Finally, we have the leaked image of the upcoming Sony FX3 Cinema camera. Earlier the name of the camera was surfaced over the FCCID registration document. The design of the camera looks very compact and impressive. Although the camera is missing a regular mode dial button from the top, as we generally see in Sony Alpha series cameras. We will soon publish the detailed core specification of the camera as we get it.
The camera industry evolved too much in the last 4 decades. After the film era, Digital SLRs ruled the world. And giant filmmakers like kodak who failed to evolve crushed brutely. Now, after the Digital SLRs, the entire industry is now shifting to the Mirrorless zone. Even, today’s giant DSLR camera makers want to shift their existing consumer base to Mirrorless and applying the DSLR cannibalization policy. Now, a completely new generation of cameras coming up that uses Artificial intelligence and computational photography techniques to make better images. Let’s have a look at Alice.
Alice – Micro Four/third + Smartphone AI Algo
Alice is a camera that pairs up with a smartphone and delivers high-quality video captured by a GH5s 10MP M4/3 Sensor and processed by Smartphone AI Algorithms. The camera uses AI AF technique to acquire AF, the rest of the controls are similar to ones you see in your iPhone Or google camera app.
Alice Camera Press Release
The AI Camera content creators have been waiting for is officially available for pre-order
Alice Camera combines the experience of a smartphone with the quality of a DSLR.
February 9th 2021, London, UK: Photogram, the organisation behind the eagerly awaited Alice Camera has today announced that you can pre-order the AI-accelerated computational camera now for a super early bird price via its online pre-order campaign. The Alice Camera is what content creators have been lacking. As content platforms evolve, the camera market needs to adapt – the Alice Camera brings together the experience of a smartphone with the quality of a DSLR camera to shoot, edit and share high-quality 4K content instantly.
In Europe alone, there are 20 million income-generating content creators, which include Photographers, Videographers, YouTubers, Instagrammers, TikTokkers and Twitch streamers to name a few, yet most are working with devices that do not maximise their potential – smartphone sensors are not up to spec, yet DSLR or mirrorless cameras lack computational photography capabilities.
But all that is about to change. The Alice Camera gives total control to the user and works with their smartphone to shoot and share better content in a fraction of the time – simply point, shoot and share or live stream to your audience on social media in high-quality full-width 4K video.
Its sleek design mounts to the back of most smartphones (although it can also work unattached) and its native iOS and Android app will connect to and control the camera via the touchscreen interface, giving users a smooth user experience and a faster production workflow. Fast wireless data transfer between camera and phone gives users a seamless real-time viewfinder on their smartphone screen.
Alice’s unique selling point is that it harnesses the computational photography that you see in the latest smartphones but applies it to professional quality optics. The Alice Camera also offers:
A 4/3 image sensor, eight times bigger than the ones in smartphones. The sensor’s dual native ISO and quad-bayer structure gives users excellent low-light performance, high dynamic range and exceptionally low noise;
The ability to attach your favourite Micro Four Thirds lens, the most flexible and compact interchangeable lens system around, with over 50 professional-quality lenses available, or attach an adapter to use lenses with different mounts too;
A dedicated AI-chip will run the company’s patent-pending end-to-end deep learning pipeline on-device for innovative computational photography features to automate scene capture and enhance image processing.
Being a computational camera, Alice will be regularly updated via software updates, meaning that content creators can stay on top of their game without constantly purchasing new devices – just lenses of their choice. In addition, Alice’s open-source software can be customised like no other camera — others will be free to build add-ons and features that will benefit all Alice Camera users. An open-access environment means creators can deeply customise their creative process, encouraging collaboration and software development.
The Alice Camera will be shipped to pre-order customers in the Autumn when the RRP will be £750 for the body only. However, content creators can order the Alice Camera via the Indiegogo campaign which launched today and benefit from a special pre-order price starting from £550 (26% discount).
Vishal Kumar, CEO and Co-founder of Photogram said, “Today’s announcement comes after 18 months of liaising with over a thousand content creators, taking part in extensive accelerator programmes and building prototype Alice cameras. We are so pleased that we can bring to market a product that has been built from the ground up by creators for creators.”
“Over the next decade, the creator economy driven by the passion economy is set to grow rapidly. Creators are growing at 15% annually and the market for digital photography more broadly will reach $150bn by the end of 2026. Creators need a tool more suitable for our new world of content creation; imagine the future for creators and the industry with the Alice Camera’s features and functionality?”
