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Firmware Update

Nikon Z6 Mark III and Z7 Mark III Announcement Soon

The above is a screenshot of Nikon’s upcoming cameras roadmap leaked by Nikon Rumor Mill. If we believe the above, The Nikon Z6 mark III and Nikon Z7 Mark III announcement should happen in Sep 2022. And the Nikon Z7 mark III will also have the ability to record 8K videos.

At the same time, Twitter handles such as how-to-fly claimed in the past that Nikon Z6 Mark III or Nikon Z7 Mark III camera was coming this year. Only Z8 will arrive.

Nikon Upcoming Models 2023

  • Nikon Z90 – APS-C flagship| Stacked APS-C Sensor |  6K | Arrival 2023 March
  • Nikon Z5 Mark II  | 2023 Jan
  • Nikon Z50 Mark II | Oct 2023
  • Nikon Z8 | March 2023
  • Nikon Z6 Mark III & Z7 Mark III |Sep 2022

Z6 Mark III &  Z7 Mark III OR Nikon Z8 in Sep 2022?

The rumor mill is only talking about Nikon Z8 camera in the leaked roadmap which is said to arrive in the month of March 2023, but in the same roadmap Z6 Mark III and Z7 Mark III is also mentioned with the announcement date of Sep 2022, but no one is talking about them. Why?

PS: The Nikon Upcoming Camera Roadmap says the Nikon Z5 uses a BSI CMOS sensor, which is false. The Nikon Z5 Camera uses an FSI Sensor. So, from the nature of information we are getting from this isn’t 100% accurate and the lens road-map is old (made before the announcement of the Nikon Z5 camera.)

I will post an update soon as it will become available to us

Follow us on our social pages  FACEBOOK | TWITTER | INSTAGRAM to get live news +  Nikon Rumors 24X7

Source Nikonrumor.com | Howtofly

 

Tokina 11-18mm F2.8 ATX-M Lens for Sony Announced

Finally, we have the Tokina 11-18mm With Full-time AF support for the Sony camera. Tokina lenses are known for their sharpness in the past and finally, we have the lens for mirrorless cameras.

You can Buy the New Tokina Lens from B&H Store

Press Release Tokin a 11-18mm

The Tokina atx-m 11-18mm F2.8 E is the first super wide angle zoom lens in Tokina’s product line-up designed exclusively for mirrorless cameras. It features a fast f/2.8 aperture throughout the zoom range, and a 11-18mm (17-27mm in 35mm equivalent) zoom stored in a compact and lightweight body for hybrid users who shoot stills and video.

The atx-m 11-18mm F2.8 E performs impressive resolution from the wide to tele end of the zoom. This lens boasts high contrast and low distortion, and quick and precise AF response in still and video modes. It is fully compatible with Sony camera functions, including Image Stabilization, Direct Manual Focus, MF Assist and optical corrections.

With its compact design, versatile focal length and optical quality, the Tokina atx-m 11-18mm F2.8 E is the perfect gear for shooting landscape, group photos, environmental portraits, architecture, automobile photography, street snaps, documentary videos and vlogging.

Highlighted Features
11-18mm super wide angle zoom for dynamic landscape and architecture.
Fast f/2.8 aperture throughout the zoom range for shallower depth-of-field, and 9 blades rounded diaphragm for soft bokeh background.
Compact and lightweight design to carry while travelling, or attaching to gimbals.
2 aspherical and 2 super low-dispersion glass elements suppress chromatic aberrations.
Superb optical design performs rich color reproduction, low distortion and low light fall-off.
Short minimum focusing distance to create unique wide-angle macro images with perspective effect.
Silent ST-M motor unit for fast and precise auto focusing operations in still and video modes.
Full compatibility with Sony E cameras, including Image Stabilization, Direct Manual Focus, MF Assist mode, Eye AF and optical corrections.
Micro USB port (Type B) for firmware updates.

ABOUT TOKINA
As a part of Kenko Tokina Co., Ltd., Tokina has an optical manufacturing tradition that dates back to 1950s. Tokina specializes in high-quality lenses for today’s digital single lens reflex (DSLR) and mirrorless cameras.

DJI Osmo Action 3 Announced Press Release

DJI Osmo Action 3 Finally announced by DJI – Son finally we have a new and very strong contender against the HERO 11. The new camera features  DJI’s RockSteady 3.0 technology, which reduces camera shake in all directions with footage up to 4K/120p. HorizonBalancing and later more firmware updates will arrive to upscale the IS performance of the camera. The camera uses a 1/1.7 (7.4 x 5.6mm) sensor module that can capture 4K video at up to 120 frames per second (fps).

DJI Osmo Action 3 Press Release

DJI Unleashes Osmo Action 3 To Capture Moments Beyond the Edge

Osmo Action 3’s Extreme Battery and native support for vertical shooting empower users for their biggest adventures

September 14, 2022 – DJI, the world’s leader in civilian drones and creative camera technology, today introduces Osmo Action 3, the most powerful and content-friendly action camera DJI has ever made. With a battery that empowers users through the most extreme conditions and native vertical shooting for a new perspective of creative freedom, Osmo Action 3 is one of the most versatile, robust, and reliable action cameras available today.

“Ever since we released the original Osmo Action in 2019, we have been continuously inspired by the stunning footage captured with it,” said Paul Pan, Senior Product Line Manager at DJI. “As our users keep pushing further, moving faster, and diving deeper, our mission is to provide a device built to keep up with them. Every new feature made Osmo Action 3 the most reliable, tough, and easy-to-use action camera. We can’t wait to see what our users create when they push their limits with Osmo Action 3.”

