There are a lot of rumors that the Canon R1 camera was recently spotted at the Hiroshima G7 summit. We have many blog posts and videos going viral on this topic. But if you look at the image closely, you will see a Canon R3 camera-type body attached to a small rig 3884.
Many websites and videos are claiming that the top design of the camera has been changed and that’s the reason it is a Canon R1 camera. But, unfortunately, it is just a Canon R3 camera with a small rig cage and nothing else. We cannot find any significant major design difference between the two.
Canon R100 camera announced the Canon R100 camera features 1st generation of DPAF sensor and DIGIC 8 image processor. 4K video with crop and fixed display screen, so it is not made for content creators in any way.
Canon R100 Full Specification
24.1MP APS-C CMOS Sensor
DIGIC 8 Image Processor
4K 24p Video with Crop, Full HD 60p
Dual Pixel CMOS AF with 143 AF Zones
6.5 fps Electronic Shutter
2.36m-Dot OLED EVF
3″ 1.04m-Dot LCD Screen
Creative Assist Mode
Wi-Fi and Bluetooth with SD Card Slot
Canon R100 Price
Body: $479
Lens kit: $599
Double zoom kit: $829
Canon R100 Press Release
Canon Introduces its Most Affordable, Compact, and Lightweight EOS R Camera Ever: The EOS R100
The Company Also Announced the Wide-Angle “Pancake” Style RF28mm F2.8 STM Lens
MELVILLE, N.Y., May 24, 2023 – Canon U.S.A., Inc., a leader in digital imaging solutions, is excited to announce the launch of the EOS R100 camera and RF28mm F2.8 STM lens, two new affordable compact and lightweight tools for entry-level and emerging content creators to elevate their skills.
The Canon EOS R100 camera was designed for new, first-time mirrorless camera or existing interchangeable camera users who previously enjoyed EOS Rebel or EOS M cameras. The camera touts key features such as a 24.2 megapixel APS-C size sensor, the DIGIC 8 image processor, 4K (Cropped) and Full HD (Full-Width) video at up to 24 and 60 frames-per-second respectively, Autofocus with eye and face detection, and Bluetooth™ and Wi-Fi® connectivity capabilities. For users who are making the EOS R100 their first interchangeable lens (ILC) camera, a significant advantage over using a smartphone camera will be lens selection. The EOS R100 is compatible with the complete lineup of RF and RF-S lenses, and EF and EF-S lenses can be utilized when using one of three available Canon EF-EOS R mount adapters (each sold separately). This selection of lenses includes the Canon RF28mm F2.8 STM lens, which was also announced today.
The Canon RF28mm F2.8 STM is a “pancake” style, value lens that targets a wide variety of users, from amateur to enthusiast full-frame and APS-C camera users. Key features of the new lens include:
Minimum focusing distance of 9.1 inches (0.23m) and a maximum magnification of 0.17x
Retracting feature that helps to shorten the overall length of the lens
Circumferential manual focus mode/control ring selector
Gear-type STM motor providing smooth autofocusing while capturing video
Built-in Control Ring provides quick access to multiple camera controls
7-blade circular aperture helps to provide beautifully blurred background and bokeh
Pricing and Availability
The Canon EOS R100 camera is scheduled to be available in July 2023 for an estimated retail price of $479.99 for body only, $599.99 with the RF-S18-45mm F4.5-6.3 IS STM lens, and $829.99 with the RF-S18-45mm F4.5-6.3 IS STM and RF-S55-210mm F5-7.1 IS STM lenses.
The RF28mm F2.8 STM lens is scheduled to be available in July 2023 for an estimated retail price of $299.99.
Sony ZV-1 II camera finally announced today, The camera features a 20-megapixel stacked CMOS sensor and a brand new 18 to 50 mm equivalent f/1.8 to f/4.0 lens.
So we have a major change in the lens part of the camera. Earlier it was 24 mm equivalent so vlogging was quite restrictive and vloggers were disappointed with the cropped frame they were getting.
Now with the 18 to 50 mm lens, we have wider coverage. On the specifications side, we have 4K video recording mode up to 30 frames per second, full HD videos up to 120 frames per second and reduced resolution capturing up to 960 frames per second for slow-motion videos.
