Join More Than 50,000+ Subscribers and get latest camera news and rumors

NEW CAMERA VIDEOS ON YOUTUBE

NEW CAMERA LINKS
NEWS News about new camera
Hot at New Camera Hot Picks by New Camera

Camera Rumors List of all latest Camera Rumors on Web.
Canon Rumors Latest Canon Rumors.
Nikon Rumors Latest Nikon Rumors.
Sony Rumors Latest Sony Rumors.

Sample Images Click here to see New Camera Sample Images.
Sample Video Click here to see New Camera Sample Video.
Firmware Update

Confirmation: Canon R5 Mark II and R1 Coming on July 17, 2024

According to the latest news, we have a Canon R5 Mark II camera and a Canon R1 coming on July 17, 2024. The information is coming from Jan Wegener, who is one of the most trusted people when it comes to leaking information about upcoming cameras and lenses, specifically from Canon.

The release date is very close, and as we get closer to the announcement, we will have more leaked images and detailed specifications of the cameras. Stay tuned and stay updated.

source Jan Wegener

Get LIVE RUMORS –> FACEBOOK | TWITTER |  INSTAGRAM to get live news + Canon rumors 24X7

Breaking News: No Third Party Lens for Canon Fullfreame RF Mount Coming Anytime Soon

 

Let’s see the big surprise, but somehow we were expecting some sort of move from these third-party lens makers since they were completely silent on Canon Fullframe Lenses release.

According to Yamaki-san, the goal is to launch all of their current APS-C lenses in RF mount by the end of this year. Moreover, he added that they currently don’t have a plan to release full-frame RF mount autofocus lenses, but “they will do their best” to meet customers’ needs.

They Don’t have a plan or they are not allowed by Canon to do so, the big problem is they are not allowed to make full-frame lenses yet, Since, Canon feels that their full-frame lineup is well-stocked at this moment and doesn’t need further or additional support from any third-party maker.

Another big issue is that if Canon allowed third-party lens makers to create full-frame lenses, there would be huge price competition that Canon would have to face. These third-party lens makers would likely drop some of the best budget constant-aperture zoom lenses they already have for the Nikon Z mount as well as the Sony E mount, which would likely diminish the sales of Canon’s premium L series lenses that cost two to three times more than these third-party lenses.

I am not questioning the quality, but they do give you budget options, especially Sigma Art lenses that come at an affordable price and offer great optical quality without a doubt.

This move by Canon is certainly going to disappoint a lot of Canon full-frame camera users out there, especially those who have purchased Canon R series cameras at a super budget price. Now they have to pay a premium price, otherwise, they have no option left but to get a DSLR lens with an adapter or choose pricey Canon full-frame lenses.

Get LIVE RUMORS –> FACEBOOK | TWITTER |  INSTAGRAM to get live news + Canon rumors 24X7

via CR.com

Canon Patent: RF 15-60mm F2.8 Lens

We have some very unique lens patterns from Canon. The first lens is 15 to 60 mm f/2.8. This is being developed for Canon RF mount, most importantly the lens has inner zoom mechanism and from the overall details, it look like a part of the Canon L series lens with highest grade optics possible. The 15-60mm F2.8 lens is a very unique focal length, it will be nowadays more accepted than the 24-70mm focal length without a doubt., take a look at the details below

overview

  • [Publication number] P2024079936
  • [Release date] 2024-06-13
  • [Name of invention] Zoom lens, and imaging device and imaging system having the same
  • [Application date] 2022-12-01
  • [Applicant]
    [Identification number] 000001007
    [Name or company name] Canon Inc.
  • A zoom lens that has a high zoom ratio and a large aperture ratio, yet is compact, lightweight, and provides high image quality, and that allows high-speed zoom operation.
  • [Background Art]
    [0002]
    There is a demand for a zoom lens that is compact and lightweight throughout its entire system, has excellent correction of chromatic aberration and other aberrations, and has high optical performance. There is also a demand for a zoom lens that has a short focal length at the wide-angle end, a large zoom ratio, a small F-number, a large aperture ratio, and is easy to manufacture. There is also a demand for a zoom lens that allows high-speed zoom operation.
  • However
    , the zoom lens described in Patent Document 1 has a tendency to have a large lens diameter due to its small F-number, and the large front lens diameter leads to an increase in size and weight. In addition, if the refractive power of the second lens group is increased in order to reduce the front lens diameter, it becomes difficult to achieve high image quality.
  • The present
    invention provides a zoom lens that has a high zoom ratio and a large aperture ratio, yet is compact, lightweight, and provides high image quality, and is capable of high-speed zoom operation.