A Battery for the Extreme, and More

Osmo Action 3 was designed as a single solution for capturing an active lifestyle, no matter how adventurous. This all starts with a 1770mAh Extreme Battery that lets the camera record for up to 160 minutes.¹ It also handles temperatures as low as -20° C (-4° F),² and charges from 0-80% in as little as 18 minutes and 0-100% in 50 minutes³, thanks to native fast-charging support, a first for action cameras. The Osmo Action 3 Extreme Battery comes with Osmo Action 3 by default; no separate purchase is required.

Adventures, Now Vertical

A world driven by social media needs a vertical-first way to capture compelling action – and Osmo Action 3 goes full send. The camera has a built-in mounting system that instantly and securely clips the camera to handlebars, helmets, and more, optimizing the quick-release system first seen in Action 2 by adding notches for a locked-in, impact-resistant hold. A new Horizontal-Vertical Protective Frame brings this quick-mounting technology in a vertical orientation, perfect for social media platforms. With a tight, reliable hold that withstands bumps, tumbles, and breaking waves, Osmo Action 3 keeps you and your most extreme moments in a perfect frame.

A Dynamic Imaging Powerhouse

Osmo Action 3 is packed with bleeding-edge hardware and software to keep up with your dynamic lifestyle. Its 1/1.7-inch imaging system shoots in 4K/120fps, provides a 155° super-wide FOV, and films smooth footage with a world-class EIS suite. An improved heat management system enables continuous 4K/60fps recording until the battery runs out of power, solving the overheating issue common to many other action cameras. D-Cinelike Color Mode is available in video, slow-motion, and timelapse modes for those looking for more room to edit in post-production. And for those willing to dive deeper, Osmo Action 3 is waterproof at depths of up to 16 meters without needing any additional housing.

Steady and Smooth Footage with RockSteady

Osmo Action 3 builds on DJI’s legacy of innovative image stabilization that has transformed cinematography and aerial photography. For a multitude of dynamic shooting scenarios, Osmo Action 3 has three distinct electronic image stabilization options:

  • RockSteady 3.0 effectively eliminates camera shake in all directions. It works up to 4K/120fps, providing a stable and immersive first-person perspective. This is the ideal stabilization for sport-specific scenes like bike riding, and on-the-go handheld filming.
  • HorizonSteady helps to eliminate camera shake in all directions and even horizontally corrects tilt at any angle. That means footage can remain horizontally level, even through heavy bumps and 360° rotations, creating the effect of a perfect horizon without any post-production, even in off-kilter pursuits like surfing.
  • HorizonBalancing corrects the tilt horizontally within ±45° and supports recording stable 4K/60fps videos. A perfect middle ground between RockSteady and HorizonSteady, this mode is ideal when the priority is a smooth 4K picture in a dynamic environment, such as an FPV obstacle course run.

Be Seen and Heard, Loud and Clear

Osmo Action 3 is more than a rugged camera for high-intensity action; it’s also the perfect camera for vloggers and streamers alike. Osmo Action 3 is the first action camera with dual touchscreens, letting users access settings from any angle while keeping the camera in perfect position. Three-mic stereo recording reduces wind noise and boosts the audio quality of the footage. Wi-Fi Livestream supports 1080p/30fps, 720p/30fps and 480p/30fps, and pausing recording during the stream. UAC/UVC Webcam support offers high-quality video and audio for conference calls and livestreams.

Additional Features

  • Shutter/Record Button & Quick Switch Button offers immediate recording and instant mode switching.
  • Quick Switching Between Five Custom Modes gives access to user-created camera modes at the touch of a button.
  • Multifunctional Battery Case stores three batteries and two microSD cards, intelligently fast charges three batteries, and can be used together with those batteries as a power bank to charge other devices like your smartphone.
  • Voice Prompt informs users of current modes without needing to unmount the camera.
  • Voice Control recognizes voice commands with a high recognition rate to control the camera when hands are busy.
  • InvisiStick for Skiing recognizes and digitally hides the selfie stick in snowsport situations.
  • 1.5m Drop Resistance from Corning Gorilla Glass for the touchscreens and lens cover.¹⁰
  • Timelapse with low-power consumption, preset for common scenarios (crowds, clouds, sunset), and dynamic timelapse video stabilization for smooth exposure and color temperature changes.
  • Digital Lens shoots in Standard (Dewarp), Wide, and Ultra-Wide for all shooting modes.
  • Digital Zoom of up to 4x can be adjusted while recording for better image composition.
  • DJI Mic Compatibility via the Type-C port, and external mics via 3.5mm to Type-C cable.
  • Loop Recording for continuous recording and overwriting according to a preset time.

DJI Mimo and LightCut: Two Ways to Create

Osmo Action 3 connects with the DJI Mimo smartphone app via Wi-Fi or Bluetooth for even more functionality, including a live feed of the camera, various story templates, quick in-app editing, and more.¹¹ In addition, the LightCut video editor app is thoroughly optimized for use with Action 3. It can automatically select clips and intelligently match them with exclusive templates to generate ready-to-share video edits.