Sony ZV-1 II Major Specification
20.1MP 1″ Exmor RS BSI CMOS Sensor
Wide-Angle 18-50mm-Equiv. f/1.8-4 Lens
UHD 4K30p Video w/
HLG & S-Log3/2 Gammas
3″ Side Flip-Out Touchscreen LCD
Intuitive Touch Focus & Exposure Control
Real-Time Tracking & Eye AF
Bokeh Switch
Face Priority AF
Cinematic Vlog Setting
S&Q Shoot Mode
Product Showcase Setting
The camera doesn’t carry any mechanical shutter as well as the body has minimal controls for photographers. Video specification says the camera is able to record videos in S-Log3 for a wider dynamic range. The recording is limited up to 8-bit.
The price of the camera is $899 and the shipping of the camera will start from mid-June 2023. It is available in two colors: black and white with a rapid grip optional.
Sony ZV-1 II Press Release
SAN DIEGO, CA – May 23, 2023 — Sony Electronics launches the all-new second generation camera to the ZV-1 in the vlog camera ZV series, the ZV-1 II, which includes highly requested and popular market-leading features. With a wider-angle lens than ZV-1, the ZV-1 II helps vloggers make more engaging storytelling with attractive photogenic image quality.
With the 1.0-type Exmor RS™ image sensor (approximately 20.1 effective megapixels), BIONZ X™ image processing engine, and newly developed ZEISS® Vario-Sonnar T* 18-50 mm F1.8-4i lens, the ZV-1 II allows for creators of many skill levels to enjoy sophisticated capabilities. From the 18-50mmii wide angle lens which can frame everything from group selfies to narrow interiors or dynamic recordings of everyday scenes to the Multiple Face Recognitioniii , which recognizes multiple faces and automatically adjusts to keeps all faces sharp and clear when taking selfie shots that include two or three people, the ZV-1 II is the advanced vlogging camera packed into a travel-size.
“The ZV-1 II is an exciting chapter for content creators and will be the go-to camera for many, including vloggers, social media influencers and short form video creators. With the newest vlog camera in the ZV series, we have taken requests from various users and included features that matter most to vloggers,” says Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “We are striving to take feedback from our community to continue to expand and elevate our ZV series and the ZV-1 II does just that.”
Comprehensive Features for Vloggers & Video Content Creators
The ZV-1 II has a number of new and popular features that will empower creators to capture better content.
Ultra-wide angle and Zoom – 18mmii wide angle of view makes it easy to capture attractive photogenic image with the entire scene – especially when shooting selfies at arm’s length. The 18-50mm optical zoom and the Clear Image Zoom smoothly enlarges images while minimizing loss of image quality to create variety in videos by changing the angle of view.
1.0 type sensor with Bokeh Switch which gives beautiful bokeh by defocusing the background with a single touch.
Intelligent 3-capsule microphone – In Auto mode, the camera recognizes human faces or objects and automaticallyiv switches the direction of the built-in microphone ([Front] or [All Directions]). In Manual mode, you can select [Front] for selfies, [Rear] when shooting with narration or [All Directions]. The supplied windscreen ensures a clear recording of the speaker when outdoors. Easy to use cableless attachment to Multi Interface Shoev and a 3.5 mm microphone jack makes it easy to connect external microphones.
Cinematic Vlog Setting function responds to the demands to easily capture videos with a filmic look. It enables impressive imagery at a touch. Simply tap the on-screen function icon and the camera will automatically set a CinemaScope size (2.35:1) vi and a frame rate of 24 fpsvii –the same as for a cinema movie. Then finish off the work with the on-screen buttons to select from five LOOKs and four MOODs
Creative Look which supports 10 preset looksviii to suit your creative preferences and pro-level imaging features.
Face Priority AE and Soft Skin Effect automatically and immediately detects faces and adjusts the exposure to optimize facial brightness, no matter the lighting. Soft skin effect smooths skin and facial features when filming.
