Meike new product, the AF33mm F1.4 APS-C lens, will be be released soon. This lens has an equivalent full-frame field of view of approximately 50mm when used with APS-C or DX crop body, a minimum focusing distance of 0.4m, a 55mm filter interface, and is compatible with Nikon Z/Fuji X/Sony E mounts. It has a similar appearance and lens body size to the Meike AF55mm F1.4 lens which is being already announced in the market, and is expected to be priced competitively ($199 approx).
Viltrox, during NAB 2024, invited social media influencers to showcase (and organically advertise ) all their latest lab lenses at their booth. One of the primary attractions is, without a doubt, the AF 135 mm f/1.8 lens made for Nikon Z and Sony E mount. The booth number is C 8732 and it has been active from April 14th to 17th.
Blackmagic announces the URSA Cine 12K camera. The latest announcement features a full-frame 12K sensor and Blackmagic claims it has 16 stops of dynamic range. The camera can record Blackmagic RAW up to 12K in a 3:2 open gate format. If you talk about frame rates, even while you are recording 12K, you can record it at 120 frames per second without any crop.
The camera features built-in 2.4 and 6 stops of IRND filters. For streaming, the camera features 5G Wi-Fi support, RJ45 connectivity, as well as a USB-C port for fast data transfer.
Full Frame 12K Sensor upto 120 FPS without CROP
One of the big interesting parts of this camera is you’re getting a full-frame sensor and 12K recording option with 120 frames per second recording without crop. Not only that, you can record 8K videos up to 240 FPS, you can record 6K videos as well as 4K, and all these frame rates and resolutions are available to you without any crop.
SUPER 35mm 9K Mode
Super 35mm mode is available at 9K recording where the frame rates of the camera go up to 160 frames per second.
No Dual NATIVE ISO support at initial release
No dual native ISO is available in the Blackmagic URSA Cine 12K camera. It may be a decision made by Blackmagic itself not to include dual native ISO in the first release. Maybe in the future, we will have it with the firmware updates, who knows, but at the initial firmware version, we are not able to use dual native ISO in the camera.
You can also alter the settings of the Focus Puller wheel via the Display screen menus
Included High performance rack mount flash storage, features 8TB
8- terabytes of modular memory slots are available which are included with the camera and CF Express (optional) is also available. But when you use CF Express cards in your camera, then some upper-limit frame rates will be cut off. So the maximum power of the camera can only be driven when you are using the available 8 terabyte memory module with the camera.
ACTIVE EF Mount with AutoFocus Support (Future Update)
Autofocus is also coming to the Blackmagic URSA Cine 12K camera via a firmware update in the future in Canon EF mount, or it’s better to say it will have an active Canon EF mount. But unfortunately, we will have the contrast style of focus support, so don’t expect too much on the autofocus side.
SSD Storage as an option in URSA 12K Cine Camera (Future Update)
The other major thing that will also be available in the upcoming firmware updates is the ability to record directly to an SSD drive via the USB-C port connectivity. But note that you have to sacrifice some frame rates and other camera performance when using an external SSD. The best performance is only available when using the internal available 8-terabyte memory module of the camera.
Blackmagic Design URSA Cine12K Price
Blackmagic Design URSA Cine 12K Camera Price $14,995 – B&H Store
That the information was available to us during the time of announcement
Inspiring NAB 2024’s attendees to explore the possibilities in cinema, broadcast, and beyond, Canon will host an expanded booth presence with a Virtual Production area and a touch-and-try station for its new broadcast lens, the CJ27e×7.3B
MELVILLE, NY, April 10, 2024 – Canon U.S.A., a leader in digital imaging solutions, is proud to announce its participation in the 2024 NAB Conference, where it will showcase its latest developments and solutions, including a new next-gen broadcast lens. Throughout its expanded booth (#C3825), Canon will offer attendees new opportunities to explore the future of production and the latest Canon gear, including its new broadcast lens, the CJ27e×7.3B, Canon’s first 2/3” portable lens with a class leading 27x optical zoom (among portable lenses for 2/3-inch 4K cameras with ENG-style design). The theme of Canon’s NAB booth this year is “Connect, Create, Collaborate.”