About Photogram
Photogram was founded in June 2019 when it’s co-founders Vishal Kumar and Dr Liam Donovan met on the Entrepreneur First London 12 cohort. The company secured a £175k innovation grant from Innovate UK, the UK government’s innovation agency, and joined the Micro Four Thirds System standard run by Olympus and Panasonic. The Alice Camera will be manufactured in Britain and is the first device launched by Photogram.
Follow Alice Camera:
Twitter: @thealicecamera
Instagram: @thealicecamera
YouTube: The Alice Camera
Facebook: The Alice Camera
Photogram founders
Vishal Kumar is a cultural data scientist at The Bartlett, UCL and he is one of a handful of people in the world pioneering the application of data science and machine learning for art and culture. A content creator himself, Vishal has over 30,000 followers on social media. He previously worked at Sotheby’s auction house as one of the company’s first Data Scientists.
Dr Liam Donovan is an experienced engineer with particular expertise in building AI-accelerated embedded hardware and software for creatives. After completing his PhD Liam did a year-long fellowship at Royal Academy Engineering looking at building a business around selling computational hardware to the creative industries.
TNC-exclusive A list of New M4/3 sensors that may get used in upcoming MFT cameras. All the sensor you can see below are new, upcoming Panasonic GH6, GX10, and many more cameras may use some of the new sensors for improving video resolution.
New 4/3 Sensore list with higher resolution
S/No
Pixels
Res.
Chroma
Size
Max FPS
Shutter Type
IMX492LQJ-C
47.08MP
8192×5556
Color
4/3″
24.17
Rolling
IMX530-AAQJ-C
24.55MP
5328×4608
Color
4/3″
98
Global
IMX540-AAQJ-C
24.55MP
5328×4608
Color
4/3″
34.9
Global
Sensor Already in use
Now the list of that sensor which already being used in some of the most popular Micro Four third cameras made by Panasonic
IMX294CJK-C
10.71MP
3728×2814
Color
4/3″
60
Rolling
IMX367LQA-C
19.66MP
4416×4428
Color
4/3″
43
Global
IMX387LQA-C
16.88MP
5456×3076
Color
4/3″
40.4
Global
Sony IMX594CAR sensor deleted from Sony database. Sony deleted the IMX 594CQR a 41.2MP 4/3 format sensor from their database which was surfaced in Sep 2019.
Fuji X-E4 vs Fuji X-T30 – Fuji X-T30 is one of the most popular cameras in the int’s price segment. After the announcement of the Fuji X-E4 camera I am getting lots of queries but uses that Should I buy Fuji F-Xt30 camera or wait for the Fuji X-E4 camera. We have compared the Fuji X-E4 versus Fuji X-T30 now let’s find out the best camera for you.
Fuji X E4 camera features almost identical core specifications as we have in the Fuji X-t30 camera. Even though there are a lot of similarities between the two, but we do some significant differences also. In this comparison review, we will be going to find out the major differences at why you should pick Fuji X-E4 camera instead of using xt30
1. Image sensor
The image sensor of both the camera is exactly the same, both cameras are using a future ultra popular and reliable 26 megapixels BSI CMOS X-Trans sensor. the sensor was first introduced in the Fuji X-T3 camera. After that, the 26-megapixel sensor used widely in Fuji flagship, midrange, and entry-level mirrorless camera systems. And finally, the X-E series of Fuji also got updated with the same sensor.
Fuji X-T30 offers more manual control than of Fuji X-E4 camera. Fuji better choice for still shooters.
Fuji X-E4
Fuji X-T30
Lens Mount
FUJIFILM X
FUJIFILM X
Camera Format
APS-C (1.5x Crop Factor)
APS-C (1.5x Crop Factor)
Sensor Resolution
Effective: 26.1 Megapixel (6240 x 4160)
Effective: 26.1 Megapixel
Aspect Ratio
1:1, 3:2, 16:9
1:1, 3:2, 16:9
Sensor Type
CMOS
CMOS
Sensor Size
23.5 x 15.6 mm
23.5 x 15.6 mm
Image File Format
JPEG, Raw
JPEG, Raw
Bit Depth
14-Bit
14-Bit
Image Stabilization
None
None
2. Iso settings and more
Since the sensor is the same, and the image processor used inside both the camera is exactly the same so the ISO range of both Fuji xt30 and Fuji X-E4 camera remains exactly the same.
Fuji introduced a new mechanical shutter inside the Fuji X-E4 camera as you can see in the specs table below the range of the mechanical sector is increased.