Fast Hybrid AF System – Even in high-definition 4K where precise focusing is required, the camera will keep the images sharp with the same Fast Hybrid AF system seen in α series cameras. The camera is equipped with AF Transition Speed to select the focusing speed during video recording, and AF Subject Shift Sensitivity to control whether the camera shifts focus from one subject to another. t. In addition, the Real-time Eye AF can accurately keep focus on human or animals for both stills and movies.
Product Showcase Setting – which delivers convenient shooting of product review videos with smooth focus transitions from your face to the item you are highlighting.
S&Q shoot modeix which allows a selection up to 5x slow or up to 60x quick motion to add impact to everyday scenes. The combination of shooting and recording frame rates can now be set on a single screen.
ISO sensitivity spanning from 125 to 12800 – allows the camera to record sharp images with less noise, even in low lighting.
Active Mode electronic image stabilization – content can be captured while walking or in motion and is especially useful for handheld shootingx. Useful for handheld Movie and Slow & Quick motion shooting.
Built-in ND filter – to reduce exposure by three stops and allow for beautiful background bokeh even in the brightest situation.
Compact and Lightweight for Easy Portability, Operability, Connectivity
The ZV-1 II is perfect for on-the-go; its compact and lightweight design can be easily carried in a pocket or small bag, even with its optical wide zoom lens. The ZV-1 II supports different filming styles with the vari-angle screen suitable for selfies, easy to hold body grip (or with an optional GP-VPT2BT grip), user-friendly key and control layoutxi and the recording indicator on the front face of the body. The monitor display has been redesigned with a bold, clearly visible red frame that makes it obvious when recording is in progress. Power charge easily via a USB Type-C® connector.
Creators can connect and share content easily with Sony’s Creators’ Cloud platform and easy smartphone connection. The Creators’ App can be used to control the ZV-1 II from a smartphone, monitor camera battery and media status, edit date and camera names, and easily transfer stills and videos shot, even in the background. The Creators’ Appxii also provides a convenient way to update camera software.
For easy high-quality live streaming, simply connect the ZV-1 II to a PC or smartphone xiii with a commercially available USB cable (not included) to use it as a webcam. Make your video more attractive in online meetings and live streaming by using Creative Look to improve the skin’s appearance and adjust the hue. Faces will appear clearer and brighter (Face Priority AE) and the eyes will be kept in focus (Real-time Eye AF).
Sustainable and Accessible Design
In addition to Sony’s commitment to a sustainable future with global initiatives like Road to Zero and the 2030 renewable energy goal, the ZV-1 II has been specifically developed with sustainability in mind. Recycled materials, including SORPLASTMxiv, are used for the camera body, reducing environmental impact without sacrificing functionality. Sony’s unique recycled paper “Original Blended Material”, which does not use plastic and is easy to recycle, is used for individual packaging. Using materials such as bamboo, sugar cane fiber, and recycled paper collected from the market, it is both environmentally friendly and high quality.
The ZV-1 II includes accessibility features that facilitate operation in several ways, including screen reader functionality for people with low vision or with visual impairments. Accessibility features allow anyone to enjoy shooting and playback. When the screen reader functionxv is activated, text on the menu screens is read aloud. The screen reader function can be activated by turning the [Screen Reader] function in the [Setup] tab ON. Screen reader volume can be adjusted via the [Sound Options] settings. In addition to the above, the ZV-1 II includes several functions that assist in achieving pinpoint focus on a variety of subjects. Additionally, the Real-time Eye AF can automatically recognize and focus on [Human] or [Animal], or the Real-time Tracking function. Focus Magnification, and Peaking functions make it easier to focus manually, and features like Touch Focus, Touch Tracking, and Touch Shutter let the user focus, track, and shoot simply by touching the subject on the monitor screen. ZV-1 II accessibility features (items listed in the specifications): Screen Reader, Touch AE, Focus Magnifier, Peaking Display, Real-time Eye AF, Real-time Tracking, Touch Focus, Touch Tracking, Touch Shutter, Vari-angle LCD screen and Custom function.
Pricing and Availability
The new ZV-1 II will be available in June 2023 at a variety of Sony’s authorized dealers, for an estimated retail price of $900 USD and $1,200 CAN.