“Canon’s exhibit at NAB 2024 showcases our cutting-edge technology and forward-thinking innovations,” said Brian Mahar, senior vice president and general manager, Imaging Technologies & Communications Group. “We welcome any and all visitors to see all that Canon has to offer in the industry.”
The booth will feature Canon’s line of outstanding RF cinema prime lenses and flex zoom lenses, as well as the versatile RF24-105mm F2.8 L IS USM Z lens for hybrid shooters. Canon will also showcase the improved PTZ tracking system, the EOS VR System featuring the Canon RF 5.2mm f/2.8 L Dual Fisheye lens, and the enhanced functionalities of the EOS C500 Mark II, which now supports three new Cinema RAW Light formats through a new firmware update. These displays demonstrate Canon’s continuous innovation across broadcast, house of worship, cinema, VR, and social capture solutions.
An LED Virtual Production set will be at the front of the booth, and toward the back Canon will have a display of Canon’s low-light SPAD (Single Photon Avalanche Diode) Sensor technology. Education is also fundamental to Canon’s mission, evident in interactive engagements at every counter and all product demos. Professionals across all levels can explore Canon’s complete product lineup and gain insights into Canon’s latest advancements in imaging technology through the lens displays and PTZ control room area.
Canon will also showcase how our volumetric video technology, which is currently being used to capture live sports, can also be used in a virtual production studio. This technology can help unlock fresh realms of creative and technical exploration for professional production companies, advertising agencies, filmmakers, and beyond.
Canon extends an invitation to all attendees to visit its exhibit at NAB 2024 and embark on a journey to Connect, Create, and Collaborate. For more information about Canon at NAB 2024, please visit here. About Canon U.S.A., Inc.
MELVILLE, N.Y., April 9, 2024 — Camera operators can capture beautiful content with the new broadcast lens announced today by Canon U.S.A., Inc., a leader in digital imaging solutions. The CJ27ex7.3B, Canon’s first 2/3” portable lens with a class-leading 27x optical zoom, expands and strengthens the company’s extensive broadcast lens lineup. The new lens, with superb optical performance, is classified, as Canon’shighest image quality rating for broadcast optics. The lens spans a focal range of 7.3mm to 197mm. With a built-in 2x extender, the lens’ maximum telephoto reach increases to 394mm.
“Canon is committed to storytelling,” said Mahar, president, of CanonU.S.A., Inc.“The new lens we are introducing will result in strikingly sharp video footage for audiences watching news, entertainment, sports, and more.”
The CJ27ex7.3B lens is designed to be portable, with the mobility of a conventional ENG (Electronic NewsGathering)lens. The 27xzoom ratio, typically only available in 2/3” box lenses, is now offered as a portable lens with the introduction of the CJ27ex7.3B.The versatile focal length lens is at home in hand-held news, live sports, and broadcast studios. The 7.3mm wide angle helps set the scene for viewers, while the 197mm telephoto end delivers tight shots of the subject. If you’re looking for a lens of high shoot high-quality video for live broadcast, support action or capture a wide view of the game, the CJ27ex7.3B has you covered.
The new lens also features a next-generation drive unit,thee-XsV. Features an angled 20-pin connector and built-inUSB-Cconnector, giving users better experience with equipment setup and maintenance and improving operability with an updated display menu. Also, Focus Breathing Compensation, a feature for ENG lens that helps minimize image distortion when racking focus, and Automatic Restoration of Illumination Attenuation (ARIA) technology is supported to help minimize the effects of f-drop/ramping as the lens zooms.
