Finally, a very tough competitor for the Canon R7 camera coming, the Nikon Z90 is said to feature a stacked CMOS Sensor instead of FSI or BSI to deliver the MAX speed possible in burst mode and without any rolling shutter effect.
Canon is planning to introduce a Canon RF Mount Mirrorless camera with cooling vents. But what will happen when the dust will clog this fan inside our camera? since it’s very difficult to disassemble and clean, a clogged motor of the fan will generate more heat when it’s unable to run resulting negative impact on the cooling system of the camera.
Samsung phones were earlier using liquid cooling tech for S-series smartphones but returned to vapor chamber cooling, S22 ultra uses vapor chamber cooling tech, and for s22 ultra Samsung also developed a new thermal paste Gel-TIM which transfers heat 3.5X faster than the conventional paste. they should approach smartphone makers to make a better internal cooling unit.
Patent Details
The front opening of the vents of the camera.
Rear side vents for air intake
Image of the fan inside the camera body.
Canon already has a solution for cinema cameras like Canon R5c, but it looks like the above vent are more compact and designed for upcoming full-frame mirrorless cameras like the Canon R6 Mark II or Canon R5 Mark II.
The Canon way of cooling
Canon R5C does have a cooling fan inside, similar to the patent above
But, again we have no access to the fan health, and once it gets nasty we have to go to the nearest canon service center.
The Fuji way of cooling a camera
Fuji knows they have very limited service centers around the globe, so they have taken the best path.
The Best way to cool down a camera, add an external fan like Fuji. So, we can replace the fan if the fan gets damaged due to dust or water.
According to the latest rumors, the Nikon Zf camera with extensive manual control (as we have in the Nikon ZFc / Nikon DF camera) and the ability to record 4K videos will arrive in June 2023. The Zf name and announcement date were revealed in Nikon’s upcoming cameras roadmap, Nikon still
Nikon Zf Rumored Specification
24 Mp BSI CMOS
6k Video Recording
N-Log & 10-Bit HDMI Out
273-Point Phase-Detect AF System
5-Axis In-Body Vibration Reduction
We will post an update related to the Nikon upcoming camera soon
The above is a screenshot of Nikon’s upcoming cameras roadmap leaked by Nikon Rumor Mill. If we believe the above, The Nikon Z6 mark III and Nikon Z7 Mark III announcement should happen in Sep 2022. And the Nikon Z7 mark III will also have the ability to record 8K videos.
At the same time, Twitter handles such as how-to-fly claimed in the past that Nikon Z6 Mark III or Nikon Z7 Mark III camera was coming this year. Only Z8 will arrive.
Z6 Mark III & Z7 Mark III OR Nikon Z8 in Sep 2022?
The rumor mill is only talking about Nikon Z8 camera in the leaked roadmap which is said to arrive in the month of March 2023, but in the same roadmap Z6 Mark III and Z7 Mark III is also mentioned with the announcement date of Sep 2022, but no one is talking about them. Why?
PS: The Nikon Upcoming Camera Roadmap says the Nikon Z5 uses a BSI CMOS sensor, which is false. The Nikon Z5 Camera uses an FSI Sensor. So, from the nature of information we are getting from this isn’t 100% accurate and the lens road-map is old (made before the announcement of the Nikon Z5 camera.)
I will post an update soon as it will become available to us
Finally, we have the Tokina 11-18mm With Full-time AF support for the Sony camera. Tokina lenses are known for their sharpness in the past and finally, we have the lens for mirrorless cameras.
The Tokina atx-m 11-18mm F2.8 E is the first super wide angle zoom lens in Tokina’s product line-up designed exclusively for mirrorless cameras. It features a fast f/2.8 aperture throughout the zoom range, and a 11-18mm (17-27mm in 35mm equivalent) zoom stored in a compact and lightweight body for hybrid users who shoot stills and video.
The atx-m 11-18mm F2.8 E performs impressive resolution from the wide to tele end of the zoom. This lens boasts high contrast and low distortion, and quick and precise AF response in still and video modes. It is fully compatible with Sony camera functions, including Image Stabilization, Direct Manual Focus, MF Assist and optical corrections.
With its compact design, versatile focal length and optical quality, the Tokina atx-m 11-18mm F2.8 E is the perfect gear for shooting landscape, group photos, environmental portraits, architecture, automobile photography, street snaps, documentary videos and vlogging.