Nikon Z8 Best Lenses: The Nikon Z8 camera features almost the same specifications that we have seen in the Nikon Z9 but at a very reasonable price tag. To get the maximum output from the Nikon Z8’s 45-megapixel stacked sensor, you have to buy the best lenses available with the highest resolving power.
The best lens for the Nikon Z8 camera is the Nikon 24-70mm f/2.8 S. Since we are getting one of the industry’s best sensors in our hands, it’s highly recommended to match up the lens too. The first recommendation is the Nikon 24-70mm f/2.8 S. This lens features a constant f/2.8 aperture and delivers amazingly sharp output throughout the focal range with creamy bokeh, one of the most sharp and versatile lenses present to date, this lens will cover your 99% requirements.
The biggest reason behind recommending this lens is that you can shoot almost anything with it – starting from wide-angle landscapes to longer focal-length portraits. This is one of the most versatile and sharpest lenses Nikon has ever made for full-frame cameras.
Not only optically, but the lens’s autofocus performance is also top-notch. The lens uses 2 AF drive units synchronized to deliver extremely fast and accurate AF results – even when you are using your camera at 120 frames per second or when you are using it at 20 frames per second. This lens is bound to give perfect results when paired with Z9 or Z8
The Nikon 70-200mm f2.8s lens produces incredibly sharp pictures and extracts the maximum amount of detail in your images. It is one of the best lenses to pair up with your Nikon Z8 camera. Practically no color fringing or chromatic aberration is visible in this lens. The lens is distortion-free and lens vignetting is also very minimal and can be easily corrected in post-processing.
The build quality of this lens is superb and made up of a metal body covered with rubberized material. It is extensively weather-sealed and able to deliver quality equal to its price tag.
The LCD display screen of the lens is not that much usable since we don’t have the habit of looking at the lens LCD. Maybe that’s one of the reasons I personally find the display not that much usable for me. Overall, the lens is worth every penny.
Finally, let’s talk about autofocusing performance. When paired up with a Nikon Z8 or Nikon Z9 camera which uses deep learning algorithms, the lens’s autofocusing system will improve with time. At the same time, the Z8 is capable of doing 120 AF calculations per second and supports burst speed up to 120 frames, and your lens is fully capable of synchronizing the AF performance even when shooting at max burst speed.
The image stabilization of this lens is highly reliable and you can shoot amazing pics handheld without any noticeable blur even at very slow shutter speeds when shooting at 200mm.
Although the price of this lens is approximately $2600, I have to say this lens is very reasonably priced
Why we say the 50 mm f 1.8s is the best portrait lens Nikon ever made, the reason behind is very simple. The lens f1.8 aperture can give you a focal plane of only 10 degrees from 10 feet away so you have an amazing ability in your hand to shoot beautiful background blur in any situation.
F1.8 completely eliminates the requirement of additional light, and if you are a natural light shooter you will be blown away by the quality you will have from this lens. And do note that this lens is very sharp even at a wide open aperture.
If you are a professional portrait shooter or love to capture candid shots in natural light this is the best lens your money can buy and we highly recommend you to get the 50 mm f 1.8 lens for your Nikon Z8 camera.
Now if you are running out of budget after getting your Nikon Z8 camera and wish to have a perfect all-around lens, then undoubtedly the 24-70mm f/4 lens is the best choice.
24 to 70 F4 lens is also very sharp, but you will miss the deep creamy bokeh (background blur) of the Z 24-70mm 2.8. But, keep in mind this price, you are getting optical images stabilization to which pairs of Nikon z8 6 stops of IBIS
This lens is perfect for shooting landscapes as well as streets, this is the best budget kit lens for your Nikon z8 camera
The best and the most sharpness prime lens I have used to date, It has incredible sharpness with no distortion across the field of view. I highly recommend this Nikon glass for anyone needing this focal length for landscape or astrophotography work. AT f/1.8 it is very sharp at center. Sharpness drops just a little at the corners. Stopping it down to f/2.8 improve center sharpness. At f/4 it has perfect sharpness corner to corner. It’s much easier to balance on-camera flash with dim available light with a large aperture lens because shutter speeds don’t have to be so long. I was at 1/40 @ f1.8 @ ISO 4000 most of the night. So, for low-light ultrawide photography and video, if ur budget doesn’t allow u to have nikon 14-24mm F2.8, instead of getting 14-30mm F4 get the 20mm F1.8.
