One of the most trusted sources Just share this, not able to configure what does this exactly mean
Ultra-high-speed and large-bandwidth RS (EOS R1) >> High-speed and large-bandwidth GS (A9M3) > High-speed and small-bandwidth RS (Z9\Z8\A1) > Medium-speed and large-bandwidth RS (EOS R3\X-H2S) >> Medium-speed and small bandwidth RS(A9) > Low-speed RS (stacked sensor for various monitoring purposes)
Let me know in the comments if u guys able to crack this
Canon Announces New EOS C400 6K Full-Frame RF Mount Cinema Camera and RF-Mount CINE-SERVO Lens, take a look at the Major specifications of the camera, price, and press release.
The Canon Cinema EOS C400 Full-Frame RF Mount Camera is scheduled to be available in September 2024 for an estimated retail price of $7,999.00*. The CINE-SERVO 17-120mm will be available in October 2024 for an estimated retail price of $23,850.00*. The MOUNT ADAPTER PL-RF will be
Improved light-capturing efficiency and faster readout speed
4K image quality from 6K oversampling
Recording Capabilities
6K full frame up to 60p in 12-bit Cinema RAW Light
4K RAW up to 120fps
2K RAW up to 180fps
10-bit 4:2:2 with 6K oversampling, up to 120P
New codecs: XF-AVC S and XF-HEVC S
Recorded to CFexpress slot, with proxy and sub-recording options to SD Card slot
Production Features
Dedicated 12-pin lens terminal for broadcast and cine-servo lenses
Interfaces: mini-XLR audio inputs, DIN connectors for time code, genlock, return video, 12G-SDI, 3G-SDI, full-size HDMI
Built-in Wi-Fi connectivity and Ethernet
SRT protocol for IP streaming of video and audio
Remote control via Ethernet or Wi-Fi; supports Canon Multi-Camera Control app, browser remotes, RC-IP100/RC-IP1000 controllers
Metadata and Virtual Production
Frame-by-frame metadata support for virtual production workflows
Built-in compatibility with Canon RF5.2mm F2.8 L dual fisheye lens for 180-degree VR shooting
New Canon CINE-SERVO Lens
Lens
RF-mount version of the CINE-SERVO 17-120mm cinema lens
New Accessory
Mount Adapter
First MOUNT ADAPTER PL-RF for Canon cameras
Canon C400 Press Release
New EOS C400 Camera Features a 6K Full-Frame, Back-Illuminated CMOS Sensor, With Triple-Base ISO; New CINE-SERVO Lens Compatible with RF Mount Cinema Cameras
MELVILLE, N.Y., June 5, 2024 —Canon U.S.A. Inc., a leader in digital imaging solutions, is pleased to announce the new Canon EOS C400 cinema camera, with a native RF-mount and full-frame, back- illuminated stacked CMOS sensor, designed with the film and live production markets in mind. Canon is also proud to announce the company’s first MOUNT ADAPTER PL-RF, and an RF-mount version of the popular and award-winning CINE-SERVO 17-120mm cinema lens.
“Canon is proud to provide filmmakers and videographers with a variety of tools to capture high-quality and visually stunning images,” said Brian Mahar, senior vice president and general manager, Canon U.S.A., Inc. “The new camera and lens strengthen Canon’s already impressive lineup of cinema products.”
EOS C400 Camera Back-Illuminated Stacked Sensor
For the first time in the cinema EOS system, the Canon EOS C400 camera features a newly developed 6K full-frame, back-illuminated CMOS sensor, with triple-base ISO, allowing the camera to deliver stunning imagery in a wide range of lighting conditions. The base ISOs of 800, 3200, and 12,800 maximize the full dynamic range of the camera.
An additional benefit of the EOS C400 camera’s sensor is the support for the next generation of Canon’s Dual Pixel CMOS Autofocus, Dual Pixel AF II. The back-illuminated stacked positioning offers better light-capturing efficiency, which widens the area of the sensor that can be used for autofocusing. The sensor also empowers faster readout speed, as well as better 4K image quality from 6K oversampling.
EOS C400 Camera Recording Options
The EOS C400 camera records in 6K full frame up to 60p in 12-bit Cinema RAW Light. By changing the sensor mode, the camera can record 4K RAW up to 120fps and 2K RAW up to 180fps. This is all
recorded in Canon’s latest iteration of Cinema RAW Light, which provides three different recording modes to choose from depending on your file size preference and workflow.
Other recording options include the Canon-developed, industry standard XF-AVC codec which can be recorded in 10-bit 4:2:2 with oversampling from the 6K sensor, helping to create rich detail and smooth
imagery, at frame rates up to 120P, without the need for cropping the image from the sensor. Canon is also introducing two new recording codecs into the EOS C400 camera, XF-AVC S and XF-HEVC S. These formats feature an easy-to-manage naming system and folder structure, while recording in the familiar MP4 format and preserving metadata.
All of these options are recorded to the camera’s CFexpress slot with sub-recording and proxy options available to the SD Card slot, which allows for simultaneous recording even when shooting RAW.