Continuous shooting speed of both the camera or you can say the burst speed of both cameras is also exactly the same as of each other. Metering modes, exposure modes, and even the exposure compensation. each and every value of both the camera is exactly the same.
Fuji X-E4 features vlogging friendly screen and X-T30 viewfinder in the center, As a still shooter one should pick the X-T30, and for bloggers X-E4 is more recommended.
Fuji X-E4
Fuji X-T30
ISO Sensitivity
Auto, 160 to 12800 (Extended: 80 to 51200)
Auto, 160 to 12800 (Extended: 80 to 51200)
Shutter Speed
Mechanical Shutter
1/4000 to 3600 Seconds
1/4000 to 4 Seconds in Program Mode
1/4000 to 30 Seconds in Aperture Priority Mode
0 to 60 Minutes in Bulb Mode Electronic Shutter
1/32000 to 900 Seconds
1/32000 to 4 Seconds in Program Mode
1/32000 to 30 Seconds in Aperture Priority Mode
1 to 1 Second in Bulb Mode
1/4000 to 1/24 Second in Movie Mode
Mechanical Shutter
1/4000 to 900 Seconds Electronic Shutter
1/32000 to 900 Seconds Electronic Front Curtain Shutter
0 to 60 Minutes in Bulb Mode
Automatic Scene Recognition, Color Temperature, Custom, Fine, Fluorescent (Cool White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
Automatic Scene Recognition, Color Temperature, Custom, Fine, Fluorescent (Cool White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
Continuous Shooting
Mechanical Shutter
Up to 8 fps at 26.1 MP for up to 105 Frames (JPEG) / 18 Frames (Raw)
Up to 5 fps at 26.1 MP for up to 458 Frames (JPEG) / 24 Frames (Raw)
Up to 4 fps at 26.1 MP for Unlimited Frames (JPEG) / 28 Frames (Raw)
Up to 3 fps at 26.1 MP for Unlimited Frames (JPEG) / 34 Frames (Raw) Electronic Shutter
Up to 20 fps at 26.1 MP for up to 32 Frames (JPEG) / 17 Frames (Raw)
Up to 10 fps at 26.1 MP for up to 81 Frames (JPEG) / 18 Frames (Raw) Electronic Shutter
Up to 30 fps at 16.6 MP for up to 29 Frames (JPEG) / 17 Frames (Raw)
Up to 20 fps at 16.6 MP for up to 79 Frames (JPEG) / 17 Frames (Raw)
Up to 10 fps at 16.6 MP for up to 153 Frames (JPEG) / 18 Frames (Raw)
Up to 8 fps at 26.1 MP for up to 90 Frames (JPEG) / 18 Frames (Raw)
Up to 5 fps at 26.1 MP
Up to 4 fps at 26.1 MP
Up to 3 fps at 26.1 MP
Up to 20 fps at 26.1 MP for up to 32 Frames (JPEG) / 17 Frames (Raw)
Up to 10 fps at 26.1 MP for up to 81 Frames (JPEG) / 17 Frames (Raw)
Up to 30 fps at 16.6 MP for up to 26 Frames (JPEG) / 17 Frames (Raw)
Up to 20 fps at 16.6 MP for up to 53 Frames (JPEG) / 17 Frames (Raw)
Up to 10 fps at 16.6 MP for up to 95 Frames (JPEG) / 18 Frames (Raw)
Interval Recording
Yes
Yes
Self-Timer
2/10-Second Delay
2/10-Second Delay
3. Fuji X-E4 Recording Time Limit
The Fuji X-E4 camera features a full HD video recording option of 240 frames per, the Fuji X-T30 camera remains limited to 120FPS Full HD video mode.
One of the major differences between these two camera video modes is the recording time limit. As you can see in the specification table below, the Fuji X-T30 recording time limit of 4K and Full HD is variable. On the other side, we have the Fuji X-E4 Recording time limit is 30 Minutes in Full HD and 4k video modes.
Introduction of 240FPS @ Full HD in Fuji X-E4 camera. With the new 240FPS frame rates you can create super Slo-Mo Full HD videos. The Fuji X-T3 camera remains limited to 120FPS in Ful HD.
