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Panasonic S5 Camera Prime Day Deals on Amazon

Panasonic S5 Camera Prime Day Deals on Amazon – The Panasonic S5 camera is now available at $1699 ONLY. Check out the deal if for limited time

Panasonic GH5 Mark II vs Panasonic S5

Panasonic GH5 Mark II vs Panasonic S5 – A general Specification comparison between the two to find out the major difference. As we all know Panasonic GH5 Mark II camera features almost the same major core specification as we have in the GH5.

Get Panasonic S5 from B&H Store | Amazon.com

Get Panasonic GH5 Mark II from B&H Store

Lens Mount Micro Four Thirds Leica L
Camera Format Micro Four Thirds (2x Crop Factor) Full-Frame (1x Crop Factor)
Sensor Resolution Actual: 21.77 Megapixel
Effective: 20.3 Megapixel (5184 x 3888)
Actual: 25.28 Megapixel
Effective: 24.2 Megapixel
Maximum Resolution 5184 x 3888 6000 x 4000
Aspect Ratio 1:1, 3:2, 4:3, 16:9 1:1, 2:1, 3:2, 4:3, 16:9, 65:24
Sensor Type MOS CMOS
Sensor Size 17.3 x 13 mm 35.6 x 23.8 mm
Image File Format JPEG, Raw JPEG, Raw
Image Stabilization Sensor-Shift, 5-Axis Sensor-Shift, 5-Axis

Panasonic S5 uses a better Sensor

As we can see the sensor size is the main difference between these two cameras. The Panasonic S5 full-frame sensor will deliver exceptional images as well as more details and depth in videos with better low-light performance. Both cameras feature sensor-shift IS (5.5 Stops without OIS Lens / 6.5 Stops with Dual IS), so you will get stability support while you are shooting still images and videos.

As usual with the help of a Fullframe sensor, we will get a boosted ISO range inside the Panasonic S5 Camera.

ISO Sensitivity Auto, 200 to 25600 (Extended: 100 to 25600) Auto, 100 to 51200 (Extended: 50 to 204800)
Shutter Speed Electronic Front Curtain Shutter
1/8000 to 60 Seconds
1 to 30 Minutes in Bulb Mode
1/16000 to 1/24 Second in Movie Mode
Electronic Shutter
1/16000 to 1 Second
Mechanical Shutter
1/8000 to 60 Second
0 to 30 Minute in Bulb Mode
Electronic Front Curtain Shutter
1/2000 to 60 Second
0 to 30 Minute
Electronic Shutter
1/8000 to 60 Second
0 to 60 Second in Bulb Mode
1/16000 to 1/25 Second in Movie Mode
Metering Method Center-Weighted Average, Multiple, Spot Center-Weighted Average, Highlight Weighted, Multi-Zone, Multiple, Spot
Exposure Modes Aperture Priority, Manual, Program, Shutter Priority Aperture Priority, Manual, Program, Shutter Priority
Exposure Compensation -5 to +5 EV (1/3 EV Steps) -5 to +5 EV (1/3 EV Steps)
Metering Range 0 to 18 EV 0 to 18 EV
White Balance Auto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4 Auto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set
Continuous Shooting Up to 12 fps at 20.3 MP
Up to 30 fps at 18 MP
Up to 60 fps at 8 MP
Mechanical Shutter
Up to 7 fps at 24.2 MP for up to 24 Frames (Raw) / 999 Frames (JPEG)
Electronic Shutter
Up to 7 fps at 24.2 MP for up to 24 Frames (Raw) / 999 Frames (JPEG)
Up to 30 fps at 18 MP
Up to 60 fps at 8 MP
Up to 30 fps at 8 MP
Interval Recording Yes Yes
Self-Timer 2/10-Second Delay 2/10-Second Delay

Panasonic S5 shoots DCI 4k

The S5 also gets a significant update in 4K DCI and ProRes RAW support. So, if you are buying up the latest Panasonic S5 then for sure you will get DCI 4k videos with your camera. Another most important fact we have to admit the Panasonic S5 does a full sensor readout, that’s is 24.2MP full-frame CMOS sensor with no AA filter; Full-frame oversampled will give you massive details while creating 4k videos with your camera compared to a M4/3 sensor-based GH5 Mark II camera.

