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Firmware Update

Nikon added Shutter angle and Waveform Monitor in Nikon Z6 III and Nikon Z8

Due to the growing pressure of Panasonic’s recent camera announcement, models like  S5, S5IIX, and S1R II intensifying the market competition with built-in professional video graphics features like an anamorphic de-squeeze setter, angle waveform, and a lot of features that professionals in videography would love to have in their cameras. But again, they also have some limitations, like the first generation of hybrid autofocus system, which is not as good as the other brands.  But, the recent set of feature upgrades announced by Nikon for the Nikon Z6 III and Z8, give us a clear hint that Nikon is consdering Lumix  as their main competitor, and upscaling their camera features o match or surpass Panasonic’s advanced videography capabilities, catering to both professional filmmakers and hybrid shooters.

Nikon’s Interest in Cinematography

We all know that Nikon is now more interested in cinematography since it acquired the RED camera division. It is a bit more serious about filmmaking and enhancing videography for cinematographic features in its consumer professional mirrorless cameras.

Nikon’s Recent Firmware Update

In addition to that, in a recent firmware update, Nikon has updated the N-Log of the Z6III, reducing noise in the dark areas of N-Log videos. They have mentioned this in the recent update, so it’s a kind of major update that UPSCALES the N-Log video recording of the Z6III camera.

Shutter Angle and New Features in Nikon Z6III & Z8

Apart from this major update, 15 steps of shutter angle from 5.6 degrees to 360 degrees have been added in the Z6III and Nikon Z8 cameras.

Apart from these two major updates, a lot of various custom control settings have been added, like selecting the color of the zebra pattern that includes black, grey, red, green, blue, etc. A waveform monitor—which was not available in the previous generation of their cameras—has also been added.

At the same time, high-resolution lossless zoom has also been added. If you are creating your videos and experimenting with your FX camera, then the digital high-resolution lossless zoom feature is available to you.

Download the latest Nikon Z6 III firmware update

Download the latest Nikon Z8 Firmware update

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Panasonic S1R II vs Nikon Z8

Panasonic S1R Mark II – Best for Landscape & Fine Art Photography

Let’s directly jump to the recommendations. Panasonic S1R Mark II camera is recommended for landscape and fine art shooters, and its specifications in indoor architecture suit well. The big reason is the higher resolution sensor and the ability to record higher resolution handheld modes, allowing you to generate 150+ megapixel images in a single handheld shot.

Buy and help us to visit the barista again Nikon Z8 B&H Store

Professional Cinematography & Open-Gate Recording

Now, the big thing is that if you are a professional cinematographer or videographer, then the Panasonic S1R Mark II camera may fit your needs more perfectly since, for professionals, we do have an option to record videos in open-gate format. Right now, with the basic settings, you are getting open-gate at 5.8K, but soon after a series of firmware updates, open-gate recording will become available up to 8K 30fps.

Why Panasonic S1R Mark II for Professional Cinematographers?

So why are we recommending the Panasonic S1R Mark II camera for professional cinematographers? Since we are getting wavefront functionality, we are also getting anamorphic lens recording support, so you can de-squeeze your footages in-camera, as well as options like false color, which helps you judge the level of accuracy in color tones while shooting.

Another important feature is the shutter angle, and the list doesn’t end here. You also get an option to directly record your videos on an SSD drive, so there’s no big issue regarding memory cards—you can simply replace your SSD when it’s full.

Panasonic S1R Mark II – Autofocus System & Its Limitations

The hybrid autofocus system is still in its development stage. The autofocus is reliable but requires expertise to handle the Panasonic AF system correctly. Otherwise, even people operating cameras for more than three years may struggle with it. The reason is very simple: it’s not a turn-and-go AF system.

So, when we talk about the best hybrid autofocus system between these two cameras, without a doubt, the Nikon Z8 is the best. We are not saying that the S1R Mark II is not usable—it is usable—but the precision, fastness, and readout speed due to the presence of stacked sensors, refresh rate, and subject detection, most of which are directly inherited from the Nikon Z9, make the Nikon Z8 a perfect camera for sports and wildlife photography.