The 14 to 24 mm f/2.8 lens is the best lens for landscape and architecture photography, as well as for advanced cinematographers.
The 14 to 24 mm lens in Nikon is a part of a holy trinity lens which includes the 24 to 70 mm f/2.8 and the 70 to 200 mm f/2.8. The rest of the two lenses we have already discussed, now let’s talk about the 14 to 24 mm f/2.8.
This lens is the sharpest lens at this focal length in Nikon’s lineup, and one of the best ultra-wide zoom lenses present in the market. The image quality of this lens is super impressive even at 14 mm wide and covers approximately 115 degrees of view.
If you don’t need that f/2.8 aperture at this wide range, and many professionals never use such a shallow depth of field while shooting landscapes and architecture, then the best investment will be the 14 to 30 mm f/4 lens. It will save you $1000, and at the same time, you can use standard 82 mm filters with this lens which are easily available, unlike the 14 to 24 mm f/2.8 which requires 112 mm filters.
So if your budget allows and you want to have an ultra-wide zoom lens, then you should go with this. The only issue that I have faced with this lens is in finding its proper filters since it has a very large thread of 112 mm.
The Nikon Z 100 to 400 mm f/4.5 to 5.6 lens is the best lens for sports and wildlife photography under budget.
This is one of the best zoom lenses Nikon has ever made for Z Mount cameras. Despite having a variable aperture, the lens performs extremely well throughout its entire focal length. The sharpness of this lens is noticeable, and I highly recommend you to use this lens with Nikon Z cameras with a 45 MP sensor due to its high resolving capability.
The 100 to 400 mm lens is relatively compact compared to the lenses that we have in the DSLR era. At the same time, it’s lightweight, weighing just over 3 lbs or 1400 grams, and you can easily handhold this lens while shooting wildlife or sports. The VR (Vibration Reduction) of this lens synchronizes with your camera’s in-built sensor-shift image stabilization to provide you greater stability.
The lenses that you should avoid
NIKON 28-75MM F2.8 RXD One lens that you should avoid is the Tamron rebranded 28 to 75 mm f/2.8 lens with the Nikon camera since it’s the first generation of lenses that Tamron is still making for Nikon Z mount cameras. The first generation of lenses doesn’t have as much resolving power as the G2 has right now. So if they release the second generation of their 28 to 75 mm f/2.8 lens, then it’s okay, but right now, the first generation of the 28 to 75 mm f/2.8 is not that good for resolving higher resolution sensors like the Nikon Z8.
NIKON 17-28MM F2.8 RXD The next lens you should add is the Tamron rebranded 17-28 mm f/2.8 lens. Again, this lens is perfect for lower resolution cameras like the Nikon Z6 Mark II, but when we talk about cameras like the Nikon Z7 Mark II, Nikon Z8, or even Nikon Z9, these cameras have a 45 MP high-resolution sensor and need high-grade optics to resolve it properly. For that reason, I am not recommending the Tamron 17-28 mm lens for the Nikon Z8 camera.The best alternative is the Nikon 14 to 24 mm f/2.8, or if your budget doesn’t allow it, then you should go with the 14 to 30 mm f/4.
14-24MM F2.8 – Finally, the third lens that you should avoid is for cost-related reasons. As we have mentioned above, the 14 to 24 mm f/2.8 lens is costly and the best alternative to it with higher resolving capability is the 14 to 30 mm f/4. So if your budget allows and you feel that you need a max aperture ultra-wide zoom lens, then it’s okay to buy the 14 to 24 mm. Otherwise, we highly recommend that for a Nikon camera you must go with the 14 to 30 mm f/4 lens and save yourself a thousand dollars.
Before we begin let me clarify that we have already published about the arrival of M200 sucessor in RF mount back on march 2023 | We have told you about Canon R200 back on March 9th, 2023 | Now, the same camera is about to arrive an we are expecting Canon will also keep up the same name as we have mentioned back on our post.