 

Recording Modes MOV/MP4 4:2:2 10-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p [150 to 400 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p [150 to 400 Mb/s]
Full HD (1920 x 1080) at 50p/59.94p [100 to 200 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p [100 to 200 Mb/s]
MOV/MP4 4:2:0 8-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p [100 Mb/s]
UHD 4K (3840 x 2160) at 50p/59.94p [150 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p [100 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p/180p [100 Mb/s]
Full HD (1920 x 1080) at 50p/59.94p [28 Mb/s]
MP4 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p [72 Mb/s]
H.264/MOV 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p [150 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p [100 Mb/s]
4K Anamorphic (3328 x 2496) at 23.976p/25p/29.97p [150 Mb/s]
H.264/MOV 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p [100 to 150 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p [100 Mb/s]
4K Anamorphic (3328 x 2496) at 23.976p/25p/29.97p/50p [100 to 150 Mb/s]
H.265/MOV 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 50p/59.94p [200 Mb/s]
4K Anamorphic (3328 x 2496) at 50p [200 Mb/s]
H.265/MP4 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p [72 to 100 Mb/s]
H.264/MP4 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p [100 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p/180p [20 to 28 Mb/s]
External Recording Modes 4:2:2 10-Bit 4:2:2 10-Bit
Video Encoding NTSC/PAL NTSC/PAL
Audio Recording Built-In Microphone (Stereo)
External Microphone Input
Built-In Microphone (Stereo)
External Microphone Input
Audio File Format AAC, Dolby Digital 2ch AAC, Linear PCM

Panasonic GH5 Mark II vs Panasonic S5, Autofocus Performance

Panasonic S5 arrived with a massive DFD AF upgrade the AF performance of the camera drastically improved compared to even S1 camera. Even the GH5 Mark II arrived with an upgraded AF algorithm, both are winners and have Panasonic latest DFD tech inside them.

Focus Type Auto and Manual Focus Auto and Manual Focus
Focus Mode Continuous-Servo AF (C), Flexible (AFF), Manual Focus (M), Single-Servo AF (S) Continuous-Servo AF (C), Manual Focus (M), Single-Servo AF (S)
Autofocus Points Contrast Detection: 225 Contrast Detection: 225
Autofocus Sensitivity -4 to +18 EV -6 to +20 EV

One major upgrade you will notice that Panasonic GH5 Mark II is now using the same battery as the S5 camera. So, the battery performance of the GH series camera now improved.

Physical

Battery 1 x DMW-BLK22 Rechargeable Lithium-Ion, 2200 VDC, 7.2 mAh 1 x DMW-BLK22 Rechargeable Lithium-Ion, 2200 VDC, 7.2 mAh
Dimensions (W x H x D) 5.5 x 3.9 x 3.4″ / 138.5 x 98.1 x 87.4 mm 5.22 x 3.82 x 3.22″ / 132.6 x 97.1 x 81.9 mm
Weight size 138.5x 98.1×87.4mm, weight 647g (body only), 1.57 lb / 714 g (Body with Battery and Memory)
1.39 lb / 630 g (Body Only)

Panasonic GH5 Mark II vs Panasonic S5 – Verdict

Panasonic GH5 Mark II isn’t giving us enough reason to recommend you for video purposes. The GH5 Mark II update gives us a strong hint that Panasonic wants its existing consumer base to move into the S series aka the Fuullframe series.

Get Panasonic S5 from B&H Store | Amazon.com

Get Panasonic GH5 Mark II from B&H Store

More comparison here Panasonic GH5 Mark II vs Panasonic GH5

Panasonic S5 vs Canon EOS R6 | Best Mirrorless Camera Under $2000 in 2020

Take a look between the quick comparison between the Panasonic S5 and the Canon EOS R6 camera.

Panasonic uses a 24MP CMOS sensor and Canon uses 20MP FF Sensor. Both of them using CMOS tech. So, despite having almost the same ISO range we do expect in Still photography Canon EOS R6 will give us slightly better low-light performance compared to the Panasonic S5.

Get Canon EOS R6 from Amazon.com | B&H

Get Panasonic S5 from Amazon.com | B&H

Panasonic S5 Canon EOS R6
Pixels Actual: 25.28 Megapixel
Effective: 24.2 Megapixel
Actual: 21.4 Megapixel
Effective: 20.1 Megapixel
Maximum Resolution 6000 x 4000 5472 x 3648
Aspect Ratio 1:1, 2:1, 3:2, 4:3, 16:9, 65:24 3:2
Sensor Type CMOS CMOS
Sensor Size 35.6 x 23.8 mm 36 x 24 mm
Image File Format JPEG, Raw JPEG, Raw, HEIF
Bit Depth 14-Bit 14-Bit
Image Stabilization Sensor-Shift, 5-Axis Sensor-Shift, 5-Axis

Canon EOS R6 – Best  Camera for Shooting Still Images / Weeding / Event / Wildlife Photography

Canon EOS R6 overall is a good camera for still photographers. The camera features a Newly developed 2nd generation of DPAF sensor with blazingly fast AF as well as a low-res sensor to perform well in low-light conditions.  Canon EOS R6 is also capable to shoot continuous shooting speed up to 12FPS with a mechanical shutter and 20 FPS with an electronic shutter with full-time AF/AE active.

Panasonic S5 – Best Camera for Landscape shooter and Studiographers

If you are a Landscape shooter or Studiographer and don’t need the blazing fast AF speed of the camera then Panasonic will help you a little bit more with the enhanced base ISO range and slightly more resolution than of Canon EOS R5.