In addition to the 24-105mm, examples of the inner zoom structure “15-60mm F2.8” and “22-80mm F2.8” are also included. The 15-60mm F2.8 looks very convenient. Details are unclear as to whether these will become the “F2.8 Z” series under consideration in the future, or whether they were born during the development process of the 24-105mm F2.8 in Aqua. (Although there are rumors that other Z series will appear) it is too early to expect their

Get LIVE RUMORS –> FACEBOOK | TWITTER |  INSTAGRAM to get live news + Canon rumors 24X7

More about patent here

 

source asobi NET

Canon R50 Tops at BCN Ranking

 

Best-selling list of digital cameras in Japan for May 2024. The Canon R50 white version with dual lenses SCORED TOPE SELLING SPOT for the month of MAY 2024. It seems that the white version of the R50 is not only popular on Xiaohongshu (Little Red Book) but also very popular in Japan. Take a look at the list of best-selling cameras of Japan

Canon R50 Tops at BCN Ranking May 2024

  1. Canon R50 white version with dual lenses
  2. Canon R10 with 18-150mm lens kit
  3. Sony ZV-E10 kit
  4. Canon R50 black version with dual lenses
  5. Sony ZV-E10 with dual lenses
  6. Nikon Z50 with dual lenses
  7. Sony ZV-E10 white version body only
  8. Sony A6400 with dual lenses

Get LIVE RUMORS –> FACEBOOK | TWITTER |  INSTAGRAM to get live news + Canon rumors 24X7

Canon Announced the new RF-S 3.9mm F3.5 STM Dual Fisheye lens

Canon today announced a new lens, the RF-S 3.9mm F3.5 STM Dual Fisheye lens. The lens is made for Canon APS-C sensor-based cameras, but specifically, the lens is compatible with the R7. Right now, we don’t have compatibility confirmation about Canon R10 or Canon R50 cameras.

The lens is targeted at social media content creators specifically for creating virtual reality-based content. It achieves a view area of 144 degrees and can be used for hassle-free VR production.

The lens is fully compatible with Canon’s latest Dual Pixel CMOS autofocus system and inherits Air Sphere Coating to reduce ghosting and excel in image quality. The lens is available at a $1,099 price tag.

Get this Lens from B&H Store

Canon official Press Release

CANON UNVEILS THE FUTURE OF EVERYDAY VR CONTENT CREATION WITH NEW DUAL FISHEYE LENS

MELVILLE, NY, June 10, 2024 – Canon U.S.A., Inc., a leader in digital imaging solutions, has announced the new RF-S 3.9mm F3.5 STM Dual Fisheye lens, bringing ease, affordability and quality for social media creators interested in exploring VR content creation. The RF-S3.9mm F3.5 STM Dual Fisheye lens is compatible with the EOS R7 camera* and will be available in June 2024.
The new RF-S3.9mm F3.5 STM Dual Fisheye lens makes VR content creation with a mirrorless camera more accessible and efficient than ever. Engineered to empower creators of all types, this lens offers a perfect balance between clarity and usability for vlog-style VR creation. This APS- C Stereoscopic VR lens’ ability to achieve a 144º wide-angle view and utilize equidistant projection makes it ideally suited for every day, virtually hassle-free VR production. Also designed for versatility, this lens permits multiple methods of camera handling, from hand- holding, mounting on a gimbal, or tripod-mounting. Canon’s available EOS VR Utility software (separately available with a paid subscription) is designed for a smooth editing process.

“The RF-S3.9mm F3.5 STM Dual Fisheye lens offers a solution to the growing demand for more affordable and accessible tools in the VR market,” said Brian Mahar, senior vice president and general manager, Canon U.S.A., Inc. “Whether you’re a social creator looking to expand your content into VR, or a filmmaker interested in making the jump from 2D to 3D content, this lens enables creators of all levels to comfortably explore VR content creation and generate amazing content.”

