speed or Canon R50 with 40 FPS continuous shooting speed.

Which Canon camera is best for low-light photography in 2025?
The Canon R8 or 6 Mark II camera—both are excellent tools for low light photography, featuring a full frame CMOS sensor of 24 MP and sensitivity up to 204800. They are able to grab excellent low-light images. So these two are perfect for low-light photography with a Canon camera in 2025.

Can I use my old EF lenses with a Canon RF camera in 2025?
Absolutely yes, you can use your old EF lenses with the Canon EF to EOS R adapter. It will allow you to use all of your EF lenses with no loss in quality.

What is the cheapest Canon mirrorless camera for video in 2025?
The Canon R50 V, which is available at 64,900 only, is the most budget-friendly Canon camera for cinematography in 2025. It gives you all the possible professional video features like 4K 60 FPS, uncropped and false color recording in a compact body under budget.

The Canon mirrorless cameras will give you creative superpower—whether you talk about the recently announced Canon R50 V or the professional Canon R5 Mark II camera, or even the Canon R1. All the cameras now pack professional tech, and Canon is now very aggressive with its core specification, and they are testing limits literally with whatever they are giving in the price range. Shahid Afridi wants to create a cinematic camera on a budget for you—want to capture every fine detail? They have it all. Use this guide to find out the best Canon mirrorless camera for photography and cinematography in 2025 for you, and you can also check the Canon official website for the latest details on cameras and lenses. Thanks very much for reading this article—let me know if you have any questions.

 

Ricoh GR IV Announced: The 26MP APS-C Compact Camera

Ricoh GR4 is the latest edition of Ricoh’s compact camera, which uses a 26-megapixel APS-C BSI CMOS sensor that we have seen in the Sony A6700 camera. The camera uses a new 18.3mm f/2.8 lens, which is equivalent to 28mm, perfect for street photography. Alongside the standard model, they are also about to announce a standard HDF version. How this HDF version is different from the standard version is explained in detail in a later part of the article. Let’s have a look at the detailed set of core specifications of the upcoming Ricoh GR4 compact camera.

RICOH GR IV Specification

  • 26MP BSI Sensor: same 26MP BSI chip found in Sony’s a6700 / ZV-E10 II
  • New 18.3mm F2.8 Lens: A redesigned 7-element, 5-group lens (with 3 aspherical elements) equivalent to 28mm, perfect for street photography cameras.
  • 5-Axis Image Stabilization: sharp images, even in low-light conditions
  • Shutter Speed Range: 1/4000 sec to 30 sec (1/2500 sec at F2.8, 1/4000 sec at F5.6 and beyond).
  • Storage: Includes 53GB internal storage and a UHS-I Micro SD card slot for flexibility.
  • 3.0″ LCD Screen: A 1.037M dot display for clear image review and menu navigation.
  • Full HD Video: Records up to 60p, catering to videographers seeking a compact camera for video recording.
  • 109.4 x 61.1 x 32.7mm
  • 262g with memory card and battery

Compact Design: Measures 109.4 x 61.1 x 32.7mm and weighs just 262g (with battery and card), making it highly portable.

Ricoh GR4 HDF Model – A Creative Powerhouse for Professionals

And the most important thing that the HDF model introduces is a Highlight Diffusion Filter. What it does actually is softens the highlights and makes a more cinematic, dreamy effect. So while you are shooting in highlight situations, the diffusion filter helps you to extract the maximum dynamic range possible from the given scene.

Enhanced Performance with New Sensor and Image Processor

Not only the new sensor, we also have a new image processor. So the upcoming camera is highly optimized to deliver the best image quality as well as autofocusing performance. Additionally, Ricoh has also developed the GR World App that enhances the operability and seamless sharing with your smart devices.

Ricoh GR4 Arrival Date and Price

The Ricoh GR4 release date is scheduled for Autumn 2025. The price of the camera is expected approx $1,146

RICOH GR IV Official Press Release

Currently under development: the RICOH GR IV, the latest model of the GR series of high-end digital compact cameras, designed to be the ultimate snapshot camera

TOKYO, May 22, 2025 — RICOH IMAGING COMPANY, LTD. is pleased to announce the
development of the RICOH GR IV — the latest model of the GR-series high-end compact cameras.