Expand the Action with Dedicated Accessories

Osmo Action 3 was made to capture anything and everything. For every scenario, a suite of dedicated accessories helps you maximize all the possibilities of this action camera, including:¹²

  • Osmo Action 3 Waterproof Case¹³
  • Osmo Action 3 Extreme Battery
  • Osmo Action 3 Multifunctional Battery Case
  • Osmo Action 3 Adhesive Base Kit¹⁴
  • Osmo Action 3 Lens Protective Cover¹⁵
  • Osmo Action 3 1.5m Extension Rod Kit
  • Osmo Action 3 Magnetic Ball-Joint Adapter Mount
  • Osmo Action Chest Strap Mount
  • Osmo Action Handlebar Mount
  • Osmo Action Helmet Chin Mount
  • Osmo Action Suction Cup Mount¹⁶
  • Osmo Action Surfing Tether

Price and Availability

Osmo Action 3 is available today from store.dji.com and most authorized retail partners in several configurations. The Osmo Action 3 Standard Combo retails for $329 and includes Osmo Action 3, one Osmo Action 3 Extreme Battery, the Osmo Action 3 Horizontal-Vertical Protective Frame, the Osmo Action 3 Quick-Release Adapter Mount, and the Osmo Flat Adhesive Base. The Osmo Action 3 Adventure Combo retails for $439 and includes Osmo Action 3, three Osmo Action 3 Extreme Batteries, the Osmo Action 3 Horizontal-Vertical Protective Frame, two Osmo Action 3 Quick-Release Adapter Mounts, one Osmo Flat Adhesive Base, and the Osmo Action 3 Multifunctional Battery Case.

For more information on all the new features, accessories, and capabilities, please visit www.dji.com/OsmoAction3

DJI Care Refresh

DJI Care Refresh, the comprehensive protection plan for DJI products, is now available for Osmo Action 3. The replacement service covers accidental damage, including natural wear, collisions, and water damage. For a small additional charge, you can have your damaged product replaced if an accident occurs.

DJI Care Refresh (1-Year Plan) includes up to two replacements in one year. DJI Care Refresh (2-Year Plan) includes up to three replacements in two years and extends the original warranty up to two years from the date of purchase. Other services of DJI Care Refresh include free shipping. For a complete list of details, please visit: www.dji.com/service/djicare-refresh

Fuji X-H2 vs Fuji X-H2S

The Fuji X-H2 features 40.2MP, whereas the X-H2S has 26.1MP.

The 40MP Sensor is a BSI CMOS sensor and the 26MP sensor in the X-H2S camera is a stacked CMOS Sensor. The stacked technology is basically implemented for speed, the X-H2S camera has minimal rolling shutter as well as more precise AF tracking due to faster Sensor readout speed. On, the other side we have an X-H2 Camera with BSI Tech to save its low light performance.  Yes, it is possible to integrate the Stacked and BSI together but the production line cost will be raised, and so the camera price tag.

Devil Lies in the details

For those who work in controlled light environments, the Fuji X-H2 camera is made for them, the camera will enormous amount of details in still images when paired with prime lenses and uses at its sweet spot (or near about that).  In video mode, the 40MP sensor generates 8K oversampled files for 4K and 6k, so you will be getting a high amount of details in 4K 24, 30fos files too. The 8K pro res RAW is also available (BMCRAW or PRO-RES RAW)

Details capturing ability / preserving more details at low light

The best 26MP sensor camera they have ever created yet is the Fuji X-H2S. For the first time, I was impressed with the AF performance of a fuji mirrorless camera, the X-H2S AF tracking performance is highly improved compared to the previous generation of Fuji cameras. Now, if we talk about the low-light performance of the camera captures an amazing amount of details even in low light.  The main advantage is the rolling shutter is also very minimal while capturing motion.

FUJIFILM X-H2 FUJIFILM X-H2S
Sensor Resolution Actual: 40.2 Megapixel
Effective: 40 Megapixel
Effective: 26.16 Megapixel (6240 x 4160)
Sensor Type 23.5 x 15.6 mm (APS-C) CMOS 23.5 x 15.6 mm (APS-C) CMOS
Crop Factor 1.5x 1.5x
Image Stabilization Sensor-Shift, 5-Axis Sensor-Shift, 5-Axis
Built-In ND Filter None None
Capture Type Stills & Video Stills & Video

 

Focus Type Auto and Manual Focus Auto and Manual Focus
Focus Mode Continuous-Servo AF, Manual Focus, Single-Servo AF Continuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus Points Photo, Video
Phase Detection: 425
Photo, Video
Phase Detection: 425

Auto Focus

The Autofocus of Fuji X-H2s is slightly better than X-H2, despite the fact both of them use the same image processor and the AF algorithms. Due to the stacked CMOS sensor in the Fuji X-H2S camera. The sensor readout speed is much faster than the Fuji X-H2 camera. That’s why the X-H2 remains limited to 24MP files while shooting at 20FPS.

