Just seven days after our exclusive photo shoot leaked on April 27 and was published on our website, we have now received some of the clearest images yet from the creator event that recently took place somewhere in mainland China. It was a warm-up session for influencers and creators to get hands-on experience with the product and create content ahead of its official release.
The new images confirm the vertical dual-camera design that has everyone talking: a 1-inch main sensor paired with a dedicated 3x optical telephoto lens. This is a massive upgrade over the standard Osmo Pocket 4.
New Close-Up Images from DJI Pocket 4 Pro Creator Meetup
These shots were captured during hands-on testing sessions and give us the best look yet at the device’s build quality and ergonomics:
Caption: Rear view of the DJI Osmo Pocket 4 Pro in use – excellent ergonomics and stabilized gimbal visible
Best Dual-Lens Close-Up (Over Water) – Sharpest leaked image yet of the vertical dual-lens system on the DJI Pocket 4 Pro
Desert Side Profile – Side profile showing the flip-out screen, physical controls and textured grip
And now its time to explore the latest teaser video
NEW Exclusive Teaser Video (Posted May 2)
Yes, we also have a 2nd teaser video for the Pocket 4 Pro camera, which is approx. a polished 26-second teaser video on our X account showing the Pocket 4 Pro in cinematic lifestyle footage, with HEX colour codes highlighting its 10-bit colour science.
DJI Pocket 4 Pro Specs (Rumored & Leaked)
Feature
Details
Sensor
1-inch main + 3x optical telephoto
Video
4K/240fps slow-mo, possible 6K support
Dynamic Range
14 stops
Color
10-bit D-Log, Hasselblad-style tuning
Storage
128GB built-in (vs 107GB on standard model)
Stabilization
3-axis mechanical gimbal + improved ActiveTrack
Screen
Flip-out touchscreen
Expected Price
~$699–$749
Important Launch Timeline Update (May 7 Clarified)
Be aware of the Fake news, Many websites (including PhotoRumors) previously reported a May 7 announcement. That date is now confirmed to be for the DJI Osmo Mobile 8P smartphone gimbal (“Wonders in Your Palm” event).
For the DJI Osmo Pocket 4 Pro, the latest consensus from reliable sources points to:
Announcement → Late May or early June 2026
First availability → China first, followed by global rollout
This staggered release strategy allows DJI to give the standard Pocket 4 its full spotlight before launching the premium dual-lens Pro model.
Will the DJI Pocket 4 PRO become available in the USA?
Yes, but with a twist. We do know that DJI FCC-approved products are also facing a lot of issues, even though they are not drones but only cameras. The pocket 4P (PRO) also cleared the FCC clearance before Dec 25, ban. But, still, we have no certainty over the arrival or sale of the Pocket 4 PRO camera in the USA.
But the best part is, we will be having the Xtra Mse Pro 2 in the United States of America, possibly at the end of May. So, Just hold your purchase and don’t worry about the Pocket 4 availability in USA.
Want to be the first to know when DJI officially announces the Pocket 4 Pro?
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The article “DJI Pocket 4 Pro: New Creator Meetup Close-Up Images Leak – Updated Launch Timeline” was written by thenewcamera.com team on 2:40 pm, Sunday, 3 May 2026, Greenwich Mean Time (GMT) | You can also follow us on Our Official Social Media HandlesFACEBOOK | TWITTER | INSTAGRAM> get live news — > DJI Rumors
Now we have double confirmation over the Canon R6 V camera core specifications. We had already shared details on April 22nd, 2026, and in that article, we clearly mentioned the possible core specifications of the upcoming camera, which include a 32.5-megapixel sensor that we have already seen in the Canon R6 Mark III, as well as 7K 60p internal RAW recording. Fortunately, the same core specifications were published by CanonRumors a day ago. That seems to confirm what we had written on April 22.
Before we begin lets talk about the official date of the upcoming camera,
Canon EOS R6 V Announcement Date Confirmed
Yes, as per rumors and Multiple reliable leaks now align perfectly:
Official unveiling: May 13, 2026
Shipping: June 2026
The camera will launch alongside the brand-new Canon RF 20-50mm f/4L IS USM PZ power-zoom lens — Canon’s first L-series PZ optic for the RF mount.