Panasonic S5 – High-Resolution Mode ( For Studishooters)

By using sensor-shift stabilization technology, the S5 features a High-Resolution Mode to capture and compile eight separate exposure to create a single 96MP raw or JPEG file. Suitable for static subjects and when working on a tripod, this mode creates a more highly detailed and color accurate image than a single shot alone can produce and produces an image with a 12000 x 8000-pixel resolution.

 

Panasonic S5 Canon EOS R6
ISO Sensitivity Auto, 100 to 51200 (Extended: 50 to 204800) Auto, 100 to 102400 (Extended: 100 to 204800)
Shutter Speed Mechanical Shutter
1/8000 to 60 Second
0 to 30 Minute in Bulb Mode
Electronic Front Curtain Shutter
1/2000 to 60 Second
0 to 30 Minute
Electronic Shutter
1/8000 to 60 Second
0 to 60 Second in Bulb Mode
1/16000 to 1/25 Second in Movie Mode
Mechanical Shutter
1/8000 to 30 Seconds
Electronic Front Curtain Shutter
1/8000 to 30 Seconds
Electronic Shutter
1/8000 to 0.5 Seconds
Metering Method Center-Weighted Average, Highlight Weighted, Multi-Zone, Multiple, Spot Center-Weighted Average, Evaluative, Partial, Spot
Exposure Modes Aperture Priority, Manual, Program, Shutter Priority Aperture Priority, Auto, Manual, Program, Shutter Priority
Exposure Compensation -5 to +5 EV (1/3 EV Steps) -3 to +3 EV (1/3, 1/2 EV Steps)
Metering Range 0 to 18 EV -3 to 20 EV
White Balance Auto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (White), Shade, Tungsten
Continuous Shooting Mechanical Shutter
Up to 7 fps at 24.2 MP for up to 24 Frames (Raw) / 999 Frames (JPEG)
Electronic Shutter
Up to 7 fps at 24.2 MP for up to 24 Frames (Raw) / 999 Frames (JPEG)
Up to 30 fps at 18 MP
Up to 60 fps at 8 MP
Up to 30 fps at 8 MP
Mechanical Shutter
Up to 12 fps at 20 MP for up to 1000 Frames (JPEG) / 240 Frames (Raw)
Electronic Shutter
Up to 20 fps at 20 MP for up to 1000 Frames (JPEG) / 240 Frames (Raw)
Interval Recording Yes Yes
Self-Timer 2/10-Second Delay 2/10-Second Delay

4K @ 60p Video With Fast AF – Canon EOS R6

If you want a 4K capable Video Camera with Fast AF Speed than you should go with Canon EOS R6. Canon EOS R6 also features the latest 2nd gen of DPAF and you can record high-quality 4K videos up to 60 fps, along with Full HD at 120 fps for slow-motion playback. Both formats can be recorded internally at 4:2:2 10-bit and both Canon Log and HDR-PQ are supported for greater control over color rendering, and to suit high dynamic range output.

Panasonic S5 – Best PAL for Cinematographers

If Fast AF isn’t a big issue to you then welcome to Panasonic World. Panasonic S5 is an excellent camera that features DUAL Native ISO, it’s just like two different cameras recording the same clip at a variable ISO range and merging them all together to create Noise-free High-Quality Videos.  Dual Native ISO gives film creators a greater variety of artistic choices as well as the ability to use less light on the set, saving time. The LUMIX S5’s Dual Native ISOs are 640 and 4000. The high-speed recording is possible, up to Full HD at 180 fps, and anamorphic recording is also available.

 

Recording Modes H.264/MOV 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p [150 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p [100 Mb/s]
4K Anamorphic (3328 x 2496) at 23.976p/25p/29.97p [150 Mb/s]
H.264/MOV 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p [100 to 150 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p [100 Mb/s]
4K Anamorphic (3328 x 2496) at 23.976p/25p/29.97p/50p [100 to 150 Mb/s]
H.265/MOV 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 50p/59.94p [200 Mb/s]
4K Anamorphic (3328 x 2496) at 50p [200 Mb/s]
H.265/MP4 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p [72 to 100 Mb/s]
H.264/MP4 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p [100 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p/180p [20 to 28 Mb/s]
H.265 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.976p/29.97p/59.94p [170 to 340 Mb/s]
Full HD (1920 x 1080) at 23.976p/29.97p/59.94p/119.88p [28 to 180 Mb/s]
H.264 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.976p/29.97p/59.94p [120 to 230 Mb/s]
Full HD (1920 x 1080) at 23.976p/29.97p/59.94p/119.88p [12 to 120 Mb/s]
External Recording Modes 4:2:2 10-Bit
UHD 4K (3840 x 2160) up to 50p/59.94p
4:2:2 10-Bit
UHD 4K (3840 x 2160) up to 59.94p
Recording Limit Up to 30 Minutes for UHD 4K (3840 x 2160) at 23.976p/25p/29.97p(4:2:2 10-Bit)
Up to 30 Minutes for UHD 4K (3840 x 2160) at 50p/59.94p(4:2:0 10-Bit)
Unlimited for UHD 4K (3840 x 2160) at 23.976p/25p/29.97p(4:2:0 8-Bit)
Up to 29 Minutes, 59 Seconds
Video Encoding NTSC/PAL NTSC/PAL
Audio Recording Built-In Microphone (Stereo)
External Microphone Input
Built-In Microphone (Stereo)
External Microphone Input
Audio File Format AAC, Linear PCM AAC, Linear PCM