FUJI X-H2 FUJI X-H2S
Shutter Type Electronic Shutter, Mechanical Focal Plane Shutter Electronic Shutter, Mechanical Focal Plane Shutter
Shutter Speed Mechanical Shutter
1/8000 to 4 Seconds in Program Mode
1/8000 to 30 Seconds in Aperture Priority Mode
1/8000 to 15 Minutes in Manual Mode
Up to 60 Minutes in Bulb Mode
Electronic Shutter
1/8000 to 4 Seconds in Program Mode
1/8000 to 30 Seconds in Aperture Priority Mode
1/8000 to 15 Minutes in Manual Mode
Fixed 1 Second in Bulb Mode
Mechanical Shutter
1/8000 to 900 Seconds
1/8000 to 4 Seconds in Program Mode
1/8000 to 30 Seconds in Aperture Priority Mode
Up to 60 Minutes in Bulb Mode
Electronic Front Curtain Shutter
1/8000 to 900 Seconds
1/8000 to 4 Seconds in Program Mode
1/8000 to 30 Seconds in Aperture Priority Mode
Up to 60 Minutes in Bulb Mode
Electronic Shutter
1/32000 to 900 Seconds
1/32000 to 4 Seconds in Program Mode
1/32000 to 30 Seconds in Aperture Priority Mode
Fixed 1 Second in Bulb Mode
1/8000 to 1/4 Second in Movie Mode
Bulb/Time Mode Bulb Mode Bulb Mode
ISO Sensitivity Photo
125 to 12,800 in Manual, Auto Mode (Extended: 80 to 51,200)
Video
125 to 12,800 in Manual, Auto Mode (Extended: 80 to 25,600)
Photo
160 to 12,800 in Manual, Auto Mode (Extended: 80 to 51,200)
Video
160 to 12,800 in Manual, Auto Mode (Extended: 160 to 25,600)
Metering Method Average, Center-Weighted Average, Multi-Zone, Spot Average, Center-Weighted Average, Multi-Zone, Multiple, Spot
Exposure Modes Aperture Priority, Auto, Manual, Program, Shutter Priority Aperture Priority, Manual, Program, Shutter Priority
Exposure Compensation -5 to +5 EV (1/3 EV Steps) -5 to +5 EV (1/3 EV Steps)
White Balance 2500 to 100,000K
Presets: Daylight, Shade, Tungsten, Underwater
2500 to 10,000K
Presets: Auto, Daylight, Fluorescent, Incandescent, Shade, Underwater
Continuous Shooting Electronic Shutter
Up to 20 fps for up to 1000 Frames (JPEG) / 1000 Frames (Raw)
Mechanical Shutter
Up to 15 fps for up to 1000 Frames (JPEG) / 1000 Frames (Raw)
Mechanical Shutter
Up to 15 fps at 26.1 MP for Unlimited Frames (JPEG) / 1000 Frames (Raw)
Electronic Shutter
Up to 40 fps at 26.1 MP for up to 184 Frames (JPEG) / 140 Frames (Raw)
Up to 30 fps at 26.1 MP for Unlimited Frames (JPEG) / 180 Frames (Raw)
Up to 20 fps at 26.1 MP for Unlimited Frames (JPEG) / 800 Frames (Raw)
Up to 15 fps at 26.1 MP for Unlimited Frames (JPEG) / 1000 Frames (Raw)
Interval Recording Yes Yes

Still Image Capture

The Mechanical shutter speed is similar in both the camera limited to 15 fps, but with the help of a stacked CMOS sensor and a bit lower res, the Fuji X-H2s is able to capture the images at 40FPS without any crop and full-time AF tracking active. The X-H2 remains limited to 20fps, but only with a 1.29x crop on the sensor, which gives you a file of 24MP.

FUJI X-H2 FUJI X-H2S
Aspect Ratio 1:1, 3:2, 16:9 1:1, 3:2, 16:9
Image File Format C-RAW, HEIF, JPEG, Raw, TIFF HEIF, JPEG, Raw, TIFF
Bit Depth 16-Bit 14-Bit

Video Mode

The Fuji X-H2 does full sensor readout and gives an 8K  video recording option in ProRes RAW format (accessible through HDMI).

While doing 8K RAW, you have two options to record ur 8K RAW video externally. Blackmagic RAW or  Pro Res RAW. And if u have selected the BMRAW then u have to use the Black magic video assist (recommended) and when u have selected PRORES RAW u can use the Atmos Ninja.

The Fuji X-H2 camera is able to record any resolution internally (except 8K RAW). We have three triers of Apple Pro Res available for recording which includes

  • High BIT rate 422 HQ
  • Standard 422
  • Compressed 422 LT

Heat Management same as X-H2s: Both of the camera support external Fans. So, if ur shooting into hot and humid places you can buy this accessory. None of the cameras has any recording limit.

No 8K in Fuji X-H2S: The X-H2S doesn’t record 8K, the camera is limited to 6.2K 30p in the 3:2 aspect ratio (open gate), as well as 4K 120p (with a 1.29x sensor crop).

Better low-light performance – Fuji X-H2s with its lower resolution sensor is able to give better low-light video as well as still performance compared to the Fuji X-H2 camera.

Here are all the most important specifications.

Raw Recording Blackmagic RAW, PRoResRaw
7680 x 4320 up to 29.97 fpsMOV/MP4/MPEG-4 AVC/ProRes 422/ProRes 422 HQ/ProRes 422LT
UHD 8K (7680 x 4320) at 23.98p/24.00p/25p/29.97p [50 to 720 Mb/s]
MOV/MP4/MPEG-4/ProRes 422/ProRes 422 HQ/ProRes 422LT
6.2K (6240 x 4160) at 23.98p/24.00p/25p/29.97p [50 to 720 Mb/s]
DCI 4K (4096 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [50 to 720 Mb/s]
UHD 4K (3840 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [50 to 720 Mb/s]
DCI 2K (2048 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [50 to 720 Mb/s]
Full HD (1920 x 1080) at 23.98p/24.00p/25p/29.97PsF/50p/59.94p [50 to 720 Mb/s]
Full HD (1920 x 1080) at 100p/119.88p/200p/240p [200 to 720 Mb/s]
H.265/MOV 4:2:2 10-Bit
6.2K (6240 x 4160) at 23.98p/24.00p/25p/29.97p [360 to 720 Mb/s]
UHD 4K (3840 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [360 to 720 Mb/s]
H.265 Long GOP/MOV 4:2:2 10-Bit
6.2K (6240 x 4160) at 23.98p/24.00p/25p/29.97p [50 to 720 Mb/s]
DCI 4K (4096 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [50 to 720 Mb/s]
UHD 4K (3840 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [50 to 720 Mb/s]
DCI 2K (2048 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [50 to 720 Mb/s]
H.265 Long GOP/MOV 4:2:0 10-Bit
6.2K (6240 x 4160) at 23.98p/24.00p/25p/29.97p [50 to 720 Mb/s]
DCI 4K (4096 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [50 to 720 Mb/s]
Recording Modes FUJIFILM F-Log, FUJIFILM F-Log 2
Recording Limit Up to 160 Minutes for UHD 8K (7680 x 4320) at 29.97p (4:2:2 10-Bit) Up to 90 Minutes
Audio Recording MOV: 2-Channel 24-Bit 48 kHz LPCM Audio
ProRes: 2-Channel 24-Bit 48 kHz LPCM Audio
MPEG: 2-Channel 24-Bit 48 kHz LPCM Audio
MP4: 2-Channel AAC Audio

