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By admin, on June 9th, 2024
Take a look at the list of Sony’s Upcoming Camera and Lenses Updated List below, we have selected the name of camera and lenses expected to arrive in next few months from Sony,
- Sony FE 85mm F1.4 GM II is expected to be released within the next month.
- The ZV-E10 II is also expected to be released in the next 1-2 months.
- Sony’s ultra-wide 24-70mm F2.0 lens is set to be released in the next 1-2 months. There are rumors that it might be launched alongside the ZV-E10 II, or possibly a little later.
- Sony’s FX full-frame new camera is scheduled for an official release in July-August, potentially being a successor to the FX9 model.
- Sony α7S IV is expected to be released in August-September. Rumors suggest that the new camera will feature a brand-new 24 million pixel Exmor R sensor, supporting 6K oversampling, 60fps 4K video recording, and 120fps 4K video recording in Super35 mode. The new model will have significant differences in features and positioning compared to its predecessor (A7S III), with a lower price range expected (between 2799−2799−3099).
- There may be a new α series camera to be released (in October-November), but there are no details available at the moment. Additionally, an unknown mysterious new camera is planned for release in October-November.
source webio
What else we are also expecting –
Sony A7 V is set to be released in Q4 of 2024 is everything goes on schedule, the camera will have an uploadable LUT option, a dedicated AI chip for AI Auto framing, and an upscaled AF performance, the user will notice a Major upscaling in the Video performance of the camera.
Sony FX6 Mark II in the wild – Sony FX6 Mark II prototypes are in the wild and the announcement will happen in Q4 of 2024 if everything goes under schedule. The Sony FX6 was announced back in November 2020 and was one of Sony’s most popular cinema line cameras.
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By admin, on June 5th, 2024
Canon Announces New EOS C400 6K Full-Frame RF Mount Cinema Camera and RF-Mount CINE-SERVO Lens, take a look at the Major specifications of the camera, price, and press release.
Get Canon C400 from B&H Store
Canon C400 Pricing and Availability
The Canon Cinema EOS C400 Full-Frame RF Mount Camera is scheduled to be available in September 2024 for an estimated retail price of $7,999.00*. The CINE-SERVO 17-120mm will be available in October 2024 for an estimated retail price of $23,850.00*. The MOUNT ADAPTER PL-RF will be
Canon EOS C400 Camera Specifications
- Sensor
- 6K full-frame, back-illuminated Stacked CMOS sensor
- Triple-base ISO: 800, 3200, 12,800
- Supports Dual Pixel CMOS Autofocus II
- Improved light-capturing efficiency and faster readout speed
- 4K image quality from 6K oversampling
- Recording Capabilities
- 6K full frame up to 60p in 12-bit Cinema RAW Light
- 4K RAW up to 120fps
- 2K RAW up to 180fps
- 10-bit 4:2:2 with 6K oversampling, up to 120P
- New codecs: XF-AVC S and XF-HEVC S
- Recorded to CFexpress slot, with proxy and sub-recording options to SD Card slot
- Production Features
- Dedicated 12-pin lens terminal for broadcast and cine-servo lenses
- Interfaces: mini-XLR audio inputs, DIN connectors for time code, genlock, return video, 12G-SDI, 3G-SDI, full-size HDMI
- Built-in Wi-Fi connectivity and Ethernet
- SRT protocol for IP streaming of video and audio
- Remote control via Ethernet or Wi-Fi; supports Canon Multi-Camera Control app, browser remotes, RC-IP100/RC-IP1000 controllers
- Metadata and Virtual Production
- Frame-by-frame metadata support for virtual production workflows
- Built-in compatibility with Canon RF5.2mm F2.8 L dual fisheye lens for 180-degree VR shooting
New Canon CINE-SERVO Lens
- Lens
- RF-mount version of the CINE-SERVO 17-120mm cinema lens
New Accessory
- Mount Adapter
- First MOUNT ADAPTER PL-RF for Canon cameras
Canon C400 Press Release
New EOS C400 Camera Features a 6K Full-Frame, Back-Illuminated CMOS Sensor, With Triple-Base ISO; New CINE-SERVO Lens Compatible with RF Mount Cinema Cameras
MELVILLE, N.Y., June 5, 2024 —Canon U.S.A. Inc., a leader in digital imaging solutions, is pleased to announce the new Canon EOS C400 cinema camera, with a native RF-mount and full-frame, back- illuminated stacked CMOS sensor, designed with the film and live production markets in mind. Canon is also proud to announce the company’s first MOUNT ADAPTER PL-RF, and an RF-mount version of the popular and award-winning CINE-SERVO 17-120mm cinema lens.
