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Panasonic S5 Mark II Press Release | Price | Arrival Date and More

Panasonic S5 mark II camera features a newly developed 24MP Sensor with Phase detect AF points and support of DFD still there. The Max burst speed of the Panasonic S5 Mark II is 30fps with an electronic shutter and the expandable ISO range is 50-204800. Since it’s Panasonic’s first full-frame camera so, we are not expecting blazing-fast AF performance like Sony A7 IV, but at least we will get a more accurate and fast AF system compared to its predecessor the Panasonic S5.

Panasonic S5 Mark II Price $1997 B&H Store

Global shipping is to start on Jan 31, 2023.

Panasonic S5 Mark II Press Release

Panasonic Announces Highly-Anticipated LUMIX S5II and S5IIX at Consumer Electronics Show 2023

The S5II and S5IIX utilize Phase Detection Auto-Focus (PDAF), satisfying the demand for the feature in LUMIX mirrorless cameras

Las Vegas, NV (January 4, 2023) – Panasonic is proud to announce two new hybrid full-frame mirrorless cameras, the LUMIX S5II and S5IIX, as the latest additions to its LUMIX S Series camera line-up. The LUMIX S5II and S5IIX are the first LUMIX mirrorless cameras to utilize Phase Detection Auto-Focus (PDAF) thanks to a newly developed 24.2-megapixel 35mm full-frame CMOS sensor and a new imaging engine. Developed under the L² Technology alliance formed by LEICA and LUMIX earlier this year, the new imaging engine provides high resolution, natural description, and approximately 2x higher-speed signal procession for high bit-rate video recording. To further the cameras’ PDAF capabilities and make them more dependable, Panasonic evolved the auto-focus system into Phase Hybrid Auto-Focus by increasing the AF points to 779 to significantly improve subject tracking. Once the S5II and S5IIX are locked on a subject, the auto-focus will continue to track the subject, even in adverse lighting conditions and when multiple objects are moving within the frame. Additionally, continuous AF during zooming*1, AF micro adjustments, and options to decrease the size of the AF area are available.

The LUMIX S5II and S5IIX have a powerful image stabilization system for wide-ranging shooting conditions and situations. The Body I.S. (5-axis) in the LUMIX S5II and S5IIX I and the O.I.S. (Optical Image Stabilizer, 2-axis) from the LUMIX S Series lens were combined to create the 5-axis Dual I.S. 2, maximizing the correction power to allow 6.5-stop slower shutter speed*2. The 5-axis Dual I.S. 2 works for both photo and video recording, including 4K. In addition, Active I.S. has been added for even more stable video recording. Active I.S. optimizes the horizontal, vertical, and rotational correction ratios by determining the status of the camera shake. As a result, the performance of the image stabilizer can account for a larger amount of camera shake at approximately 200%*3 compared to conventional image stabilization. This capability is highly beneficial in adverse situations, such as handheld filming or telephoto fixed-frame shots.

The new imaging engine provides the LUMIX S5II and S5IIX with high video performance comparable to the LUMIX S1H. They provide 4:2:0 10-bit 6K (3:2) / 5.9K (16:9), unlimited 4:2:2 10-bit C4K/4K recording capability*4. With a new heat-dispersion mechanism, there is no limit on recording time to avoid overheating*5. HFR (High Frame Rate) in C4K/4K (48p), FHD (120p), Slow & Quick motion in C4K/4K(1-60fps) / FHD(1-180fps) are also available. The LUMIX S5II and S5IIX contain 14+ stop V-Log/V-Gamut capture to deliver a high dynamic range and broad colors. Plus, a REAL TIME LUT function is provided to enable color grading on the compatible video and photo in the camera by applying the LUT(.VLT/.cube) saved in the SD memory card. Users can perform intended color grading on the spot without postproduction and share images online through social networking sites. This function can be used for live streaming.

Packing the essence of LUMIX S Series cameras into a compact, lightweight body, the LUMIX S5II and S5IIX have further evolved to meet the demands of all creators. The LUMIX S5II is $1,999.99 and will be available in January 2023. The LUMIX S5IIX is $2,199.99 and will be available in May 2023.