NTSC/PAL

MOV: 2-Channel 24-Bit 48 kHz LPCM Audio
MP4: 2-Channel AAC Audio

External Video Capture

Raw Output HDMI In ProResRAW, Raw Mode:
7680 x 4320 12-Bit up to 29.97 fps
Raw 12-Bit via HDMI
6.2K (6240 x 4160)
IP Streaming None Yes

The best thing I like about Fuji Cameras is they give Full-Size HDMI output, in both the cameras you are getting Full-Size HDMI, a USB-C port for data and charge on the go, and a Headphone in and Mic out port.

Media/Memory Card Slot Dual Slot: CFexpress Type B (SD Express) Slot 1: CFexpress Type B
Slot 2: SD/SDHC/SDXC (UHS-II)
Video I/O 1 x HDMI Output 1 x HDMI Output
Audio I/O 1 x 1/8″ / 3.5 mm TRRS Headphone/Mic Input on Camera Body
1 x 1/8″ / 3.5 mm TRRS Headphone/Mic Output on Camera Body
1 x 1/8″ / 3.5 mm TRRS Headphone/Mic Microphone Input on Camera Body
1 x 1/8″ / 3.5 mm TRRS Headphone/Mic Headphone Output on Camera Body
Other I/O 1 x USB Type-C 1 x USB Type-C Input/Output
Power I/O 1 x USB Type-C Input/Output 1 x USB Type-C (USB 3.2 / 3.1 Gen 2) Control/Data/Tether Input/Output (Shared with Power Input)
1 x 2.5 mm Sub-Mini Control Input
1 x PC Sync Socket (Sync) FlashSync Output
Wireless 2.4 / 5 GHz Wi-Fi 5 (802.11ac)
Bluetooth
2.4 / 5 GHz Wi-Fi 5 (802.11ac)
Bluetooth
Global Positioning (GPS, GLONASS, etc.) None None

Price of both the camera

The X-H2 is less expensive, with a retail price of $2000 or £1900.

The X-H2S can be found at $2500, £2500 or €2750.

Note that these prices are for the body only, as of September 2022.

Fuji X-H2 is Recommended for

Commercial shooters and filmmakers are those who work in a controlled light environment. Are recommended to get the Fuji X-H2 Camera with a massive 40M resolution. For those who mostly work outdoors / in uncontrolled light environments or are related to action and sports, X-H2S is more recommended.

Get Fuji X-H2 Camera from Amazon | B&H Store

Get Fuji X-H2S camera from Amazon | B&H Store

Fuji X-H2 Officially Announced - Press Release | Full Specification and More

Fuji X-H2 camera was finally announced today, the camera features 40MP BSI CMOS Sensor. The X-H2 has now become the world’s first APS-C camera to carry such a massive resolution. The Camera is not as fast as the X-H2s due to the stacked CMOS sensor but has a class of its own. Take a look at the major specification of the camera

Buy Fuji X-H2 Camera from B&H Store

Key specifications

  • 40MP BSI CMOS X-Trans APS-C sensor
  • 15 fps with mechanical shutter (20 fps with e-shutter, 1.29x crop)
  • 8K, 6.2K, or 2:1 oversampled 4K video at up to 30p
  • Three versions of Pro Res, H.265 or H.264 video encoding
  • Built-in image stabilization rated to 7.0 stops
  • 5.76M-dot EVF capable of up to 120 fps refresh
  • 1 CFexpress Type B, 1 UHS-II SD card slot
  • Full-sized HDMI port
  • 680 shot-per-charge battery rating (CIPA)
  • Compatibility with battery grip or transmitter module

The Fujifilm X-H2 is expected to be available in ‘late September 2022’ for an MSRP of $2,000 for body-only and $2,500 as a kit with the XF 16–80mm F4 R OIS WR lens. The vertical battery grip will retail for $400, the FT-XH File Transmitter will be available in ‘late October 2022’ for $1,000 and the cooling fan is available for $200.


Fuji X-H2 Press Release

Fujifilm Introduces FUJIFILM X-H2 mirrorless digital camera

Equipped with the new, 40.2MP “X-TransTM CMOS 5 HR” sensor to deliver the highest image quality in the X Series lineup

Valhalla, N.Y. — September 8, 2022 – FUJIFILM North America Corporation today announced the launch of the FUJIFILM X-H2 mirrorless digital camera (X-H2). X-H2 features the new, back-illuminated 40.2MP “X-TransTM CMOS 5 HR” sensor and the high-speed “X-Processor 5”, boasting the highest resolution in the X Series lineup in both stills and videos, as well as becoming the world’s first¹ APS-C camera to enable 8K/30P Apple ProRes internal recording. “X-H2 joining the flagship X-H family is not only huge for us at Fujifilm, but it is also especially significant for our consumers”, said Victor Ha, vice president of the Electronic Imaging and Optical Device Divisions, FUJIFILM North America Corporation. “X-H2S, which debuted in May, excels in speed, perfect for image makers who create moving content. X-H2 delivers exceptional image resolution and quality that are ideal for those creating images in super-high detail. We listened to our customers and took their feedback to heart, creating this

amazing family of X-H cameras that are tailor-made to their distinct specialties.”