“Canon is proud to provide filmmakers and videographers with a variety of tools to capture high-quality and visually stunning images,” said Brian Mahar, senior vice president and general manager, Canon U.S.A., Inc. “The new camera and lens strengthen Canon’s already impressive lineup of cinema products.”
EOS C400 Camera Back-Illuminated Stacked Sensor
For the first time in the cinema EOS system, the Canon EOS C400 camera features a newly developed 6K full-frame, back-illuminated CMOS sensor, with triple-base ISO, allowing the camera to deliver stunning imagery in a wide range of lighting conditions. The base ISOs of 800, 3200, and 12,800 maximize the full dynamic range of the camera.
An additional benefit of the EOS C400 camera’s sensor is the support for the next generation of Canon’s Dual Pixel CMOS Autofocus, Dual Pixel AF II. The back-illuminated stacked positioning offers better light-capturing efficiency, which widens the area of the sensor that can be used for autofocusing. The sensor also empowers faster readout speed, as well as better 4K image quality from 6K oversampling.
EOS C400 Camera Recording Options
The EOS C400 camera records in 6K full frame up to 60p in 12-bit Cinema RAW Light. By changing the sensor mode, the camera can record 4K RAW up to 120fps and 2K RAW up to 180fps. This is all
recorded in Canon’s latest iteration of Cinema RAW Light, which provides three different recording modes to choose from depending on your file size preference and workflow.
Other recording options include the Canon-developed, industry standard XF-AVC codec which can be recorded in 10-bit 4:2:2 with oversampling from the 6K sensor, helping to create rich detail and smooth
imagery, at frame rates up to 120P, without the need for cropping the image from the sensor. Canon is also introducing two new recording codecs into the EOS C400 camera, XF-AVC S and XF-HEVC S. These formats feature an easy-to-manage naming system and folder structure, while recording in the familiar MP4 format and preserving metadata.
All of these options are recorded to the camera’s CFexpress slot with sub-recording and proxy options available to the SD Card slot, which allows for simultaneous recording even when shooting RAW.
EOS C400 Camera Production Options
For live productions, the EOS C400 camera body features a dedicated 12-pin lens terminal for broadcast and cine-servo lenses, a variety of output and input interfaces including mini-XLR audio inputs, DIN connectors for time code, genlock and return video, 12G-SDI and 3G-SDI monitor outputs, a full-size HDMI output, built-in Wi-Fi connectivity, Ethernet and much more. The camera also features SRT protocol for IP streaming of video and audio. For shooting scenarios where the camera will be controlled remotely, you can use the Ethernet port or Wi-Fi connectivity to enable remote control, including support for the Canon Multi-Camera Control app, browser remotes, or the Canon RC-IP100 or RC-IP1000 controllers via use of the included XC protocol.
The EOS C400 camera can also provide frame-by-frame metadata in real-time and post-production to support virtual production workflows. Ready for 180-degree VR shooting, the EOS C400 camera has built-in compatibility with the Canon RF5.2mm F2.8 L dual fisheye lens.
CINE-SERVO 17-120mm Cinema Lens
This latest cinema lens from Canon builds upon the legacy of the company’s CINE-SERVO line, with the added benefit of a native RF mount. The additional pins of the RF mount increase communication with RF-mount cameras such as the EOS C400, enabling auto focus, distortion correction and metadata output for virtual productions. The lens comes in either RF or PL mount configurations, with the PL mount version supporting ZEISS eXtended Data and ARIA (Automatic Restoration of Illumination Attenuation)i.
The lens’ new e-Xs V servo drive unit helps to improve its focus and iris speed, enables focus breathing compensation, and includes a USB-C connector for copying drive unit configurations.
PL to RF Mount Adaptor
Canon is also introducing the newly developed MOUNT ADAPTER PL-RF. This adapter opens up a broad range of PL mount lenses to the EOS C400 camera. The adapter maintains compatibility for Cooke i/Technology metadata communication between camera and lens and includes locking plates to help achieve maximum mount strength. To learn more about these new products and Canon’s array of cinema solutions, please visit here.
