Nikon Z5 II is an entry-level camera, and Sony A7 IV is a semi-professional full-frame camera. The Sony A7 IV camera was announced on October 21, 2021. And if you compare with the Nikon Z5 II, it has been almost 3.5 years of gap between the two cameras, so despite of being an entry-level camera, the Nikon Z5 II has arrived with really advanced core specifications and it looks very competitive.
Price Difference Between the Sony A7 IV and the Nikon Z5 II
The other good thing that we generally see at first is the price difference, even before the specification, current status of both the cameras by applying all the possible discounts:
Sony A7 IV Price – $2498 Nikon Z5 II Price – $1696
So, we do have a good price difference between the two cameras.
And the amount of money we are saving in the Nikon Z5 II body, we can get lenses like Nikkor 50 mm 1.8, Nikkor 28 mm f/2.8 or Viltrox 85mm f/1.8 Z.
Now let’s talk about the design difference, the difference we have in the photographic features of both cameras and finally the video core specs difference.
Best camera design-wise:
Nikon has been creating their DSLR for decades, and their mirrorlessZ5 II is very easy to hold. At the very same time, we now have a 3000-nits brightness-based electronic viewfinder which helps us to shoot even in harsh light conditions.
Sony is in its 4th generation of A7 series camera, and overall design of the camera is really very good, and the good thing is that the old menu system of the Sony has been upgraded in the A7 IV so now you don’t have to fight with the old menus in the Sony camera. So overall, the A7 IV camera design is also very appealing and usable, although about EVF screen brightness information remains uncertain. Sony hasn’t disclosed how many nits of brightness does the A7 IV EVF has.
Why do We Need a CF Express card SLot in the Sony A7 IV?
For storage purposes, the Sony A7 IV camera also features an additional CFexpress card slot inside it, but we don’t know the exact requirement of the CF card type A existence inside the Sony body since the continuous shooting speed of the A7 IV camera is limited to 10 frames per second. Even in that, the specific scenario doesn’t require that CFexpress card. And when we talk about 4K 30 APS-C crop 60fps recording, in both of these scenarios the recording resolution and bitrates match with the Nikon Z5 II, which does the everything same or even better by recording complete N-RAW video internally and providing continuous shooting speed in high resolution up to 30 frames per second in the SD card slot.
Yes, we do have a slight resolution difference between the 24 MP and 33 MP sensor, and we are going to compare both sensors here in this article and let’s find out the best sensor for you. Image credit to all tests goes to dpreview.com
Which Camera Captures the Best Images?
Yes, we do have a slight resolution difference between the 24 MP and 33 MP sensor, and we are going to compare both sensors here in this article and let’s find out the best sensor for you.
Now we have picked up the Nikon Zf camera since the Nikon Z5 Mark II uses the same sensor as the Nikon Zf, so we are comparing the Nikon sensor against the Sony A7 IV in this comparison.
A comparison is very clear the Sony A7 IV camera is able to pick a bit more detail due to a slightly higher-resolution sensor, so if you are into commercial photography or need large prints,
But this is not always the case. In some of the specific spots of the image, we have witnessed that the Nikon Zf / Z5 Mark II camera sensor is able to grab a bit more detail. As you can see, the pencil shading and the fine lines are more clearly visible in the samples below.
Best Camera for LOW LIGHT Photography?
The Nikon Z5 II is more suitable for low-light photography. We have to consider several factors before we judge the best camera for low-light photography. As in the comparison table, you can see that the Nikon Z5 Mark II autofocus sensitivity can go down up to -10EV, which is exceptional in this price range. At the very same time, the Nikon Z5 Mark II camera features 7.5 stops of sensor image stabilisation system, and that can be linked to the autofocus point of the camera, resulting in a highly stabilised video or still output. And at the very end, we have a 24MP BSI sensor that helps us reach the maximum potential of the camera. Combining all three factors makes the Nikon Z5 ideal in terms of low-light photography.
Best camera for wildlife photographers and sports shooters?
