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Best Lenses for Nikon Z50 in 2024

Best Lenses for Nikon Z50 camera. Let’talk about the best lenses available for the Nikon Z50 camera. We know at this moment very limited lenses are available for Nikon Z DX mirrorless camera so we have also included some essential lenses from the DX-format DSLRs which can be paired up with lenses.

UPDATE: Now we have many options for the Nikon Z50 camera in the year 2024 from third-party lens makers. Nikon also announced a lot of lenses in the past three years. This guide is updated to help you pick the best lenses available for the Nikon Z50 camera in 2024.

 

1. Viltrox 13mm f1.4

Best Lens for shooting handheld vlogs under any light  | Also perfect for shooting landscape and architecture
Get Viltrox 13mm F1.4 Lens from B&H Store and Amaon.com

If you want the perfect wide-angle lens and you don’t have any budget constraints, then without a doubt, having a Viltrox 13mm f1.4 lens will be a great boost to your lens arsenal.

This lens is ideal for landscapes, cityscapes, architecture, and much more with its 13mm ultra-wide coverage. You are getting an exceptional f1.4 maximum aperture, which is not possible with any other lens available for the Nikon Z mount as of now.

So, if you want a lens that performs exceptionally well in uncontrolled light environments or low light without having a second thought, you should buy this lens.

2. Nikon Z DX 12-28mm F3.5-5.6 PZ VR

Perfect Budget Zoom Lens for Vlogging, Nikon announced the 12-28mm Lens for content creators | Get 12-28mm Lens from Amazon.com | B&H Store

For a more affordable option, consider Nikon’s latest announcement, the 12-28mm lens.

This is a very versatile lens covering distances from 12mm to 28mm, providing flexibility to zoom in and out and recompose your frame at your convenience. At the same time, it offers a variable aperture starting from f3.5 to 5.6. The main reason we recommend this lens is that Nikon has added optical image stabilization to compensate. It works up to 4.5 stops, so even in low-light environments, you will get stable footage and crisp pictures, even when shooting at slower shutter speeds.

The next lens we recommend to you is the Viltrox 20mm f1.8, which is a prime lens and also a budget-friendly option.

3. Sigma 30mm F1.4 Lens for Portrait

Perfect Lens for Professional Portraits and Office | Room and Cooking Videos | Get this Lens from B&H Store | Amazon.com

So let’s talk about the best portrait lens for everyday use with the Nikon Z50 camera, if you are interested in portrait photography and would like to invest in a lens that will give you a kind of professional output whether you are shooting portraits with this lens or creating cinematic videos or reels in your home and less space, The 30mm F1.4 from Sigma is best for pro use.

Sigma 30mm 1.4 lens generates an angle-of-view similar to a 45 mm standard portrait lens when used with a Nikon z50 camera

The background blur or bokeh of this lens is outstanding and unlike the camera, the lens is weather-sealed as well so you can use it in any of the weather conditions you would like to.

We highly recommend you get this lens if you are interested in portrait photography this is the best lens for the Nikon z50 camera

4. Viltrox DX 75mm F1.2 Z Mount Lens | PRO PORTRAIT LENS

BEST PRO PORTRAIT LENS FOR NIKON Z MOUNT | Requires Good working distance | Get 75mm F1.2 Lens from Amazon.com | B&H tore

If you are a professional portrait photographer with a large working space or studio, or if you can work with clients in parks and streets it’s very important to maintain a perfect working distance of 15 to 20 feet with your clients while using this lens to achieve phenomenal output. Otherwise, a crop portion of the body will be captured.

The Angle of View of the 75mm F1.2 Lens is 150mm @ 35mm eg. So, so you can use ur using 150mm F2 Lens is your full-frame camera for portraits.

This is the best portrait lens specifically built for DX-format cameras. However, it requires a significant working distance from your subject. If maintaining a good working distance is not possible in your workflow, it is not recommended to buy this lens. Consider buying this lens only if you can work with a good working distance.

The lens produces output that is completely unmatched compared to other portrait lenses available for the Nikon DX mount. HIGHLY RECOMMENDED

5. Nikon Z DX 18-140mm f/3.5-6.3 VR

Best coverage lens for wedding photographers  | Get 18-140mm Lens from  Amazon.com | B&H store

So, the best coverage lens for wedding photographers who are using the Nikon Z50 camera is the Nikon Z 18 to 140 mm lens. This lens has been popular since the DSLR era and has finally it has been arrives for for mirrorless users.

The lens also features an optical image stabilization system, despite of having variable aperture that creates a lot of trouble in lowlight situation the OIS will help you to get slower shutter speed. The lens is perfect for covering an event. However, you may not be able to capture perfect candid moments with this lens. For that, you have to wait for the Tamron 17 to 70 mm f/2.8 lens to arrive in the Nikon Z mount. But until that lens arrives, this is the best lens for coverage purposes.

If you are a travel photographer and want to have an all-in-one lens for your Nikon Z50 camera, again, the 18 to 140 mm lens is the most recommended lens for you.