Highlighted Features
11-18mm super wide angle zoom for dynamic landscape and architecture.
Fast f/2.8 aperture throughout the zoom range for shallower depth-of-field, and 9 blades rounded diaphragm for soft bokeh background.
Compact and lightweight design to carry while travelling, or attaching to gimbals.
2 aspherical and 2 super low-dispersion glass elements suppress chromatic aberrations.
Superb optical design performs rich color reproduction, low distortion and low light fall-off.
Short minimum focusing distance to create unique wide-angle macro images with perspective effect.
Silent ST-M motor unit for fast and precise auto focusing operations in still and video modes.
Full compatibility with Sony E cameras, including Image Stabilization, Direct Manual Focus, MF Assist mode, Eye AF and optical corrections.
Micro USB port (Type B) for firmware updates.
ABOUT TOKINA
As a part of Kenko Tokina Co., Ltd., Tokina has an optical manufacturing tradition that dates back to 1950s. Tokina specializes in high-quality lenses for today’s digital single lens reflex (DSLR) and mirrorless cameras.
DJI Osmo Action 3 Finally announced by DJI – Son finally we have a new and very strong contender against the HERO 11. The new camera features DJI’s RockSteady 3.0 technology, which reduces camera shake in all directions with footage up to 4K/120p. HorizonBalancing and later more firmware updates will arrive to upscale the IS performance of the camera. The camera uses a 1/1.7 (7.4 x 5.6mm) sensor module that can capture 4K video at up to 120 frames per second (fps).
DJI Osmo Action 3 Press Release
DJI Unleashes Osmo Action 3 To Capture Moments Beyond the Edge
Osmo Action 3’s Extreme Battery and native support for vertical shooting empower users for their biggest adventures
September 14, 2022 – DJI, the world’s leader in civilian drones and creative camera technology, today introduces Osmo Action 3, the most powerful and content-friendly action camera DJI has ever made. With a battery that empowers users through the most extreme conditions and native vertical shooting for a new perspective of creative freedom, Osmo Action 3 is one of the most versatile, robust, and reliable action cameras available today.
“Ever since we released the original Osmo Action in 2019, we have been continuously inspired by the stunning footage captured with it,” said Paul Pan, Senior Product Line Manager at DJI. “As our users keep pushing further, moving faster, and diving deeper, our mission is to provide a device built to keep up with them. Every new feature made Osmo Action 3 the most reliable, tough, and easy-to-use action camera. We can’t wait to see what our users create when they push their limits with Osmo Action 3.”
A Battery for the Extreme, and More
Osmo Action 3 was designed as a single solution for capturing an active lifestyle, no matter how adventurous. This all starts with a 1770mAh Extreme Battery that lets the camera record for up to 160 minutes.¹ It also handles temperatures as low as -20° C (-4° F),² and charges from 0-80% in as little as 18 minutes and 0-100% in 50 minutes³, thanks to native fast-charging support, a first for action cameras. The Osmo Action 3 Extreme Battery comes with Osmo Action 3 by default; no separate purchase is required.
Adventures, Now Vertical
A world driven by social media needs a vertical-first way to capture compelling action – and Osmo Action 3 goes full send. The camera has a built-in mounting system that instantly and securely clips the camera to handlebars, helmets, and more, optimizing the quick-release system first seen in Action 2 by adding notches for a locked-in, impact-resistant hold. A new Horizontal-Vertical Protective Frame brings this quick-mounting technology in a vertical orientation, perfect for social media platforms.⁴ With a tight, reliable hold that withstands bumps, tumbles, and breaking waves, Osmo Action 3 keeps you and your most extreme moments in a perfect frame.
A Dynamic Imaging Powerhouse
Osmo Action 3 is packed with bleeding-edge hardware and software to keep up with your dynamic lifestyle. Its 1/1.7-inch imaging system shoots in 4K/120fps⁵, provides a 155° super-wide FOV, and films smooth footage with a world-class EIS suite. An improved heat management system enables continuous 4K/60fps recording until the battery runs out of power, solving the overheating issue common to many other action cameras.⁶ D-Cinelike Color Mode is available in video, slow-motion, and timelapse modes for those looking for more room to edit in post-production.⁷ And for those willing to dive deeper, Osmo Action 3 is waterproof at depths of up to 16 meters without needing any additional housing.
