According to the latest rumors surfaced over the web the Sony A7R V camera is expected to arrive on October 26, 2022, with a 63 MP sensor. We also have several fake images floating over the web, but we will post more details here when authentic photos and detailed specs become available.
The Best Video Camera 2023 – Sony FX30 vs Canon R7 – The Canon R7 is a Mirrorless Hybrid Camera made for Photographers and cinematographers, the Sony FX30 is also a Mirrorless camera but made for cinematographers. In this comparison, we will find out the best camera to record videos.
In this comparison, we will keep our comparison limited to the Videographer.
1. Body and Controls
Battery Type
Sony Z-Series
1 x LP-E6NH Rechargeable Lithium-Ion
Tripod Mounting Thread
1 x 1/4″-20 Female (Bottom)
1 x 1/4″-20 Female (Bottom)
Accessory Mount
1 x Intelligent Hot Shoe on Camera Body 5 x 1/4″-20 Female on Camera Body
1 x 1/4″-20 Female (Bottom)
Material of Construction
Magnesium Alloy
Magnesium Alloy
Dimensions (W x H x D)
5.1 x 3.1 x 3.3″ / 129.7 x 77.8 x 84.5 mm
5.2 x 3.6 x 3.6″ / 132 x 90.4 x 91.7 mm
Weight
1.2 lb / 562 g (Body Only)
1.2 lb / 530 g (Body Only)
1.3 lb / 612 g (With Battery, Recording Media)
Interface
Media/Memory Card Slot
Dual Slot: CFexpress Type A / SD
Dual Slot: SD/SDHC/SDXC (UHS-II)
Video I/O
1 x HDMI 2.0 Output
1 x Micro-HDMI Output
Audio I/O
1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input on Camera Body 1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output on Camera Body
1 x 1/8″ / 3.5 mm TRS Stereo Headphone Input 1 x 1/8″ / 3.5 mm TRS Stereo Microphone Output
Power I/O
1 x USB-C Input
1 x USB-C (USB 3.2 / 3.1 Gen 2) Input/Output
Other I/O
1 x Sony Multi/Micro-USB (Camera Interface, Timecode) 1 x USB-C
multi-function shoe is a hot shoe
Wireless
2.4 / 5 GHz Wi-Fi 5 (802.11ac) Control
Bluetooth
2.4 GHz Wi-Fi (802.11b/g)
Bluetooth
2. Sensor
The Canon R7 sensor is a 32.5MP FSI CMOS sensor, There are two variants of CMOS: Front-side illuminated (FSI) and back-side illuminated (BSI). What makes a BSI CMOS sensor better than a conventional CMOS sensor? The simple answer is that the design makes it easier for light to reach the photo diodes on the sensor, BSI CMOS sensor ups readout speed and improves low-light imaging. And the Sony FX30 Camera features 26 MP BSI CMOS Sensor. So, sensor architecture says the Sony is better.
3. Video Resolution & Frame rate
4K 120 (1.6x / super 35mm look)
None
4k 60 (1.04x crop)
4K 60p HQ (1.8x Crop) / 4K Fine uncropped
4k 24, 30 fps
4k 24, 30 without crop
Full HD 240 FPS
Full HD 120 FPS
As you can see the Sony FX30 camera is able to shoot videos up to 4k 120 fps and Full HD videos up to 240 FPS. The crop factor of the Sony FX30 camera is negligible in 4k 60FPS mode and we do have an excessive crop in 4K video of the canon R7 camera if we are not using the “FINE” video mode. If we select the 4k 60fps full sensor readout mode in the Canon R7 then the camera goes into line-skipping algo and does record 4k videos with less details.
4. Video Codec
The Sony FX30 Record in 10-bit 4:2:2 using advanced XAVC HS and XAVC S-I formats. But, in Canon, we are missing the ALL-I intra format and so the MAX BIT RATE Speed. I don’t know why Canon always keep out the ALL-I intra format from their Mirrorless cameras. The S-Log3, the FX30 can capture 14+ stops of dynamic range. in Canon R7 we have the Clog3.