6. Tamron 150-500mm f/5-6.7 Di III VC VXD Lens (Nikon Z)

Best zoom lens for wildlife photographers  | Get 150-500mm Lens form Amazon.com | B&H Sore

if you can increase your budget a little bit more and want to have the best available wildlife photography lens for your Nikon Z50 camera, without a doubt, you should go with the Tamron 150 to 500 mm f/5 to 6.7 lens.

The lens will act as a 225 to 750 mm lens when used with a Nikon DX format camera like the Nikon Z50.

This lens is fully compatible with hybrid autofocus features as well as Eye autofocus feature with the help of its recently developed VXD (Voice-coil eXtreme-torque Drive) linear motor focus mechanism delivers extreme high-speed and high-precision movement and ensures exceptionally responsive performance and is compatible with Nikon Hybrid AF and Eye AF features in enabled cameras.

7. Zoom Lens for Nikon Z50 Camera under budget

Apart from kit lens, only one lens is available for DX Mirrorless camera right now and the name of the lens is NIKKOR Z DX 50-250mm f/4.5-6.3 VR Lens. The extremely sharp, quick, and light. Highly recommended if you want a handy zoom lens for your DX-format camera. Its compact, balanced design and Vibration Reduction technology help keep photos sharp and videos steady, and the lens’ fast, quiet autofocus system minimizes camera noise during video recording.

 

 

Nikon 3rd Party Lens Road- Map

List of Nikon lenses expected to arrive in the year of 2024 and sum of them already in stock. All these lenses are coming from third party lens makers from china.

Nikon 3rd Party Lens Road- Map 2024

Inventory or will be launched NikonZ mount autofocus lens:

  1. Wai Zhuo AF16mm F1.8 Z (Full Frame):
  2. DETROITAL AF56mm F1.7 Z (APS-C):
  3. Vistra AF40mm F2.5 Z (Full Frame): E
  4. Wai Zhuo AF135mm F1.8 Z (Full Frame):

The release time of the Z-mount version is after the E-mount.

Additionally, in 2024, we can look forward to the following lenses from SRI Optical:

  • AF16mm F1.2 Z (APS-C)
  • AF75mm F1.2 Z (APS-C)

Other upcoming lenses include:

  • Star AF50mm F1.4 Z (APS-C):
  • Masons Optical AF56mm F1.8 Z (APS-C):
  • 11mm F1.8 DA DSM WL Nikon Z bayonet (APS-C):

In terms of Nikon NIKKORZ mount lenses, the 2023 lens roadmap also includes a Z35mm F1.2S lens that was not released.
Previously rumored Z 28-400mm f/3.5-6.3 mirror will also be released. In addition, Nikon will no longer disclose the Z mount lens development roadmap

7 Best Lenses for Nikon Z8 (…and 3 to avoid)

Nikon ZF vs Nikon Z6 Mark II – 12 Major Differences

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source webio

Fuji X100 VI Dynamic Range Test Score

Finally, Fuji X100 VI cameras visited the Photons Photo Lab. We now have the camera’s dynamic range (DR) test score. Let’s look at how the latest Fuji X100 VI camera has scored and how it compares against the previous generation of Fuji X100 V cameras.

Maximum PDR low light ISO low light EV
X100VI 10.44 3287 10.04
X100V 10.44 3728 10.22
X100F 10.29 3826 10.26
GR III 10.52 3862 10.27
X-T5 10.43 2230 9.48

So, as you can see the Dynamic range test score of the Fuji X-100 VI camera looks slightly better than the Fuji X100 V camera. At the same time due to lower sensors the low-light performance of the Fuji x-100 V camera is better compared to the latest X 100 VI.

The other major advantage you will notice is not visible in the chart, which is the major resolution difference between the two cameras.

Upcoming Top 10 Lenses form Fujifilm 2024

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source photonstophotos

Nikon to Acquire US Cinema

That’s amazing News, finally, we will have Z Mount Red Cameras with fulltime AF support, let’s wait for that.

Nikon to Acquire US Cinema Camera Manufacturer RED.com, LLC

Accelerating Expansion in Professional Digital Cinema Camera Market

March 7, 2024

TOKYO – Nikon Corporation (Nikon) hereby announces its entry into an agreement to acquire 100% of the outstanding membership interests of RED.com, LLC (RED) whereby RED will become a wholly-owned subsidiary of Nikon, pursuant to a Membership Interest Purchase Agreement with Mr. James Jannard, its founder, and Mr. Jarred Land, its current President, subject to the satisfaction of certain closing conditions thereunder.

Since its establishment in 2005, RED has been at the forefront of digital cinema cameras, introducing industry-defining products such as the original RED ONE 4K to the cutting-edge V-RAPTOR [X] with its proprietary RAW compression technology. RED’s contributions to the film industry have not only earned it an Academy Award but have also made it the camera of choice for numerous Hollywood productions, celebrated by directors and cinematographers worldwide for its commitment to innovation and image quality optimized for the highest levels of filmmaking and video production.

