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Firmware Update

Fuji Registers New Cameras for 2025 Launch

Fuji Registers New Cameras for 2025 Launch – Fuji registers a new camera in the wireless certification agency, so it has become a total of 3 cameras which are in the announcement pipeline. One of them is almost confirmed, which is coming on June 11 — the Fuji XE5 camera. The rest of the two cameras are still unknown, can be a GFX camera or maybe an X-Pro 5.

Fuji Unreleased and Registered Camera Models May 2025

The following table summarizes Fujifilm’s unreleased camera models and their known registered models, providing context for the new registrations:

Model Code Camera Model Registration Date Wireless Type Status
FF250001 Likely X-E5 Not specified (spotted early 2025) Multi-band wireless Unreleased
FF250003 Unknown (possibly X-M5 Range Camera) Not specified (spotted May 2025) Single-band wireless Unreleased
FF250002 Unknown (possibly GFX Eterna) Not specified (spotted May 2025) Not specified Unreleased
FF210002 X-H2S 2021-11-09 Not specified Released
FF210003 X-H2 2022-06-20 Not specified Released
FF220001 X-T5 2022-08-24 Not specified Released
FF230001 GFX100 II 2023-01-13 Not specified Released
FF220002 X-S20 2023-02-03 Not specified Released
FF230002 GFX100S II 2023-06-19 Not specified Released
FF230003 X100 VI 2023-11-24 Not specified Released
FF240001 X-T50 2023-12-08 Not specified Released
FF240002 X-M5 2023-06-28 Single-band wireless Released
FF240004 GFX100RF 2024-12-04 Not specified Released
FF240003 X-Half Not registered with CMIIT Not specified Released

Notes:

Although three models are mentioned, FF250001 and FF250003 have already been registered. The model registered this time is “FF250002”.

While the FF250003 only supports 2.4GHz, the FF250003 and FF250002 also support 5.1GHz. Most recent models, except for small and lightweight models, support 5.1GHz Wi-Fi, so it is not possible to predict the price range of the camera based on this information alone. It is interesting to see whether it will be an X series model or a new model in the GFX series.

It is rumored that the “X-E5” will on June 11, 2025.  More details here

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source E88_8888

Sony Next Camera, VLOGCAM or Sony A7V? Slated for 2025 Announcement

Sony registered a new mirrorless camera on May 23, 2025, and the most important factor is that the manufacturing division of this mirrorless camera is at Wuxi city, where most of the VLOGCAM and semi-professional cameras of Sony are manufactured.

Where is the breakdown of Sony’s manufacturing factories? You can have a good idea where they manufacture the high-end Alpha cameras or the intelligent compacts.

Sony Alpha Cameras Manufacturing Unit Worldwide

  • Sony Japan: High-end products such as the α1, α9 III, and FX3
  • Sony Shanghai: Cinema line and video products such as FX9 and FX6
  • Sony Wuxi: Low to mid-range products such as ZV-1F, ZV-E10M2, α7 IV, and α7C

Sony Upcoming Camera Models Codes Updated List

Model number Model correspondence Registration date manufacturing
WW084220 5.1/2.4
Bluetooth
2025.05.23 Wuxi
WW697160 5.1/2.4
Bluetooth
2025.05.09 Japan
WW934774 FX2? 5.1/2.4
Bluetooth
2025.04.21 Shanghai
WW045578
WW912257
α1 II 5.1/2.4
Bluetooth
Japan
WW279317 Cinealta B MPC-2610 5.1/2.4 2023.09.20 Shanghai
WW293541 ZV-E10 II 5.1/2.4
Bluetooth
2024.03.25 Wuxi
WW030588 microphone? 2.4GHz 2025..1.10
WW773396
WW277226
ILME-FX3A 5.1/2.4
Bluetooth
2024.12.04 Japa

So there is a very high probability that this camera is a VLOGCAM or maybe an update to the existing A7 IV / Sony A7 V, coming next from Sony. Based on past trends, we expect the registered camera to be announced on or before September 2025, so we may see some additional information by the summer.

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source E88_8888

Canon Registers Two New Cameras May 2025 Update

Canon registered two new cameras with the wireless certification agency. Based on the model codes of the two cameras, it’s distinguishable that one is from their Cinema EOS line and the other is the RF mount, consumer mirrorless camera.