Steady and Smooth Footage with RockSteady
Osmo Action 3 builds on DJI’s legacy of innovative image stabilization that has transformed cinematography and aerial photography. For a multitude of dynamic shooting scenarios, Osmo Action 3 has three distinct electronic image stabilization options:
RockSteady 3.0 effectively eliminates camera shake in all directions. It works up to 4K/120fps, providing a stable and immersive first-person perspective. This is the ideal stabilization for sport-specific scenes like bike riding, and on-the-go handheld filming.
HorizonSteady helps to eliminate camera shake in all directions and even horizontally corrects tilt at any angle. That means footage can remain horizontally level, even through heavy bumps and 360° rotations, creating the effect of a perfect horizon without any post-production, even in off-kilter pursuits like surfing.
HorizonBalancing corrects the tilt horizontally within ±45° and supports recording stable 4K/60fps videos. A perfect middle ground between RockSteady and HorizonSteady, this mode is ideal when the priority is a smooth 4K picture in a dynamic environment, such as an FPV obstacle course run.
Be Seen and Heard, Loud and Clear
Osmo Action 3 is more than a rugged camera for high-intensity action; it’s also the perfect camera for vloggers and streamers alike. Osmo Action 3 is the first action camera with dual touchscreens, letting users access settings from any angle while keeping the camera in perfect position. Three-mic stereo recording reduces wind noise and boosts the audio quality of the footage. Wi-Fi Livestream supports 1080p/30fps, 720p/30fps and 480p/30fps, and pausing recording during the stream. UAC/UVC Webcam support offers high-quality video and audio for conference calls and livestreams.
Quick Switching Between Five Custom Modes gives access to user-created camera modes at the touch of a button.
Multifunctional Battery Case stores three batteries and two microSD cards, intelligently fast charges three batteries, and can be used together with those batteries as a power bank to charge other devices like your smartphone.
Voice Prompt informs users of current modes without needing to unmount the camera.
Voice Control recognizes voice commands with a high recognition rate to control the camera when hands are busy.⁸
InvisiStick for Skiing recognizes and digitally hides the selfie stick in snowsport situations.⁹
1.5m Drop Resistance from Corning Gorilla Glass for the touchscreens and lens cover.¹⁰
Timelapse with low-power consumption, preset for common scenarios (crowds, clouds, sunset), and dynamic timelapse video stabilization for smooth exposure and color temperature changes.
Digital Lens shoots in Standard (Dewarp), Wide, and Ultra-Wide for all shooting modes.
Digital Zoom of up to 4x can be adjusted while recording for better image composition.
DJI Mic Compatibility via the Type-C port, and external mics via 3.5mm to Type-C cable.
Loop Recording for continuous recording and overwriting according to a preset time.
DJI Mimo and LightCut: Two Ways to Create
Osmo Action 3 connects with the DJI Mimo smartphone app via Wi-Fi or Bluetooth for even more functionality, including a live feed of the camera, various story templates, quick in-app editing, and more.¹¹ In addition, the LightCut video editor app is thoroughly optimized for use with Action 3. It can automatically select clips and intelligently match them with exclusive templates to generate ready-to-share video edits.
Expand the Action with Dedicated Accessories
Osmo Action 3 was made to capture anything and everything. For every scenario, a suite of dedicated accessories helps you maximize all the possibilities of this action camera, including:¹²
Osmo Action 3 Waterproof Case¹³
Osmo Action 3 Extreme Battery
Osmo Action 3 Multifunctional Battery Case
Osmo Action 3 Adhesive Base Kit¹⁴
Osmo Action 3 Lens Protective Cover¹⁵
Osmo Action 3 1.5m Extension Rod Kit
Osmo Action 3 Magnetic Ball-Joint Adapter Mount
Osmo Action Chest Strap Mount
Osmo Action Handlebar Mount
Osmo Action Helmet Chin Mount
Osmo Action Suction Cup Mount¹⁶
Osmo Action Surfing Tether
Price and Availability
Osmo Action 3 is available today from store.dji.com and most authorized retail partners in several configurations. The Osmo Action 3 Standard Combo retails for $329 and includes Osmo Action 3, one Osmo Action 3 Extreme Battery, the Osmo Action 3 Horizontal-Vertical Protective Frame, the Osmo Action 3 Quick-Release Adapter Mount, and the Osmo Flat Adhesive Base. The Osmo Action 3 Adventure Combo retails for $439 and includes Osmo Action 3, three Osmo Action 3 Extreme Batteries, the Osmo Action 3 Horizontal-Vertical Protective Frame, two Osmo Action 3 Quick-Release Adapter Mounts, one Osmo Flat Adhesive Base, and the Osmo Action 3 Multifunctional Battery Case.