Canon EOS R6 V Full Specifications (Double Confirmed)
Here’s the complete, up-to-date spec list based on the latest Canon Rumours round-up and our previous coverage:
Feature
Canon EOS R6 V Details
Sensor
32.3–32.5 MP Full-Frame FSI CMOS (same as R6 Mark III / C50)
Max Resolution
6960 × 4640 pixels
Video Recording
7K 60p RAW Open Gate (internal)
7K 30p RAW
Up to 6.9K 4:2:2 / ProRes RAW 10-bit
Log Profiles
Canon Log 2 & Canon Log 3
Active Cooling
Yes — Built-in fan (low/medium/high) + vents
Image Stabilization
7.5-stop IBIS
Autofocus
1053 focus points (Dual Pixel AF, expected to match R6 III level)
Viewfinder
None (EVF removed for cine-style design)
Rear Screen
High-resolution vari-angle LCD (optimized for video)
Memory Cards
Dual slot: CFexpress Type B + UHS-II SD
Shutter
Electronic only (1/16000–30 sec)
ISO Range
100–64000 (expandable 50–102400)
Body Design
Cross-hatch grip (like EOS R1), weather-sealed, cinema-style ergonomics
Weight
Approx. 598 g (body only)
Battery
LP-E6P
Price (Body Only)
€2,549 (≈ $300–400 cheaper than EOS R6 Mark III)
Photography performance The upcoming Canon R6V is expected to be nearly identical to the EOS R6 Mark III, but in Video, the Canon R6V does have superiority over the R6 III, and is open for future firmware updates
Why the Canon EOS R6 V Is a Game-Changer for Video Creators
The biggest upgrades are exactly where creators need them most:
7K Open Gate RAW — Massive resolution and flexibility for cropping, reframing, and future-proofing your footage.
Active Cooling Fan — This was actually missing inside the Canon R6 III camera, so even while using the Canon R6V in extreme weather condition.No more overheating during long 7K takes or gimbal runs.
IBIS + Power-Zoom Lens Pairing — Perfect for run-and-gun documentary work and smooth cinematic zooms.
This is Canon’s direct answer to hybrid creators who want cinema-level video tools without jumping to the much more expensive Cinema EOS line.
Pricing Strategy: More Affordable Than You Expected
At $2,499 / €2,54 body only, the Canon EOS R6 V undercuts the current EOS R6 Mark III by roughly €350. That makes it one of the most accessible full-frame 7K RAW cameras ever from Canon – perfect for serious YouTubers, indie filmmakers, and wedding videographers who want pro features at a more reasonable price.
Canon RF 20-50mm f/4L IS USM PZ Lens – The Perfect Companion
The new power-zoom lens is also confirmed for the May 13 announcement. While full optical specs are still limited, early signs point to:
Constant f/4 aperture
L-series is built with weather sealing
Smooth power-zoom mechanism (USM motor)
Optical IS
This will be a killer kit lens for the R6 V — ideal for gimbal work, vlogging, and documentary shooting.
Final Thoughts: The Wait Is Almost Over
We called the core specifications weeks ago – and today’s Canon Rumors round-up gives us double confirmation on the sensor, 7K RAW capabilities, active cooling, price, and exact announcement date.
The Canon EOS R6 V is shaping up to be one of the most exciting releases of 2026 for video-first creators.
Mark your calendars: May 13, 2026.
We’ll be live-covering the announcement right here on thenewcamera.com with hands-on impressions, sample footage analysis, and full comparison guides the moment Canon pulls back the curtain.
What do you think? Will the Canon EOS R6 V replace your current hybrid camera? Drop your thoughts in the comments below — we read every single one!
Stay tuned to TheNewCamera.com — we’ll keep you updated
The article “Canon Really Wants to Bring These Retro Compacts to Life?” was written by thenewcamera.com team on 2:45 pm, Saturday, 2 May 2026, Greenwich Mean Time (GMT). | You can also follow us on Our Official Social Media HandlesFACEBOOK | TWITTER | INSTAGRAM> more live Camera News + Canon Rumors 24X7
Sony A7R VI & FE 100-400mm f/4.5 GM Lens Rumoured for May 13, 2026 Announcement: Full Specs, Pricing, and What It Means for Photographers. We have confirmation that Sony is gearing up for its major announcement on May 13, 2026. At London time 3 PM, alongside a Sony FE 100-400mm f/4.5 GM Master lens.
This is really exciting news, but we still need multiple confirmations. Specifically, we are waiting for official teasers from Sony itself before the announcement, which will be the maker’s final confirmation of the camera’s arrival.
Confirmed: Sony A7R VI Announcement Date is May 13, 2026
So, how did we come to this date? At first, the date matches the already registered Alpha Universe event, which is scheduled to take place in the United States of America between May 14 and 15. Now, this is not only a coincidence that the arrival date of the Sony A7R VI matches the date that has already been publicly posted by Alpha Universe.