According to the latest rumors from reliable sources, Canon will soon announce a new entry-level (possibly Canon R100, although the name isn’t confirmed yet) mirrorless camera and RF 28 mm f/2.8 STM lens. The camera is said to be even more, affordable than the recently announced Canon R50 camera, the upcoming camera will have a body price of only $479. With its lens, you have to pay $599. see more details below
New Canon additions to overseas retailers– RF28mm F2.8 STM: $299- Mirrorless camera (SKU: 6052C0**)
– Body: $479
– Lens kit: $599
– Double zoom kit: $829
Canon R100 Rumored Specification
24MP sensor (same as we have seen in Canon R50 / Canon R10),
Elec shutter (No EFCS)
4k 24,30p Recording (No 10BIT HDRPOQ mode)
No EVF
So, these are the basic details of the upcoming lens and Canon’s upcoming entry-level mirrorless camera. The entry-level camera is the successor of the Canon M200.
We will soon update you with pictures and leaked specifications. Stay tuned for more updates.
Finally, we have the leaked image of the upcoming Fujifilm X-S20 camera. Although the still image is not very clear and contains a huge watermark, despite that we are able to see the button labels on the camera and its overall design.
The X-S20 has a “Vlog” mode added to the mode dial, and the positions and shapes of the Q and ISO buttons have changed slightly, but overall it seems to follow the design of the X-S10.
Fuji X-S20 Design Details
Vlog icon printed on the mode dial
The SP icon that was on the mode dial is gone
The ISO and Q buttons are closer together and look more protruding
Fuji X-S20 Specification
26.1MP APS-C X-Trans BSI CMOS 4 Sensor
X-Processor 5 Image Processor
5-Axis In-Body Image Stabilization
DCI/UHD 6k at 30 fps, 4K at 60 fps, Full HD at 240 fps
Introducing the Revolutionary KOMODO X 6K Digital Cinema Camera: A Game-Changer in Cinematography
[Delhi, India] – TheNewCamera.com is thrilled to announce the arrival of the highly anticipated KOMODO X 6K Digital Cinema Camera by RED Digital Cinema. As the leading authority in the world of cameras and photography.
The KOMODO X 6K Digital Cinema Camera represents a significant leap forward in camera innovation, offering unparalleled image quality, versatility, and performance. With its cutting-edge features, this camera empowers creators to push the boundaries of their art and capture breathtaking visuals like never before.
Key features of the KOMODO X 6K Digital Cinema Camera include:
Exceptional Image Quality: The camera boasts a 19.9MP Super35 global shutter CMOS sensor, delivering stunning 6K resolution footage with exceptional detail and dynamic range. Filmmakers can capture the subtlest nuances, vibrant colors, and intricate textures, resulting in truly cinematic masterpieces.
Compact and Lightweight: RED has designed the KOMODO X 6K Digital Cinema Camera to be remarkably portable without compromising on performance. Its compact form factor and lightweight design make it ideal for on-the-go shooting, whether it’s on location or in tight spaces, allowing filmmakers to capture their vision with ease.
Versatile Mount System: The KOMODO X 6K Digital Cinema Camera features the innovative RF lens mount, offering compatibility with a wide range of lenses from RED and other manufacturers. This flexibility empowers filmmakers to choose the perfect lens for each project, enabling them to achieve their desired visual style and creative vision.
Proven RED Workflow: Building on RED’s renowned heritage, the KOMODO X 6K Digital Cinema Camera seamlessly integrates into the existing RED ecosystem, providing a streamlined workflow for professionals. Filmmakers can confidently utilize RED’s powerful post-production tools, including REDCINE-X PRO software, to maximize the potential of their footage and bring their creative vision to life.
Commenting on the launch, [admin] at TheNewCamera.com, said, “We are incredibly excited to see the arrival KOMODO X 6K Digital Cinema Camera. It’s groundbreaking features, Hybrid AF capability with RF Lenses and compact design make it a must-have tool for both aspiring and professional filmmakers. With the KOMODO X 6K, creators can unlock their true potential and elevate their storytelling to new heights.”
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