The FX30 camera is capable of producing RAW video data up to 16 BIT from the HDMI port. the Canon R7 remains limited to 10 BIT.
Additional features include S-Cinetone uses the same color science as Sony’s advanced cinema cameras, including the VENICE line, with natural mid tones, soft colors, and smooth highlight roll-off. And the most important part is Up to 16 user-created LUTs and three presets can be set for accurately monitoring footage or previewing a specific look during shooting. These can be applied to the camera’s monitor or EVF as well as the HDMI output.
5. Low-Light performance
Recording at the base ISO enables you to take full advantage of the image sensor performance. You can capture material that withstands color grading better, without becoming degraded.
Std. Video ISO Range
Canon R7
200
25600
Sony FX30
100
32000
Dual Native ISO range a in RAW video is available in Sony FX30 camera.
Base ISO
Upper gain step
Std color mode / HLG
ISO 100
ISO 320
S-Cinetone
ISO 125
ISO 400
S-Log3
ISO 800
ISO 2500
Recording at the base ISO enables you to take full advantage of the image sensor performance. You can capture material that withstands color grading better, without becoming degraded. Two base ISO options are available for FX30 also as you can see in the table above, for low or high sensitivity. Choose a base ISO to suit the scene you are shooting.
6. Image Stabilization
Sony FX30 features Mechanical Image stabilization / 5-axis in-body image stabilization, as well as FX30, which can also record gyro movement when the optical + Mech. stabilizers are turned off. Canon R7 camera features an excellent mechanical IBIS unit that corrects up to 7 stops of unwanted camera shake when shooting handheld.
7. Verdict
Sony FX30 is the best camera for recording videos when compared to the Canon R7 camera.
Recommendation
Recommended Lenses Tamron 28-75mm F2.8 Lens Amazon | B&H Store
Best lenses for Sony FX30
18-105mm Lens for Video Buy this Lens from Amazon.com | B&H Store
According to a popular Japanese camera news information website asobinet.com, the Canon EOS M50 Mark II (Kiss M2) is partially Discontinued in Japan. Take a look at what they have to say
This time, we were able to confirm that sales have ended for two types, the “EF-M15-45 IS STM Lens Kit” and “Double Lens Kit” (sales have also ended at direct sales stores).
. As of now, there is no sign that Canon will introduce a successor model to the EOS Kiss M2, and it may gradually integrate the APS-C system into the EOS R. That said, it seems difficult to judge at what stage the EOS M system, which is popular in Asia, will be closed
So, as usual, the camera makers do nowadays, they do country-wise discontinuation. As soon as its demand goes low in other Asian countries or in USA, the production of M50 II is likely to be stopped.
Body design wise both the cameras are completely different, the one is a Hybrid Mirrorless camera and the other one is a Cinema camera with excessive mount threads over it. So, they are very different from each other specifically if we talk about the design difference of both cameras.
But, does the Price difference: We have a good price difference between the two cameras. the Sony FX30 is more affordable, but the big question us does the Sony A7S 3 camera deserve the high price we are paying off
Perspective: Our perspective is to find out the Bets video | Cinema camera OR camera for content creators. We are not considering the photographic features of any of these two cameras.
Sony FX30
Sony A7S III
Sensor Resolution
Actual: 27 Megapixel
Effective: 26 Megapixel (6192 x 4128)
Actual: 12.9 Megapixel
Effective: 12.1 Megapixel (4240 x 2832)
Sensor Type
23.3 x 15.5 mm (APS-C) CMOS
35.6 x 23.8 mm (Full-Frame) CMOS
Image Stabilization
Sensor-Shift, 5-Axis
Sensor-Shift, 5-Axis
1. Sensor
The Sony A7S 3 camera features a full-size sensor made to record 4k high-quality videos. During the time time of the A7S series camera development, the only intention of the Sony R&D team member was to create such a camera that neither goes into sub-sampling nor oversampling so the heat dissipation will be very less and users will get a high-quality 4k video.