So now the big question is, is the A7R VI camera really coming on that specific date, or is this just a claim made by the rumour mill? Well, it will become very clear in just a few days, but the good thing is the SonyAlphaRumors claim is now backed by PhotoRumors, which now does make us believe that yes, there is a probability with higher chances of the A7R VI camera’s arrival on that specific date, but still, we are waiting for further confirmations and teasers from official sources to confirm the same.
Multiple independent sources now align on May 13, 2026, as the official reveal date. This matches an already-registered Alpha Universe event in the US on May 14–15.
Sony A7R VI Rumoured Specs: 67MP Fully Stacked Sensor That Could “Kill” the A1 II
Let’s discuss the core specification of the upcoming camera. According to the rumor mill, the upcoming camera feature? A ~67 megapixel fully stacked (or heavily stacked) full-frame Exmor RS sensor — the second stacked sensor in Sony’s Alpha line after the A1 II, but with significantly higher resolution.
Here’s what trusted sources are reporting:
Sensor: ~67MP fully/partially stacked CMOS with ultra-fast readout (~60 fps full sensor in 14-bit mode)
Burst shooting: Up to 30 fps 14-bit RAW with AF/AE tracking and RAW pre-capture
IBIS: Up to 8.5 stops of compensation
Video: 4K 120p, 10-bit, plus possible 8K/30p or even higher modes (sources are still confirming exact video limits)
EVF: 9.44 million-dot OLED with latest upgrades from the A7R V
Autofocus: Latest AI processing engine with major improvements in subject recognition and tracking
Body design: All-new ergonomics (no left-side dial like the A1 II)
Processor: BIONZ XR2 + High-Bandwidth LSI
Dynamic range: Up to 16 stops in mechanical shutter via Dual Conversion Gain HDR
In short, the Sony A7R VI is rumored to combine the resolution of the A7R V with the speed and video prowess of the A1 II – at a much more accessible price point.
Sony A7R VI Price: Ballpark €5,000–5,500 / ~$4,999–$5,099
Yes, what we expected for now, and it’s a jump from the current A7R V (which sells for ~$3,000–$3,300 street price today).
Sources close to the launch indicate the Sony A7R VI body-only will land around $4,999–$5,099 in the US and slightly above €5,000 in Europe.
While that sounds steep, remember: you’re essentially getting A1 II-level performance + 67MP resolution for roughly $2,000 less than the current A1 II. Many photographers are already calling this the “A1 II killer” for stills-first hybrid shooters.
New Sony FE 100-400mm f/4.5 GM Lens: Not a Mark II – A Completely New Design
Alongside the A7R VI comes a brand-new constant-aperture telephoto: the Sony FE 100-400mm f/4.5 GM.
Important note: This is not a replacement for the existing 100-400mm f/4.5-5.6 GM. It’s a fresh G Master design with:
Constant f/4.5 aperture across the entire zoom range
Internal zoom mechanism (no extending barrel — better balance, weather sealing, and handling)
Super lightweight construction (sources describe it as “impressively light” for its class)
Premium GM optics and build quality
Expected price: Around €5,000 / ~$5,000 — premium pricing that reflects the internal zoom engineering and constant aperture. It will sit above the current variable-aperture 100-400mm GM and even the 50-150mm f/2 GM in cost.
This lens pairs perfectly with the high-resolution A7R VI for wildlife, sports, and travel photographers who want reach without sacrificing sharpness or speed.
Why This Launch Matters (And Why You Should Care)
The combination of a 67MP stacked sensor, blazing speed, pro video specs, and a brand-new lightweight constant-aperture telephoto makes this one of Sony’s most exciting launches in years. Whether you shoot landscapes at maximum detail, wildlife at distance, or hybrid video/content, the Sony A7R VI could finally deliver the “do-it-all” flagship many have been waiting for.
Bookmark this page and turn on notifications. As soon as Sony confirms anything, you’ll read it here first.
What do you think — is the Sony A7R VI the upgrade you’ve been waiting for, or are you holding out for something else? Drop your thoughts in the comments below. Are you planning to pre-order on day one?
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The article “Sony 16MP Partially Stacked Sensor in FX3 II and A7S IV – Latest Sony Rumors February 2026” was written by thenewcamera.com team on 1:35 pm, Friday, 20 February 2026, Greenwich Mean Time (GMT). | You can also follow us on Our Official Social Media HandlesFACEBOOK | TWITTER | INSTAGRAM >see more Sony Alpha Rumor Latest Camera News
All information in this article is based on trusted industry sources (SAR – sonyalphaRumor website) and leaks as of April 30, 2026. Official specs and pricing will be confirmed by Sony on May 13
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