Nikon Z5 II is the best camera, again, and it depends on several factors. Starting from the continuous shooting speed, the Nikon Z5 Mark II camera excels. It has a maximum continuous shooting speed of up to 30 frames per second. The Sony A7 IV camera remains limited to 10fps. But that’s not the only limitation — we have again the autofocus sensitivity of the Sony A7 IV is limited, and the sensor image stabilisation of the Nikon Z5 II has become increasingly advanced. You can link the entire IBIS unit with your moving autofocus points. And at the end, if you are worried about the autofocus performance, then the Z5 II, paired up with the Expeed 7 image processor, features 9 different types of subject detection algorithms inside it. And even if you love to capture birds, the camera can do bird-eye autofocus with the latest updates.
Best camera for video?
Both of the cameras record 10-bit footage, RRS video, and 4K 60FPS video with a 1.5X crop. At the very same time, both of them can record Full HD videos at 120 frames per second. The big difference can be seen when the new Nikon Z5 Mark II camera can deliver complete RAW footage of 12-bit in your internal SD card, and the cherry-on-top thing is when you are shooting in N-Log, then you have a different set of RED LUTs available to you, which will make your entire footage more and more professional. And apart from all these, we also have vectorscope, waveforms, and timecode functionality. The Nikon Z5 Mark II camera is recommended for professional use. If you are a professional wedding cinematographer or someone who loves to capture short stories in a professional way, then the Nikon Z5 Mark II is best for you.
Sony A7 IV doesn’t support complete RAW video recording. At the very same time, the picture profiles are limited. But it does support high-quality 4K recording and S-Log, HLG support. At the very same time, the gyro-based image stabilization system helps to stabilize the footage to the maximum extent. So if you’re shooting handheld, like creating your own personal vlog, then instead of having the Nikon Z5 Mark II camera, the A7 IV will be a bit more suitable.
Best camera for longer recording
If you have to shoot podcasts, then the initial specification says the Sony A7 IV can record unlimited videos, whereas the Nikon Z5 Mark II has a 2-hour 5-minute limit, and after that, you have to start it again. Now, the concern with the Sony A7 Mark IV camera is that you have to use it in controlled weather environments and with fast V90 or CFexpress cards if you wish to record 10-bit videos for more than 1+ hour. But that’s not the case with the Nikon Z5 Mark II camera — the body is heat-resistant and supports uninterrupted recording for long periods. So you have to decide whether you want an overheating-free camera (but again, you have to restart at the 2 hour 5 minute mark), or you can deal with the Sony A7 IV if you are sitting in a controlled weather environment with air conditioners.
Specification Comparison Table Nikon Z5 II vs Sony A7 IV
Feature
Nikon Z5 II
Sony A7 IV
Design
Lens Mount
Nikon Z
Sony E
Dimensions (W x H x D)
5.3 x 4 x 2.8″ / 134 x 100.5 x 72 mm
5.2 x 3.8 x 3.1″ / 131.3 x 96.4 x 79.8 mm
Weight (With Battery, Media)
1.5 lb / 700 g
1.4 lb / 658 g
Material of Construction
Magnesium alloy/polycarbonate
Magnesium Alloy
Operating Conditions
32 to 104°F / 0 to 40°C, up to 85% humidity
32 to 104°F / 0 to 40°C
Display Size
3.2″
3.0″
Display Resolution
2,100,000 Dot
1,036,800 Dot
Display Type
3-Way Tilting Touchscreen LCD
Free-Angle Tilting Touchscreen LCD
Viewfinder Type
Electronic (OLED)
Electronic (OLED)
Viewfinder Size
0.5″
0.5″
Viewfinder Resolution
3,690,000 Dot
3,680,000 Dot
Viewfinder Magnification
Approx. 0.8x
Approx. 0.78x
Viewfinder Eye Point
21 mm
23 mm
Viewfinder Diopter Adjustment
-4 to +2
-4 to +3
Media/Memory Card Slot
Dual Slot: SD/SDHC/SDXC (UHS-II)
Slot 1: CFexpress Type A / SD (UHS-II), Slot 2: SD/SDHC/SDXC (UHS-II)
Video I/O
1x Micro-HDMI Output
1x HDMI Output
Audio I/O
1x 3.5 mm TRS Stereo Headphone Output, 1x 3.5 mm TRS Stereo Microphone Input
1x 3.5 mm TRS Stereo Headphone Output, 1x 3.5 mm TRS Stereo Microphone Input
Other I/O
1x 3.5 mm Remote Input, 1x USB-C (USB 3.2 / 3.1 Gen 1) Data Input/Output
1x Sony Multi/Micro-USB Remote Input, 1x USB-C (USB 3.2 / 3.1 Gen 1) Data Input/Output
