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Firmware Update

Upcoming Top 10 Lenses form Fujifilm 2024

We already have the Fuji X100 VI announcement, at the same time during the CP+ summit Fuji also disclosed the name of the upcoming lenses of 2024, take a look at the list of upcoming

Upcoming Lenses from Fujifilm 2024

No. 1: Ultra-Long Focus Fixed Lens
400mm or Capricorn
Size: 240-280mm
Max. diameter: 100-110mm
Weight: 1300-1400g

No.2: XF120mmF2 (between XF90mmF2 and XF200mmF2)
Size: 140-160mm
Max. diameter: 90-110mm
Weight: 900-1000g

No. 3: Ultra Wide Angle Large Aperture Lens(Star Shooting)
Size: 80-100mm
Max. diameter: 70-80mm
Weight: 400-600g

No. 4:23mm biscuit lens
Size: 20-40mm
Max. diameter: 60-65mm
Weight: 80-100g

No. 5: XF16-200mm ultra zoom lens
Size: 120-140mm
Max. diameter: 70-80mm
Weight: 600-800g

No. 6: F4 telephoto zoom lens
Size: 120-130mm
Max. diameter: 70-80mm
Weight: 500-700g

No. 7: Compact F2.8 aperture wide-angle zoom lens
Size: 70-90mm
Max. diameter: 60-75mm
Weight: 200-300g

No. 8: Fish-eye lens
Size: 50-60mm
Max. diameter: 55-70mm
Weight: 200-300g

No.9: XC compact telephoto zoom lens
Size: 30-40mm
Max. diameter: 60-70mm
Weight: 100-130g

No.10: XC wide-angle zoom lens
Size: 40-50mm
Max. diameter: 60-70mm
Weight: 130-170g

We will post more updates soon stay tuned

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source – bit.ly/3YfG6E7

Science Fiction to Reality | Laowa ZERO D 10mm AUTOFOCUS Lenses available for Pre-Order

Just a year ago, I was imagining if there was any possibility of adding an autofocus motor to the Zero-D series lenses of Laowa. Since, Zero-D lenses are exclusively made by the Laowa brand only, and no other camera brand or lens maker produces Zero-D lenses like Laowa does. So, you can imagine using a 10mm lens on a Sony Camera with Full-time AF support and nearly zero lens distortion. It’s like a science fiction thing, but it is now possible, and you can have that

An ultra-wide lens from Laowa has arrived for the Sony E-mount and Nikon Z-mount that has built-in AF motor inside it.The Canon RF Mount version of the lens doesn’t have AF motor.

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Sony A6700 vs Sony A7 III

Let’s compare the Sony a6700 camera versus the Sony A73. People are quite confused about which camera they should buy since both of them are approximately in the same price range.

Can a 4-Year-Old Camera Beat Sony A6700?

The biggest factor behind the confusion is that the Sony A73 is a full-frame camera and every photographer wishes to have a full-frame camera in their hand. But it’s a four-year-old camera, so the big question is, can it still beat or outperform the Sony a6700 camera which is a recent announcement?

Let’s Find out the best camera for photographers

So, let’s do a simple comparison that will help you understand which camera you should buy based on your personal requirements and budget boundaries.

Vari-angle Display Screen Vs Tilting Display Screen

Design-wise, both cameras are good. The advantage we have with the Sony a6700 camera is the vari-angle display screen which is more helpful for a content creator rather than a photographer. With the Sony A73 camera, we do get a tilting display screen.

Sony A6700 Lightweight More Convenient for Vlog and Travel

The other biggest advantage of the a6700 camera is its slightly lightweight and compact body. So if you are a travel photographer or a content creator, it is recommended to have a smaller and more compact body for the long run.

Sony A7 III – Dual Card Slot and Professional Body

But if you talk about the advantages of the Sony A73 camera, we are able to have dual card slots in this, while the Sony a6700 camera is limited to a single card slot. At the same time, the overall look and feel of the Sony A73 camera looks a bit more professional.

Internal Core Difference – Best Camera for Photographers

Let’s talk about the internal core differences of both the cameras. If you are a photographer, which camera should you prefer? And if you are a content creator or filmmaker, which camera should you use? We will discuss below.

Full-frame vs APS-C – Best Camera for LOW-LIGHT

If you are a photographer, then without a doubt, having a full-frame sensor is the biggest advantage inside a camera. But at the same time, the sensor is approximately 4 years old. Will it outperform the Sony a6700 camera’s latest sensor in high ISO test or in base ISO test or not? Let’s find out.

At the highest ISO, you can see that at ISO 51200, the Sony A73 camera can preserve more details compared to the Sony a6700 camera. If you stop down ISO to 25600, the difference remains the same.

It indicates that the sensor of the Sony A73 camera, despite being a four-year-old sensor, is still outperforming the Sony a6700 camera’s latest 26-megapixel APS-C CMOS sensor.

CONCLUSION

So, if you’re a photographer and working in uncontrolled light environments, then it is highly recommended to buy the Sony A73 camera without a doubt.

The rest of the core specifications include the continuous shooting speed of the camera. With the Sony a6700 camera, you can shoot up to 11 frames per second, and the JPEG storage is approximately 1000 frames due to a larger buffer. At the same time, the Sony A73 camera’s slightly limited buffer space allows you to shoot up to 10 frames per second.

So, we have a very slight difference in the continuous shooting speed of the cameras.

Auto Focus System of A7 III Highly usable | Sony A6700 is More advanced

The artificial intelligence tracking system of the Sony a6700 camera is highly advanced. Now, you are able to track moving insects as well as high-speed moving vehicles. Although, if you talk about the face and eye autofocus detection and tracking mechanism, then the Sony A73 camera is also able to detect faces and eyes very efficiently.