Over a history of nearly three decades (since the introduction of the film camera, RICOH GR1 in 1996), and two decades (since the introduction of the first digital-format GR DIGITAL in 2005), the GR series has always kept the basic concept of pursuing the essential values of a camera: high image quality, quick response and portability. At the same time, the series has always incorporated the changes and refinements demanded to meet emerging user needs. Because of this, GR-series models have been preferred by many photographers, particularly professionals and highly experienced amateurs.

Currently under development, the RICOH GR IV inherits the basic GR-series concept, while also incorporating totally new components, including a newly designed lens, a new image sensor and a new imaging engine, to further upgrade image quality. It also features more advanced communications functions and is compatible with a new application designed for smart devices to improve operability and functionality.

Based on this new GR IV, another GR-series model featuring an HDF (Highlight Diffusion Filter) is also under development.

Designed to be the ultimate snapshot camera in the history of the GR series, the RICOH GR IV is a totally new breed of camera, one which will satisfy every photographer’s demands and expectations

Note: The exterior design sample of the RICOH GR IV, currently under development, will be showcased at GR SPACE in Tokyo, Beijing and Shanghai, beginning on Saturday, May 31, 2025.

The production and shipment of the RICOH GR III, currently on the market, are scheduled to be discontinued this July, due to difficulty in procuring of parts and components. However, the production and marketing of the RICOH GR IIIx will be continued for the time being.

Overview of the product under development

  • Model name: RICOH GR IV
  • Launch date: Scheduled to be launched in Autumn 2025
  • The HDF model is scheduled to be released after winter 2025.

GR WORLD (application for smart devices)

  • Launch date: Scheduled to be released soon
  • Supported models: All GR-series models released after the RICOH GR I

 

Nikon ZR coming in Q4 of 2025

According to the latest rumours we have from Rumor Mills, Nikon ZR — and here ZR stands for RED — Nikon RED series consumer grade cinema camera with Z Series based body design, coming in Q4 of 2025. Now, explore the key features of the Nikon ZR camera:

Nikon ZR Specification

  • 24.5MP Partially-Stacked CMOS Sensor: Nikon ZR will use the Nikon Z6 Mark III sensor.

  • A large display screen: The ZR will have a large display screen, making it comfortable for professional video workflow.

  • Enhanced RED technology inside which means we will have RED decode RAW and advanced colour science. Obviously, more details will be revealed with time.

While looking at the initial set of specs, it doesn’t look like a Nikon Z6 Mark III rebranded edition. From the initial specs, it looks like Nikon is working hard to produce a very unique line of consumer-grade cinema cameras in collaboration with RED.

We will bring more updates as soon as we get any latest information related to the upcoming Nikon ZR camera. Don’t get confused with the Nikon ZFR, which is said to be an extension of the existing Nikon Z lineup with a high-resolution sensor. Also, take a look at the list of Nikon’s upcoming cameras for 2025.

The article “Nikon ZR coming in Q4 of 2025”  written and updated by thenewcamera.com team on 4:01 pm, Friday, 16 May 2025, Greenwich Mean Time (GMT) | Follow us for more updates and Get LIVE RUMORS –> FACEBOOK | TWITTER |  INSTAGRAM to get live news — > get live news +  Nikon Rumors 24X7

source Nikonrumor.com

Panasonic S1 IIE Official Press Release

We have one more camera announcement: the Panasonic S1 IIE. The camera uses the same sensor that we have seen in the Panasonic S5 II X camera. The camera can do up to 30 fps burst shooting, which is a great thing. Of course, 1.5 seconds of pre-burst capture are also available. Of course, the 96 MP high-resolution images are also available, so all those things that we were getting in the…

Panasonic S1 IIE Press Release

  • 24MP BSI CMOS sensor
  • Up to 30fps e-shutter shooting with C-AF and Raw
  • 1.5 seconds pre-burst capture
  • 96MP high-resolution multi-shot mode
  • 10-bit HEIF recording
  • 6K 4:2:0 open-gate recording up to 30p
  • Internal Raw recording
  • 32-bit float recording via optional XLR 2 adapter
  • 2.1M dot flip-out and tilting display
  • 5.76M dot viewfinder

The Panasonic S1 IIE will be available starting in late June for a recommended price of $2499. Available at B&H Store

Panasonic S1 IIE Press Release

Panasonic Announces Two New Full-Frame Mirrorless Cameras – LUMIX S1II and LUMIX S1IIE – and New LUMIX S 24-60mm F2.8 Lens

Newark, N.J. (May 13, 2025) – Panasonic is pleased to announce the expansion of its renowned LUMIX S Series with the introduction of two new models, the LUMIX S1II and S1IIE. These cameras are designed to offer exceptional photographic and videographic capabilities, characterized by remarkable image quality, dynamic color representation, and significant advancements in video technology.