The Sony FX30 camera features a newly developed 26 MP BSI CMOS sensor., the sensor does oversample to create 4K files and of course, due to its APS-C size we have to face some limited low -Light performance
2. Video Resolution
Sony FX30
Sony A7S 3
4k 120fps [1.6x crop]
4k 120 fps [1.1 X crop]
4k 60 FPS [1.04x crop]
4k 60 FPS
Full HD 240 FPS
Full HD 240 FPS
16-BIT RAW OUPUT VIA HDMI
16-BIT RAW OUPUT VIA HDMI
As you can see the video resolution of the Sony A7s3 camera is more than perfect compared to the video resolution of the Sony FX30 camera. The FX30 camera does have a significant amount of crop when ur recording videos at the 4K 60dfps mode. The Sony A7S 3 also has a 1.1 X crop factor that remains mostly unnoticeable.
Sony FX3 will capture more details in Studio Light
While working with the base ISO range in FX3, we will surely have the extra resolution advantage of the FX3 camera. So, if you are working with lights u will have more details in the 26 MP oversampled 4k file compared to a 12MP 4k file. At the same time, the advantage is limited to its base ISO range.
3. Low-Light Performance
Sony FX30
Sony A7S 3
Dual Native ISO Range [Log3]
Dual Native ISO Range [Log3]
800-2500
640-12800
Standard and expandable ISO range
80 to 102,400 (Extended: 40 to 409,600)
100 to 32,000 (Extended: 50 to 102,400)
80 to 102,400 (Extended: 40 to 409,600)
Sony A7s3 with its massive DUal Native ISO range (as well std and expandable) will give you more clean and more neat video output in a low-light situation compared to the Sony FX30 camera.
Frame Rates
Recording Modes
XAVC HS 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/119.88p XAVC S
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/119.88p XAVC Proxy
Full HD (1920 x 1080)
HD (1280 x 720)
H.265/XAVC HS 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/50p/59.94p/100p/119.88p [50 to 280 Mb/s] H.265/XAVC HS 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98p/50p/59.94p/100p/119.88p [30 to 200 Mb/s] H.264/XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p [240 to 600 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p [89 to 222 Mb/s] H.264/XAVC S 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p [100 to 280 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p/200p/239.76p [50 Mb/s] H.264/XAVC S 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p [60 to 200 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p/200p/239.76p [16 to 100 Mb/s]
Both of these Sony cameras feature a 5.5-stop effective 5-axis SteadyShot INSIDE image stabilization system. Additionally, we also have gyro-based image stabilization.
5. Video Codecs
Video codecs are similar, the good thing is being a Sony camera we are allowed to record videos in IPB format and ALL-I Intra format [XAVC-S, XAVC-HS, and XAVC S-I]. Both of them record 10 BIT 4:2:2 videos internally either you are recording it in 4K 120fps mode or in 4K 24fps mode.
When You should buy Sony FX30 camera
We can clearly see the Sony A7S 3 camera’s low-light performance is better, but it is not a cinema camera hence missing our features like the Timecode functionality, Custom user LUT upload function, Focus MAP, and Breathing compensation. These are the extra set of features we have in our FX30 camera. If ur looking for a true cinema camera under budget then FX30 is the best option in front of you.
When You should buy Sony A7S3 camera
If budget isn’t an issue neither is the type of device or use, undoubtedly the Sony A7S3 will give you cleaner output in low light. If you want to have an excellent low-light performing cinema camera like Sony A7S 3 then you have to invest in Sony FX3.
If you are looking for The Best and ONLY ONE LENS for Sony A7C or Sony A7 IV, or have come to the right place. After so much wait finally, Tamron announced a TRUE all-in-one lens, that covers wide as well also touches the tele-part.
Tamron 20-40mm F2.8 VXD – BEST VLOGGING LENS OF 2023
Tamron 20-40mm F2.8 RXD B&H Store | amazon.com This is the most versatile lens Tamron ever announced. It covers 20mm wide, so you can easily do vlogging with your full-frame camera. As well as you create your videos in your room and office while using a 30mm or 40 mm focal length of your choice.