Also, keep in mind that the autofocus tracking of the Panasonic S1R Mark II camera remains limited to 10 frames per second. So that’s the limit you get with the S1R Mark II, whereas there is no such limit in the Nikon Z8. The eye-tracking remains active even at 120 frames per second, and it works exceptionally well while using 30fps and 40fps modes of the Z8 at full resolution. The eye-tracking AF and exposure remain fully active.

Another thing to consider: The lens ecosystem

Now, you have to understand the lens ecosystem. The Z mount has been opened up, and we have a range of lens options available inside the Nikon system. That doesn’t mean the L-mount is lacking—L-mount also has a huge range of lenses—but Tamron is still not a part of the L-mount system. If you are a wedding photographer looking for a budget high-quality constant aperture lens, Nikon has options like the Tamron 28-75mm G2 lens for the Z8. At this price point, no equivalent L-mount lenses are available for the S1R Mark II. You have to pay extra to get an f/2.8 constant aperture zoom lens in the L-mount system.

So, should a wedding photographer buy the Panasonic S1R Mark II or the Nikon Z8?

If you are inclined toward the Panasonic S1R Mark II camera, you can buy it—it’s a good-to-go camera. But if we compare all the features offered by both cameras, the Nikon Z8 looks a bit more suitable with its faster stacked CMOS sensor, highly responsive hybrid autofocus system, and the huge range of Z-mount lenses available, especially budget-friendly high-quality lenses like the Tamron 28-75mm f/2.8 G2. All these factors make the Nikon Z8 a more feasible and recommendable camera for wedding photographers.

Autofocus Tracking & Frame Rate Comparison

  • Panasonic S1R Mark II is limited to 10fps AF tracking.
  • Nikon Z8 has no such limiteye-tracking remains active even at 120fps.
  • Works exceptionally well at 30fps and 40fps while maintaining full eye-tracking AF and exposure.

Lens Ecosystem – Nikon Z8 vs. Panasonic S1R Mark II

Now, you have to understand the lens ecosystem:

  • Z mount is open—a wide range of lens options available inside Nikon’s system.
  • L-mount also has a huge range of lenses, but Tamron is still not part of the L-mount system.
  • Wedding photographers looking for budget high-quality f/2.8 lenses have Tamron 28-75mm G2 for the Nikon Z8.
  • No equivalent budget-friendly f/2.8 zoom lens for L-mount—you have to pay extra for a constant aperture zoom lens.

7 Best Lenses for Nikon Z8 (…and 3 to avoid)

A little more about the Nikon Z8 camera

The Nikon Z8 features a stacked CMOS sensor directly inherited from the Nikon Z9. Even the autofocus algorithm and image processor are exactly the same, making it essentially a flagship camera inside a compact Z8 body.

If you are interested in wildlife and sports photography and want rolling shutter-free images, the Nikon Z8 stands out despite the fact that many photographers still use conventional sensors. If you plan to shoot at higher frame rates with the Panasonic S1R Mark II at 30 or 40 frames per second, it’s a well-known fact that Panasonic struggles to track subjects continuously at high frame rates.

At the same time, the Nikon Z8’s sensor image stabilization system works at the pixel level with the help of AI advancements. If you consider all these factors, then the Nikon Z8 is without a doubt recommended for photographers looking for a perfect hybrid camera—especially those interested in wildlife and sports photography.

Final Verdict: Panasonic S1R Mark II vs. Nikon Z8

Who Should Buy the Panasonic S1R Mark II?

Best for Landscape & Fine Art Photography – The high-resolution sensor and 150+ megapixel handheld mode make it ideal for professionals focused on fine details and large-format prints.
Great for Cinematographers & VideographersOpen-gate recording (5.8K, up to 8K with updates), anamorphic lens support, false color monitoring, and SSD recording support make it a solid choice for high-end video production.
Not the Best for Fast-Paced Shooting – The autofocus system is still in development, requiring expertise to operate correctly, and AF tracking is limited to 10 fps, making it less suitable for sports and wildlife photography.
Limited Lens Ecosystem & Expensive Lenses – While L-mount has a good selection of lenses, Tamron, Viltrox, and many new third-party lens makers are not part of the system or have very few lenses for L Mount, making affordable fast lenses harder to find.