TheCJ27ex7.3Bbroadcastlensisexpected to be available for purchase in August 2024 and will be displayed at NAB 2024 at the Canon booth in the Las Vegas Convention Center. For interest or inquiry about the lens, please contact your local Canon representative. To learn more about Canon broadcast lenses, please contact your Canon broadcast representative or visit www.usa.canon.com.
Price and Availability
Just announced by Canon, the new CJ27ex7.3B broadcast lens will be on display at NAB 2024 at the Canon booth in the Las Vegas Convention Center. There’s no word on the price just yet, but it’s expected to be available to purchase by August of this year.
AboutCanonU.S.A., Inc.
Canon U.S.A., Inc., is a leading provider of consumer, business-to-business, and industrial digital imaging solutions to the United States and Latin America and the Caribbean markets. With approximately $ 29.4 billion in global revenue, its parent company, Canon Inc. as of 2023 has ranked in the top five overall in U.S. patents granted for 38 consecutive years. Canon U.S.A. is dedicated to its Kyosei philosophy of social and environmental responsibility. To learn more about Canon, visit us at www.usa.canon.comandconnectwithusonLinkedInathttps://www.linkedin.com/company/canonusa.
The long-rumored DJI latest gimbals were announced today, if you read the details then you will find that DJI has worked in every possible way to upscale the overall specs of the gimbals, take a look at the press release
Pricing and Availability
Obviously of you have a Canon R5C style camera with heavy lenses or planning to own a Canon R5C Mark II camera in the near future, this one is made for you and able to lift 4.5+kg at once.
DJI, the global leader in civilian drones and creative camera technology, today introduces three groundbreaking products that revolutionize the filmmaking and content creation landscape. The DJI RS 4, a lightweight commercial stabilizer, redefines vertical shooting with enhanced efficiency and stabilization performance, empowering solo cinematographers to capture grand scenes effortlessly. The DJI RS 4 Pro flagship stabilizer seamlessly integrates with the DJI PRO ecosystem, offering a solution that combines stabilization, transmission, monitoring, focusing, and control, thereby expanding creativity. Finally, the DJI Focus Pro, the industry’s first independent Automated Manual Focus (AMF) lens control system, ushers in a new era of collaborative focus control, providing cinematographers with a robust tool to realize their creative visions with ease and precision.
“This year marks the 10th anniversary of the Ronin Series, and the evolving needs of creators are always at the forefront of our product development,” stated Paul Pan, Senior Product Line Manager at DJI. “With the latest DJI RS 4 and RS 4 Pro stabilizers, we’ve integrated the feedback we have been gathering from industry professionals over the past decade to drive innovation, ultimately optimizing the design, stabilization, and gimbal control for next generation tools that are unparalleled in efficiency and reliability. Additionally, DJI Focus Pro, our inaugural independent Automated Manual Focus lens control system, marks a significant leap forward in providing cutting-edge LiDAR technology, once exclusive to the DJI PRO ecosystem, to more creators.
DJI RS 4, DJI RS 4 Pro, and DJI Focus Pro Official Press Release
DJI RS 4: Gripping Storytelling
Powerful Stabilization
DJI RS 4 possesses an exceptional payload capacity, boasting a lightweight body capable of carrying up to 3kg (6.6lbs) of mainstream mirrorless camera and lens combinations for comfortable handling and robust power. With an extended tilt axis by 8.5mm, compared to its predecessor, the RS 4 provides even larger balancing space, accommodating additional accessories like ND filters, enhancing creative possibilities. Featuring a 4th-gen stabilization algorithm meticulously optimized for various scenarios, the RS 4 strikes a balance between stabilization strength and camera movement, ensuring excellent performance and an enhanced user experience. Paired with the high-capacity battery grip, it offers approximately 2.5 times longer runtime[1], ensuring uninterrupted filming sessions for capturing grand scenes with ease.
Additionally, it offers improved stability in vertical shooting, effortlessly steadying dynamic scenes like running or low-angle shots.