 

Camera with more advance AF – Canon EOS R6 – Undoubly the Canon EOS R6 Dual Pixel CMOS AF II with 1053 selectable AF zones has more better and advance AF system compared to Panasonic S5.

Focus Type Auto and Manual Focus Auto and Manual Focus
Focus Mode Continuous-Servo AF (C), Manual Focus (M), Single-Servo AF (S) Continuous-Servo AF (C), Manual Focus (M), Single-Servo AF (S)
Autofocus Points Contrast Detection: 225 DPAF: 1053 AF Zones
Autofocus Sensitivity -6 to +20 EV -6.5 to +20 EV

 

In Display, you can clearly see that Canon EOS R6 features a higher resolution viewfinder whereas Panasonic S5

Viewfinder Type Electronic (OLED) Electronic (OLED)
Viewfinder Resolution 2,360,000 Dot 3,690,000 Dot
Viewfinder Eye Point 20 mm 23 mm
Viewfinder Coverage 100% 100%
Viewfinder Magnification Approx. 0.74x Approx. 0.76x
Diopter Adjustment -4 to +4 -4 to +2
Monitor Size 3″ 3″
Monitor Resolution 1,840,000 Dot 1,620,000 Dot
Monitor Type Articulating Touchscreen LCD Free-Angle Tilting Touchscreen LCD

Both camera features dual SD card slot option and option to use Ext. Mic and Headphone while recording videos.

Memory Card Slot Slot 1: SD/SDHC/SDXC (UHS-II)
Slot 2: SD/SDHC/SDXC (UHS-I)
Dual Slot: SD/SDHC/SDXC (UHS-II)
Connectivity USB Type-C (USB 3.1), HDMI D (Micro), 3.5mm Microphone, 3.5mm Headphone, 2.5mm Sub-Mini USB Type-C (USB 3.1), HDMI D (Micro), 3.5mm Headphone, 3.5mm Microphone
Wireless Bluetooth
Wi-Fi
Wi-Fi
Bluetooth
GPS No No

 

Battery 1 x DMW-BLK22 Rechargeable Lithium-Ion, 2200 VDC, 7.2 mAh (Approx. 440 Shots) 1 x LP-E6NH Rechargeable Lithium-Ion
Dimensions (W x H x D) 5.22 x 3.82 x 3.22″ / 132.6 x 97.1 x 81.9 mm 5.43 x 3.84 x 3.48″ / 138 x 97.5 x 88.4 mm
Weight 1.57 lb / 714 g (Body with Battery and Memory)
1.39 lb / 630 g (Body Only)
1.5 lb / 680 g (Body with Battery and Memory)

 Verdict: If you are happy with slow AF ( Compared to Canon EOS R6) then Panasonic does offer you more stuff in Video. But, if you want faster AF while shooting still and Videos than EOS R6 will be the right choice for you.

Get Canon EOS R6 from Amazon.com | B&H

Get Panasonic S5 from Amazon.com | B&H

Panasonic S5 Sample Images and Videos

LUMIX S5 + LUMIX S PRO 50mm F1.4 (S-X50) 1/250 sec, F1.6, ISO 200

Finally, Panasonic announces the Panasonic S5 camera. The camera Panasonic S5 features 24MP CMOS sensor and improved DFD AF system, take a look at the Major features below Detailed press release and specification here

Panasonic S5 Major Features

  • 24.2MP Full-Frame CMOS Sensor
  • UHD 4K60 Video,10-Bit Internal Recording
  • V-Log, HDR, and Dual Native ISO
  • 2.36m-Dot 0.74x-Magnification OLED LVF
  • 3.0″ 1.84m-Dot Free-Angle Touchscreen
  • Contrast-Detect 225-Area DFD AF System
  • 5-Axis Sensor-Shift Image Stabilization
  • ISO 100-51200, Up to 7 fps Shooting
  • 96MP High-Res Mode, Dual SD Card Slots

Panasonic S5 Camera available at $1197 at B&H Store and $229

Panasonic S5 Sample Images

LUMIX S5 + LUMIX S 20-60mm F3.5-5.6 (S-R2060) 1/800 sec, F4.6, ISO 50

LUMIX S5 + LUMIX S 20-60mm F3.5-5.6 (S-R2060) 1/200 sec, F8.0, ISO 100image 2 of 8close

 