For more information on all the new features, accessories, and capabilities, please visit www.dji.com/OsmoAction3
DJI Care Refresh
DJI Care Refresh, the comprehensive protection plan for DJI products, is now available for Osmo Action 3. The replacement service covers accidental damage, including natural wear, collisions, and water damage. For a small additional charge, you can have your damaged product replaced if an accident occurs.
DJI Care Refresh (1-Year Plan) includes up to two replacements in one year. DJI Care Refresh (2-Year Plan) includes up to three replacements in two years and extends the original warranty up to two years from the date of purchase. Other services of DJI Care Refresh include free shipping. For a complete list of details, please visit: www.dji.com/service/djicare-refresh
The Fuji X-H2 features 40.2MP, whereas the X-H2S has 26.1MP.
The 40MP Sensor is a BSI CMOS sensor and the 26MP sensor in the X-H2S camera is a stacked CMOS Sensor. The stacked technology is basically implemented for speed, the X-H2S camera has minimal rolling shutter as well as more precise AF tracking due to faster Sensor readout speed. On, the other side we have an X-H2 Camera with BSI Tech to save its low light performance. Yes, it is possible to integrate the Stacked and BSI together but the production line cost will be raised, and so the camera price tag.
Devil Lies in the details
For those who work in controlled light environments, the Fuji X-H2 camera is made for them, the camera will enormous amount of details in still images when paired with prime lenses and uses at its sweet spot (or near about that). In video mode, the 40MP sensor generates 8K oversampled files for 4K and 6k, so you will be getting a high amount of details in 4K 24, 30fos files too. The 8K pro res RAW is also available (BMCRAW or PRO-RES RAW)
Details capturing ability / preserving more details at low light
The best 26MP sensor camera they have ever created yet is the Fuji X-H2S. For the first time, I was impressed with the AF performance of a fuji mirrorless camera, the X-H2S AF tracking performance is highly improved compared to the previous generation of Fuji cameras. Now, if we talk about the low-light performance of the camera captures an amazing amount of details even in low light. The main advantage is the rolling shutter is also very minimal while capturing motion.
FUJIFILM X-H2
FUJIFILM X-H2S
Sensor Resolution
Actual: 40.2 Megapixel
Effective: 40 Megapixel
Effective: 26.16 Megapixel (6240 x 4160)
Sensor Type
23.5 x 15.6 mm (APS-C) CMOS
23.5 x 15.6 mm (APS-C) CMOS
Crop Factor
1.5x
1.5x
Image Stabilization
Sensor-Shift, 5-Axis
Sensor-Shift, 5-Axis
Built-In ND Filter
None
None
Capture Type
Stills & Video
Stills & Video
Focus Type
Auto and Manual Focus
Auto and Manual Focus
Focus Mode
Continuous-Servo AF, Manual Focus, Single-Servo AF
Continuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus Points
Photo, Video
Phase Detection: 425
Photo, Video
Phase Detection: 425
Auto Focus
The Autofocus of Fuji X-H2s is slightly better than X-H2, despite the fact both of them use the same image processor and the AF algorithms. Due to the stacked CMOS sensor in the Fuji X-H2S camera. The sensor readout speed is much faster than the Fuji X-H2 camera. That’s why the X-H2 remains limited to 24MP files while shooting at 20FPS.