BEST VLOGGING LENS OF 2023 FOR SONY A7C | Sony A7 IV | Best SONY Lens for Youtube Content Creators
The best all-in-one lens for Youtube Content Creators
Before the arrival of the Tamron 20-40mm F2.8 Lens. If anyone asks me for a perfect lens for creating a vlog with Sony A7C or A7 IV camera, most of the time I recommend Tamron 17-28mm F2.8, but at the same time when you want to create an office or room vlog with the same lens. The 28mm feel a bit wider due to the limited 28mm tele reach. Now we have the perfect solution, if anyone wants to
Best Lens for Wedding Photographers
Not only for content creators if you are a Wedding photographer too then this is the best lens made for you. With the help of a Tamron 20-40mm lens, you can capture ultra-wide shots to portrait. If you want to have any other lens after 20-40 then the best lens is Tamron 35-150mm Lens.
Let’s compare the Sony FX30 camera with the Sony A7 IV camera. Do share your thoughts with us
Design-wise
Design-wise Sony A74 is more inclined towards photographers, with a LARGE handgrip design and a high res 3.6Millionb dot EVF, you easily able to shoot your subjects. The FX30 is made for cinematographers, look at the number of mounting threads we have on the FX30 body.
Imaging
Lens Mount
Sony E
Sony E
Sensor Resolution
Actual: 27 Megapixel
Effective: 26 Megapixel (6192 x 4128)
Actual: 34.1 Megapixel
Effective: 33 Megapixel
Sensor Type
23.3 x 15.5 mm (APS-C) CMOS
35.9 x 23.9 mm (Full-Frame) CMOS
Image Stabilization
Sensor-Shift, 5-Axis
Sensor-Shift, 5-Axis
Camera Type
Video
Stills & Video [Hybrid]
Sony A7 IV is a Hybrid Camera and more Photography Oriented
The Sony A74 advantage
With the Sony A74 camera we are getting Sony’s latest 33MP Fullframe sensor. Undoubtedly with a full-frame sensor-based camera, you will get better results while shooting your subjects than with an APS-C sensor.
More for Photographers
Dynamic Range graph of Sony A74 – DR Boost at ISO 400 – Sony Fullframe cameras do carry a Dual Native ISO circuit for photography too… but Sony never talks about that officially.
The A7IV has a dual-gain for photos at ISO 400. So ISO 400 has more DR and should have slightly better noise than ISO 320 and ISO 250. ISO 250 is very close…just slightly below ISO 400. The only ISO to avoid is ISO 320
Via test when came to know about the boost for still photography. In the video as per a few expert’s options, the Boost is available @ ISO 1600 in A7 IV.
Less Rolling shutter with Mechanical Shutter
Sony A7 4 camera features a mechanical shutter and a TOP speed of 10 FPS, while ur using your camera in burst mode if u have mechanical shutter ON you will comparatively faceless rolling shutter than a camera that only uses an electronic shutter. either way, the Sony A7 IV is the best camera when we talk about shooting still subjects.
Internal Video Capture
Recording Modes
XAVC HS 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/119.88p XAVC S
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/119.88p XAVC Proxy
Full HD (1920 x 1080)
HD (1280 x 720)
H.265/XAVC HS 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/50p/59.94p [50 to 200 Mb/s] H.265/XAVC HS 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98p/50p/59.94p [30 to 150 Mb/s] H.264/XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p [240 to 600 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p [89 to 222 Mb/s] XAVC S 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p [100 to 200 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p [50 Mb/s] XAVC S 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p [60 to 150 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p [16 to 100 Mb/s]
If we talk about the body desing of the FX30 camera which include ehnaced telly light, timecode input ports & dedicated fan for cooling camera body, if we talk about the Tile based Menu system that directly arrived from FX9 or FX3, Up to 16 user-created LUTs, Timecode funcintlaity or Quick Exposuer index mode for boosting up the perfomance of the Sony FX30 while shooting log or with S-Cinetone.
Even if they share the same codec range
XAVC HS, which uses HEVC/H.265 encoding to retain more detail at smaller bitrates, and XAVC S-I, which is an intraframe codec for consistent performance and quality.