Efficient Quick Launch
The DJI RS 4, features second-generation native vertical shooting[2] with a redesigned gimbal horizontal plate for seamless transitions to vertical shooting, enhancing efficiency in video creation. The upgraded automated axis locks enable quick start-up, transitions, and storage, with minimized gimbal shakes. With a Teflon™ coating on all three axes, the RS 4 offers smoother balancing, while a fine-tuning knob allows precise adjustments when switching cameras or lenses. Further, an automatic screen lock feature on the OLED touchscreen prevents accidental touches and conserves battery power.
Enabling Professional Creation
Designed to elevate solo content creation with professional-grade features borrowed from DJI PRO products, the DJI RS 4 ensures superior performance and efficiency. With Bluetooth wireless control, the RS 4 enables remote camera shutter and lens zoom control[3] using Dual-Mode Bluetooth technology, seamlessly pairing with cameras for effortless reconnection. When paired with the DJI Focus Pro Motor[4], it allows smooth focus and lens zoom adjustments, enhancing lens control at a motor speed that is 30% faster[5]. The new Joystick Mode Switch allows quick switching between joystick modes for zoom or gimbal control, further enhancing the user experience and efficiency on set. The customizable trigger function offers FPV mode for dynamic shooting perspectives, while the gimbal mode switch facilitates quick toggling between various modes to adapt to diverse shooting requirements. Additionally, it includes intelligent features such as Motionlapse, Track, and Panorama, empowering creators with versatile shooting capabilities.
Robust Accessory Ecosystem
The DJI RS 4 features an RSA communication port for enhanced connectivity with accessories like the DJI RS Tethered Control Handle and third-party options[6], allowing flexible shooting setups tailored to creative needs. With the DJI RS SDK protocol, third-party developers can customize functions for the RS 4, expanding its versatility for diverse shooting requirements. Additionally, the RS 4 is compatible with the new BG70 High-Capacity Battery Grip, extending runtime to 29.5 hours[7], with a 2.5 hour charge time[8], and supporting power delivery to cameras and accessories via USB-C. For integrated shooting experiences, the RS 4 supports the DJI Ronin Image Transmitter, offering high-definition live feeds and remote-control capabilities. Complemented by an extensive accessory ecosystem, including the RS BG30 Battery Grip and RS Focus Motor, the RS 4 empowers cinematographers with advanced functionality and seamless integration for solo and small crew productions.
DJI RS 4 Pro: Transcend Potential
Packed With Capabilities
Thanks to reliable carbon fiber design, DJI RS 4 Pro provides an impressive 4.5kg (10lbs) payload capacity, ideal for mainstream mirrorless and cinema camera setups. Offering Teflon™ coating with dual rolling bearings on the roll axis and a tilt axis fine-tuning knob, the RS 4 Pro ensures smooth, precise, and millimeter-level adjustments. Enhanced features also include second-generation native vertical shooting capability, an auto-lock OLED touchscreen, and improved axis locks for reduced gimbal shakes, elevating efficiency and performance for cinematographers.
Excellent Stability, Exceptional Standards
Featuring a 20% increase[9] in motor torque across all axes for enhanced power redundancy, RS 4 Pro ensures precise and responsive tracking even with heavy cameras and accessories. With the addition of Car Mount mode, the stabilizer optimizes its algorithm for vehicle shoots, guaranteeing steady capture in shaky conditions. Coupled with the fourth-generation RS stabilization algorithm, the RS 4 Pro strikes a superior balance between strength and tactile feel, delivering exceptional stabilization performance and stability for dynamic scenes.
Master of Versatility
The DJI RS 4 Pro transforms solo cinematography with cutting-edge features tailored for efficient shooting. Leveraging the DJI Focus Pro LiDAR Autofocus system, including the Focus Pro LiDAR[10] and Focus Pro Motor[11], cinematographers benefit from precise LiDAR autofocus, enhancing control in dynamic shooting scenarios. With an impressive 76,800 ranging points, a leap of 77%[12], the RS 4 Pro sharpens human subject edge detection while effectively reducing focus hunting. The gimbal also offers a maximum human subject focusing distance of 20m[13], approximately three times that of the previous generation5. Additionally, the Next-Gen ActiveTrack Pro utilizes advanced AI algorithms and LiDAR technology to ensure steadfast subject tracking, even in challenging conditions. Dual Focus & Zoom Motors, combined with the DJI Focus Pro Motor, provide native and precise lens control.