Meticulously crafted for professional photographers and videographers, the LUMIX S1II features a newly developed 24.1MP full-frame partially stacked CMOS image sensor and is powered by an advanced-generation Venus Engine. This synergy enables faster readout speeds and processing, supporting high frame rate recording in formats such as 4K120p and 5.8K 60p. (*1) For superior dynamic range, the Dynamic Range Boost mode delivers up to 15 stops (*2) in V-Log at frame rates below 30p. Photographers can also take advantage of high-speed continuous shooting at up to 70 frames per second (*3) with SH / SH pre-burst shooting up to 1.5 seconds allowing the capture of even the most fleeting moments.

Elevating workflow efficiency, the LUMIX S1II enhances creative flexibility and streamlines content production. The highly-acclaimed Open Gate feature now supports additional formats beyond 6K30p–including 5.1K60p–unlocking even more options for creators. An upcoming firmware update will introduce multiple frame marker displays, providing further tools for precise and flexible framing.

The LUMIX S1IIE, joins the second-generation S1 series, maintaining the celebrated design and ergonomic excellence of the S1II and S1RII, offering potential for creative exploration. It is equipped with a 24.2MP sensor inspired by the characteristics of the LUMIX S5II, ensuring exceptional image quality tailored for diverse shooting conditions. Incorporating many of the standout features from the S1II, the S1IIE positions itself as a comprehensive tool for creative projects. Notably, it introduces a new Cinemascope video format (2.4:1), available in various frame rates without cropping, up to 60p.

Panasonic anticipates the LUMIX S1IIE will become a preferred choice for those seeking upgrades in ergonomic design and refined engineering.

With the debut of the LUMIX S1II and S1IIE, Panasonic continues to empower creators within the S1 Series. Both new models are designed to support the pursuit of self-expression through elevated performance and versatility.

The LUMIX S1II and S1IIE camera will be available starting late June at valued channel partners.

LUMIX S1II Main Features

High framerate recording and wide dynamic range with a newly developed partially stacked sensor

  • Adopts a newly developed 24.1MP full-frame, partially stacked CMOS image sensor
  • Supports LUMIX’s first 5.1K 60p high-speed recording option, along with other high-speed formats such as 4K 120p / 5.8K 60p for enhanced performance. (*1) (*4).
  • Offers LUMIX’s first 15 stops of dynamic range video recording (*2) in V-Log at frame rates below 30p. (*4)
  • High-speed continuous shooting, offering up to 70 fps (*3) with the electronic shutter “SH/SH PRE” mode, and an extended continuous shooting “H+ (High Speed Plus)” mode of approximately 10 fps with a mechanical shutter, allowing you to experience post view blackout-free shooting.

LUMIX S1IIE Main Features

Exceptional image quality tailored for diverse shooting conditions

  • Adopts 24.2MP sensor inspired by the performance characteristics of the LUMIX S5II
  • Supports 6K 30p (3:2) open gate video recording
  • Offers 14+ stops of dynamic range video recording in V-Log
  • High-speed continuous shooting, offering burst shooting up to 30 fps with the electronic shutter “SH/SH PRE” mode, and an extended continuous shooting “H+ (High Speed Plus)” mode of approximately 10 fps with a mechanical shutter, allowing you to experience post view blackout-free shooting.

LUMIX S1II and S1IIE Common Features

Enhanced core performance that unlocks new creative possibilities

  • Redefined real-time recognition Phase Hybrid AF with improved eye and face detection and AI-driven tracking accuracy for people.
  • Addition of the new AF recognition for ‘Urban Sports’, accurately capturing dynamic movements like breakdancing, skateboarding, and parkour.
  • Enhanced 8.0-stop (*5) in-body image stabilization (B.I.S.) and newly developed cropless E.I.S. video distortion correction, which stabilizes without cropping the angle of view.
  • ARRI LogC3 (*6) (*7) available for the first time for S series by using DMW-SFU3A Software Upgrade Key (sold separately). (*4)
  • Supports 5.8K 30p / C4K 60p Apple ProRes RAW HQ / ProRes RAW internal recording to a CFexpress Type B card.