X-AVC HS (H.265 Long GOP)
X-AVC I (H.264 All-I)
X-AVC S (H.264 Long GOP)
It also highlights the key difference between what we now call Long GOP compression (smaller files, potentially lower quality) and All-Intra, or All-I compression (larger files, potentially better quality)
Exposure Index Mode and Dual Native ISO available in Sony FX30 Only
Base ISO
Upper gain step
Std color mode / HLG
ISO 100
ISO 320
S-Cinetone
ISO 125
ISO 400
S-Log3
ISO 800
ISO 2500
Recording at the base ISO enables you to take full advantage of the image sensor performance. You can capture material that withstands color grading better, without becoming degraded.
Two base ISO options are available for FX30 also as you can see in the table above, for low or high sensitivity. Choose a base ISO to suit the scene you are shooting.
Log shooting can be divided into three methods: “Flexible ISO,” “Cine EI,” and “Cine EI Quick.”
Item
Normal movie shooting
Log shooting: Flexible ISO
Log shooting: Cine EI
Log shooting: Cine EI Quick
Type of shooting
ITU709/BT.2020
Log
Log
Log
ISO sensitivity/EI (Exposure Index)
ISO sensitivity can be adjusted
ISO sensitivity can be adjusted
Shooting with EI
(The ISO sensitivity for recording is locked to Base ISO)
Shooting with EI
(The ISO sensitivity for recording is locked to Base ISO)
Base ISO
―
―
Setting is required
Set automatically according to the EI
Amount of freedom of color grading in post-production
Low
Middle
High
High
The above all clearly shows
You have amazing flexibility with the Sony FX30 camera if you are more into video rather than photography.
1/8000 to 30 Seconds in Photo Mode
1/8000 to 1/4 Second in Video Mode
1/8000 to 30 Seconds
ISO Sensitivity
100 to 32,000 (Extended: 50 to 102,400)
Photo
100 to 51,200 (Extended: 50 to 204,800) Video
100 to 51,200 (Extended: 100 to 102,400)
Advertised Dynamic Range
14 Stops (Log3)
White Balance
2500 to 9900K Presets: Auto, Cloudy, Color Temperature, Daylight, Fluorescent, Incandescent, Shade, Underwater
Presets: Auto, Cloudy, Color Temperature, Color Temperature Filter, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
Video Resolution & Frame rate
4K 120 (1.6x / super 35mm look)
None
4k 60 (1.04x crop)
4K 60p (1.5x Crop)
4k 24, 30 fps
4k 24, 30 without crop
Full HD 240 FPS
Full HD 120 FPS
External Video Capture
Raw Output
HDMI In ProResRAW Mode:
4672 x 2628 16-Bit at 23.98/25/29.97/50/59.94 fps
4:2:2 10-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.98p/50p/59.94p
Full HD (1920 x 1080) at 50i/59.94i 4:2:0 8-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.98p/50p/59.94p
Full HD (1920 x 1080) at 50i/59.94i
External Recording Modes
4:2:2 10-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p
None
IP Streaming
None
Autofocus System
Focus Type
Auto and Manual Focus
Auto and Manual Focus
Focus Mode
Automatic, Continuous-Servo AF, Direct Manual Focus, Manual Focus, Single-Servo AF, Touch AF & Shutter
Continuous-Servo AF, Direct Manual Focus, Manual Focus, Single-Servo AF
Autofocus Points
Video
Phase Detection: 495
Phase Detection: 759
Contrast Detection: 425
Autofocus Sensitivity
-3 to +20 EV
-4 to +20 EV
General
Battery Type
Sony Z-Series
Tripod Mounting Thread
1 x 1/4″-20 Female (Bottom)
1 x NP-FZ100 Rechargeable Lithium-Ion, 7.2 VDC, 2280 mAh (Approx. 520 Shots)
Accessory Mount
1 x Intelligent Hot Shoe on Camera Body 5 x 1/4″-20 Female on Camera Body
1 x 1/4″-20 Female (Bottom)
Material of Construction
Magnesium Alloy
1 x Hot Shoe Mount
Dimensions (W x H x D)
5.1 x 3.1 x 3.3″ / 129.7 x 77.8 x 84.5 mm
5.2 x 3.8 x 3.1″ / 131.3 x 96.4 x 79.8 mm
Weight
1.2 lb / 562 g (Body Only)
1.4 lb / 658 g (With Battery, Recording Media)
Conclusion
Budget means Limitations – But the limitations shouldn’t block your creativity – If you have a budget and looking for a cinema camera then go with FX3, the full-frame sensor cinema camera.