Main product features:

New X-TransTM CMOS 5 HR sensor and the high-speed X-Processor 5

The exceptional image quality delivered by the new sensor is complemented with advanced features including minimum standard ISO125, and the high-resolution 40.2MP sensor of the X-H2 has a unique image-processing algorithm designed to enhance image resolution without compromising the signal-to-noise ratio, producing astonishing image quality.

the previous model’s 1/32,000 sec, to 1/180,000 sec). This allows users to

the fastest shutter speed available within the X Series (the electronic shutter has been increased by 2.5 stops from leave the aperture wide open in bright or high-contrast conditions such as on a sunny beach or a ski slope, or to instantly freeze motion down to a millisecond.

X-H2 is the first X Series camera featuring the Pixel Shift Multi-Shot function, which is ideal for commercial photography and digital archiving applications that need hi-resolution images with flawless color accuracy. Using the camera’s in-body image stabilization (IBIS) mechanism to shift the image sensor with immense precision, 20 reference images are automatically created and later assembled in post-production using the dedicated “Pixel Shift Combiner”

software. The result is a 160 Megapixel image, constructed from the total information available from each RGB pixel found on the X-H2’s new X Trans 5 CMOS HR sensor.

X-H2 also supports the HEIF image format, which delivers 10-bit image quality

in files up to 30% smaller than standard JPEG files, continuing to expand

Fujifilm’s reputation of delivering high-quality images straight out of camera.

Excellent performance for professional video production needs

With the new sensor, 8K movies can be recorded internally at 30P in 4:2:2 10- bit color. X-H2 has a heat-dissipating design — same as the X-H2S — to enable recording of 8K/30P video for up to 30 minutes². X-H2 is also capable of producing high-quality 4K (4K HQ) video, which is oversampled from 8K as it is being recorded internally. The result is an image that makes maximum use of the camera’s high-resolution sensor to record video with optimal image quality.

X-H2 supports three Apple ProRes codecs; ProRes 422 HQ, ProRes 422, and ProRes 422 LT, with the option to also record ProRes 422 Proxy³ to help streamline post-production workflows when editing in 8K.

With the help of X-Trans CMOS 5 HR, X-H2 is capable of delivering up to 2x of

digital zoom with little-to-no loss in resolution, when recording video in 4K, even

with a prime lens attached to the camera.

With Fujifilm’s FUJINON XF18-120mmF4 LM PZ WR lens, zoom movements

seamlessly transition to the digital zoom function when the lens reaches its

maximum focal length.

Combined with a compatible HDMI device from Atomos or Blackmagic Design, 12-bit 8K/30P RAW video output from X-H2 can be recorded as Apple ProRes or Blackmagic RAW, while the newly developed F-Log2 flat picture profile expands dynamic range up to 13+ stops, which broadens color-grading options in post-production.

Evolved autofocus (AF) performance to accurately capture details

X-Processor 5 features subject-detection AF based on deep learning technology that automatically detects and tracks a broad and diverse range of subjects, including animals, birds, cars, motorcycles, bicycles, airplanes, and trains.

The new, high-resolution sensor offers optimal ability to attain AF-S focus on a subject with high-frequency. Users can easily autofocus accurately in situations where AF-S is typically used, such as landscape and portrait photography. X-H2 also incorporates an AF prediction algorithm which has been improved from that of previous X Series models.

X-H2 is equipped with a focus meter as a manual focus assist during movie recording, allowing for more precise focus adjustment. It can also be used in combination with focus peaking.

The video AF algorithm has been optimized for autofocus accuracy, giving users a sense of confidence in using AF while filming 8K video.

Hardware and workflow that support users’ content creation experience

A 5-axis in-body IBIS⁴, made possible by X-Processor 5 and a sensing control function, gives the freedom to handhold in conditions that previously may have required support. In addition, the IBIS function enables the image sensor to be precisely shifted, for the camera’s Pixel Shift Multi Shot function.

X-H2 is equipped with a high-magnification and high-definition 5.76-million-dot EVF with 0.8x magnification. It boasts a smooth refresh frame rate of approximately 120fps and offers significant control over parallax and distortion which typically occurs when an eye position becomes displaced while using the viewfinder.

The body design is the same as X-H2S. With 79 weather-sealed points offering a high level of dust and moisture resistance, X-H2 is built to withstand the rigors of daily professional use and operate as normal in temperatures as low as 14°F (-10°C). The top panel LCD screen, adjustable AF ON button,1.62 million-dot vari-angle LCD monitor, and an independent movie recording button support comfortable operability.

X-H2 has one CFexpressTM Type B memory card slot and one UHS-II SD memory card slot. CFexpress Type B cards⁵ are needed to realize the full potential of X-H2’s professional video performance.

X-H2S / X-H2 can be combined with the file transmitter “FT-XH” to enable wired and wireless LAN tethered video recording⁶. Up to four X-H2S / X-H2 cameras can be connected simultaneously to enable the following operations from a computer browser:

  • Check and adjust camera settings for each camera
  • Simultaneously start and stop video recording for all cameras
  • Save, load, and copy camera settings⁷

Optional accessories:

  • VG-XH – Vertical battery grip (for the X-H2S / X-H2)
    • This vertical battery grip is dust and moisture–resistant and is designed to operate at temperatures as low as 14°F (-10°C). It operates with two of Fujifilm’s NP-W235 high-capacity batteries.
    • The grip’s button layout is designed to provide optimal operability whether holding the camera vertically or horizontally.
  • FT-XH File transmitter (for the X-H2S / X-H2)
    • This file transmitter features wired LAN connectivity and high-speed wireless communications capability, essential for in-studio tethered content creation or for creating sports/media content. It can also be used as a vertical grip with two of Fujifilm’s NP-W235 high-capacity batteries.
    • It can be combined with the X-H2S / X-H2 to support the following communication specifications:
      • FTP data transfer by wired LAN / wireless LAN / USB Smartphone tethering.
      • Tethered shooting by wired LAN / wireless LAN.
      • Remote recording function by wired LAN / wireless LAN; capable of controlling up to four X-H2S / X-H2 cameras from a browser at the same time.
  • FAN-001 Cooling fan (for the X-H2S / X-H2)
    • Specifically designed for the X-H2S / X-H2 to facilitate extended video recording and operation in high temperatures.
    • The fan can be attached to the rear of the camera body without a cable, supplying power and extending continuous video recording time as the camera heats up and otherwise when operating in high temperatures, thereby eliminating concerns of heat-related camera shutdown.
  • CVR-XH Cover kit (for the X-H2S / X-H2)
    • This cover kit for the X-H2S / X-H2 protects various terminals on the camera. Items included in the kit:
      • 1 x Sync terminal cover
      • 1xHotshoecover
      • 1 x File transmitter / vertical battery grip terminal cover o 1 x Cooling fan terminal cover
      • 1 x Memory card slot cover

Pricing and Availability

FUJIFILM X-H2 mirrorless digital camera is expected to be available late September 2022, at a manufacturer’s suggested retail price of $1,999.95 USD ($2,550 CDN) for the camera body and $2,499.95 USD ($3,200 CDN) for the X- H2 digital camera with XF16-80mmF4 R OIS WR lens kit.

Pricing and expected availability for X-H2 accessories are as follows:

VG-XH Vertical Battery Grip: Available now at a Manufacturer’s Suggested Retail Price of $399.99 USD and $515 CAD.

FT-XH File Transmitter: Expected to be available in late October 2022 at a Manufacturer’s Suggested Retail Price of $999.99 USD and $1,280 CAD.

FAN-001 Cooling Fan: Available now at a Manufacturer’s Suggested Retail Price of $199.99 USD and $260 CAD.

CVR-XH Cover Kit: Available now at a Manufacturer’s Suggested Retail Price of $19.99 USD and $26 CAD.

 

Hasselblad X2D vs Fuji GFX100

 

Hasselblad X2D vs Fuji GFX100 – Let’s compare these two cameras – We do know the camera Hasselblad X2D cost $8199 and the GFX100 cost $9999. So, roughly 2K is more costly than the X2D camera.

Both Cameras use the same 100MP BSI CMOS. Fuji GFX100S Image processor is more powerful hence we are able to have a slightly wider ISO range in the GFX100 camera as well as the GFX100 is able to process continuous shooting speed up to 5fps.

Once the samples become available we will also publish a High ISO test between the two.

 

The Price Difference

Fuji GFX100 Price B&H Store

Hasselblad Price B&H Store 

Lens Mount Hasselblad X2D FUJIFILM GFX100
Sensor Resolution Effective: 100 Megapixel (11,656 x 8742) Effective: 102 Megapixel (11,648 x 8736)
Sensor Type 43.8 x 32.9 mm (Medium Format) CMOS 43.8 x 32.9 mm (Medium Format) CMOS
Image Stabilization Sensor-Shift, 5-Axis Sensor-Shift, 5-Axis
Built-In ND Filter None None
Capture Type Still Only Stills & Video

No Video Mode in Hasselblad X2D

Hasselblad is limited to still photography only, with no video options available in the camera. Although, at the price point where both of them are available to us it actually doesn’t matter if the camera is able to shoot video or not if you are a still photographer. Since, if you have that budget and in cinematography, you will prefer cinema cameras like FX3 or C70 or maybe even better them both.

 

Shutter Type Electronic Shutter, Leaf Shutter Electronic Shutter, Mechanical Focal Plane Shutter
Shutter Speed Electronic Shutter
1/6000 Up to 4080 Seconds
Mechanical Shutter
1/4000 Up to 4080 Seconds
Mechanical Shutter
1/4000 to 3600 Seconds
1/4000 to 4 Seconds in Program Mode
1/4000 to 30 Seconds in Aperture Priority Mode
Up to 60 Minutes in Bulb Mode
Electronic Shutter
1/16000 to 3600 Seconds
1/16000 to 4 Seconds in Program Mode
1/16000 to 30 Seconds in Aperture Priority Mode
Up to 60 Minutes in Bulb Mode
Electronic Front Curtain Shutter
1/4000 to 3600 Seconds
1/4000 to 4 Seconds in Program Mode
1/4000 to 30 Seconds in Aperture Priority Mode
Up to 60 Minutes in Bulb Mode
1/4000 to 1/24 Second in Movie Mode
Bulb/Time Mode None Bulb Mode
ISO Sensitivity Photo
64 to 25,600 in Manual, Auto Mode
Photo
100 to 12,800 in Auto Mode (Extended: 50 to 102,400)
Video
200 to 12,800 (Extended: 200 to 25,600)
Metering Method Center-Weighted Average, Spot Average, Center-Weighted Average, Multi-Zone, Spot
Exposure Modes Aperture Priority, Manual, Shutter Priority Aperture Priority, Manual, Program, Shutter Priority
Continuous Shooting Mechanical Shutter
Up to 3.3 fps at 100 MP
Mechanical Shutter
Up to 5 fps at 102 MP for up to 16 Frames (Raw) / 42 Frames (JPEG)
Up to 2 fps at 102 MP for up to 45 Frames (Raw) / Unlimited Frames (JPEG)
Electronic Shutter
Up to 2.9 fps at 102 MP for up to 23 Frames (Raw) / 64 Frames (JPEG)
Interval Recording Yes

Internal Memory with Hasselblad – The camera has arrived with a massive 1Tb internal memory, built-in 1TB SSD – 4004 Raw+JPEG images, 5331 Raw files, or 16,000 JPEGs. and you also get an option to use CF express type B cards.