Who Should Buy the Nikon Z8?

Best for Sports & Wildlife PhotographyStacked CMOS sensor (inherited from the Z9) enables fast readout, high-speed shooting, and advanced subject tracking. AF tracking remains active up to 120 fps, making it superior for action shots.
Stronger Hybrid Autofocus SystemFast, precise, and reliable autofocus, with advanced AI-driven subject detection and Z9-level AF algorithms, makes it easier to use and more responsive.
Expansive & Budget-Friendly Lens Ecosystem – The Z-mount system has a wide range of native lenses, including affordable high-quality options like the Tamron 28-75mm f/2.8 G2.
Great for Hybrid Shooters (Photo & Video) – While it lacks open-gate recording, the stacked sensor, superior autofocus, and high-speed burst shooting make it a more versatile camera for both photo and video work.

Final Recommendation

  • If you are a landscape, fine art, or professional cinematographer, the Panasonic S1R Mark II is a strong contender due to its high-resolution capabilities and pro-video features.
  • If you shoot sports, wildlife, weddings, or need the best hybrid performance, the Nikon Z8 is the clear winner, thanks to its superior autofocus, faster shooting speeds, and larger lens ecosystem.

For most photographers and hybrid shooters, the Nikon Z8 offers a more balanced and versatile package. However, if high-resolution stills or advanced video tools like open-gate recording are your priority, the Panasonic S1R Mark II is the better choice.

Get the Panasonic S1R Mark II Camera from Adorama.com | B&H Store | Amazon.com

Panasonic S1R II vs Nikon Z8 – Specification comparison table

Category Panasonice Lumix S1R II Nikon Z8
– Sensor Type Full-frame BSI CMOS Full-frame stacked CMOS
– Resolution 44.3 MP 45.7 MP
– ISO Range 40-102400 64-25600 (expandable to 32-102400)
– Color Depth 14-bit 14-bit
Autofocus System
– Type Phase + Contrast detection with DFD, AI-based 493-point phase-detect AF / Faster AF Refresh rate due to the stacked sensor
– AF Points Not specified, but improved over previous models 493 points (covers 90% of frame)
– Speed and Accuracy Fast, with AI tracking for subjects Fast and accurate, -7EV to EV19 sensitivity, -9EV with starlight view
– Subject Tracking AI-based for faces, eyes, animals Specific modes for birds, animals, vehicles, etc.
Video Capabilities
– Max Resolution and Frame Rates 8K at 30fps, 4K at 120fps 8K at 60fps (N-RAW), 4K at 120fps
Open Gate Recording 5.8k Opengate (8K soon to be available via Firmware) None
– Formats H.265 10-bit 4:2:0 for 8K, ProRes 422 for lower resolutions N-RAW, ProRes RAW, H.265, H.264, 10-bit color
– Stabilization In-body image stabilization  8 Stops Pixel Level Accuracy – AI IBIS with Full sensor 8 Stops IBIS rating
Shutter angle Yes Yes
False Color yes No
– Audio Built-in stereo mic, external mic jack Built-in stereo mic, microphone, and headphone jacks
Waveform Yes Yes
Recording to SSD Yes No
Anamorphic Yes, it Supports Desqueez in the camera No
Shooting Speed and Performance
– Continuous Shooting Speed Up to 40 fps, but Active tracking works up to 10 fps Up to 120 fps (with crop), 30 fps full-res | 30 Fps full tracking
– Buffer Capacity Large, can shoot extended bursts Large, can handle extended bursts
– Shutter Speed Range 1/8000 to 60s (assumed, typical for mirrorless) 1/32000 to 900s (electronic), 1/8000 to 30s (mechanical)
Display and Viewfinder
– Viewfinder OLED EVF, 5.69m dots (assumed, similar to S5 II) 3.69m-dot OLED EVF
– LCD Screen 3.2-inch, 2.1m dots, articulated (assumed, similar to original S1R) 3.2-inch tilting touchscreen, 2.36m dots
– Touchscreen Yes Yes
Connectivity and Wireless Features Wi-Fi, Bluetooth, smartphone app Wi-Fi, Bluetooth, Nikon SnapBridge app
Battery Life and Power
– Battery Type BLK-22 (same as S5 II) EN-EL15c
– Life ~370 shots (assumed, similar to S5 II) ~300-400 shots
– External Power USB-C USB-C
Physical Design and Ergonomic Features
– Size Smaller and lighter than the original S1R (over 200g lighter) Smaller than Z9, comparable to D850
– Weight ~800g 910g
– Weather Sealing Yes Yes
– Ergonomic Features Classic DSLR-style shape, various dials and buttons Nikon-style layout, various controls
Lens Mount and Compatibility
– Mount Leica L-mount Nikon Z-mount
– Available Lenses Wide range from Leica, Sigma, etc. Wide selection of Nikon Z lenses