EOS C400 Camera Production Options
For live productions, the EOS C400 camera body features a dedicated 12-pin lens terminal for broadcast and cine-servo lenses, a variety of output and input interfaces including mini-XLR audio inputs, DIN connectors for time code, genlock and return video, 12G-SDI and 3G-SDI monitor outputs, a full-size HDMI output, built-in Wi-Fi connectivity, Ethernet and much more. The camera also features SRT protocol for IP streaming of video and audio. For shooting scenarios where the camera will be controlled remotely, you can use the Ethernet port or Wi-Fi connectivity to enable remote control, including support for the Canon Multi-Camera Control app, browser remotes, or the Canon RC-IP100 or RC-IP1000 controllers via use of the included XC protocol.
The EOS C400 camera can also provide frame-by-frame metadata in real-time and post-production to support virtual production workflows. Ready for 180-degree VR shooting, the EOS C400 camera has built-in compatibility with the Canon RF5.2mm F2.8 L dual fisheye lens.
CINE-SERVO 17-120mm Cinema Lens
This latest cinema lens from Canon builds upon the legacy of the company’s CINE-SERVO line, with the added benefit of a native RF mount. The additional pins of the RF mount increase communication with RF-mount cameras such as the EOS C400, enabling auto focus, distortion correction and metadata output for virtual productions. The lens comes in either RF or PL mount configurations, with the PL mount version supporting ZEISS eXtended Data and ARIA (Automatic Restoration of Illumination Attenuation)i.
The lens’ new e-Xs V servo drive unit helps to improve its focus and iris speed, enables focus breathing compensation, and includes a USB-C connector for copying drive unit configurations.
PL to RF Mount Adaptor
Canon is also introducing the newly developed MOUNT ADAPTER PL-RF. This adapter opens up a broad range of PL mount lenses to the EOS C400 camera. The adapter maintains compatibility for Cooke i/Technology metadata communication between camera and lens and includes locking plates to help achieve maximum mount strength. To learn more about these new products and Canon’s array of cinema solutions, please visit here.
Canon announced the New RF 35mm F1.4 Lens with HYBRID MOTORS, the lens uses Ultrasonic as well as Voice Coil Motor to upscale AF speed, accuracy as well as no focus breathing.
CANON ANNOUNCES FIRST LENS IN SERIES OF FIXED FOCAL LENGTH RF HYBRID LENSES – RF35MM F1.4L VCM
New Portable Speedlite with New Multi-Function Shoe Design Also Available
MELVILLE, N.Y., – June 5, 2024 — Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the RF35mm F1.4 L VCM1 lens and Speedlite EL-10 flash. The new RF35mm lens is the first in a series of fixed focal length RF lenses with hybrid video and still design, and the Speedlite EL-10 integrates with Canon’s new multi-function shoe design, for users of recent Canon EOS cameras.
Answering the needs of many professional high-level photographers, the new RF35m F1.4 L VCM lens can be looked upon as a standard lens for video and still users — for example, those who use the EOS R5 and EOS C70 cameras. This lens is the beginning of a new hybrid lens series and with its fixed focal length, fills a gap as there is not a fixed focal length lens wider
than 50mm in the L-series — until now. Ideal for low-light, the RF35mm F1.4 L VCM lens features a manual iris (aperture) ring which helps provide better control when shooting movies. The lens allows very little focus “breathing” as focus is moved, and it’s highlighted by two
Aspherical lens elements and two ultra-low Dispersion glass elements. Overall, this lens has the outstanding L-series optical design many professionals have grown accustomed to. In addition, the lens can be used with the newly announced Canon EOS C400 cinema camera, further
reinforcing Canon’s full support of the video market.
“The new RF35mm F1.4 L VCM lens is the answer for high-level video in the mirrorless market
– while also providing still-imaging storytellers the durability and optical performance that is synonymous with Canon lenses,” said Brian Mahar, senior vice president & general manager, Canon U.S.A., Inc.
The Speedlite EL-10 flash is designed for the amateur photographer who is stepping into the
mirrorless world, and the veteran user who is looking to get reacquainted with flash photography. The multi-function shoe helps the still imagery storyteller by providing immediate access to the flash control menu, and either an on-camera EL-10 or the optional super-compact Speedlite Transmitter ST-E10 assists with triggering from one through up to fifteen off-camera flashes2.
The Speedlite EL-10 is a radio-based wireless flash with 2nd-curtain sync capabilities, and leverages four AA batteries instead of a separate battery that requires charging — making operation more streamlined for some users. In addition, it features a Custom Flash Mode function, allowing the end-user to register and store up to three sets of flash settings, and is
approximately the same size and weight as its predecessor the Speedlite 430EX-III RT — while also pushing out the same amount of power. Automatic balanced fill flash is a key benefit to
using flash photography, whether during daytime or low light with a slow shutter speed, and the Speedlite EL-10 is an excellent gear bag addition to achieve that creative look in one’s photos.