Canon Upcoming Cameras Model Code 2025 [Updated]

  • DS126922: EOS R5 II (Dual-band Wi-Fi 6 & Bluetooth)
  • DS126928: EOS R1 (Dual-band Wi-Fi 6 & Bluetooth)
  • DS126941: EOS R50 V (Dual-band Wi-Fi 5 & Bluetooth)
  • DS126904: PowerShot V1 (dual-band Wi-Fi 5 & Bluetooth)
  • ID174: Unknown (Dual-band Wi-Fi 5)
  • ID179: Unknown (Dual-band Wi-Fi 5)
  • ID0814: Unknown (Dual-band Wi-Fi 5)
  • DS126916: Unknown (Dual-band Wi-Fi 5)

Both are very new and support 2.4GHz and 5.1GHz Wi-Fi. Products beginning with “DS” tend to be still digital cameras, while those beginning with “ID” tend to be Cinema EOS cameras.

Some EOS or Cinema EOS cameras are planned for the future, and may be announced in the coming months. Rumor has it that they will be the Canon R6 Mark III or EOS R7 Mark II, but as we can see here, Canon is preparing for only one Consumer Mirrorless camera and the other is Cinema EOS.

Canon Camera Announcement in the 4th Week of August or Early September 2025

Canon registered both cameras in the 4th week of May 2025, roughly the camera maker takes 3 months to make it official, so expect a Canon announcement sometime in the 4th Week of August or Early September 2025.

Stay Updated with TheNewCamera.com

At TheNewCamera.com, we’re dedicated to keeping you informed about the latest camera news. The article “Canon Registers Two New Cameras May 2025 Update” was updated on 4:39 am, Wednesday, 28 May 2025 Greenwich Mean Time (GMT).  by thenewcamera.com team  | Follow us on our social pages  FACEBOOK | TWITTER | INSTAGRAM to get live  Camera NewsCanon Rumors 24X7.

source E88_8888

Sony FX2 Leaked Image and Specification

Is Petapixel host Jordan shooting with a Sony FX2 camera? First spotted by E88_8888, and then many people raised eyebrows by looking at the big body grip of the camera, almost no detail is noticeable.

The fact is that we can visibly see a deep hand grip in the Cinema camera, which is not present in any of the FX line of cameras. This is quite a big & deep,  one more thing that hints to us its the new FX2 — whenever they start the NEW episodes, they generally write before the beginning of the video, which camera and lenses they are using to record the particular episode, but specifically on that particular episode Fuji X-Half Review, they have missed that thing. So it can be a coincidence or a conscious decision.

Sony FX2 Specification

– Same 33MP sensor as the α7IV and α7CII
– AI chip
– Equipped with a tilting EVF (resolution unknown)
– EVF is completely different from the LUMIX GX9 and is larger like the GFX100
– Mechanical shutter
– AI AF
– 4K60p in Super35
– 32-bit floating point audio
– The body is thicker than the FX3
– Active cooling system
– Same ports and storage as the FX3
– Vertical battery grip available
– Price is around $3500

But it’s strange that the FX2, a video camera, has a vertical grip. Since the FX2 has a mechanical shutter, perhaps Sony wants it to be used as a still camera as well. Look at the updated set of specifications Sony FX2 camera, which is about to arrive in a few days.

Sony FX2 Official Announcement Video

sources E88_8888 | SPecs via SAR.com

The article “Sony FX2 Leaked Image and Specification” was published at 4:24 pm, Tuesday, 27 May 2025, Greenwich Mean Time (GMT). By thenewcamera.com Team. You can follow us on our social pages  FACEBOOK | TWITTER | INSTAGRAM,  –>If you have time –>see more Sony Alpha Rumor Latest Camera News

Nikon Z5 II vs Sony A7 IV

Nikon Z5 II is an entry-level camera, and Sony A7 IV is a semi-professional full-frame camera. The Sony A7 IV camera was announced on October 21, 2021. And if you compare with the Nikon Z5 II, it has been almost 3.5 years of gap between the two cameras, so despite of being an entry-level camera, the Nikon Z5 II has arrived with really advanced core specifications and it looks very competitive.

 Price Difference Between the Sony A7 IV and the Nikon Z5 II

The other good thing that we generally see at first is the price difference, even before the specification, current status of both the cameras by applying all the possible discounts:

Sony A7 IV Price – $2498
Nikon Z5 II Price – $1696

So, we do have a good price difference between the two cameras.