Outstanding reliability and efficiency

  • High-resolution 5.76 million-dot electronic viewfinder (EVF) and a versatile 1.84 million-dot tilt and free-angle monitor and are equipped with a sturdy shutter mechanism rated for up to 400,000 cycles.
  • Operating efficiently at temperatures as low as -10 degrees Celsius.
  • Dual recording media options supporting SD and CFexpress Type B cards.
  • Seamless integration with accessories such as the DMW-BG2 and DMW-XLR2.

Apps and software that seamlessly support workflow

  • Compatibility with Capture One, making it work seamlessly with professional studio photography’s widely used editing software.
  • Compatibility with Frame.io, enabling smooth progression from shooting to editing, as well as cloud sharing and collaboration.
  • Supports LUMIX Lab, simplifying the transfer, editing, and color personalization of photos and videos for seamless smartphone integration and social media sharing.
  • Updated ver.1.5 supports the following feature:
    • HEIF file compatibility
  • Supports LUMIX Flow, which assists with storyboard creation, on-site checks during filming, and automatic data organization after shooting to support the video production workflow.
  • Updated ver.1.1 supports the following features:
    • Wireless connection
    • Additional assist features (Wave form monitor / Vectorscope / False color)
    • Mirroring monitor function
  • Capable of setting distinct parameters for photography and videography and seamlessly transfer settings from one camera to another using an SD card, thus ensuring uniform settings across diverse camera models.

Panasonic LUMIX S1E II Specification

We have already published the leaked images of the Panasonic S1E II; now, it’s time for the full specifications.

Panasoinic LUMIX S1IIE (Official Text)
Elevate your storytelling with the new CinemaScope 4K 60p aspect ratio, delivering a cinematic view without any cropping. With the intuitive operation of the S1 series, including the LUMIX S1RII and S1II, the S1IIE enhances creative exploration with ease. Both models feature advanced AF precision and new ‘Urban Sports’ recognition, and 8.0-stop in-body stabilization for steady shooting.

Panasonic LUMIX S1E II Specification

Main Features

  • Adopts a 24.2MP sensor that inherits the performance characteristics of the LUMIX SSII
  • Realizing high image quality in a variety of shooting condition
  • Supports 6K 30p (3:2) open gate video recording
  • V-Log allows video recording with a dynamic range of over 14 stops
  • Experience blackout-free shooting with the electronic shutter mode “SH/SH PRE” for high-speed continuous shooting at up to 30 frames per second and the extended continuous shooting mode “H+” at approximately 10 frames per second using a mechanical shutter
  • 14+ stops of dynamic range V-LOG
  • Full frame 6K30p OG, 6K60p 2.4:1, 4K30p 16:9/17:9, 4K60p 2.4:1
  • APS-C 3.3K 50p 4:3, 4K60p 16:9/17:9
  • S&Q 4K 2.4:1 60fps, FHD 180fps
  • 120Hz 5.76 million dot EVF
  • 779 points Phase AF
  • Dual Native ISO 100/640 5-
  • Axis image stabilization 8 stops at center, 7 stops at periphery
  • 1/8000s mechanical shutter
  • 30fps continuous shooting with electronic shutter, 10fps mechanical shutter

Second-generation S1 series, the LUMIX S1IIE maintains the acclaimed design and ergonomic excellence of the S1II and S1RII, offering potential for creative exploration. It is equipped with a 24.2MP sensor inspired by the characteristics of the LUMIX S5II, ensuring exceptional image quality tailored to various shooting conditions. It incorporates notable features from the S1II, positioning itself as a comprehensive tool for creative projects. Notably, the LUMIX S1IIE introduces a new Cinemascope (2.4:1) video format available in various frame rates, including uncropped 60p. Panasonic anticipates that the LUMIX S1IIE will be the preferred choice for those seeking improvements in ergonomic design and refined engineering.