Get to know the RF-S3.9mm F3.5 STM Dual Fisheye lens:
⦁ One-shot AF and Left/Right focus Adjustment with Focus ring, helping to create effortless and precise shooting in virtually any environment.
⦁ An Air Sphere Coating (ASC) is a first for Canon non-L Series lenses and helps to minimize ghosting and facilitate pristine image quality.
⦁ Rear filter holder that accommodates both 30.5mm screw-on filters and sheet-type filters,
i.e. gelatin or polyester filters.

Pricing and Availability
The Canon RF-S3.9mm F3.5 STM Dual Fisheye lens is scheduled to be available in June 2024 for an estimated retail price of $1,099.00**. For additional information, please visit www.usa.canon.com.

Lens full Specification Sheet here PDF


Article – NEWS : “Canon Announced the new RF-S3.9mm F3.5 STM Dual Fisheye lens” First published at the new camera.com


Get LIVE RUMORS –> FACEBOOK | TWITTER |  INSTAGRAM to get live CAMERA NEWS + 24X7

Canon R1 - More Details Revealed... But

One of the most trusted sources Just share this, not able to configure what does this exactly mean

Ultra-high-speed and large-bandwidth RS (EOS R1) >> High-speed and large-bandwidth GS (A9M3) > High-speed and small-bandwidth RS (Z9\Z8\A1) > Medium-speed and large-bandwidth RS (EOS R3\X-H2S) >> Medium-speed and small bandwidth RS(A9) > Low-speed RS (stacked sensor for various monitoring purposes)

Let me know in the comments if u guys able to crack this

Get LIVE RUMORS –> FACEBOOK | TWITTER |  INSTAGRAM to get live news + Canon rumors 24X7

source E8M_8888

Canon C400 Camera, Price, Major Specification and Press Release

 

Canon Announces New EOS C400 6K Full-Frame RF Mount Cinema Camera and RF-Mount CINE-SERVO Lens, take a look at the Major specifications of the camera, price, and press release.

Get Canon C400 from B&H Store

Canon C400 Pricing and Availability

The Canon Cinema EOS C400 Full-Frame RF Mount Camera is scheduled to be available in September 2024 for an estimated retail price of $7,999.00*. The CINE-SERVO 17-120mm will be available in October 2024 for an estimated retail price of $23,850.00*. The MOUNT ADAPTER PL-RF will be

Canon EOS C400 Camera Specifications

  • Sensor
    • 6K full-frame, back-illuminated Stacked CMOS sensor
    • Triple-base ISO: 800, 3200, 12,800
    • Supports Dual Pixel CMOS Autofocus II
    • Improved light-capturing efficiency and faster readout speed
    • 4K image quality from 6K oversampling
  • Recording Capabilities
    • 6K full frame up to 60p in 12-bit Cinema RAW Light
    • 4K RAW up to 120fps
    • 2K RAW up to 180fps
    • 10-bit 4:2:2 with 6K oversampling, up to 120P
    • New codecs: XF-AVC S and XF-HEVC S
    • Recorded to CFexpress slot, with proxy and sub-recording options to SD Card slot
  • Production Features
    • Dedicated 12-pin lens terminal for broadcast and cine-servo lenses
    • Interfaces: mini-XLR audio inputs, DIN connectors for time code, genlock, return video, 12G-SDI, 3G-SDI, full-size HDMI
    • Built-in Wi-Fi connectivity and Ethernet
    • SRT protocol for IP streaming of video and audio
    • Remote control via Ethernet or Wi-Fi; supports Canon Multi-Camera Control app, browser remotes, RC-IP100/RC-IP1000 controllers
  • Metadata and Virtual Production
    • Frame-by-frame metadata support for virtual production workflows
    • Built-in compatibility with Canon RF5.2mm F2.8 L dual fisheye lens for 180-degree VR shooting

New Canon CINE-SERVO Lens

  • Lens
    • RF-mount version of the CINE-SERVO 17-120mm cinema lens

New Accessory

  • Mount Adapter
    • First MOUNT ADAPTER PL-RF for Canon cameras

Canon C400 Press Release

New EOS C400 Camera Features a 6K Full-Frame, Back-Illuminated CMOS Sensor, With Triple-Base ISO; New CINE-SERVO Lens Compatible with RF Mount Cinema Cameras

MELVILLE, N.Y., June 5, 2024 —Canon U.S.A. Inc., a leader in digital imaging solutions, is pleased to announce the new Canon EOS C400 cinema camera, with a native RF-mount and full-frame, back- illuminated stacked CMOS sensor, designed with the film and live production markets in mind. Canon is also proud to announce the company’s first MOUNT ADAPTER PL-RF, and an RF-mount version of the popular and award-winning CINE-SERVO 17-120mm cinema lens.