Wireless
Bluetooth 5.0, 2.4 / 5 GHz Wi-Fi 5 (802.11ac)
Wi-Fi 4 (802.11n), Bluetooth 4.1
Mobile App Compatibility
Yes: SnapBridge (Android & iOS) for file access, firmware updates, and remote control
Yes: Creators’ App (Android & iOS) for file access, settings, remote control, and setup
H.264/MOV/MP4:
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
1920 x 1080p at 23.98/25/29.97/50/59.94/100/120 fps
H.264/XAVC S-I 4:2:2 10-Bit:
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [240 to 600 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [89 to 222 Mb/s]
H.265/XAVC HS 4:2:2 10-Bit:
Video IS
IBIS + EVR
Yes, Gyro
External Recording Modes
8-Bit via HDMI:
UHD 4K (3840 x 2160) up to 29.97 fps
4:2:0 8-Bit via HDMI:
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
Fast-/Slow-Motion Support
No
Yes
Overheating issues, if any
No
Requires V60 above the card, Fixed with the recent firmware updates
In a recent patent spotted by Rumor Mill, the Viltrox is working on a 2x teleconverter for the Nikon Z Mount camera. It is very clearly visible from their patent images the lens mount has been designed for the Z Mount. Although the E-mount does not allow third-party teleconverters, the fact that Viltrox is preparing a Z-mount teleconverter suggests that Nikon may be considering allowing third-party teleconverters.
The pins’ location and numbers exactly match with Z Mount. For the first time that a third-party manufacturer is also free to create teleconverters, which was not possible earlier. So it will help the photographers to buy it at an affordable cost. This step may also indicate one thing very clearly, that Viltrox is also planning to bring Telephoto lenses Z mount soon.
Lowlight tests done by Jake Hayden. He recently purchased a Canon C400 cinema camera; earlier, he was using a Sony FX30 camera for studio and professional work. But now he is regretting his decision since the C400 generates more noise compared to the FX30 in the same situation. Take a look at the sample below
Take a look at what Jake said –
What’s really interesting is I have access to an FX30. Now we’re always making fun of Sony for having a lot of internal noise reduction but look at this difference first of all I’m going to go to the extreme. This is six stops underexposed. The FX30 is recording XF-AVC 10bit 422 in 4k and look at that noise pattern you can tell there’s a little bit of noise reduction but it is so fine, I just wanted to compare that to the same mode on the C400 which looks so bad, the C400 broke at three stops under here’s the FX30 not in raw it’s an XF-AVC, looks like it’s fine granular noise. I am blown away at how bad the noise performance is on the C400 if you want a spiky takeaway from this you could buy five FX30s for the price of one C400 and all five of them would have better image quality but here’s the thing does any of this actually matter
Summary Table
The table below encapsulates the reviewer’s observations on noise performance and image quality, using corrected terms for accuracy.
Camera
Codec
Underexposure Tested
Noise Performance
Image Quality Observations
Sony FX30
XF-AVC 10-bit 4:2:2
6 stops, 3 stops
Fine, granular noise with some noise reduction
Less digital noise, usable at 3 stops under despite compression
Canon C400
XF-AVC, Raw
6 stops, 3 stops
Digital, crunchy noise pattern
Poorer noise performance, especially in raw, breaks at 3 stops under, less usable
Blackmagic Ursa
Raw
Reference (3-4 stops)
Fine, pixel-level noise
~8 stops latitude with headroom to 9, better highlight and shadow recovery
I got an email today from one of our subscribers pointing towards this video, and this is quite seems to be a legit testing, and most importantly of all, he has put his hard-earned money into getting the camera, so it’s a fair review, not a sponsored one.
Canon mirrorless cameras have become a perfect choice for professional photographers and beginners in 2025. The camera offers cutting-edge autofocus technology, high-resolution sensors, as well as a wide range of native lenses, along with a huge range of DSLR lenses that are fully adaptable with the new RF system cameras. And now Canon has started to open up to third-party leading lens manufacturers like Sigma and Tamron, for the APS-C RF mount cameras.