Mechanical Shutter
1/8000 to 4 Seconds in Program Mode
1/8000 to 30 Seconds in Aperture Priority Mode
1/8000 to 15 Minutes in Manual Mode
Up to 60 Minutes in Bulb Mode Electronic Shutter
1/8000 to 4 Seconds in Program Mode
1/8000 to 30 Seconds in Aperture Priority Mode
1/8000 to 15 Minutes in Manual Mode
Fixed 1 Second in Bulb Mode
Mechanical Shutter
1/8000 to 900 Seconds
1/8000 to 4 Seconds in Program Mode
1/8000 to 30 Seconds in Aperture Priority Mode
Up to 60 Minutes in Bulb Mode Electronic Front Curtain Shutter
1/8000 to 900 Seconds
1/8000 to 4 Seconds in Program Mode
1/8000 to 30 Seconds in Aperture Priority Mode
Up to 60 Minutes in Bulb Mode Electronic Shutter
1/32000 to 900 Seconds
1/32000 to 4 Seconds in Program Mode
1/32000 to 30 Seconds in Aperture Priority Mode
Fixed 1 Second in Bulb Mode
1/8000 to 1/4 Second in Movie Mode
Bulb/Time Mode
Bulb Mode
Bulb Mode
ISO Sensitivity
Photo
125 to 12,800 in Manual, Auto Mode (Extended: 80 to 51,200) Video
125 to 12,800 in Manual, Auto Mode (Extended: 80 to 25,600)
Photo
160 to 12,800 in Manual, Auto Mode (Extended: 80 to 51,200) Video
160 to 12,800 in Manual, Auto Mode (Extended: 160 to 25,600)
2500 to 100,000K Presets: Daylight, Shade, Tungsten, Underwater
2500 to 10,000K
Presets: Auto, Daylight, Fluorescent, Incandescent, Shade, Underwater
Continuous Shooting
Electronic Shutter
Up to 20 fps for up to 1000 Frames (JPEG) / 1000 Frames (Raw) Mechanical Shutter
Up to 15 fps for up to 1000 Frames (JPEG) / 1000 Frames (Raw)
Mechanical Shutter
Up to 15 fps at 26.1 MP for Unlimited Frames (JPEG) / 1000 Frames (Raw) Electronic Shutter
Up to 40 fps at 26.1 MP for up to 184 Frames (JPEG) / 140 Frames (Raw)
Up to 30 fps at 26.1 MP for Unlimited Frames (JPEG) / 180 Frames (Raw)
Up to 20 fps at 26.1 MP for Unlimited Frames (JPEG) / 800 Frames (Raw)
Up to 15 fps at 26.1 MP for Unlimited Frames (JPEG) / 1000 Frames (Raw)
Interval Recording
Yes
Yes
Still Image Capture
The Mechanical shutter speed is similar in both the camera limited to 15 fps, but with the help of a stacked CMOS sensor and a bit lower res, the Fuji X-H2s is able to capture the images at 40FPS without any crop and full-time AF tracking active. The X-H2 remains limited to 20fps, but only with a 1.29x crop on the sensor, which gives you a file of 24MP.
FUJI X-H2
FUJI X-H2S
Aspect Ratio
1:1, 3:2, 16:9
1:1, 3:2, 16:9
Image File Format
C-RAW, HEIF, JPEG, Raw, TIFF
HEIF, JPEG, Raw, TIFF
Bit Depth
16-Bit
14-Bit
Video Mode
The Fuji X-H2 does full sensor readout and gives an 8K video recording option in ProRes RAW format (accessible through HDMI).
While doing 8K RAW, you have two options to record ur 8K RAW video externally. Blackmagic RAW or Pro Res RAW. And if u have selected the BMRAW then u have to use the Black magic video assist (recommended) and when u have selected PRORES RAW u can use the Atmos Ninja.
The Fuji X-H2 camera is able to record any resolution internally (except 8K RAW). We have three triers of Apple Pro Res available for recording which includes
High BIT rate 422 HQ
Standard 422
Compressed 422 LT
Heat Management same as X-H2s: Both of the camera support external Fans. So, if ur shooting into hot and humid places you can buy this accessory. None of the cameras has any recording limit.
No 8K in Fuji X-H2S: The X-H2S doesn’t record 8K, the camera is limited to 6.2K 30p in the 3:2 aspect ratio (open gate), as well as 4K 120p (with a 1.29x sensor crop).
Better low-light performance – Fuji X-H2s with its lower resolution sensor is able to give better low-light video as well as still performance compared to the Fuji X-H2 camera.
Here are all the most important specifications.