Which One to Choose?

  • For landscape, fine art, and professional cinematographersPanasonic S1R Mark II (due to high-resolution mode & video tools).
  • For sports, wildlife, and hybrid photographyNikon Z8 (due to superior AF, stacked sensor, and high-speed tracking).
  • For wedding photographersNikon Z8 (better autofocus, lens options, and hybrid usability).

UPDATE Feb 27 – Nikon added Shutter angle and Waveform Monitor in Nikon Z6 III and Nikon Z8

Nikon Z8 vs Leica SL3-S

Nikon Z8 versus Leica SL-3 S: Which is the Best Camera Among These Two? If you are planning to buy the Leica SL3 S camera, you must first look at the Z8 core specification comparison table before making a decision.

Design Comparison

Feature Nikon Z8 Leica SL3-S
Lens Mount Nikon Z L-Mount
Build Material Magnesium Alloy Aluminum, Magnesium Alloy
Dimensions (W x H x D) 5.7 x 4.7 x 3.3″ (144 x 118.5 x 83 mm) Not Specified
Weight 2.0 lb (910 g, with battery and recording media) 4.715625 lb / 2139 g (With Battery)
1.7 lb / 768 g (Body Only)
Display Type 3.2″ 4-Axis Tilting Touchscreen LCD, 2,100,000 dots 3.2″ Tilting Touchscreen LCD, 2,332,800 dots
Viewfinder Type 0.5″ OLED, 3,690,000 dots, Approx. 0.8x Magnification OLED, 5,760,000 dots, Approx. 0.76x Magnification
Eye Point 23 mm 21 mm
Weather Sealing Yes Yes
Wireless Connectivity Wi-Fi 5 (2.4 / 5 GHz), Bluetooth 5.0 2.4 GHz MIMO Wi-Fi, Bluetooth 5.0
Dual Card Slots CFexpress Type B / XQD + SD (UHS-II) 1x CFexpress Type B, 1x SD (UHS-II)
GPS Yes (via smartphone) Yes (via smartphone)

Which camera is better for longer hours of work, like weddings and events lasting hours, the Leica SL3 S or Nikon Z8?

In the design comparison, it is visible that the Leica is built like a tank, heavier, but at the same time, the electronic viewfinder and the display part of the camera are of more premium quality. For more prolonged shooting, such as during weddings and events lasting over 7-8 hours or more, it’s recommended to hold a camera that makes you comfortable for longer hours of work, like the Nikon Z8.