The remote-control system enables seamless collaborative shooting, allowing for remote gimbal operation and intelligent focus assistance. In collaborative team shooting, the gimbal operator can control the RS 4 Pro gimbal through devices such as the DJI Master Wheels, DJI Ronin 4D Hand Grips, and DJI High-Bright Remote Monitor. Meanwhile, the focus puller can enable LiDAR Waveform on the High-Bright Remote Monitor for intelligent focus assistance[15], precisely controlling focus using the Focus Pro Hand Unit. Whether capturing intricate motion lapses, tracking subjects with precision, or exploring panoramic landscapes, the DJI RS 4 Pro enables cinematographers to achieve their vision with confidence.
Extended Battery Runtime for Exceptional Performance
The DJI RS BG70 High-Capacity Battery Grip elevates the performance of the RS 4 Pro with extended battery runtime of up to 29 hours[16]. Equipped with PD fast charging capability, it can reach a rapid full charge in just 2.5 hours[17], ensuring uninterrupted filming sessions. Additionally, the grip supports powering cameras and accessories with up to 18 watts via the USB-C port, offering exceptional versatility and convenience for prolonged shoots.
Enhanced Ecosystem
The DJI RS 4 Pro introduces an advanced control ecosystem, elevating the DJI PRO lineup’s production capabilities. Seamlessly integrated with the DJI Focus Pro lens control system, cinematographers gain access to comprehensive control over focus, iris, and zoom. With DJI Focus Pro LiDAR to DJI Transmission Cable Hub, seamless integrated setting and power supply could be achieved. DJI RS 4 Pro can power the Focus Pro LiDAR and DJI Video Transmitter simultaneously. This not only simplifies setup but also enhances efficiency during shoots, ensuring uninterrupted communication and transmission of high-quality footage. The RS 4 Pro also supports various handheld configurations[18] and professional solutions through the DJI RS SDK protocol, enabling innovative solutions for car mounts, jibs, Steadicams, cable cams, and sliders, ensuring versatile and efficient creative workflows for cinematographers.
DJI Focus Pro: Feel the Focus
LiDAR Focusing, Now Accessible to All
DJI Focus Pro is DJI’s first independent LiDAR focus system available to all cinematographers, enabling a wide user base to explore creative focusing possibilities. The all-new DJI Focus Pro Grip offers exceptional versatility with a 2.5-hour system power supply, intuitive visual operations, auto-calibration and data storage for 15 lenses, and Bluetooth connectivity for seamless start/stop recording. Equipped with a full-color touchscreen, the Grip allows operators to adjust LiDAR and motor parameters while providing a real-time view from the LiDAR’s perspective, ensuring complete awareness during use.
With advanced features like an extended human-subject focus distance of 20 meters[19], approximately three times that of the previous generation[20], and a super-wide focus field of view of 70°, the LiDAR system offers more accurate and stable focusing capabilities with wider coverage. Boasting 76,800 ranging points and a refresh rate of 30 Hz, the upgraded LiDAR enhances human-subject edge detection while minimizing focus hunting, ensuring reliable focus even in fast-moving scenarios. Focus Pro’s enhanced intelligent autofocus functionalities, including AF subject recognition and tracking, adjustable focus speed, and selectable focus area modes, provide users with easier control over focusing, catering to diverse shooting scenarios. The modular design of the Focus Pro system, comprising LiDAR, Motor, Grip, and Hand Unit modules, offers flexibility to both solo projects and more advanced productions, empowering diverse users to achieve focusing freedom in various shooting scenarios.