“Flash photography is a simple yet versatile way to add drama to one’s photos and with Canon’s steadfast commitment to reliability, the Speedlite EL-10 provides a full-circle Canon shooting experience,” continued Brian Mahar, senior vice president & general manager, Canon U.S.A., Inc.
Canon RF 35mm F1.4L Price & Shipping Information
Canon RF 35mm F1.4 L VCM lens is expected to be available in June for an estimated retail piece of
$1,499.00 and the Speedlite EL-10 will also likely be available in June for an estimated retail price of $249.99*. For more information, please visit usa.canon.com.
Canon Major Firmware Update for Cinema EOS and professional camcorder,
Canon Announces Firmware Updates Delivering Enhanced Features for Cinema EOS Cameras and Pro Camcorders MELVILLE, N.Y., June 5, 2024 — Canon U.S.A., Inc., a leader in digital imaging solutions, announced today a variety of firmware updates for key models in its Cinema EOS and professional camcorder line of cameras, including the EOS C500 Mark II, EOS C300 Mark III, EOS C70, EOS R5 C cameras and the XA75/70, XA65/60 and VIXIA HF G70 camcorders. All updates are a direct result of customer feedback and will be available through a free download at the end of June 2024.
Highlights for each of the Canon products:
EOS C500 Mark II/ EOS C300 Mark III Cameras
⦁ “Sensor Mode” will be saved to an assignable button on the camera body to quickly change between Full-frame, Super 35mm and Super 16mm crop modes.
⦁ The Focus Guide box will have two size options: Standard and Large (approximately two times larger than standard).
⦁ Camera LCD screen will display a playback marker in Media Mode. ⦁ For the EOS C300 Mark III camera:
⦁ Cinema RAW Light HQ/ST/LT recording modes will be added.
⦁ Auto ISO/Gain functions that can be operated from the camera menu, an assignable button, or with a compatible remote-control unit will be added.
EOS C70/EOS R5 C Cameras
⦁ Same Focus Guide and playback marker enhancements as the C500 Mark II and C300 Mark III cameras will be added.
⦁ Option of assigning functions to the select dial on the back of the camera, including AF subject selection, shutter, iris, ISO/gain, and white balance mode will be added. ⦁ For the EOS R5 C camera, the following will be added:
⦁ Ability to adjust the thickness of the AF frame, making it easier to see in certain lighting conditions
⦁ Ability to reset the AF position by pushing the joystick or set buttons
⦁ When shooting RAW VR content with Canon’s dual fisheye lens, you will be able to record both the peripheral illumination and chromatic aberration data. This will help with processing footage into smoother and even more amazing VR content than before the firmware update.
⦁ New features from the March 2024 R5 firmware update.
XA75/70, XA65/60 and VIXIA HF G70 Camcorders
⦁ Option to view the date and time in the on-screen display (OSD) while recording will be added. White balance will be able to be changed while recording.
To download the firmware updates once available, or for more information regarding the firmware updates and all of Canon’s professional video products and solutions, please visit usa.canon.com.
Canon UK’s page posted a teaser image of the Canon cinema camera and wrote, “Watch this space on the 5th of June at 8:00 p.m. BST and see what comes next.” So far, it seems Canon is planning an announcement on June 5th.
I am excited about this announcement for sure. Stay tuned!
Canon to release a major firmware update for the vlogging compact camera Canon V10. With the update, the camera can upscale the video image stabilization feature to the next level.
Amplifying Social Content Creation: Canon Announces New Firmware Update for the PowerShot V10 Vlog Camera That Improves Image Stabilization
MELVILLE, N.Y, May 30, 2024 – Canon, a leader in imaging solutions, announced today an upcoming firmware update for the PowerShot V10 Vlog Camera that will provide an updated algorithm for optimized and improved image stabilization. Designed for the on-the-go content all details below and hope you can consider covering. creator who wants to level-up from their smartphone to craft more impressive, higher quality visuals, users of the PowerShot V10 Vlog Camera will see even better results from the firmware update.
Content creators know that some of the most exciting moments to capture happen while in movement. The update will optimize and improve image stabilization performance for shooting while walking, helping to create beautiful visuals even in unstable positions or shooting with one hand extended. Creators can choose the IS mode setting according to the scene they are looking to capture –options such as “On” and “Enhanced” have now been improved through the firmware update. The update also corrects small to large blur levels with high precision, enabling high-quality image representation.
The PowerShot V10 camera, released in June 2023, is the first product in the Company’s consumer video production, live streaming and vlogging line, the PowerShot V (V= Video Communication) camera series. Packed with key features, including an intuitive control user interface on the touch panel and frame AF mode for product reviews, the PowerShot V10 Vlog camera can be the priority piece of imaging equipment used for almost all things video.
Availability
The firmware update for the Canon PowerShot V10 is expected to be available in late June.
An interesting patent application from Canon was published on May 28, 2024. It appears to be an optical system that is based on a standard zoom lens that is slightly wider than the standard wide-angle lenses, such as the RF-S14-30mm F4-6.3 and RF20-50mm F4-5.6.
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