Photography Comparison

Feature Leica SL3-S Nikon Z8
Sensor Resolution 24.6 MP (Effective) 45.7 MP (Effective)
Sensor Tech
BSI CMOS STACKED BSI CMOS
Sensor Type Full-Frame Full-Frame
ISO Range 100 to 200,000 (manual) 64 to 25,600 (Extended: 32 to 102,400)
Continuous Shooting Up to 30 fps Up to 20 fps Raw, 30 fps JPEG Shooting
Image Stabilization
 Upto 5 – Stops (max) 5.5 (Max 6 Stops with VR Lens) + AI IS
Autofocus Points 779 Points (Phase + Contrast Detection) 493 Points (Phase Detection Only) + AI AF tracking Modes
White Balance Options Auto, Cloudy, Color Temp, Daylight, Flash, Fluorescent, Manual Auto, Cloudy, Direct Sunlight, Flash, Fluorescent, Incandescent, Custom
Shutter Speed Mechanical: 1/8000 to 30 sec; Electronic: 1/16000 to 60 sec Electronic: 1/32000 to 30 sec; Bulb Mode Supported
Metering Modes Center-Weighted, Highlight Weighted, Multi-Zone, Spot Center-Weighted, Highlight Weighted, Matrix, Spot
Aspect Ratios 3:2, 16:9, 17:9 1:1, 3:2, 16:9
Image File Format DNG, JPEG JPEG, RAW
Bit Depth 14-Bit 14-Bit
Self-Timer 2/5/10/20-Second Delay 2/5/10/20-Second Delay
Built-In ND Filter No No
Capture Type Stills & Video Stills & Video

In the photographic core specification comparison, the best part is the Nikon Z8 camera with its 45-megapixel BSI CMOS sensor. Along with that, the Nikon Z8 also features, AI Autofocus modes directly come from the Nikon Z9. The best part is in continuous shooting mode, Even at the full 45-megapixel resolution, you can capture 30 frames per second without any issues.

Leica is more of a bit retro and classical type camera, and it is limited to a traditional 24-megapixel BSI CMOS sensor that we have seen in the Panasonic S5 II. Although the number of autofocus points is much lower compared to the Nikon Z8, it doesn’t feature any AI autofocus tracking hardware that we have in the Z8. But again, if you are a Leica user, then you may prefer having a Leica camera, as Leica’s color science is quite different from Nikon’s.

If you compare the core specifications, without a doubt, the Nikon Z8 is a clear winner in the competition.

Video Comparison

Feature Leica SL3-S Nikon Z8
Max Resolution UHD 6K (5888 x 3312) UHD 8K (8256 x 4644)
Frame Rates (Max) 4K at 60 fps [Crop] 4K at 120 fps [Crop]
4k 60 FPS
Yes, Cropped Uncropped
Slow Motion No Yes
Video Formats H.264, H.265 (4:2:0/4:2:2 8/10-Bit), ProRes 4:2:2 ProRes RAW HQ, H.265 4:2:2, H.264 4:2:0
Internal Recording 10-Bit 4:2:2 ProRes RAW HQ 12-Bit
External Recording 4:2:2 12-Bit via HDMI 12-Bit via HDMI
Audio Formats AAC, LPCM 24-Bit LPCM
Gamma Curves Rec709, Rec2020 HDR-HLG
Recording Limit No No
IP Streaming No No
Built-In Microphone Stereo Stereo
Autofocus Points (Video) 779 Points 493 Points + AI AF modes Active
Heat Dissipation Passive Passive
Maximum Bitrate 600 Mbps Up to 5780 Mbps (8K ProRes RAW)

Which camera is better for professional photography use, the Nikon Z8 or the Leica SL3 S?

It’s very clear from the beginning of the comparison table that the Nikon Z8 camera is able to capture 8K videos and offers 4K video recording up to 120 frames per second. So, technically, the Nikon Z8 is quite a bit more advanced. At the same time, the Z8 camera also offers the ability to record high-quality 12-bit internal RAW video. Due to its nature and the very angle display screen, you can also create content with the camera if you like to follow platforms like YouTube.

Does the Leica SL3 S camera offer better video features compared to the Nikon Z8?
The Leica SL3 S camera does have a limited set of videography specifications and features, such as a tilting display screen on the back. However, if you have specific videography needs, the Nikon Z8 is superior.

Which camera offers more value for the price, the Nikon Z8 or the Leica SL3 S?
Among the two, as per the set of core specifications, the Nikon Z8 looks very promising and is more advanced compared to the Leica SL3 S for the price you’re paying. But if you are a Leica enthusiast and would love to buy a Leica camera, then you can still go with the Leica SL3 S if you wish to.