AMF, Human-Machine Collaboration
DJI Focus Pro revolutionizes focus control with the groundbreaking AMF mode, available in both the Hand Unit and Grip, setting a new standard for human-machine collaboration. With AMF focus transition and AMF focus lock, it provides tactile feedback and millisecond-level switching between manual and auto focus, catering to diverse creative demands and ensuring seamless integration of technology and human intuition. Additionally, the DJI Focus Pro LiDAR empowers cinematographers with intuitive spatial understanding by using LiDAR waveform as focus assistance, enhancing their ability to capture scenes with precision.
FIZ Lens Control, Master the Scene
The Magnetic Damping FIZ Hand Unit revolutionizes focus, iris, and zoom control for focus pullers, enhancing teamwork efficiency in capturing complex scenes with ease. Featuring stepless real-time damping coefficient adjustments and electronic A-B point marking mode, the Focus Pro Hand Unit ensures precision and convenience in focus control, while offering a communication distance of 160m[21], covering shooting needs in complex environments. Enabled with Bluetooth start/stop recording, it facilitates wireless control with mirrorless cameras. The accompanying FIZ Motor delivers significantly improved performance, boasting a 30% faster motor speed[22], 10ms low latency, and three-level adjustable torque, ensuring smoother operation and versatile cinematic language opportunities. Compatible with 15mm rods, the motor offers more mounting options. The Magnetic Damping Grip complements the unit, allowing seamless transition between focus and zoom control, with adjustable damping feedback for enhanced tactile experience. With intuitive dial operation and customizable rotational ranges, cinematographers can achieve dynamic lens operations effortlessly.
Seamless Interconnectivity
A new addition to the DJI PRO ecosystem, DJI Focus Pro can work seamlessly with other DJI PRO products to give operators all-scenario experience with efficiency and precision.
Professional Vehicle Shoots, All in One Go: With the DJI PRO ecosystem’s lightweight vehicle-shooting solution, operators can revel in a seamlessly integrated experience of stabilization, monitoring, and dual-channel control of the gimbal and focus.
Serious Creativity, Smart Assistance: In complex scenarios, Focus Pro’s AMF mode allows focus pullers to intervene and take control of focus seamlessly on the foundation of LiDAR autofocus.
Ronin 4D Collaborative Lens Control: In multi-operator collaborative scenarios, the solution enables the main operator to control composition using Ronin 4D, while the focus puller uses the Focus Pro Hand Unit in conjunction with the High-Bright Remote Monitor for coordinated shooting.
According to the latest set of rumors, the Canon R5 Mark II announcement is expected is about to happen on May 21 and May 23, 2024. And, Canon R1 Camera development announcement is also expected on the very same day. Once the development announcement is done Canon will take roughly 3 months to make the product official, you can expect the Canon R1 official announcement in Aug of 2024.
A similar type of information we have shared in our previous post, take a look at what we have said back then
Canon – DS126922, The Camera registered on Feb 2024, so the Announcement is expected in May-June 2024, roughly Canon takes three months to announce a registered product.
Canon – DS126928, The Camera is registered on April 2024, Announcement expected on July-Aug 2024..
We all know Canon is about to announce Canon R5 mark II and Canon R1 this year, so keep your fingers crossed we will sure Canon Major announcement soon.
But, now this time the rumor mill has exact dates of announcement, May 21-23, and its coming directly with Canon Rumor Mill. So we can consider it as an authentic source of information
I am very excited about this announcement since Canon R1 will be Canon’s first full-frame flagship Mirrorless camera, will specs affect another flagship mirrorless camera in the market badly or Canon will use cripple hammer even in the best camera?, will Sony gear up to announce Sony A1 Mark II just after the Canon R1 release, we have to wait and Watch.
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The DJI RS 4 is made for cameras like Sony FX30, and Panasonic S5 Mark II, of course for a full frame load you have the PRO.