Why choose a Canon mirrorless camera in 2025?
Cameras are a combination of portability, advanced technology, and versatility. Canon’s Dual Pixel Autofocus system does seamless focus and never misses any subject since the entire sensor pixels are involved in autofocusing and none of the pixels are dead, unlike in hybrid CMOS or contrast-detect focus sensors where the fabricated autofocus points are actually dead pixels and don’t contribute anything to the image quality. And that’s why the Canon sensors are able to achieve the industry’s best tonal quality for capturing human portraits with advanced accuracy in their new AI Auto White Balance mode.
Canon isn’t dependent on any other third-party sensor maker or lens makers for their system cameras. They design everything indigenously and that’s why their RF system is so perfect.
Top 6 mirrorless cameras for photography in 2025
Let’s dive into the details, the best Canon mirrorless cameras for 2025. Each camera is handpicked for different photographic needs. Either you are a professional photographer, an action or sports lover, or an entry-level buddy photographer, we are starting from pros and going down to budget-friendly options.
1. Canon EOS R5 Mark II – the professional’s dream machine
What’s inside: We have a 45-megapixel STACKED full-frame CMOS sensor. The readout speed of the sensor is 6.3 milliseconds. The camera is able to record 8K videos up to 60 frames per second and features 5,850 autofocus points. You are getting 8.5 stops of sensor-shift image stabilization and continuous shooting speed up to 30 RAW frames per second.
Why it rocks: I think Canon should get the flagship camera award for the Canon R5 II. Canon R5 Mark II camera is said to be the Swiss Army knife of cameras. The 45-megapixel full-frame CMOS sensor gives highly detailed images, perfect for landscape photography. Since Canon is known for its skin tonal quality, and the Canon R5 Mark II is also highly suitable for portrait photography, it is the best mirrorless camera for professional photography in 2025. The autofocus tracks everything from bird eyes to bride’s eyes with laser precision, and the stabilization gives you the ability to shoot at slow shutter speed without worrying about blur. If you are a habit shooter, then 8K video is the cherry on top.
Perfect for: The camera is perfect for wedding photographers as well as professional portrait photographers. Anybody who loves to have highly detailed images from their camera, the R5 Mark II is the best option.
What’s inside: 24.2-megapixel full-frame stacked CMOS sensor, 2.7 milliseconds of readout speed, 40 FPS RAW capture, 1/64000s shutter, dual CFexpress card slots, 7.5 stops of IBIS.
Why it rocks: The Canon R1 was announced back in July 2024, and it is Canon’s fastest mirrorless camera yet. Canon R1 is the best camera for sports photography in 2025. It freezes the action like no other without any trace of rolling shutter effect, as well as the low-light performance is excellent. The autofocus of this camera does magic in reality—it sticks to fast-moving subjects, and you have to just compose the image and capture the frame, and nothing else you have to do. The Canon R1 camera features a rugged and completely rainproof design, a perfect mirrorless camera for wildlife photography in 2025.
Perfect for: Sports photography and wildlife photography
What’s inside: We have a 24.2 MP full-frame sensor able to capture 40 frames per second with electronic shutter and also records uncropped 4K 60fps video with advanced autofocus support and approximately 7.5 stops of IBIS.
Why it rocks: The Canon R6 Mark II camera actually captures the best sweet spot in Canon lineup, for those who love to have professional features in their camera without breaking the bank. Yes, we are waiting for Canon R6 Mark III, and possibly in the fourth quarter of 2025 we may have it. Meanwhile, the R6 Mark II is available at a very reasonable price, and if you love to have a professional feel in your hand, then the R6 Mark II is the perfect choice. The ISO ranges up to 204800, making it ideal for professional portrait photography with Canon mirrorless cameras in 2025. A lot of wedding photographers out there also use the Canon R6 Mark II camera bod,y pairing it up with the Canon 28-70 f/2.8 lens. Whether you are shooting candid events or fast-moving kids, the autofocus speed always catches you, and the stabilisation makes everything so perfect. For now, the Canon R6 Mark II camera at its price is the best option.