LUMIX S5 + LUMIX S 20-60mm F3.5-5.6 (S-R2060) 1/320 sec, F8.0, ISO 50

Full-Size sample not available for Panasonic USA. Will update the page if it becoemes available

Panasonic S5 Sample Videos

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Panasonic S5 Press Release, Full Specification and More

Get Panasonic S5 Camera from B&H Store

Finally, Panasonic announced the long-rumored Panasonic S5 Mirrorless camera.  The Panasonic S5 is smaller and more compact than other S Series models and even more compact than of Panasonic GH5.  The camera features a 24.2-megapixel 35mm full-frame CMOS sensor, standard ISO range of 100-51,200. DUAL I.S support available with 5-axis image stabilizer can reduce shake by up to 6.5 stops when paired with a compatible lens. The Panasonic S5 camera also features High-Resolution mode which can generate images upto 96MP high-res JPEGs or Raws.

Get Panasonic S5 Camera from B&H Store

Panasonic also improved the AF system of the camera, now the camera has less focus hunting issues as the previous generation of Panasonic cameras.

Panasonic camera is able to capture videos at 10-bit 4:2:0 4K/60p video with an APS-C crop, or 10-bit 4:2:2 using the full width of the sensor at 30p or 24p. There’s a 30-minute time limit when shooting 10-bit and no limit with 8-bit. You can record your videos in V-Log / V-Gamut and HLG, and also has anamorphic and Slow&Quick modes. The camera supports headphones, mic sockets, and XLR adapter.

Panasonic S5 Full Specification

Panasonic S5 Detailed specification available here

Panasonic S5 Press Release

New Hybrid Full-Frame Mirrorless Camera, the LUMIX S5

Featuring Exceptional Image Quality in High Sensitivity Photo/Video And Stunning Mobility

Newark, NJ – (September 2, 2020Panasonic is delighted to announce the new LUMIX S5, a new hybrid full-frame mirrorless camera that achieves both excellent performances in photo/video and stunning mobility for serious photographers and videographers.

At the heart of the camera, the LUMIX S5 contains a 24.2-megapixel 35mm full-frame CMOS sensor that boasts a wide dynamic range and high sensitivity performance. The LUMIX S5 further realizes recording maximum ISO 51,200 crystal-clear high sensitivity video with the adoption of the Dual Native ISO technology.

As a pioneer of photo/video hybrid mirrorless cameras, LUMIX has the largest lineup of cameras that record 4K 10-bit video[*1]. As the latest member of the family, the LUMIX S5 is capable of 4K 60p/50p4:2:0 10-bit, and 4K 30p/25p 4:2:2 10-bit internal recording. It is also capable of 4K 60p/50p 4:2:2 10-bit HDMI output. For 4K 30p 4:2:0 8-bit internal recording, there is no time limit. Panasonic’s exceptional heat dispersion technology delivers stable, long-time video recording. The LUMIX S5 provides 14+ stops of dynamic range, which is as wide as those of cinema cameras, and V-Log / V-Gamut compatibility with popular colorimetry called “VariCam Look.” A variety of recording formats and modes including 4:3 Anamorphic mode, Slow & Quick Motion, 4K/60p interval shooting and 4K HDR are also provided.

The LUMIX S5 boasts high-speed, high-precision AF (Auto Focus) in both photo shooting and video recording that are made possible with advanced deep-learning technology featuring real-time detection of the subject’s type and features such as human eye, face, head and body.

Combining the Body I.S. (5-axis) in the camera and the O.I.S. (Optical Image Stabilizer, 2-axis) in the LUMIX S Series lens, the 5-axis Dual I.S.2 prevents blurred images with the use of a 6.5-stop[*2] slower shutter speed. The splash/dust-resistant rugged design provides professional photographers with high reliability.

To enhance the photographic experience, the 96-megapixel High-Resolution Mode (JPEG/RAW), Live View Composite function and HLG Photo mode are available.

Thanks to the high energy efficiency and a new 2,200mAh high-capacity battery, it can capture approximately 470 pictures (using the LVF) / 1,500 pictures (in Power Save LVF mode). Power and charging are possible via the USB-C port. Double SD Card slot (UHS-IIx1 and UHS-I x1), 5GHz/2.4GHz Wi-Fi and Bluetooth 4.2 connectivity are also supported. The LUMIX S Series full-frame mirrorless camera system adopts the L-Mount system to provide users with a diverse and future-proof range of products from Panasonic, Leica Camera and Sigma. Panasonic now offers four innovative models in the LUMIX S Series of full-frame Digital Single Lens Mirrorless cameras – the S1R, the S1, the S1H, and the new S5. The LUMIX S1R is ideal for taking high-resolution images, the LUMIX S1 is an advanced hybrid camera for high-quality photos and videos, and the LUMIX S1H is designed and developed specifically for film production. The LUMIX S5 packs the essence of these conventional S Series cameras in a compact, lightweight body. With this lineup, Panasonic is committed to meeting the demands of all creators by challenging the constant evolution of the photo/video culture in today’s new digital era.