And the amount of money we are saving in the Nikon Z5 II body, we can get lenses like Nikkor 50 mm 1.8, Nikkor 28 mm f/2.8 or Viltrox 85mm f/1.8 Z.

Now let’s talk about the design difference, the difference we have in the photographic features of both cameras and finally the video core specs difference.

Best camera design-wise:

Nikon has been creating their DSLR for decades, and their mirrorless Z5 II is very easy to hold. At the very same time, we now have a 3000-nits brightness-based electronic viewfinder which helps us to shoot even in harsh light conditions.

Sony is in its 4th generation of A7 series camera, and overall design of the camera is really very good, and the good thing is that the old menu system of the Sony has been upgraded in the A7 IV so now you don’t have to fight with the old menus in the Sony camera. So overall, the A7 IV camera design is also very appealing and usable, although about EVF screen brightness information remains uncertain. Sony hasn’t disclosed how many nits of brightness does the A7 IV EVF has.

Why do We Need a CF Express card SLot in the Sony A7 IV?

For storage purposes, the Sony A7 IV camera also features an additional CFexpress card slot inside it, but we don’t know the exact requirement of the CF card type A existence inside the Sony body since the continuous shooting speed of the A7 IV camera is limited to 10 frames per second. Even in that, the specific scenario doesn’t require that CFexpress card. And when we talk about 4K 30 APS-C crop 60fps recording, in both of these scenarios the recording resolution and bitrates match with the Nikon Z5 II, which does the everything same or even better by recording complete N-RAW video internally and providing continuous shooting speed in high resolution up to 30 frames per second in the SD card slot.

Yes, we do have a slight resolution difference between the 24 MP and 33 MP sensor, and we are going to compare both sensors here in this article and let’s find out the best sensor for you. Image credit to all tests goes to dpreview.com

Which Camera Captures the Best Images?

Yes, we do have a slight resolution difference between the 24 MP and 33 MP sensor, and we are going to compare both sensors here in this article and let’s find out the best sensor for you.

Now we have picked up the Nikon Zf camera since the Nikon Z5 Mark II uses the same sensor as the Nikon Zf, so we are comparing the Nikon sensor against the Sony A7 IV in this comparison.

A comparison is very clear the Sony A7 IV camera is able to pick a bit more detail due to a slightly higher-resolution sensor, so if you are into commercial photography or need large prints,

But this is not always the case. In some of the specific spots of the image, we have witnessed that the Nikon Zf / Z5 Mark II camera sensor is able to grab a bit more detail. As you can see, the pencil shading and the fine lines are more clearly visible in the samples below.

Best Camera for LOW LIGHT Photography?

The Nikon Z5 II is more suitable for low-light photography. We have to consider several factors before we judge the best camera for low-light photography. As in the comparison table, you can see that the Nikon Z5 Mark II autofocus sensitivity can go down up to -10EV, which is exceptional in this price range. At the very same time, the Nikon Z5 Mark II camera features 7.5 stops of sensor image stabilisation system, and that can be linked to the autofocus point of the camera, resulting in a highly stabilised video or still output. And at the very end, we have a 24MP BSI sensor that helps us reach the maximum potential of the camera. Combining all three factors makes the Nikon Z5 ideal in terms of low-light photography.

Best camera for wildlife photographers and sports shooters?

Nikon Z5 II is the best camera, again, and it depends on several factors. Starting from the continuous shooting speed, the Nikon Z5 Mark II camera excels. It has a maximum continuous shooting speed of up to 30 frames per second. The Sony A7 IV camera remains limited to 10fps. But that’s not the only limitation — we have again the autofocus sensitivity of the Sony A7 IV is limited, and the sensor image stabilisation of the Nikon Z5 II has become increasingly advanced. You can link the entire IBIS unit with your moving autofocus points. And at the end, if you are worried about the autofocus performance, then the Z5 II, paired up with the Expeed 7 image processor, features 9 different types of subject detection algorithms inside it. And even if you love to capture birds, the camera can do bird-eye autofocus with the latest updates.

Best camera for video?