“Canon is proud to provide filmmakers and videographers with a variety of tools to capture high-quality and visually stunning images,” said Brian Mahar, senior vice president and general manager, Canon U.S.A., Inc. “The new camera and lens strengthen Canon’s already impressive lineup of cinema products.”

EOS C400 Camera Back-Illuminated Stacked Sensor
For the first time in the cinema EOS system, the Canon EOS C400 camera features a newly developed 6K full-frame, back-illuminated CMOS sensor, with triple-base ISO, allowing the camera to deliver stunning imagery in a wide range of lighting conditions. The base ISOs of 800, 3200, and 12,800 maximize the full dynamic range of the camera.

An additional benefit of the EOS C400 camera’s sensor is the support for the next generation of Canon’s Dual Pixel CMOS Autofocus, Dual Pixel AF II. The back-illuminated stacked positioning offers better light-capturing efficiency, which widens the area of the sensor that can be used for autofocusing. The sensor also empowers faster readout speed, as well as better 4K image quality from 6K oversampling.

EOS C400 Camera Recording Options
The EOS C400 camera records in 6K full frame up to 60p in 12-bit Cinema RAW Light. By changing the sensor mode, the camera can record 4K RAW up to 120fps and 2K RAW up to 180fps. This is all
recorded in Canon’s latest iteration of Cinema RAW Light, which provides three different recording modes to choose from depending on your file size preference and workflow.

Other recording options include the Canon-developed, industry standard XF-AVC codec which can be recorded in 10-bit 4:2:2 with oversampling from the 6K sensor, helping to create rich detail and smooth

imagery, at frame rates up to 120P, without the need for cropping the image from the sensor. Canon is also introducing two new recording codecs into the EOS C400 camera, XF-AVC S and XF-HEVC S. These formats feature an easy-to-manage naming system and folder structure, while recording in the familiar MP4 format and preserving metadata.

All of these options are recorded to the camera’s CFexpress slot with sub-recording and proxy options available to the SD Card slot, which allows for simultaneous recording even when shooting RAW.

EOS C400 Camera Production Options
For live productions, the EOS C400 camera body features a dedicated 12-pin lens terminal for broadcast and cine-servo lenses, a variety of output and input interfaces including mini-XLR audio inputs, DIN connectors for time code, genlock and return video, 12G-SDI and 3G-SDI monitor outputs, a full-size HDMI output, built-in Wi-Fi connectivity, Ethernet and much more. The camera also features SRT protocol for IP streaming of video and audio. For shooting scenarios where the camera will be controlled remotely, you can use the Ethernet port or Wi-Fi connectivity to enable remote control, including support for the Canon Multi-Camera Control app, browser remotes, or the Canon RC-IP100 or RC-IP1000 controllers via use of the included XC protocol.

The EOS C400 camera can also provide frame-by-frame metadata in real-time and post-production to support virtual production workflows. Ready for 180-degree VR shooting, the EOS C400 camera has built-in compatibility with the Canon RF5.2mm F2.8 L dual fisheye lens.

CINE-SERVO 17-120mm Cinema Lens
This latest cinema lens from Canon builds upon the legacy of the company’s CINE-SERVO line, with the added benefit of a native RF mount. The additional pins of the RF mount increase communication with RF-mount cameras such as the EOS C400, enabling auto focus, distortion correction and metadata output for virtual productions. The lens comes in either RF or PL mount configurations, with the PL mount version supporting ZEISS eXtended Data and ARIA (Automatic Restoration of Illumination Attenuation)i.

The lens’ new e-Xs V servo drive unit helps to improve its focus and iris speed, enables focus breathing compensation, and includes a USB-C connector for copying drive unit configurations.

PL to RF Mount Adaptor
Canon is also introducing the newly developed MOUNT ADAPTER PL-RF. This adapter opens up a broad range of PL mount lenses to the EOS C400 camera. The adapter maintains compatibility for Cooke i/Technology metadata communication between camera and lens and includes locking plates to help achieve maximum mount strength. To learn more about these new products and Canon’s array of cinema solutions, please visit here.