Interface

Media/Memory Card Slot Single Slot: CFexpress Type B (CFexpress 2.0) [512 GB Maximum] Dual Slot: SD/SDHC/SDXC (UHS-II)
Internal Memory 1 TB None
Other I/O 1 x USB Type-C (Camera Interface) Data Input/Output (Shared with Power Input) 1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output
1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input
Power I/O 1 x USB Type-C Input 1 x USB Type-C Input/Output
Wireless Wi-Fi 5 (802.11ac), Wi-Fi 4 (802.11n), Wi-Fi (802.11b/g), Wi-Fi Control 1 x USB Type-C (USB 3.2 / 3.1 Gen 1) Data Input/Output (Shared with Power Input)
1 x 2.5 mm Sub-Mini Control Input
1 x PC Sync Socket Input
Global Positioning (GPS, GLONASS, etc.) Wi-Fi, Bluetooth

 

Monitor

Size 3.6″ 3.2″
Resolution 2,360,000 Dot 2,360,000 Dot
Display Type Tilting Touchscreen LCD 3-Way Tilting Touchscreen LCD
Secondary Display Top: Status Display Top: Status Display

Overall Buy Fuji GFX100 still looks impressive in the Still Photography part, and you can shoot 4K videos too with a 100MP medium format sensor with the GFX100, that’s not possible with the X2D. At the end of the day you will be getting the same image quality from both camera, so decide is wisely which camera is best for you.

Hasselblad X2D 100C Announced: Press Release

Hasselblad X2D 100C – finally announced. The camera uses the same sensor we have seen the Fuji GFX 100. The pixel count of the sensor is 11,656 x 8742 (almost 102MP). The camera is able to capture 16-bit files with 15 stops of dynamic range. The X2D’s ISO range runs from 64–25,600. AF speed by 66% over the X1D II 50C. The Hasselblad X2D 100C features 294 phase detection points across 97% area of the sensor. X2D offers up to 7 stops of stabilization,  so literally, it will allow you to handheld shooting at shutter speeds for as long as one second.

Hasselblad X2D features built-in 1TB SSD – 4004 Raw+JPEG images, 5331 Raw files, or a cool 16,000 JPEGs. Having a dual card slot always helps in case of card failure while attending a pro event, so I hope Hassy also allows us to have an online backup or something similar to that for more secure shooting.

The Hasselblad X2D 100C is available starting today through Hasselblad’s shop for €8,699 / £7,369 / ¥54,900 including VAT and $8,199 excluding sales tax.

Get Hasselblad X2D 100C from B&H Store

Hasselblad X2D 100C Press Release

Hasselblad Launches New Flagship Camera and Three All-New Lenses

Introducing the X2D 100C, XCD38V, XCD 55V and XCD 90V

After the groundbreaking success of the X1D-50c and its second iteration, the X1D II 50C, Hasselblad unveils the powerful X2D 100C, along with three new lenses to the XCD family, the XCD 2,5/38V, XCD 2,5/55V, and the XCD 2,5/90V, providing the ultimate experience for content creators. Hasselblad X2D 100C – Inspiration in Every Detail Hasselblad’s next-generation mirrorless medium format digital camera, the X2D 100C, has been engineered to bring substantial technological enhancements to image quality, camera handling, and system responsiveness. Designed in a new dark grey tone body of machined aluminium, the X2D 100C houses a 100-megapixel back-side illuminated (BSI) (43.8 × 32.9 mm) CMOS sensor, delivering up to 15 stops of dynamic range with a 16-bit colour depth. The X2D 100C enables a creative experience unimaginable in the past. It empowers content creators to capture the intricacies of an image’s highlights and shadows, utilising the Hasselblad Natural Colour Solution (HNCS). Working alongside the new 5-axis, 7-stop in-body image stabilisation system (IBIS), handheld image capture is possible in the widest range of conditions. Hasselblad independently developed its own IBIS for the X2D 100C in order to meet the stringent requirements for stabilising a 100MP sensor. Keeping size and weight in mind for easy portability, the X2D 100C is the most compact medium format IBIS solution on the market.1

With 294 Phase Detection Autofocus (PDAF) zones, the system ensures the subject is rapidly located and brought into focus. The X2D 100C captures files in 3FR RAW and full-size JPEG, and the cutting-edge, built-in 1TB SSD storage and CFexpress Type B card support delivers a high capture rate for fast-moving subjects.

The X2D 100C features an 0.5-inch OLED Electronic Viewfinder (EVF) with 5.76-million dots, a high magnification of 1.00x with a refresh rate of 60fps, which supports electric refractive error correction to ensure the whole display is sharp and bright, from corner to corner.2 A 1.08-inch colour top display and a 2.36MP, 3.6-inch tilting, touch-capable rear display delivers access to all of these new imaging technologies whilst keeping the intuitive Hasselblad User Interface (HUI) and Scandinavian style of the X System. The battery has a CIPA rating of 420 shots and supports PD 3.0 fast charging.3 Additionally, the X2D 100C is compatible with Phocus, Hasselblad’s free image processing software.

“When developing the X2D 100C, our goal was the same as always, just as Victor Hasselblad himself made decades ago: build a better camera,” said Bronius Rudnickas, Hasselblad Marketing Manager. “This commitment drives us to explore the possibility to improve its performance from all aspects.”

¹ Among interchangeable-lens mirrorless digital cameras with a 55mm-diameter CMOS sensor (according to a Hasselblad market survey on 1 March, 2022).
² Magnification: approximately 1.00x with the XCD 65 at infinity, –1 m-1.
³ To charge via PD protocol, the charging cable and power source must be PD-compatible.