Both of the cameras record 10-bit footage, RRS video, and 4K 60FPS video with a 1.5X crop. At the very same time, both of them can record Full HD videos at 120 frames per second. The big difference can be seen when the new Nikon Z5 Mark II camera can deliver complete RAW footage of 12-bit in your internal SD card, and the cherry-on-top thing is when you are shooting in N-Log, then you have a different set of RED LUTs available to you, which will make your entire footage more and more professional. And apart from all these, we also have vectorscope, waveforms, and timecode functionality. The Nikon Z5 Mark II camera is recommended for professional use. If you are a professional wedding cinematographer or someone who loves to capture short stories in a professional way, then the Nikon Z5 Mark II is best for you.

Sony A7 IV doesn’t support complete RAW video recording. At the very same time, the picture profiles are limited. But it does support high-quality 4K recording and S-Log, HLG support. At the very same time, the gyro-based image stabilization system helps to stabilize the footage to the maximum extent. So if you’re shooting handheld, like creating your own personal vlog, then instead of having the Nikon Z5 Mark II camera, the A7 IV will be a bit more suitable.

Best camera for longer recording

If you have to shoot podcasts, then the initial specification says the Sony A7 IV can record unlimited videos, whereas the Nikon Z5 Mark II has a 2-hour 5-minute limit, and after that, you have to start it again. Now, the concern with the Sony A7 Mark IV camera is that you have to use it in controlled weather environments and with fast V90 or CFexpress cards if you wish to record 10-bit videos for more than 1+ hour. But that’s not the case with the Nikon Z5 Mark II camera — the body is heat-resistant and supports uninterrupted recording for long periods. So you have to decide whether you want an overheating-free camera (but again, you have to restart at the 2 hour 5 minute mark), or you can deal with the Sony A7 IV if you are sitting in a controlled weather environment with air conditioners.

Specification Comparison Table Nikon Z5 II vs Sony A7 IV

Feature Nikon Z5 II Sony A7 IV

Design

Lens Mount Nikon Z Sony E
Dimensions (W x H x D) 5.3 x 4 x 2.8″ / 134 x 100.5 x 72 mm 5.2 x 3.8 x 3.1″ / 131.3 x 96.4 x 79.8 mm
Weight (With Battery, Media) 1.5 lb / 700 g 1.4 lb / 658 g
Material of Construction Magnesium alloy/polycarbonate Magnesium Alloy
Operating Conditions 32 to 104°F / 0 to 40°C, up to 85% humidity 32 to 104°F / 0 to 40°C
Display Size 3.2″ 3.0″
Display Resolution 2,100,000 Dot 1,036,800 Dot
Display Type 3-Way Tilting Touchscreen LCD Free-Angle Tilting Touchscreen LCD
Viewfinder Type Electronic (OLED) Electronic (OLED)
Viewfinder Size 0.5″ 0.5″
Viewfinder Resolution 3,690,000 Dot 3,680,000 Dot
Viewfinder Magnification Approx. 0.8x Approx. 0.78x
Viewfinder Eye Point 21 mm 23 mm
Viewfinder Diopter Adjustment -4 to +2 -4 to +3
Media/Memory Card Slot Dual Slot: SD/SDHC/SDXC (UHS-II) Slot 1: CFexpress Type A / SD (UHS-II), Slot 2: SD/SDHC/SDXC (UHS-II)
Video I/O 1x Micro-HDMI Output 1x HDMI Output
Audio I/O 1x 3.5 mm TRS Stereo Headphone Output, 1x 3.5 mm TRS Stereo Microphone Input 1x 3.5 mm TRS Stereo Headphone Output, 1x 3.5 mm TRS Stereo Microphone Input
Other I/O 1x 3.5 mm Remote Input, 1x USB-C (USB 3.2 / 3.1 Gen 1) Data Input/Output 1x Sony Multi/Micro-USB Remote Input, 1x USB-C (USB 3.2 / 3.1 Gen 1) Data Input/Output
Wireless Bluetooth 5.0, 2.4 / 5 GHz Wi-Fi 5 (802.11ac) Wi-Fi 4 (802.11n), Bluetooth 4.1
Mobile App Compatibility Yes: SnapBridge (Android & iOS) for file access, firmware updates, and remote control Yes: Creators’ App (Android & iOS) for file access, settings, remote control, and setup
GPS Via a connected smartphone Via a connected smartphone
Battery 1x EN-EL15c Rechargeable Lithium-Ion (Approx. 380 shots) 1x NP-FZ100 Rechargeable Lithium-Ion, 7.2 VDC, 2280 mAh (Approx. 520 shots)
Shoe Mount 1x Hot Shoe 1x Intelligent Hot Shoe
Tripod Mounting Thread 1x 1/4″-20 Female (Bottom) 1x 1/4″-20 Female (Bottom)
Package Weight 2.555 lb 2.48 lb
Box Dimensions (LxWxH) 7.9 x 7.8 x 5.1″ 10.2 x 7.2 x 6.4″