Fuji X-E4
Fuji X-T30
Recording Modes
H.264/MOV 4:2:0 8-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p [100 to 200 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p [100 to 200 Mb/s]
DCI 2K (2048 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p [50 to 200 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p/100p/119.88p/200p/239.76p [100 to 200 Mb/s]
MOV/H.264
DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p [100 to 200 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p [100 to 200 Mb/s]
DCI 2K (2048 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p [100 to 200 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p [100 to 200 Mb/s]
Full HD (1920 x 1080) at 100p/119.88p [200 Mb/s]
External Recording Modes
4:2:2 10-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p
UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p
DCI 2K (2048 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p/100p/120p
4:2:2 10-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p
UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p
DCI 2K (2048 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 100p/120p
Recording Limit
Up to 30 Minutes
Up to 10 Minutes for DCI 4K (4096 x 2160)
Up to 10 Minutes for UHD 4K (3840 x 2160)
Up to 15 Minutes for DCI 2K (2048 x 1080)
Up to 15 Minutes for Full HD (1920 x 1080)
240p / 200p 200Mbps(recording) up to approx. 3min.
120p / 100p 200Mbps(recording) up to approx. 6min.
[Full HD(1920×1080) High speed rec.]
120p/100p 200Mbps(recording) up to approx. 6min.
Recording Time Limit Details
[DCI 4K(4096 x 2160)] 29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min.
[4K(3840 x 2160)] 29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min.
[Full HD(2048 x 1080)] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps up to approx. 30min.
[Full HD(1920 x 1080)] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps up to approx. 30min.
[Full HD(1920 x 1080) High speed rec.]
[DCI 4K(4096×2160)]
29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 10min[4K(3840×2160)]
29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 10min[Full HD(2048 ×1080)]
59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 15min.[Full HD(1920×1080)]
59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 15min.
The Fuji X-E4 camera arrived with upscaled AF algorithms, which includes enhanced object tracking in video mode and AF lock speed, just like we have in the Fuji X-T4 Mirrorless camera.
Fuji X-E4
Fuji X-T30
Focus Type
Auto and Manual Focus
Auto and Manual Focus
Focus Mode
Continuous-Servo AF (C), Manual Focus (M), Single-Servo AF (S)
Continuous-Servo AF (C), Manual Focus (M), Single-Servo AF (S)
Autofocus Points
Phase Detection: 425
Phase Detection: 425
4. Size and weight
Size-wise we have very little difference between the two and the same with the weight of both the camera.s
Fuji X-E4
Fuji X-T30
Battery
1 x NP-W126S Rechargeable Lithium-Ion, 7.2 VDC, 1260 mAh (Approx. 380 Shots)
1 x NP-W126S Rechargeable Lithium-Ion, 7.2 VDC, 1260 mAh
Dimensions (W x H x D)
4.8 x 2.9 x 1.3″ / 121.3 x 72.9 x 32.7 mm
4.7 x 3.3 x 1.8″ / 118.4 x 82.8 x 46.8 mm
Weight
12.8 oz / 364 g (Body with Battery and Memory)
13.51 oz / 383 g (Body with Battery and Memory)
Verdict: For Photographers the Fuji X-T30 camera will be more suitable since the still specification is almost the same, but the X-T30 has a bit better design and viewfinder placement. For VLoggers and videographers/cinematographers Fuji X-E4 is an excellent choice.
Sony recently registered a new camera at a wireless certification agency. The Model Code of the camera is WW356015. So, now we have a total of 5 New cameras in the announcement pipeline from Sony. Take a look at the list of Sony to be announced cameras.
1. Sony Upcoming Camera Models list
“WW447485” with 5GHz Wi-Fi (Higher End camera)
“WW728473” 5GHz Wi-Fi (Higher End camera)
“WW356015” 2.4GHz (RX series or APS-C Mirrorless)
“WW186333” 2.4GHz (RX series or APS-C Mirrorless)
“WW111327” 2.4GHz (RX series or APS-C Mirrorless)
In general, when Sony registers a camera, they take less than 3 months of time to announce the product officially. Rest depends on the Sony Marketing team when they want to announce the product.
For example, the Sony A7s III announcement was intentionally delayed by the marketing team due to the absence of proper market competitors in that category.
Sony does, incremental updates when they feel they have very limited competition. That’s why the Sony A7 IV camera RX100 series updated was delayed and the same in the case of the RX10 and RX1 series. This year we will have the announcement of the Sony A7IV and RX100 VIII camera, but again with limited updates in the core specs.