What’s inside: The camera features a 24.2 megapixel full-frame CMOS sensor and continuous shooting speed up to 40 frames per second. Canon R8 also records uncropped 4K 60fps video with advanced autofocus and excellent tonal quality.
Why it rocks: Canon R8 is one of the best budget-friendly Canon mirrorless cameras for photography in 2025. The camera arrives at a super budget price and is able to offer you a full-frame sensor with 4K 60fps uncropped recording and continuous shooting speed up to 40 frames per second which no one else is able to offer. The body doesn’t have IBIS so you need to keep OIS lenses to get the perfect shot.
Perfect for budget-conscious shooters waiting for full-frame performance.
What’s inside: The Canon R10 features a 24.1-megapixel APS-C CMOS sensor with maximum mechanical continuous shooting speed up to 15fps, and records 4K 30fps APS-C video.
Why it rocks: The Canon R10 is one of the best cameras for new photographers. If you’re a beginner and looking for an all-rounder camera, then the Canon R10 is definitely a perfect choice for you. The Canon R10 is actually fast enough for action and sports photography, and pairs up flawlessly with native and third-party RF-S lenses, making it the best Canon mirrorless camera for beginners in 2025.
What’s inside: 24.2 APS-C sensor, records 4K 60fps video without any crop, in-body LUTs, false color, and vertical tripod support.
Why it rocks: The Canon R50V camera is a recent announcement from Canon. The Canon R50V is a compact powerhouse for cinematography on a budget. The camera features extensive videographic features that make you feel like you are using a professional cinema tool in your hand. The box-like body design and compatibility with RF-S dual fisheye lenses to create VR content make you feel it’s a professional cinema camera available at only $649.
Perfect for vloggers: Bloggers, YouTubers, and beginner cinematographers.
If you are not sure which one is right for you, we have made a quick guide that will help you pick the best Canon camera for you.
Budget: Budget-wise, Canon R50V, Canon R10, and Canon R8 keep the overall cost low. In the higher price range, we have the Canon R5 Mark II and Canon R1 — these are the premium professional mirrorless cameras.
Photography versus cinematography: Canon R1 camera has been recommended for sports and wildlife photographers. The Canon R5 Mark II camera is a multipurpose camera but is usually being recommended for landscape photography, wedding photography, and professional portrait photography. At the very same time, Canon R6 Mark II camera is known for its versatility, and Canon R50V is for budget cinematography and video.
Sensor size: We have full-frame cameras — the Canon R5 Mark II, the Canon R1, Canon R6 Mark II, and the Canon R8 — all these nail low light very well. On the other side, we have the APS-C — the Canon R10 and R50V — which saves a lot of money.
Portability: When you are in travel mode and portability is an important factor to you, then having Canon R50V, Canon R10, and Canon R8 are the best options as these are super lightweight. Cameras like Canon R1 or even the R5 Mark II are built like a tank and are a bit bulkier.
Lenses: All these cameras mentioned in the list work flawlessly with RF lenses, and if you have some budget issues, then you can buy the DSLR lenses with the adapter — even those will work flawlessly in most cases. In APS-C range, we do have third-party lens maker support from Sigma and Tamron, so you have more options in the APS-C range compared to full-frame.
Recommended Lenses to Pair with Your Canon Mirrorless Camera We have listed some of the most popular lenses among our subscribers.
FAQ: Best Canon Mirrorless Cameras for Photography and Cinematography in 2025
What is the best Canon mirrorless camera for professional photography in 2025? The Canon R5 Mark II camera is the top pick for professional photographers. It should be termed as Canon’s flagship camera without a doubt. If you look at the set of features of the Canon R5 Mark II — featuring a 45-megapixel full-frame stacked CMOS sensor, ability to record 8K video, and unbeatable autofocus — for professional photography with Canon’s cameras in 2025, the Canon R5 Mark II is the best option.
Which Canon mirrorless camera is best for beginners in 2025? We have two different types in this. The first one is Canon R50 V, which is best for beginner videographers in 2025, and the next is Canon R10, which is perfect for beginners.