Here you can purchase online B&H Store | Adorama | Amazon.com |

Nikon Z8 Firmware 2.0 Massive Update

Nikon has released a new firmware update for the Z8 camera, which includes a total of 30 Big and small updates inside it, I am really surprised to see the vast amount of software-level updates sent to the camera for free of charge, other camera makers should learn from this. I think this is the largest number of updates we’ve seen to date from a camera maker. This truly transforms the Nikon Z8 into a new camera.

These are the Major Updates

  1. Improved autofocus options for still images and videos.
  2. Introduction of Pixel Shift shooting for higher-resolution images.
  3. Rich Tone control for enhanced skin details.
  4. Custom control assignments for personalized settings.
  5. Exit zoom with a half-press of the shutter-release button.
  6. Focus-point border width customization.

Download the update from here

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Nikon Z8 camera at Photons to Photos

Nikon Z8 camera visited PhotonstoPhotos Labs, as we know the Nikon Z8 camera uses the same sensor we have seen in the Nikon Z9 camera. So the test score of both the camera looks almost like the camera.

Maximum PDR Low light ISO Low-light EV
Z8 11.32 4224 10.40
Z9 11.30 4144 10.37
Z8DX 10.61 1994 9.32
Z50 10.53 2406 9.59
Z7II 11.60 4157 10.38
α7R V 11.70 5244 10.71
α1 11.36 5215 10.70
Canon EOS R5 11.85 5435 10.76
S1R 11.37 4522 10.50
fpL 11.39 8388 11.39

As you know Nikon Z8 is impressive and features almost the same core specification we have in Nikon Z9.

Nikon’s latest mirrorless camera is equipped with the same stacked 45-megapixel image sensor and EXPEED 7 processor as the Z9. It supports high-speed continuous shooting at 20fps RAW, despite the fact that it has almost the same core specs as the Nikon Z9.

The overall Dynamic Range Test results of the Sony A7R V, as well as Canon R5, are also very impressive.

Nikon Z8 at B&H Store

Nikon Z8 Problems

Nikon has announced that some customers using the mirrorless camera “ NIKON Z 8” have reported issues with attaching the lens. Nikon has identified the product number range of affected “Z 8” cameras and will repair them free of charge, regardless of the warranty period. Customers can check if their product is eligible by clicking “Confirm product number” and following the instructions. Nikon apologizes for the inconvenience caused to its customers.

Nikon Z8 Problems Press Release

Thank you for your continued patronage of Nikon products.

Customers using the mirrorless camera “Z 8” have pointed out that in rare cases the lens cannot be rotated to the locked position and the lens cannot be attached.

As a result of the investigation, it was found that this phenomenon may occur in “Z 8”. We have identified the product number range of the target “Z 8”, so we will inform you about the correspondence.

Regardless of the warranty period, we will repair the affected products free of charge. We will bear the return shipping fee. If you have any questions regarding this matter, please contact the service organization.

We sincerely apologize for the inconvenience caused to our customers.

How to check the target product

To check if your product is eligible, please click “Confirm product number” below and enter your “Z 8” product number according to the displayed instructions.

Depending on the result of matching the entered product number, if the product is applicable, the reception method will be displayed, so please check it. If it is not a target product, please feel free to use it.

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source NIKON USA

7 Best Lenses for Nikon Z8 (…and 3 to avoid)

Nikon Z8 Best Lenses: The Nikon Z8 camera features almost the same specifications that we have seen in the Nikon Z9 but at a very reasonable price tag. To get the maximum output from the Nikon Z8’s 45-megapixel stacked sensor, you have to buy the best lenses available with the highest resolving power.


Get Nikon Z 24-70mm F2.8 Lens from Amaznon.com | B&H Store

1. Nikon Z 24-70mm f2.8

The best lens for the Nikon Z8 camera is the Nikon 24-70mm f/2.8 S. Since we are getting one of the industry’s best sensors in our hands, it’s highly recommended to match up the lens too. The first recommendation is the Nikon 24-70mm f/2.8 S. This lens features a constant f/2.8 aperture and delivers amazingly sharp output throughout the focal range with creamy bokeh, one of the most sharp and versatile lenses present to date, this lens will cover your 99% requirements.