Feature Sony a6700 Sony A73
Design Vari-angle display screen Tilting display screen
Body Lightweight and compact More professional look and feel
Card Slots Single card slot Dual card slots
Sensor Latest 26-megapixel APS-C CMOS sensor Four-year-old full-frame sensor
ISO Performance Inferior at high ISO Superior at high ISO
Continuous Shooting Speed Up to 11 frames per second Up to 10 frames per second
Buffer Larger buffer (approx. 1000 frames) Slightly limited buffer
AI Tracking System Highly advanced Efficient face and eye detection
Recommended For Controlled light environments Uncontrolled light environments

If you’re a photographer, it is very clear that the A73 camera is performing extremely well under low light conditions. So, unless you’re working in controlled light environments like in your studio or if you shoot your models with controlled light, then only I would recommend you to have the a6700 camera for photography purposes. But if you shoot most of your pictures in uncontrolled light environments, then it is highly recommended for you to have a Sony A73 camera instead of the a6700 camera. Despite several features the a6700 camera has inside its body, it doesn’t matter if its low light performance is worse and the end result that you will have in your memory card is inferior compared to a 4-year-old camera. So, it doesn’t make any sense to recommend the a6700 camera.

Get a Sony A7 III Camera from AMAZON.com

Get a Sony A6700 Camera from AMAZON.com

ALso see
Sony A6700 vs Fuji X-S20

Fuji Should Re-Enter The Entry Level Zone in 2024

Concept Design of Fuji X-S200 Camera | First appeared on thenewcacamera.com

It looks like Fuji has completely quit the entry-level zone of cameras. They have neither updated nor released a lightweight XA series, and they have also discontinued the XT 100, and 200 series of cameras.

The biggest problem arises when a new subscriber or a website visitor asks for a recommendation in the 700-800 price range and is interested in a Fuji camera.

We have a new race of content creators, and these creators prefer cameras made specifically for them, like the Sony ZV-E10 and Canon R50; some are also buying the Nikon Z30. But among all these options, Fuji is missing in this price range.

We know that with the X-S20 camera, Fuji has given us a dedicated content creator mode in the PSAM and mode dial button, but the Fuji X-S20 is not within the reach of entry-level content creators. We all know that cameras like the Sony ZV-E10 contributed 50% [approx] of their entire Alpha series camera sales last year, so there is a huge market out there if someone is serious about the market itself.

Fuji has all the eligibility; they have opened their mount, and they have the best-in-class research and development team to create a camera that can beat the ZV-E10 on their very own ground. But they are still sleeping.

If you talk about entry-level content creators, then take a look at the options we have. We have the Sony ZV-E10 camera, of course, it is now waiting for an update, but again that’s the only camera that has the maximum features and an open E-mount in that range.

After that, we have the Canon R50, in which the log profiles are locked and the lens mount is also locked, so users have very few lens options to select from.

In the Nikon Z30, we still have a 30-minute recording limit in 4K mode even in 2024, and they cannot crack it.

They should be able to create a content-creator camera that at least has the basic essence of a Fuji X-S20 camera without EVF and fewer Physical controls, which will surely make a big space among the entry-level content-creator market.

Share your thoughts with us

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Canon RF 28-70 F2 Mark II Coming

Now, let’s talk about the latest rumor surfaced over the web, Canon is about to announce the newest version of their 28 to 70 F2 lens. This lens was announced back on 20 Jan, 2022 and it is said to be one of the most premium and costly lenses in Canon’s lineup. It’s nice, brother, you must know that Canon is about to update the lens with a more compact optical setup, hence reducing its size and weight.

Well, that is really interesting news for 2 to 3 % of users, the rest of the people like me waiting to for Tamron join Canon and announce their Tamron RF 28-75mm F2.8 Lens as well as RF 35-150mm F2-F2.8 Lens.

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source CR.com

Sony to Expand Z Series Camera Lineup and A7S 4 Delayed

Some updates related to the upcoming Sony cameras: The first update concerns the Sony A7S Mark 4 camera. Initially, it was expected to arrive in Q4 of 2024, but now there are indications that the camera may be slightly delayed and arrive in either Q1 or Q2 of 2025.

Additionally, there’s news that Sony will soon expand its Z series cameras (Yes we know the ZV-E10 Mark II coming, but the news is about the expansion of the entire series not about the successor of any model). This expansion will include both APS-C and full-frame models. We can expect some glimpses of these announcements in 2024.

However, it’s important to note that this information comes from unofficial sources, so taking it with a grain of salt is advisable.

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Fuji X 100 VI Teaser Out | Announcement on February 20, 2024

Finally, the teaser for the Fuji X 100 VI, camera is now available. The official announcement of the camera is set to happen on February 20, 2024. Shipping of the camera will begin from February 26 to 28. Please keep checking the provided link for its pre-order because we have a limited quantity in the first slot. Once the first slot is booked, you may have to wait a month or more to book your next slot.

Fuji X100 VI Full Specification

  • 40MP APS-C X-Trans CMOS 5 HR BSI Sensor
  • X-Processor 5 Image Processor
  • IS0125
  • 1/180,000sec shutter
  • Al subject detection and the latest AF algorithm
  • Fujinon 23mm F2 Lens / OR Maybe a new lens
  • Hybrid 0.52x OVF with 3.69m-Dot OLED EVF
  • 3.0″ 1.62m-Dot Tilting Touchscreen
  • 6.2K/30P
  • DCI/UHD 4K Video Recording at 60 fps
  • 425-Point Hybrid AF System | Improved AF Tracking
  • Bluetooth and Wi-Fi Connectivity
  • Film Simulation Modes
  • UHS-I  slot
  • a bit heavier than X100V
  • Price $1699 [Approx]

We will post an update as soon as it becomes available to us

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