This agreement was reached as a result of the mutual desires of Nikon and RED to meet the customers’ needs and offer exceptional user experiences that exceed expectations, merging the strengths of both companies. Nikon’s expertise in product development, exceptional reliability, and know-how in image processing, as well as optical technology and user interface along with RED’s knowledge in cinema cameras, including unique image compression technology and color science, will enable the development of distinctive products in the professional digital cinema camera market.

Nikon will leverage this acquisition to expand the fast-growing professional digital cinema camera market, building on both companies’ business foundations and networks, promising an exciting future of product development that will continue to push the boundaries of what is possible in film and video production.

Overview of RED.com, LLC

Company name RED.com, LLC
Head office location Foothill Ranch, California, U.S.A.
Representatives Jarred Land, President
Foundation 2005 (Establishment)
Number of employees Approximately 220
Business Design, development, manufacture, sales, and provision of services of professional digital cinema cameras

Panasonic 28-200mm F4-7.1 MACRO OIS does not have outstanding optical performance

Recently announced Panasonic 28-200mm F4-7.1 MACRO OIS [B&H Store] does not have outstanding optical performance. Take a look at what Petapixel said about this lens

The new Panasonic 28-200mm f/4-7.1 Macro OISsuper zoom is clearly designed to be a jack-of-all-trades that doesn’t really excel in any optical categories. It’s also fairly slow, which limits its usefulness in darker situations.

petapixel

Take a look at the Major Points of the Review

  • Weighing only 413g, this lens is extremely lightweight, yet it maintains an easy-to-handle 67mm filter diameter. The downside of its compact size is that the aperture value is relatively dark at F4-7.1, which can pose a problem when shooting in low-light conditions.
  • The lens barrel is small, resulting in simple controls that are well-crafted. The zoom ring has a suitable weight, preventing the lens from extending when you carry it around.
  • The image stabilization is highly effective, allowing handheld shooting at 200mm even with a slow shutter speed. The balance of the lens is also commendable.
  • The autofocus (AF) performs well, swiftly focusing from long to short distances.
  • There is a ghosting issue when shooting against the light, with colored speckled ghosts appearing at any aperture value. While this effect might look interesting for video, it’s quite noticeable and often undesirable for most still shots.
  • The lens flares are dim and lack drama. Overall, this lens does not perform well when shooting into the sun, so it’s advisable to avoid shooting directly into the sun or other bright light sources if possible.
  • The close-up performance is excellent, allowing 1:2 shooting at the wide-angle end. However, the working distance at this point is so short that you could almost touch the subject. If you prefer to maintain a working distance, 200mm provides sufficient magnification for close-up photography.
  • The resolution is decent, with good center detail at 28mm. However, it improves significantly if you stop down, so it’s recommended to do so whenever possible. The 200mm end yields similar results to the 28mm, but the edges are even softer. Due to strong distortion correction, the corners are soft regardless of the aperture.
  • Despite being a dark lens, it can blur the background at close range. There is some vignetting in the bokeh, but there is no onion ring blur. However, there is pronounced bubble bokeh, which makes the background blur quite busy.
  • Focus breathing is almost non-existent at 200mm, and very slight at 28mm.
  • The 28-200mm F4-7.1 is designed as an all-purpose zoom and does not excel in any particular category. Also, due to the large F value, there are limitations when using it in low-light conditions. However, it meets its portability and convenience goals, making it very appealing. It’s also a handy video lens and a macro lens, and these two features make it a sensible choice for those seeking a versatile lens for the L mount. In this respect, I believe this lens is useful despite its shortcomings.
  • Should you buy this lens? Perhaps. The 28-200mm F4-7.1 may be a good option if you prioritize convenience over performance.

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Canon BG-R10 battery grip Discontinued

So we have big news: Canon has discontinued the BG-R10 battery grip, which was being used for the Canon R5, Canon R6, and Canon R6 Mark II cameras. But why? still it’s being shown #1 seller B&H Store

This discontinuation could happen on only 1 Condition when we don’t have any alternative for the Canon BG R10, it means no sense in discontinuing the battery grip of a camera even if a new model is about to appear or something similar.

Canon going back to DSLRs 😉 Who knows

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Science Fiction to Reality | Laowa ZERO D 10mm AUTOFOCUS Lenses available for Pre-Order

Just a year ago, I was imagining if there was any possibility of adding an autofocus motor to the Zero-D series lenses of Laowa. Since, Zero-D lenses are exclusively made by the Laowa brand only, and no other camera brand or lens maker produces Zero-D lenses like Laowa does. So, you can imagine using a 10mm lens on a Sony Camera with Full-time AF support and nearly zero lens distortion. It’s like a science fiction thing, but it is now possible, and you can have that

An ultra-wide lens from Laowa has arrived for the Sony E-mount and Nikon Z-mount that has built-in AF motor inside it.The Canon RF Mount version of the lens doesn’t have AF motor.

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