3. A Major Update to the Sony APS-C Mirrorless line-up coming
As per the latest rumors we have, we will see a Major core specs update in the Sony APS-C Mirrorless camera line-up. A week ago, a rumor surfaced over the web related to the upcoming Sony A7400 / Sony A6400 II camera with a built-in IBIS unit and 4:2:0 10bit internal recording. But, the rumor looks not so credible to us, so we haven’t decided to publish that 😉
More updates are on the way, we will publish them soon.
Official sample images of the Sony A1 is now available. As you can see above the 100% pixel peeper view of the Sony A1 bald eagle image. The noise level of the camera is very well controlled by BSI CMOS sensor.
One more 100% scale view of the Sony A1 sample image.
Sony A1 Studio Test Sample
In-Studio sample image of Sony A1, you can see the enormous amount of details and sharpness we are getting when we have a controlled light environment with us.
Fuji finally announced the long-rumored Fuji GFX100s camera. The new camera features the same sensor as of Fuji GFX 100, a 100 MP Medium format sensor. Btw, you also use Pixel Shift Multi-Shot to create ultra-high resolution 400MP stills with remarkable detail. The camera also features IBIS units, so you can get hand-help sharp 100MP images. The five-axis IBIS now working in conjunction with GF Lens Optical Image Stabilization (OIS) to provide up to 6 stops of correction.
The AutoFocus system is also completely re-worked and the newly announced camera features an updated autofocus algorithm that brings subjects into focus as quickly as 0.16 sec, even in light levels as low as -5.5EV. In video mode, record 4K/30p footage in 10-bit F-log or 12-bit ProRes RAW, with an incredibly beautiful depth of field, for a look that is made for the silver screen.
Ultimate Resolution, Dependable Processing
Powered by Fujifilm’s high-performance X-Processor 4 quadcore CPU, GFX 100S utilizes its 102MP, back-illuminated large format CMOS sensor to create truly stunning results. Create remarkably detailed still images that possess amazing color fidelity, and rich shadow detail, with enough dynamic range to allow for astonishing push and pull adjustments in post-production. Or, use Pixel Shift Multi-Shot to create ultra-high resolution 400MP stills with remarkable detail. In video mode, record 4K/30p footage in 10-bit F-log or 12-bit ProRes RAW, with an incredibly beautiful depth of field, for a look that is made for the silver screen.
Small, But Steady
Sitting at the heart of GFX 100S is a newly developed shutter and In-Body Image Stabilization (IBIS) system that helps ensure you always make the most of the extreme resolution of the camera’s 102MP imaging sensor. While reduced in size, compared to their counterparts in GFX 100, both elements offer incredible performance, with the new shutter capable of 5fps continuous shooting and the unique, five-axis IBIS now working in conjunction with GF Lens Optical Image Stabilization (OIS) to provide up to 6 stops of correction. With such outstanding performance, GFX 100S frees you from a tripod and lets you keep creating even when the light is low.
The Sharp End of AF Technology
With an advanced phase detection autofocus (AF) system, GFX 100S spearhead a whole new era of large format digital camera systems. An updated autofocus algorithm brings subjects into focus in as quickly as 0.16 sec, even in light levels as low as -5.5EV. This extraordinary performance is strengthened by the presence of phase-detect autofocus pixels across nearly 100% of the frame, resulting in complete precision regardless of where the subject is. Combined with responsive tracking and reliable Face/Eye Detection, GFX 100S lets large format photographers enjoy reliably accurate AF, even in low-contrast situations.
Large Format Has Never Felt Like This
The GFX system already has a strong reputation for taking high-resolution photography out of the studio and into the world, but GFX 100S takes it even further. Not only does it have a super-tough magnesium-alloy casing, but it is also made to operate in temperatures as low as -10ÅãC and to be dust- and weather-resistant for those off-road moments. At less than 900g, its compact body is comparable in size to many full-frame cameras, but it contains an incredible, 102MP sensor that’s almost twice the physical size of the typical full-frame sensor! Simply put, whether you are creating handheld portraits on location, or framing landscapes in the remote wilderness, GFX 100S will truly let you harness the extreme power of large format.
Iconic Color Made For You
Fujifilm’s expertise in color science is legendary among image-makers. For more than 86 years, Fujifilm has been responsible for some of the world’s most iconic photographs and movies. GFX 100S gives you access to this wealth of experience at the touch of a button, powered by one of the world’s most widely acclaimed digital color processing engines. With a choice of 19 exclusive FUJIFILM Film Simulation modes, it is easy to achieve fantastic color, straight out of the camera. With a new Film Simulation mode to explore – Nostalgic Neg. – it may just be worth it to spend a little more time here than you originally thought.
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