LUMIX S1IIE

  • Cinemascope 4K60p aspect ratio
    – Delivers a cinematic view without cropping for improved storytelling
  • The S1 series’ intuitive operability makes creative exploration
    easy
  • Advanced AF precision and new “Urban Sports” recognition
  • Equipped with 8.0-stop in-body image stabilization
  • Award-winning design and ergonomics on the S1II and S1RII
  • Equipped with a 24.2MP sensor inspired by the features of the LUMIX S5II
  • Equipped with the outstanding features of the S1II, it is a comprehensive tool for creativity
  • Introduces new Cinemascope (2.4:1) video format available in a variety of frame rates including non-cropped 60p

Improved core performance to unlock new creative possibilities

  • Real-time recognition redefined:
    On-chip phase detection AF improves eye and face detection, and enhances AI-enabled people tracking accuracy.
  • Equipped with new AF recognition for “urban sports” –
    accurately captures dynamic movements such as breakdancing, skateboarding, and parkour
  • 8.0-stop in-body image stabilization (BIS)
  • Newly developed No-Crop EIS video distortion correction has been improved
  • By using the separately sold software update key DMW-SFU3A, ARRI LogC3 will become available for the first time on the S Series.
  • Supports internal recording of 5.8K 30p / C4K 60p Apple ProRes RAW HQ / ProRes RAW to CFexpress Type B cards.

The image sensor appears the same as the S5II’s 24MP CMOS. There may not be any major improvements in image quality or rolling shutter performance, but CFexpress (high bitrate internal recording), improved AF, image stabilization, and video functions are likely to be its strengths.

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Source Webio E8M

Sony FX3a vs. Sony FX3 – which one is the best camera for you?

Sony FX3A or Sony FX3 – which one is the best camera for you? It’s better for you, we know that Sony has done a kind of a minor refresh in the ultra-popular Sony FX3 — a compact full-frame cinema camera for solo cinematographers. Now, in this article, we are just exploring this update.

Sony FX3A – what changed inside this camera?

1.Enhanced LCD resolution:
The new FX3A features a 2.35 million-dot, 3-inch LCD screen on the rear side of the camera, which is a kind of good jump from the 1.4 million-dot display. It is now more sharp and has better brightness for outdoor use.

2.Removed features:
Sony dropped out the NFC functionality as well as the infrared remote control feature from the new generation of FX3A camera. That means now we have no quick wireless pairing via NFC, although we do have the usual method of connectivity via Wi-Fi/Bluetooth, which may frustrate some users with legacy workflows.

Take a look at the quick comparison table between the two that shows the major differences between the FX3A and the FX3.

Sony FX3a vs Sony FX3: Side-by-Side Comparison

Feature Sony FX3 Sony FX3a
LCD Resolution 1,440,000 dots 2,359,296 dots
NFC Functionality Yes No
Infrared Remote Yes No
Sensor 12.1MP Full-Frame Exmor R CMOS 12.1MP Full-Frame Exmor R CMOS
Video 4K 120fps, 10-bit 4:2:2, 16-bit RAW 4K 120fps, 10-bit 4:2:2, 16-bit RAW
Dynamic Range 15+ stops 15+ stops
ISO Range 80-409,600 (expanded) 80-409,600 (expanded)
Price (Approx.) ~$3,898 (discontinued, discounted) ~$3,898 (B&H listing)

Why did Sony release the FX3A?
See, there was no option — the supplier’s stock of the existing LCD display screen has been discontinued by the display makers. So, they had to introduce the new display. But that’s really surprising — why did they drop the NFC and the infrared controller from the camera? Maybe to cut down the production line cost — who knows!

Should you buy the FX3A camera?
If you already own a Sony FX3 camera, then there is no need to invest in the FX3A. It doesn’t arrive with any significant upgrade over the FX3, and even the price is exactly the same. And believe me, more or less, you are losing the infrared and NFC connectivity, so better to stick with your FX3 camera.

For new buyers, let’s discuss — should you buy FX3?
The Sony FX3 is actually phasing out, since Sony does not have the old display screen anymore. And the new bodies also lose the infrared as well as the NFC port.

But you have to make a very smart choice, since there is a fact we should consider — the new model gets regular firmware support from the camera maker, and generally they care a bit less about the older ones. So, if you actually have a requirement of having a remote control or NFC connectivity, then you should go with the older model as soon as possible. Otherwise, getting the FX3A would be the best decision.

When will the Sony FX3 Mark II arrive?
Check out the latest Sony FX3 Mark II rumours for more information.