What is the best Canon camera for sports photography? The Canon R1 is a speed monster camera, with 40FPS shooting mode and shutter speed up to 1/64000 of a second. Perfect for sports photography with Canon mirrorless camera in 2025. Although if you’re a beginner and looking for a budget-friendly option, then you can start with Canon R10 with 14 FPS mech shutter speed or Canon R50 with 40 FPS continuous shooting speed.
Which Canon camera is best for low-light photography in 2025? The Canon R8 or 6 Mark II camera—both are excellent tools for low light photography, featuring a full frame CMOS sensor of 24 MP and sensitivity up to 204800. They are able to grab excellent low-light images. So these two are perfect for low-light photography with a Canon camera in 2025.
Can I use my old EF lenses with a Canon RF camera in 2025? Absolutely yes, you can use your old EF lenses with the Canon EF to EOS R adapter. It will allow you to use all of your EF lenses with no loss in quality.
What is the cheapest Canon mirrorless camera for video in 2025? The Canon R50 V, which is available at 64,900 only, is the most budget-friendly Canon camera for cinematography in 2025. It gives you all the possible professional video features like 4K 60 FPS, uncropped and false color recording in a compact body under budget.
The Canon mirrorless cameras will give you creative superpower—whether you talk about the recently announced Canon R50 V or the professional Canon R5 Mark II camera, or even the Canon R1. All the cameras now pack professional tech, and Canon is now very aggressive with its core specification, and they are testing limits literally with whatever they are giving in the price range. Shahid Afridi wants to create a cinematic camera on a budget for you—want to capture every fine detail? They have it all. Use this guide to find out the best Canon mirrorless camera for photography and cinematography in 2025 for you, and you can also check the Canon official website for the latest details on cameras and lenses. Thanks very much for reading this article—let me know if you have any questions.
This may be the first Fujifilm camera that I don’t like. Saying this from the bottom of a Fuji fan boy’s heart. Ok, to be honest, after watching multiple reviews, and am not able to accept the type of still or video quality I am getting from this camera. Despite having a large 1-inch sensor. Image quality isn’t able to reach the level that other cameras with a lens can do.
Instead of putting R&D into such cameras, better to spend some time on the development Fuji X-A5 or X-T200 successor
Yes, we do know that Instax series cameras are very popular among Gen Z, and they are a great source of revenue for Fuji, and there is no harm in introducing more and more toy cameras. But for those who have really associated with Fuji for a long time, like myself, I am really very much disappointed today.
Watch Some Reviews | See Image Quality urself and don’t listen to the promotional words, just mute the mic
Better Alternatives in the Same Price Range
Canon V1
Nikon Z30 with kit lens is way cheaper + You can also have a DX 24mm F1.4 PRIME lens in the same price range
Ricoh GR4 is the latest edition of Ricoh’s compact camera, which uses a 26-megapixel APS-C BSI CMOS sensor that we have seen in the Sony A6700 camera. The camera uses a new 18.3mm f/2.8 lens, which is equivalent to 28mm, perfect for street photography. Alongside the standard model, they are also about to announce a standard HDF version. How this HDF version is different from the standard version is explained in detail in a later part of the article. Let’s have a look at the detailed set of core specifications of the upcoming Ricoh GR4 compact camera.
RICOH GR IV Specification
26MP BSI Sensor: same 26MP BSI chip found in Sony’s a6700 / ZV-E10 II
New 18.3mm F2.8 Lens: A redesigned 7-element, 5-group lens (with 3 aspherical elements) equivalent to 28mm, perfect for street photography cameras.
5-Axis Image Stabilization: sharp images, even in low-light conditions
Shutter Speed Range: 1/4000 sec to 30 sec (1/2500 sec at F2.8, 1/4000 sec at F5.6 and beyond).
Storage: Includes 53GB internal storage and a UHS-I Micro SD card slot for flexibility.
3.0″ LCD Screen: A 1.037M dot display for clear image review and menu navigation.
Full HD Video: Records up to 60p, catering to videographers seeking a compact camera for video recording.
109.4 x 61.1 x 32.7mm
262g with memory card and battery
Compact Design: Measures 109.4 x 61.1 x 32.7mm and weighs just 262g (with battery and card), making it highly portable.