But at an Under $2000 body price if you are looking for a budget cinema solution then the Sony FX30 camera is best for you, Being an APAS-C sensor-based camera you can have sigma Trio lenses on the budget rather than investing in full-frame lenses.
For Hybrids, those who are into photography, as well as Video Sony A7 IV, is the best camera. But for cinematography, FX30.
Sony finally used its own 26MP APS-C BSI CMOS sensor for its flagship APS-C Cinema camera. The camera features all the basic core specifications that a cinema camera must have to get Netflix approval and all of these are under the $1800 price range.
The camera also features newly designed tiles like a menu interface just like we have seen in FX9, a customizable LUT upload option for the first time in a cinema camera, and new Exposure Index modes for capturing the MAX quality possible from the FX30 camera.
The camera is so small and compact you can also do handheld vlogging with this cinema camera, the camera features Mech IBIS Mode, Gyro-based IS and now you have an option to use the catalyst browse plugin which can be integrated into Premier PRO and after that, you can easily fix camera shake.
The Sony FX30 is set for an October 2022 release at $1799, body-only.
Sony Electronics Expands Cinema Line with New 4K Super 35 Camera for Future Filmmakers
LOS ANGELES, CA – September 28, 2022 – Sony Electronics Inc. is pleased to announce the newest addition to the brand’s prestigious Cinema Line – the FX30 (model ILME-FX30). The new FX30 is a 4K Super 35 compact cinema camera that offers many professional features of the Cinema Line, such as Dual Base ISO, Log shooting modes, and user-imported LUTs (Look Up Tables) at a price point that appeals to many aspiring filmmakers.
In addition to introducing the new FX30, Sony announced two new CFexpress Type A Memory Cards – CEA-G320T and CEA-G640T. Both are large capacity cards that support high-speed performance with a maximum writing speed.
“The new FX30 is a great fit for a wide range of filmmakers,” said Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “As part of our Cinema Line, it is an attractive addition for seamless integration into large productions. Additionally, by incorporating many professional features found in our flagship cinema cameras, it is a perfect camera for up-and-coming filmmakers that are working with tight budgets.”
Creating a Cinematic Look
The FX30 offers next-generation filmmakers cinematic expression with the latest imaging systems. It features a new back-illuminated 20.1 megapixels APS-C Exmor R™ CMOS sensor (Super 35 format) with a dual base ISO (800/2500) to deliver high sensitivity, low noise, and 14+1 stops of latitude.
The FX30 supports a variety of video recording codecs. It can shoot in high frame rates, including 4K at 120fps and full HD at 240fps2. The FX30 also features the ability to shoot 4K Super 35 (16:9) by oversampling from 6K at up to 60fps. Both 16:9 recording modes can shoot at 10-bit 4:2:2 while the HDMI Type-A port outputs 4K, 16-bit RAW3 for an external recorder4.
Like the rest of the Cinema Line, the FX30 features Log shooting modes by enabling Cine El, Cine El Quick, and Flexible ISO modes for recording with the S-Log3 gamma curve, which allows more flexibility when color grading. All three modes allow video shooting while monitoring with an appropriate LUT to preview the final image. In addition, the FX30 includes a selection of built-in cinematic looks, such as Sony’s S-Cinetone™, and can shoot single stills. The camera offers advanced image processing capabilities with the BIONZ XR processing engine for natural gradations and realistic color reproduction.