The biggest reason behind recommending this lens is that you can shoot almost anything with it – starting from wide-angle landscapes to longer focal-length portraits. This is one of the most versatile and sharpest lenses Nikon has ever made for full-frame cameras.

Not only optically, but the lens’s autofocus performance is also top-notch. The lens uses 2 AF drive units synchronized to deliver extremely fast and accurate AF results – even when you are using your camera at 120 frames per second or when you are using it at 20 frames per second. This lens is bound to give perfect results when paired with Z9 or Z8


Get this Lens 70-200mm F2.8 lens from Amazon.com | B&H Store

2. Nikon 70-200mm f2.8s

The Nikon 70-200mm f2.8s lens produces incredibly sharp pictures and extracts the maximum amount of detail in your images. It is one of the best lenses to pair up with your Nikon Z8 camera. Practically no color fringing or chromatic aberration is visible in this lens. The lens is distortion-free and lens vignetting is also very minimal and can be easily corrected in post-processing.

The build quality of this lens is superb and made up of a metal body covered with rubberized material. It is extensively weather-sealed and able to deliver quality equal to its price tag.

The LCD display screen of the lens is not that much usable since we don’t have the habit of looking at the lens LCD. Maybe that’s one of the reasons I personally find the display not that much usable for me. Overall, the lens is worth every penny.

Finally, let’s talk about autofocusing performance. When paired up with a Nikon Z8 or Nikon Z9 camera which uses deep learning algorithms, the lens’s autofocusing system will improve with time. At the same time, the Z8 is capable of doing 120 AF calculations per second and supports burst speed up to 120 frames, and your lens is fully capable of synchronizing the AF performance even when shooting at max burst speed.

The image stabilization of this lens is highly reliable and you can shoot amazing pics handheld without any noticeable blur even at very slow shutter speeds when shooting at 200mm.

Although the price of this lens is approximately $2600, I have to say this lens is very reasonably priced

Get this Z 50mm F1.8 lens B&H Store | Amazon.com

3. Nikon z50 mm f 1.8s

Why we say the 50 mm f 1.8s is the best portrait lens Nikon ever made, the reason behind is very simple. The lens f1.8 aperture can give you a focal plane of only 10 degrees from 10 feet away so you have an amazing ability in your hand to shoot beautiful background blur in any situation.

F1.8 completely eliminates the requirement of additional light, and if you are a natural light shooter you will be blown away by the quality you will have from this lens. And do note that this lens is very sharp even at a wide open aperture.

If you are a professional portrait shooter or love to capture candid shots in natural light this is the best lens your money can buy and we highly recommend you to get the 50 mm f 1.8 lens for your Nikon Z8 camera.

Get this lens from Amazon.com | B&H Store

4. Nikon 24-70mm F4

Now if you are running out of budget after getting your Nikon Z8 camera and wish to have a perfect all-around lens, then undoubtedly the 24-70mm f/4 lens is the best choice.

24 to 70 F4 lens is also very sharp, but you will miss the deep creamy bokeh (background blur) of the Z 24-70mm 2.8. But, keep in mind  this price, you are getting optical images stabilization to which pairs of Nikon z8 6 stops of IBIS

This lens is perfect for shooting landscapes as well as streets, this is the best budget kit lens for your Nikon z8 camera

 

Get this lens from Amazon.com | B&H Store

5. Nikon Z20mm f1.8s

The best and the most sharpness prime lens I have used to date, It has incredible sharpness with no distortion across the field of view. I highly recommend this Nikon glass for anyone needing this focal length for landscape or astrophotography work. AT f/1.8 it is very sharp at center. Sharpness drops just a little at the corners. Stopping it down to f/2.8 improve center sharpness. At f/4 it has perfect sharpness corner to corner. It’s much easier to balance on-camera flash with dim available light with a large aperture lens because shutter speeds don’t have to be so long. I was at 1/40 @ f1.8 @ ISO 4000 most of the night. So, for low-light ultrawide photography and video, if ur budget doesn’t allow u to have nikon 14-24mm F2.8, instead of getting 14-30mm F4 get the 20mm F1.8.