Sony FX3 at Amazon.com | B&H Store —- | Sony FX3a at B&H Store

The article “Sony FX3a vs. Sony FX3 – which one is the best camera for you?” was published at 4:47 pm, Saturday, 10 May 2025, Greenwich Mean Time (GMT). By thenewcamera.com Team. You can follow us on our social pages  FACEBOOK | TWITTER | INSTAGRAM,  –>If you have time –>see more Sony Alpha Rumor Latest Camera News

Sony Major Announcement on May 28, 2025 [Updated]

 

According to the latest Sony camera announcement rumor coming from the rumor mill, Sony is preparing for its next announcement on May 21, 2025

Any previous post the human male has mentioned, the upcoming camera will have a tilting viewfinder just like we have seen in the Panasonic GX9 camera. That’s a great thing, that’s a great initiative if Sony is taking so, but mainly we would love to see some kind of changes or better to say major enhancements in the core specifications of the upcoming camera, for the upcoming Sony mirrorless camera updates.

Source SAR website


What’s Coming Next From Sony FX2 Camera [Updated Content]

According to the latest rumors, Panasonic is about to announce a new FX8 camera at May 28, 2025. The Camera will feature the same sensor as we have seen in the Sony A7 IV camera., The best part is that being a cinema camera, it will have a built-in fan to support longer recording without any overheating issues .

Click here to see more about the Sony FX2 Camera


Right now, we do not have any leaks from the rumor mill, and I don’t want to make any predictions over that, so it’s better to just have a plain sheet of Sony announced cameras in the past 3 years, and let’s just talk about their predicted scheduled update of Sony upcoming cameras 2025 and beyond

Table: Sony Mirrorless Camera Announcements and Predicted Cycle

Camera Model Format Announcement Date Predicted Next Update
Sony α7 IV Full-frame October 21, 2021 Sony A7 V in Q4 2025 (4-year cycle)
Sony α7R V Full-frame October 26, 2022 Sony A7R VI in Q4 2025 (3-year cycle)
Sony α6700 APS-C July 12, 2023 Sony A6800 in Q3 2027 (4-year cycle)
Sony α7C II Full-frame August 29, 2023 Sony A7C III in Q1 2027 (3 – 4-year cycle)
Sony α7CR Full-frame August 29, 2023 Sony A7CR II in Q3 2027 (4-year cycle)
Sony α1 II Full-frame November 19, 2024 2028 – 2029 (4-5-year cycle)
Sony A7S III* Full-frame July 2020 Sony A7S IV in Q3 2025 (5-year cycle)
Sony FX2 Full Frame #firstofitskind Arrival on May 28, 2025 Confimred

Sony A7S IV Camera – highly anticipated

If Sony wants to keep everything in sequence, then the next update should be the Sony A7S IV. The Sony A7S IV is long due for an update, and it was a highly popular camera among Alpha series users. Despite that fact, Sony has delayed the update of the A7S series for no reason, so if they move on their own schedule pattern of announcement, as we have sai,d the Sony A7S IV should be next.

Sony A7R VI with modest update?

Sony A7RV was a massive update from A7R IV. They used a Stacked CMOS sensor in A7R V, a new AI AF algorithm from the flagship series cameras, and an enhanced video core specification. Unfortunately, none of the competitors, including Canon and Nikon, use a 61MP stacked or non-stacked CMOS sensor in their models; hence, in the absence of a true competitor, we may see a modest or subtle update from the camera maker.

Sony A7V Before September 2025

People are eagerly awaiting the Sony A7V camera, with as per the latest Sony A7V rumors, we have it will arrive on or before September 2025. The camera is poised to compete with the Nikon Z6 III, but Sony is strategically holding back the Sony A7V from a full launch. They are reportedly waiting to analyze the final core specifications of the Canon EOS R6 Mark III before officially announcing the Sony A7V release date in 2025.

Finally, the RX Series Compacts

We would love to see, and Sony should continue as the global market share of premium compact cameras is rising, but at the same time,e we have no information related to RX series compacts as of now.

The article “Sony Major Announcement on May 28, 2025 [Updated]” was published at 6:45 pm, Friday, 9 May 2025, Greenwich Mean Time (GMT). By thenewcamera.com Team. You can follow us on our social pages  FACEBOOK | TWITTER | INSTAGRAM,  –>If you have time –>see more Sony Alpha Rumor Latest Camera News