Raw Recording
Blackmagic RAW, PRoResRaw
7680 x 4320 up to 29.97 fpsMOV/MP4/MPEG-4 AVC/ProRes 422/ProRes 422 HQ/ProRes 422LT
UHD 8K (7680 x 4320) at 23.98p/24.00p/25p/29.97p [50 to 720 Mb/s] MOV/MP4/MPEG-4/ProRes 422/ProRes 422 HQ/ProRes 422LT
6.2K (6240 x 4160) at 23.98p/24.00p/25p/29.97p [50 to 720 Mb/s]
DCI 4K (4096 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [50 to 720 Mb/s]
UHD 4K (3840 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [50 to 720 Mb/s]
DCI 2K (2048 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [50 to 720 Mb/s]
Full HD (1920 x 1080) at 23.98p/24.00p/25p/29.97PsF/50p/59.94p [50 to 720 Mb/s]
Full HD (1920 x 1080) at 100p/119.88p/200p/240p [200 to 720 Mb/s]
H.265/MOV 4:2:2 10-Bit
6.2K (6240 x 4160) at 23.98p/24.00p/25p/29.97p [360 to 720 Mb/s]
UHD 4K (3840 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [360 to 720 Mb/s] H.265 Long GOP/MOV 4:2:2 10-Bit
6.2K (6240 x 4160) at 23.98p/24.00p/25p/29.97p [50 to 720 Mb/s]
DCI 4K (4096 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [50 to 720 Mb/s]
UHD 4K (3840 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [50 to 720 Mb/s]
DCI 2K (2048 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [50 to 720 Mb/s] H.265 Long GOP/MOV 4:2:0 10-Bit
6.2K (6240 x 4160) at 23.98p/24.00p/25p/29.97p [50 to 720 Mb/s]
DCI 4K (4096 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [50 to 720 Mb/s]
Recording Modes
FUJIFILM F-Log, FUJIFILM F-Log 2
Recording Limit
Up to 160 Minutes for UHD 8K (7680 x 4320) at 29.97p (4:2:2 10-Bit)
HDMI In ProResRAW, Raw Mode:
7680 x 4320 12-Bit up to 29.97 fps
Raw 12-Bit via HDMI
6.2K (6240 x 4160)
IP Streaming
None
Yes
The best thing I like about Fuji Cameras is they give Full-Size HDMI output, in both the cameras you are getting Full-Size HDMI, a USB-C port for data and charge on the go, and a Headphone in and Mic out port.
Media/Memory Card Slot
Dual Slot: CFexpress Type B (SD Express)
Slot 1: CFexpress Type B
Slot 2: SD/SDHC/SDXC (UHS-II)
Video I/O
1 x HDMI Output
1 x HDMI Output
Audio I/O
1 x 1/8″ / 3.5 mm TRRS Headphone/Mic Input on Camera Body 1 x 1/8″ / 3.5 mm TRRS Headphone/Mic Output on Camera Body
1 x 1/8″ / 3.5 mm TRRS Headphone/Mic Microphone Input on Camera Body 1 x 1/8″ / 3.5 mm TRRS Headphone/Mic Headphone Output on Camera Body
Other I/O
1 x USB Type-C
1 x USB Type-C Input/Output
Power I/O
1 x USB Type-C Input/Output
1 x USB Type-C (USB 3.2 / 3.1 Gen 2) Control/Data/Tether Input/Output (Shared with Power Input) 1 x 2.5 mm Sub-Mini Control Input 1 x PC Sync Socket (Sync) FlashSync Output
Wireless
2.4 / 5 GHz Wi-Fi 5 (802.11ac)
Bluetooth
2.4 / 5 GHz Wi-Fi 5 (802.11ac)
Bluetooth
Global Positioning (GPS, GLONASS, etc.)
None
None
Price of both the camera
The X-H2 is less expensive, with a retail price of $2000 or £1900.
The X-H2S can be found at $2500, £2500 or €2750.
Note that these prices are for the body only, as of September 2022.
Fuji X-H2 is Recommended for
Commercial shooters and filmmakers are those who work in a controlled light environment. Are recommended to get the Fuji X-H2 Camera with a massive 40M resolution. For those who mostly work outdoors / in uncontrolled light environments or are related to action and sports, X-H2S is more recommended.
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