 

Get Nikon 14-24mm F2.8 Lens from Amazon.com | B&H Store

6. Nikon Z 14-24mm f/2.8 S

The 14 to 24 mm f/2.8 lens is the best lens for landscape and architecture photography, as well as for advanced cinematographers.

The 14 to 24 mm lens in Nikon is a part of a holy trinity lens which includes the 24 to 70 mm f/2.8 and the 70 to 200 mm f/2.8. The rest of the two lenses we have already discussed, now let’s talk about the 14 to 24 mm f/2.8.

This lens is the sharpest lens at this focal length in Nikon’s lineup, and one of the best ultra-wide zoom lenses present in the market. The image quality of this lens is super impressive even at 14 mm wide and covers approximately 115 degrees of view.

If you don’t need that f/2.8 aperture at this wide range, and many professionals never use such a shallow depth of field while shooting landscapes and architecture, then the best investment will be the 14 to 30 mm f/4 lens. It will save you $1000, and at the same time, you can use standard 82 mm filters with this lens which are easily available, unlike the 14 to 24 mm f/2.8 which requires 112 mm filters.

So if your budget allows and you want to have an ultra-wide zoom lens, then you should go with this. The only issue that I have faced with this lens is in finding its proper filters since it has a very large thread of 112 mm.

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7. Nikon Z 100 to 400 mm f/4.5 to 5.6

The Nikon Z 100 to 400 mm f/4.5 to 5.6 lens is the best lens for sports and wildlife photography under budget.

This is one of the best zoom lenses Nikon has ever made for Z Mount cameras. Despite having a variable aperture, the lens performs extremely well throughout its entire focal length. The sharpness of this lens is noticeable, and I highly recommend you to use this lens with Nikon Z cameras with a 45 MP sensor due to its high resolving capability.

The 100 to 400 mm lens is relatively compact compared to the lenses that we have in the DSLR era. At the same time, it’s lightweight, weighing just over 3 lbs or 1400 grams, and you can easily handhold this lens while shooting wildlife or sports. The VR (Vibration Reduction) of this lens synchronizes with your camera’s in-built sensor-shift image stabilization to provide you greater stability.

The lenses that you should avoid

  1. NIKON 28-75MM F2.8 RXD One lens that you should avoid is the Tamron rebranded 28 to 75 mm f/2.8 lens with the Nikon camera since it’s the first generation of lenses that Tamron is still making for Nikon Z mount cameras. The first generation of lenses doesn’t have as much resolving power as the G2 has right now. So if they release the second generation of their 28 to 75 mm f/2.8 lens, then it’s okay, but right now, the first generation of the 28 to 75 mm f/2.8 is not that good for resolving higher resolution sensors like the Nikon Z8.
  2. NIKON 17-28MM F2.8 RXD The next lens you should add is the Tamron rebranded 17-28 mm f/2.8 lens. Again, this lens is perfect for lower resolution cameras like the Nikon Z6 Mark II, but when we talk about cameras like the Nikon Z7 Mark II, Nikon Z8, or even Nikon Z9, these cameras have a 45 MP high-resolution sensor and need high-grade optics to resolve it properly. For that reason, I am not recommending the Tamron 17-28 mm lens for the Nikon Z8 camera.The best alternative is the Nikon 14 to 24 mm f/2.8, or if your budget doesn’t allow it, then you should go with the 14 to 30 mm f/4.
  3. 14-24MM F2.8 – Finally, the third lens that you should avoid is for cost-related reasons. As we have mentioned above, the 14 to 24 mm f/2.8 lens is costly and the best alternative to it with higher resolving capability is the 14 to 30 mm f/4. So if your budget allows and you feel that you need a max aperture ultra-wide zoom lens, then it’s okay to buy the 14 to 24 mm. Otherwise, we highly recommend that for a Nikon camera you must go with the 14 to 30 mm f/4 lens and save yourself a thousand dollars.