Photography Features Comparison

Sensor Resolution Actual: 25.28 Megapixel, Effective: 24.5 Megapixel (6048 x 4032) Actual: 34.1 Megapixel, Effective: 33 Megapixel (7008 x 4672)
Image Sensor 35.9 x 23.9 mm (Full-Frame) CMOS 35.9 x 23.9 mm (Full-Frame) CMOS
Sensor Crop (35mm Equivalent) Crop Factor: 1x Crop Factor: 1x, Additional Modes: 1.5x (Select video modes)
Image Stabilization Sensor-Shift, 5-Axis, 7.5 Stops, you can link with AF points Sensor-Shift, 5-Axis, Traditional
Built-In ND Filter No No
Capture Type Stills & Video Stills & Video
Shutter Type Mechanical Focal Plane Shutter and Electronic Rolling Shutter Mechanical Focal Plane Shutter and Electronic Rolling Shutter
Shutter Speed 1/8000 to 30 seconds, Bulb & Time Mode 1/8000 to 30 Seconds, Bulb Mode (1/8000 to 1/4 Second in Movie Mode)
ISO Sensitivity (Photo) Native in Auto Mode: 100 to 64,000 (50 to 204,800 Extended) Native in Manual Mode: 100 to 51,200 (50 to 204,800 Extended), Native in Auto Mode: 100 to 12,800
Metering Method Center-Weighted Average, Highlight Weighted, Matrix, Spot Center-Weighted Average, Highlight Weighted, Multi-Zone, Spot
Exposure Modes Aperture Priority, Auto, Manual, Program, Shutter Priority Aperture Priority, Auto, Manual, Program, Shutter Priority
Exposure Compensation -5 to +5 EV (1/3, 1/2 EV Steps) -5 to +5 EV (1/3, 1/2 EV Steps)
Metering Range -4 to 17 EV -3 to 20 EV
White Balance

Presets: Auto, Cloudy, Color Temperature, Direct Sunlight, Flash, Fluorescent, Incandescent, Preset Manual, Shade

Portrait Persona: Custom Skin WB Tone Selector (Video still both)

2500 to 9900K, Presets: ATW, AWB, Auto, Cloudy, Color Temperature, Color Temperature Filter, Custom, Daylight, Flash, Fluorescent (Cool White, Day White, Daylight, Warm White), Incandescent, Shade, Underwater
Continuous Shooting Up to 30 fps at Maximum Resolution Up to 10 fps at Maximum Resolution for up to 1000 Frames (Raw, JPEG)
Interval Recording Yes Yes
Self-Timer 2/5/10/20-Second Delay 2/5/10-Second Delay
Aspect Ratio 1:1, 3:2, 16:9 1:1, 3:2, 4:3, 16:9
Image File Format HEIF, JPEG, Raw HEIF, JPEG, Raw
Bit Depth 14-Bit 14-Bit
Focus Type Auto and Manual Focus Auto and Manual Focus
Focus Mode Continuous-Servo AF, Full-Time Servo, Manual Focus, Single-Servo AF Continuous-Servo AF, Direct Manual Focus, Manual Focus, Single-Servo AF
Autofocus Points Phase Detection: 273 Phase Detection: 759, Contrast Detection: 425
Autofocus Sensitivity -10 to +19 EV -4 to +20 EV
Built-In Flash/Light No No
Flash Modes First-Curtain Sync, Off, Rear Curtain Sync/Red-Eye Reduction, Rear Sync, Red-Eye Reduction, Slow Sync, Slow Sync/Red-Eye Reduction Auto, Fill Flash, Hi-Speed Sync, Off, Rear Sync, Red-Eye Reduction, Slow Sync
Maximum Sync Speed 1/200 Second 1/250 Second
Flash Compensation -3 to +1 EV (1/3, 1/2 EV Steps) -3 to +3 EV (1/3, 1/2 EV Steps)
Dedicated Flash System iTTL TTL
External Flash Connection Shoe Mount Shoe Mount