*1 *Of mirrorless interchangeable lens cameras, as of September 2, 2020.

*2 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=200mm when S-E70200 is used. Firmware must be updated to the latest version.

  1. High image quality even in high sensitivity photo/video and Dual I.S. to suppress virtually any type of blurring

The LUMIX S5 contains a 24.2-megapixel 35mm full-frame CMOS sensor (35.6 mm x 23.8mm). The LUMIX S5 boasts a wide dynamic range and reproduces sharp images with exceptional clarity. Noise is minimized even when shot at maximum ISO 51,200 high sensitivity. It is an ideal camera to use especially in low-light situations.

The LUMIX S5 features Dual Native ISO sensitivity, the technology that was first introduced in the Panasonic professional cinema camera VariCam line-up. Normally, noise increases as sensitivity rises with a single native ISO image sensor. However, the image sensor with Dual Native ISO in the S5 minimizes noise generation by choosing an optimal circuit to use according to the sensitivity before gain processing. As a result, it allows a maximum ISO 51,200 high sensitivity recording. Dual Native ISO gives film creators a greater variety of artistic choices as well as the ability to use less light on the set, saving time. The LUMIX S5’s Dual Native ISOs are 640 and 4000[*1].

Taking full advantage of its high-resolution sensor, the LUMIX S5 provides a High-Resolution mode that faithfully reproduces precise details to be saved as beautiful, highly realistic images not only RAW but also in JPEG. Eight consecutive images are automatically shot while shifting the sensor using the Body I.S. (Image Stabilizer) mechanism and synthesized into a 96-megapixel equivalent (12,000 x 8,000-pixel) image by the Venus Engine, which boasts high-speed signal processing. This high-resolution photo is ideal for landscape photography of stationary subjects or artwork with delicate details using a tripod. However, it can also be used in situations where moving subjects are included in the scene, by switching the sub mode.

The LUMIX S5 integrates the Body I.S. (Image Stabilizer) for powerful handshake correction. Panasonic developed an algorithm that precisely calculates shaky movements sensed by the gyro sensor, image sensor and accelerometer sensor. This enables more accurate shake detection and compensation, making it possible to use a 5-stop slower shutter speed[*2]. Combining the Body I.S. (5-axis) in the camera and the O.I.S. (Optical Image Stabilizer, 2-axis) in the LUMIX S Series lens, the 5-axis Dual I.S. 2 the correction power is maximized to allow 6.5-stop slower shutter speed[*3]. It is highly beneficial in telephoto shots and in adverse situations, such as in low-light or with one-handed shooting. The 5-axis Dual I.S. 2 works for both photo and video recording, including 4K. The Body I.S. compensates for camera movement even when other L-Mount lenses without O.I.S. are used.

With the new Live View Composite function, the camera releases the shutter at designated intervals of exposure time and synthesizes the parts with high luminosity to produce a single picture. While the total brightness of each consecutive image is accumulated in bulb shooting, only the target subject, the bright parts of an image, are detected and the user can synthesize them carefully while seeing it in live view. This is useful for capturing shots of fireworks or stars in the night sky where the background needs no gain-increase.

*1 When recording mode is set to V-Log. The sensitivity varies depending on the recording mode.

*2 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm when S-R2060 is used.

*3 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=200mm when S-E70200 is used

  1. Exceptional video recording performance for cinema-quality film creation

As a pioneer of photo/video hybrid mirrorless cameras, LUMIX has the largest lineup[*1] of cameras that record 4K 10-bit video. As the latest member of the family, the LUMIX S5 is capable of 4K 60p 4:2:0 10-bit, and 4K 30p 4:2:2 10-bit internal recording up to 30 minutes. It is also capable of 4K 60p4:2:2 10-bit HDMI output. For 4K 30p 4:2:0 8-bit internal recording, there is no time limit. It will comply with RAW video output to ATOMOS NINJA V over HDMI as well as C4K video recording with the future firmware update (which will be detailed in Chapter 6).

Dynamic range measures the luminance range that a digital camera can capture. The LUMIX S5 delivers 14+ stops of Dynamic Range, which are virtually the same as those of the Panasonic cinema cameras, to precisely reproduce everything from dark to bright areas. The ability to capture accurate colors and rich skin tones is a must for any filmmaker. The LUMIX S5 imports the renowned colorimetry of the VariCam lineup of cinema cameras. The LUMIX S5 contains V-Log/V-Gamut capture to deliver a high dynamic range and broad colors. V-Log renders a very flat image while maintaining all of the color information within the image. This means that there is a greater level of play when the images are put through post-production processes. The CMOS sensor of the LUMIX S5 achieves a wide color gamut known as V-Gamut, which is the S5’s optimum color space and achieves a color space that is wider than BT.2020. V-Log has log curve characteristics that are somewhat reminiscent of negative film and V-Gamut delivers a color space even larger than film. 35 conversion LUTs for VariCam cinema cameras can be downloaded free of charge for use in the LUMIX S5. It is easy to match the color tone with the footage recorded in V-Log of S1H/S1 and V-Log L of GH5/GH5S. Practical tools like a Waveform Monitor and V-Log View Assist are also available.