Designed to Support Creators’ Needs
The FX30 features Sony’s fast and reliable still and video autofocus, with settings including:
Real-time Eye AF (human, animal or bird5)
Real-time Tracking
Detailed AF settings
AF Assist6
Creatives also have more control when using the Focus Map7, which makes it easy to visualize depth of field, and Breathing Compensation8 to offer a stable angle of view when focusing. The camera includes effective stabilization for run and gun shoots using Active Mode9 thanks to the optical in-body 5-axis image stabilization. The FX30 also includes time code sync10.
The FX30 incorporates other features that retain the spirit of the Cinema Line, including:
New customizable list-style main menu screen for quick access to frequently used items
New standby movie screen that provides an unobstructed view of the subject
Buttons and dials dedicated to movie shooting
The FX30 also includes added functionality to assist with the creative workflow, such as post-production editing using embedded LUT, and EI metadata11. This metadata is available using the latest version of Sony’s Catalyst Prepare12 or Catalyst Browse applications. A new “Catalyst Prepare Plugin” for Adobe Premiere Pro was released in August.
Easy Operation and a Compact Form Factor
Compact and lightweight, the FX30 has a flat-top design with threaded accessory attachment points, making it easy to use for shooting handheld, capturing low-angle shots, mounting on a gimbal, or adding accessories. The FX30 also features an XLR handle unit13, which can be used to capture low-angle shots and also allows filmmakers to capture crystal clear audio through various audio inputs, including two XLR audio inputs and a 3.5 mm stereo mini jack for 4-channel recording. External microphones can be connected directly to the camera via the Multi Interface Shoe or microphone jack. The FX30 also features an internal stereo microphone for audio recording.
The FX30 are equipped with two memory card slots that are compatible with both CFexpress Type A cards and SDXC/SDHC cards, bringing wide range of shooting experiences to filmmakers. The FX30 is also compatible with the newly announced large capacity CFexpress Type A memory cards.14
The FX30 pairs advanced performance with outstanding reliability. It features an innovative heat dissipation structure for uninterrupted 4K/60p recording, reliable power for extended recording, and a durable magnesium alloy chassis. A comprehensive selection of E-mount lenses, high-performance microphones, and other essential components offers extraordinarily flexible systems for a broad range of creative needs.
Sony Future Filmmaker Awards
The new FX30 is an ideal choice for filmmakers actively working on or considering entering the Sony Future Filmmaker Awards, a major new annual awards program for short films. Sponsored by Sony and free to enter, the Awards set out to elevate original voices from around the globe with a fresh perspective on storytelling. For more information, please visit: www.sonyfuturefilmmakerawards.com.
Pricing and Availability
The FX30 enables ultimate creative freedom and comes with an option to purchase with or without the XLR handle15.
The new FX30 (supplied with the XLR handle) will be available in late October for approximately $2,200USD and $2,900 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.
The new FX30B, (supplied without the XLR handle) will also be available in late October for approximately $1,800 USD and $ 2,400 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.
A product video on the new FX30 can be viewed HERE.
A product launch video focused on the FX30 can be viewed HERE and the behind the scenes can be viewed HERE.
The FX30 will also be compatible with the new version of Camera Remote SDK (Version 1.06), a development kit for software that enables remote operation and configuration changes.
CFexpress Type A Memory Cards: CEA-G320T and CEA-G640T
The compact and high-performance CFexpress Type A memory card CEA-G320T will be available in October for approximately $650 USD and $850 CAD (CEA-G320T),while the CFexpress Type A memory card CEA-G640T16 will be available in December for approximately $1,250 USD and $1,630 CAD. In addition to the existing 80GB and 160GB cards, large capacity 320GB and 640GB cards will be added to the series.17
These large capacity cards support high-speed performance with a maximum writing speed of up to 700MB/s and Video Performance Guarantee “VPG400”, which offers sustained writing speeds of up to 400MB/s, and enables 4K 120p high bit rate video shooting.
The new large capacity cards have achieved TOUGH specification, which means they have been certified to be waterproof, dustproof, and robust enough to support stable long-term shooting in various environments.
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Tamron 20-40mm F2.8 RXD 