Video

Raw Video Recording
Yes, NRAW NA
Internal Recording Modes H.264/MOV/MP4:
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
1920 x 1080p at 23.98/25/29.97/50/59.94/100/120 fps
H.264/XAVC S-I 4:2:2 10-Bit:
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [240 to 600 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [89 to 222 Mb/s]
H.265/XAVC HS 4:2:2 10-Bit:
Video IS IBIS + EVR Yes, Gyro
External Recording Modes 8-Bit via HDMI:
UHD 4K (3840 x 2160) up to 29.97 fps
4:2:0 8-Bit via HDMI:
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
Fast-/Slow-Motion Support No Yes
Overheating issues, if any No Requires V60 above the card, Fixed with the recent firmware updates
Log and Gamma Curve Not specified HDR-HLG, Sony S-Log 2, Sony S-Log 3
Recording Limit 2-Hour 5-Minute Maximum No
IP Streaming No No
Built-In Microphone Stereo Stereo
Audio Recording MOV, Raw: 24-Bit 48 kHz AAC Audio
MP4: 16-Bit 48 kHz LPCM Audio
XAVC S: 2-Channel 16-Bit 48 kHz LPCM Audio
MPEG4: 2-Channel AAC LC Audio

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Viltrox Teleconverter for Nikon Z-Mount Patent Spotted

In a recent patent spotted by Rumor Mill, the Viltrox is working on a 2x teleconverter for the Nikon Z Mount camera. It is very clearly visible from their patent images the lens mount has been designed for the Z Mount. Although the E-mount does not allow third-party teleconverters, the fact that Viltrox is preparing a Z-mount teleconverter suggests that Nikon may be considering allowing third-party teleconverters.

The pins’ location and numbers exactly match with Z Mount. For the first time that a third-party manufacturer is also free to create teleconverters, which was not possible earlier. So it will help the photographers to buy it at an affordable cost. This step may also indicate one thing very clearly, that Viltrox is also planning to bring Telephoto lenses Z mount soon.

Also see
Nikon ZR coming in Q4 of 2025
Nikon Z7 Mark III Leaked Specifications: Is the Rumored Camera Real?
Nikon Z9 Mark II, Coming before 2026 Winter Olympics?
Sony FX2 Coming Soon
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source – Nikonrumor.com

Sony FX30 vs. Canon C400 - Canon Fails in Low-Light Test?

Lowlight tests done by Jake Hayden. He recently purchased a Canon C400 cinema camera; earlier, he was using a Sony FX30 camera for studio and professional work. But now he is regretting his decision since the C400 generates more noise compared to the FX30 in the same situation. Take a look at the sample below

Take a look at what Jake said –

What’s really interesting is I have access to an FX30. Now we’re always making fun of Sony for having a lot of internal noise reduction but look at this difference first of all I’m going to go to the extreme. This is six stops underexposed. The FX30 is recording XF-AVC 10bit 422 in 4k and look at that noise pattern you can tell there’s a little bit of noise reduction but it is so fine, I just wanted to compare that to the same mode on the C400 which looks so bad, the C400 broke at three stops under here’s the FX30 not in raw it’s an XF-AVC, looks like it’s fine granular noise. I am blown away at how bad the noise performance is on the C400 if you want a spiky takeaway from this you could buy five FX30s for the price of one C400 and all five of them would have better image quality but here’s the thing does any of this actually matter

Summary Table

The table below encapsulates the reviewer’s observations on noise performance and image quality, using corrected terms for accuracy.

Camera Codec Underexposure Tested Noise Performance Image Quality Observations
Sony FX30 XF-AVC 10-bit 4:2:2 6 stops, 3 stops Fine, granular noise with some noise reduction Less digital noise, usable at 3 stops under despite compression
Canon C400 XF-AVC, Raw 6 stops, 3 stops Digital, crunchy noise pattern Poorer noise performance, especially in raw, breaks at 3 stops under, less usable
Blackmagic Ursa Raw Reference (3-4 stops) Fine, pixel-level noise ~8 stops latitude with headroom to 9, better highlight and shadow recovery

I got an email today from one of our subscribers pointing towards this video, and this is quite seems to be a legit testing, and most importantly of all, he has put his hard-earned money into getting the camera, so it’s a fair review, not a sponsored one.

Get Sony FX30 from Amazon.com | B&H Store

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