With Slow & Quick mode, impressive video slow and quick motion video in 4K(1-60fps, 30x quick to 2.5x slow) or in FHD (1-180fps, 60x quick to 7.5x slow) is available. It is possible to use AF[*2] to capture the subject in sharp focus in this mode, too. It can also be accessed directly using the mode dial.

The HDR (High Dynamic Range) video recording in 4K is also available, which reproduces both the bright parts and dark parts of an image, making it appear as if seen in person. The camera records video with a designated gamma curve compatible with ITU-R BT.2100, and the user can now choose Hybrid Log Gamma (HLG) in Photo Style. The HLG[*3] Photo mode provides a wider dynamic range to reproduce light and shadow with more natural contrast. The HLG Photos can also be produced as an HSP file[*4] with compressed high-brightness signals in its full resolution (5,888 x 3,312, in 16:9) in addition to JPEG/RAW files. The user can playback these vibrant images on the latest Panasonic HLG-compliant 4KTV via HDMI cable connection or other HLG-compliant devices.

For more continuous burst shooting, 6K PHOTO[*5] makes it possible to capture unmissable moments at 30 fps by extracting the frame with the best timing out of a 6K burst file (in 4:3 or 3:2 aspect ratio) to save as an approximate 18-megapixel equivalent high-resolution photo.

*1 Of mirrorless interchangeable lens cameras, as of September 2, 2020

*2 The AF mode switches to MF when the frame rate is set to of 150 fps or more. The angle of view is reduced when the frame rate is set to 180 fps. Recording stops when the continuous recording time exceeds 30 minutes.

*3 “HLG (Hybrid Log Gamma)” is an international standard (ITU-R BT.2100) HDR format.

*4 “HSP” is an HDR picture format using HLG format video technology.

*5 6K PHOTO’ is a high speed burst shooting function that cuts a still image out of a 4:3 or 3:2 video footage with approx.18-megapixel (approx. 6000 x 3000 effective pixel count) that the 6K image manages.

  1. High-speed, high-precision AF achieved supported by real-time detection technology

The LUMIX S5 boasts high-speed, high-precision AF in both photo shooting and video recording. Combining the Contrast AF with DFD (Depth From Defocus) technology, it focuses on the target in approximately 0.08 sec[*1]. As a camera that excels in low-light shooting, the LUMIX S5 boasts -6EV[*2] luminance detection performance with Low Light AF thanks to the higher sensitivity and optimized tuning of the sensor. Allowing maximum 480 fps communication speed between the sensor and the lens, users can take full advantage of this high-speed, high-precision AF when LUMIX S Series lens is used.

The LUMIX S5 also incorporates an advanced deep learning technology that detects specific subjects like humans and fast-moving animals. Notably for humans, the head is separately recognized from the eye, face and body by real-time detection technology to provide even more precise focusing. The camera continually tracks an individual even if they move quickly, turn their back to the camera, tilt their head or move far away from the camera. On the other hand, improvements to the DFD technology has enhanced AFC, which also enables users to keep tracking small or fast-moving subjects to capture them in crisp focus.

*1 11EV, at wide-end with S-R24105 (CIPA) in LVF120 fps setting.

*2 At ISO100, F1.4, AFS

  1. Reliable basic performance and expandability for creative freedom

The LUMIX S5 boasts outstanding mobility yet excels in basic performance and expandability. To withstand heavy field use, the LUMIX S5 is composed of a magnesium alloy full die-cast body and is splash/dust-resistant[*1]. With an optimum layout of heat dispersion components, heat is effectively transferred outside which results in stable, continuous video recording for a long time.

The LUMIX S5 has a large LVF (Live View Finder) with a high magnification ratio of approx. 0.74x. High-precision, high-speed OLED (Organic Light-Emitting Diode) display features 2,360K-dot high resolution. Adoption of OLED for the LVF achieves high speed response with minimum time lag of less than 0.005 sec. With an eyepoint of approximately 20 mm, it offers high visibility with comfort for users wearing glasses.

A 3.0-inch free-angle LCD in 3:2 aspect with 1,840K-dot high resolution provides touch control. Composition during recording in various popular aspect ratios such as 16:9, 4:3, 1:1, 4:5, 5:4 and 9:16 can be checked with the Frame Marker function. The REC Frame Indicator identifies whether the camera is recording or not.

The LUMIX S5 has a double SD Memory Card slot. One slot complies with UHS-I and the other with the high-speed, high-capacity UHS-II (Video Class 90). The camera’s battery can be recharged either via AC or USB according to the user’s convenience.