Ricoh GR4 HDF Model – A Creative Powerhouse for Professionals
And the most important thing that the HDF model introduces is a Highlight Diffusion Filter. What it does actually is softens the highlights and makes a more cinematic, dreamy effect. So while you are shooting in highlight situations, the diffusion filter helps you to extract the maximum dynamic range possible from the given scene.
Enhanced Performance with New Sensor and Image Processor
Not only the new sensor, we also have a new image processor. So the upcoming camera is highly optimized to deliver the best image quality as well as autofocusing performance. Additionally, Ricoh has also developed the GR World App that enhances the operability and seamless sharing with your smart devices.
Ricoh GR4 Arrival Date and Price
The Ricoh GR4 release date is scheduled for Autumn 2025. The price of the camera is expected approx $1,146
RICOH GR IV Official Press Release
Currently under development: the RICOH GR IV, the latest model of the GR series of high-end digital compact cameras, designed to be the ultimate snapshot camera
TOKYO, May 22, 2025 — RICOH IMAGING COMPANY, LTD. is pleased to announce the
development of the RICOH GR IV — the latest model of the GR-series high-end compact cameras.
Over a history of nearly three decades (since the introduction of the film camera, RICOH GR1 in 1996), and two decades (since the introduction of the first digital-format GR DIGITAL in 2005), the GR series has always kept the basic concept of pursuing the essential values of a camera: high image quality, quick response and portability. At the same time, the series has always incorporated the changes and refinements demanded to meet emerging user needs. Because of this, GR-series models have been preferred by many photographers, particularly professionals and highly experienced amateurs.
Currently under development, the RICOH GR IV inherits the basic GR-series concept, while also incorporating totally new components, including a newly designed lens, a new image sensor and a new imaging engine, to further upgrade image quality. It also features more advanced communications functions and is compatible with a new application designed for smart devices to improve operability and functionality.
Based on this new GR IV, another GR-series model featuring an HDF (Highlight Diffusion Filter) is also under development.
Designed to be the ultimate snapshot camera in the history of the GR series, the RICOH GR IV is a totally new breed of camera, one which will satisfy every photographer’s demands and expectations
Note: The exterior design sample of the RICOH GR IV, currently under development, will be showcased at GR SPACE in Tokyo, Beijing and Shanghai, beginning on Saturday, May 31, 2025.
The production and shipment of the RICOH GR III, currently on the market, are scheduled to be discontinued this July, due to difficulty in procuring of parts and components. However, the production and marketing of the RICOH GR IIIx will be continued for the time being.
Overview of the product under development
Model name: RICOH GR IV
Launch date: Scheduled to be launched in Autumn 2025
The HDF model is scheduled to be released after winter 2025.
GR WORLD (application for smart devices)
Launch date: Scheduled to be released soon
Supported models: All GR-series models released after the RICOH GR I
If you believe the latest rumors published on the web, the Fuji X-E5 camera will be available in the summer of 2025. Summer months in the USA are June, July, and August, so we will most probably have our camera on or before August 2025.
The Fuji X-E5 was overdue for an update, The Fuji X-E4 camera was announced back in March 2021, and the Fuji X-E3 camera was announced in September 2017. The gap between the Fuji X-E3 and X-E4 announcements is approximately 3.5 years. But, this time Fuji took +1 year of time to bring the update of Fuji X-E series camera.
Fuji X-E5 Expected core specification
40MP APS-C X-Trans CMOS 5 HR Sensor
4K Video Recording at 60p, 6.2K at 30p (4:2:2 10-Bit)
Post Update: Fuji X-E5 Coming in June 2025 [Confirmed]
We are updating the post with the latest information. It is now almost confirmed that the Fuji X-E5 Camera will be available in June 2025. The camera’s core specification is expected to remain the same as mentioned above, with some added perks.
Stay tuned for more updates coming
The article “Fuji X-E5 Camera Announcement on or Before August 2025” written and updated by thenewcamera.com team on Dec 13, 2024 at 19:07 2025, Greenwich Mean Time (GMT) and Updated on 4:47 am, Wednesday, 21 May 2025 Greenwich Mean Time (GMT)| Follow us for more updates and Get LIVE RUMORS –> FACEBOOK | TWITTER | INSTAGRAM to get live news — > get live news + –> See More Fuji Rumors
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