By admin, on May 30th, 2024
According to the latest rumors from the rumor mill, the Nikon Z6 Mark 3 camera is expected to arrive on June 11. Take a look at the set of rumored specifications of the upcoming Z6 Mark 3 camera.
Nikon Z6 Mark III specification
Pixels: 24.5 million pixels
Processor: EXPEED7 processor
Anti-shake: Level 7 anti-shake
Shutter speed: 1/16000 second
AF: 299 points
Video: 6K/60p&4K/120p 12bit N-RAW recording
4KH.265 10Bit MOV video, can be 6K oversampled 4K
FX format or DX format up to 120p.
Continuous shooting: up to 40fps FX format, 120fps DX format continuous shooting
Viewfinder: Brand new high-resolution viewfinder with 5.76 million pixels
Card slot: support CFexvressB, SD UHS-II
Battery: EL-15 battery
Set up a warm association of photographers
Additional Specs
other
Pixel displacement high-resolution photography
Easy-to-use multi-angle LCD screen
Fine shutter angle options, split the project pause rate from the shooting pause rate
Support WiFi2.4/5GHZ, Bluetooth LE connection
USB-C fast charge & HDMI Type-A connection
Inherited from the Z8 style body, smaller than the Z8
Top micro-label (same as Z8 and Z9)
PASM dial pad
Nikon Z6 mark III Shipping information
According to the previous set of information we have published a while ago the Nikon Z6 mark III camera shipping will start in July 2024. [Check here]
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source NR.com
By admin, on May 29th, 2024
【Sirui officially joins the M43 camp! A new M43 autofocus lens on the way?】Recently, the official M43 system website announced that the Chinese lens maker aka brand Sirui has officially joined the M43 camp, Sirui is not the only Chinese lens maker in the group, we already have the DJI, Yongnuo, and Laowa.
Currently, only Olympus and Panasonic remain in this camp as camera makers, while there have been no new camera releases for a while, mostly aimed at video or live streaming. The addition of a new manufacturer is a good thing for this camp. Sirui has always had M43 lenses, including tilt-shift lenses… With this official entry, one wonders if a new M43 autofocus lens might be coming soon.
By admin, on May 28th, 2024
An interesting patent application from Canon was published on May 28, 2024. It appears to be an optical system that is based on a standard zoom lens that is slightly wider than the standard wide-angle lenses, such as the RF-S14-30mm F4-6.3 and RF20-50mm F4-5.6.
Patent Details:
- [Publication number] P2024072459
- [Release date] 2024-05-28
Example 1
- Focal length: 14.40-29.10 [15-30mm Lens Range]
- F-number: 4.10-6.40
- Half angle of view: 43.4-25.1
- Overall length: 75.06
- Back Focus: 11.78
Example 4
- Focal length: 12.40-29.10 [12-30mm Lens Range]
- F-number: 4.10-6.40
- Half angle of view: 47.9-25.2
- Overall length: 82.67-82.67
- Back Focus: 11.71
Example 5
- Focal length: 20.60-48.50 [20-50mm Lens Range]
- F-number: 4.10-5.88
- Half angle of view: 46.4-24.2
- Total length: 106.52-106.52
- Back Focus: 19.41
Stay tuned more updates coming
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source asboi
By admin, on May 27th, 2024
DJI Pro creator kit, after the Pocket creator kit we may see a new DJI Professional creator kit with an interchangeable lens camera body where an advanced hand-held stabilizer mechanism featuring an L-mount.
According to the latest information surfaced on the web, the prototype exists in the lab, but still, there is time and more testing has to be done before it reaches the final production line.
If it is true, then for sure, camera makers will be in big trouble, and most of the content creators will buy the DJI Pro creative combo instead of getting an interchangeable lens camera for creating blogs.
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By admin, on May 24th, 2024
DaVinci Resolve 19 Public Beta 3 Released, look at the recent set of updates bought by Panasonic.
DaVinci Resolve 19 Public Beta 3 released. Updates:
- Improved speed performance of Super Noise Reduction (UltraNR) for individual clips.
- Enabled support for viewing HDR content in the user interface for Windows in the Music Remixer feature.
- Added the ability to instantly reset all layers or bypass certain layers in the node stack.
- Improved cursor refresh operation during editing.
- Improved Replay playback functionality.
- Improved audio quality in complex nested timelines.
- Increased the number of audio channels that the Source Viewer and Inspector can play.
- Display battery level of DaVinci Resolve Micro Color Panel in preferences.
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