Compatibility with Bluetooth 4.2 (called BLE: Bluetooth Low Energy) enables constant connection with a smartphone/tablet with minimum power consumption. The settings of a LUMIX S5 camera can also be copied and transmitted wirelessly to other S5 cameras when using multiple S5 cameras. Wi-Fi 5-GHz (IEEE802.11ac) [*2] also is effective in addition to 2.4-GHz (IEEE802.11b/g/n.) This provides secure and stable connection on location for smooth remote control and high-speed data transfer.

*1 Dust and Splash Resistant does not guarantee that damage will not occur if this lens is subjected to direct contact with dust and water.

*2 5GHz Wi-Fi is not available in some countries.

  1. Optional accessories and application software

A variety of accessories can be used for the LUMIX S5 to enhance its usability and convenience. Microphone Adaptor (DMW-XLR1) is a plug-in type adaptor for an XLR microphone to record high-quality stereo sound. It is ideal for lip-sync recording. Dedicated switches allow direct, quick control. MIC, LINE and CONDENSER MICROPHONES are switchable. Battery Grip (DMW-BGS5) allows approximately 940 pictures (using the LVF) / 3000 pictures (in Power Save LVF mode) with an extra battery inside the grip. More accessories such as Remote Shutter (DMW-RS2), DC coupler (DMW-DCC17), Tripod Grip (DMW-SHGR1) are available.

Application software LUMIX Tether enables tethered shooting via USB. Users can control the camera by connecting it to a PC via USB. It lets them view the image on a large PC screen while shooting. For live streaming, LUMIX Tether for Streaming (Beta) with LIVE VIEW mode can be used.

The LUMIX Sync application for iOS/Android devices enables photo transmission to a smartphone or a tablet via easy wireless connection. It also allows remote control of the camera using these devices.

  1. Future Firmware Update

To further enhance its performance, a firmware update is scheduled for the LUMIX S5 by the end of 2020. In addition to C4K video recording, it will support RAW video data output to ATOMOS NINJA V over HDMI at a resolution of 5.9K (5888×3312) 29.97p/25p, 4K(4128×2176) 59.94p/50p and Anamorphic 3.5K (3536×2656)/50p. A variety of video recording assist functions such as the Vector Scope Display, Master Pedestal Adjustment and SS/Gain Operation(SEC/ISO, ANGLE/ISO, SEC/dB) will also be available. L.MonochromeS and L.ClassicNeo are the new options to be added for Photo Style.

The Lumix S5 will be available at valued channel partners in mid-September for $1999.99 for the body only and $2299.99 with a 20-60 kit lens.

Panasonic S5 Overview and Price

In USA Panasonic “LUMIX S5” the cost will be $1997.99 for the body and $2297.99 for the lens kit.  So, the body isn’t cheap and for sure at this price range, new users will not join the Panasonic S5 club.

Panasonic S5 Camera Overview

LUMIX S5 full-frame mirrorless camera is designed especially for content creators. Latest advances in image resolution, image stabilization, and autofocus all in this compact camera that is the signature of LUMIX. Experience extraordinary video recording in 4K 60p, 4:2:2 10-bit. It also offers a Full HD 180fps Slow Motion option as well as 4:3 Anamorphic support. This is what makes S5 perfect for use when taking still photos or as a vlog camera.

With 24.2MP 35mm full-frame CMOS sensor, the LUMIX S5 boasts a wide dynamic range and high sensitivity performance. The adopted Dual Native ISO technology enables the LUMIX S5 to record maximum ISO 51200 crystal-clear high sensitivity video. Dual Native ISO minimizes noise in high sensitivity. V-LogN-Gamut compatibility offers a 14+ stop dynamic range to capture every detail.

The improved autofocus detects head as well as eyes, face and body. The powerful Dual Image Stabilization with 5-axis enables a 6.5-stop slower shutter speed.

The compact nature of the S5 is one of the signature features of the LUMIX series. To make sure that your camera withstands tough field use, the S5 comes with a dust and splash resistant construction. Optimized heat dispersion ensures a stable, continuous video recording without interruption.

One of the expanded features of LUMIX S5 is the Live View Composite mode which instantly creates a stunning image out of several live shots; the shutter releases at designated intervals of exposure time to merge the bright parts into a single image. Useful for shooting fireworks or a starry sky.

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Panasonic S5 Coming on Sep 2, 2020

Panasonic posted a teaser image on FB and according to that Panasonic S5 camera is coming on Sep 2, 2020. We have already published the core specification of the camera here.

A New LUMIX Full-frame Mirrorless Camera To Be Unveiled at the Online Launch Event Panasonic is pleased to announce that they will hold an online launch event for the new full-frame mirrorless camera LUMIX S5. It will be unveiled at this page on Wednesday, September 2, 2020, at 14:00 UTC.

Panasonic is committed to meeting the passionate demands of all creators through its LUMIX brand, and the new LUMIX S5 is one of the embodiments of this commitment. More information will be added and updated here and the official Instagram account @lumix until September 2, 2020.

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