  1. Professional-quality photo/video performance for unlimited expression

In addition to the PDAF capabilities mentioned above, the LUMIX S5II and S5IIX provide:

  • Dual Native ISO sensitivity minimizes noise generation by choosing an optimal circuit to use according to the sensitivity before gain processing. As a result, it allows a maximum ISO 51200 (Extended: 204800) high-sensitivity recording.
  • Increased capability of higher speed burst shooting at 9 (AFS) / 7 (AFC) fps with a mechanical shutter and 30 fps (AFS/AFC) with an electronic shutter in JPEG/RAW compared with LUMIX S5.
  1. A variety of video functions and recording options

Alongside the recording capability, new heat dispersion mechanism and 14+ stop V Log/V Gamut capture mentioned above, the LUMIX S5II and LUMIX S5IIX feature unique shooting options such as the 4K60p interval shooting and 4K HDR video recording. In response to requests from professional users, video assist functions such as Waveform Monitor, Vector Scope and Zebra Pattern are available. Some features offered on the LUMIX S1H and LUMX GH6, like System Frequency (24.00Hz), Synchro Scan, Fan mode and redesigned control panel, which enables quick selection of menu, are also available on the LUMIX S5II and S5IIX.

48kHz/24bit audio can be recorded using a built-in microphone and external microphone for realistic sound recording. The use of the external microphone and XLR microphone allows high-res 96kHz/24bit audio recording.

The LUMIX S5IIX is capable of RAW video output and All-Intra, ProRes*8 recording on SSD. It also features a wired*9/wireless IP streaming function and USB tethering.

  1. Excellent operability and functions to minimize workflow for one-man crew operation

Building upon the functionality of the LUMIX S5, a wealth of options was added to the LUMIX S5II and S5IIX to provide users with a superior shooting experience. AWB Lock maintains the white balance set in auto. Sheer Overlay can now be used in Creative Video mode making it easy to fix the frame through the footage sequence. The luminance level of 2100 Like (HLG) in Photo Style for video has an extended setting range from 64-940 to 0-1023, providing a sufficient amount of color grading resistance. In addition to FHD, it is now possible to output a 4K image with the live crop function. To support high-precision focusing, the LUMIX S5II and S5IIX provide practical options for manual focusing. While the focus is shifted with a variable amount according to the rotation speed of the focus ring for a non-linear setting, it is shifted with a designated amount according to the rotational quantum of the focus ring for a linear setting. Sensitivity (amount of focus shift per rotational quantum) can be selected from 90 to 1080 degrees to enable the intended focus operation. The MF Assist, which enables the focus point to be enlarged, is now available in both photo shooting and video recording*10.

The LUMIX S5II and S5IIX adopt a large, 3,680K-dot OLED (Organic Light-Emitting Diode) LVF (Live View Finder) that features a high magnification ratio of approx. 1.52x / 0.76x (35mm camera equivalent). A 3.0-inch free-angle touch-control monitor in 3:2 aspect with 1,840K-dot high resolution does not cause interference even when both the HDMI cable and USB cable are connected by adjusting the tilt/rotation angle of the monitor. There are improvements in external design, including a new easy-to-operate 8-directional joystick and the drive dial with an increased setting position for 96-megapixel High-Resolution Mode (JPEG/RAW).

  1. Reliable quality and performance for professional use and connectivity

Overheating is a fatal issue to continuous video recording, especially when the resolution and frame rates are increased. The LUMIX S5II and S5IIX adopt a new heat dispersion mechanism that combines a small fan and a high-efficiency heat sink. As a result, the LUMIX S5II and S5IIX achieve unlimited video recording time*11*12 and livestreaming*13 in C4K 60p while keeping the camera size compact. In case the camera stops while 4K video recording, the small fan operates separately to cool down the unit for quick recovery.

To withstand heavy field use, the LUMIX S5II and S5IIX are composed of a magnesium alloy full die-cast front / rear frame and are splash-resistant*14 and dust-resistant.

For the terminal, HDMI Type A is provided. Plus, a cable lock holder for the HDMI/USB cable is bundled to prevent issues such as unplugging on location. The LUMIX S5II and S5IIX support USB 3.2 Gen 2 for high-speed writing and readout. The LUMIX S5II and S5IIX are equipped with double card slots (UHS-II x 2). Users can choose the recording method from Relay Recording, Backup Recording, and Allocation Recording. For the external microphone, a Φ3.5mm stereo jack and a headphone jack are provided.

Wi-Fi 5 GHz (IEEE802.11ac)*15 and 2.4 GHz (IEEE802.11b/g/n) effectively provide a- secure and stable connection on smartphones, tablets, and other devices on location for smooth remote control. The transmission speed of photo/video data is also increased by using the 5 GHz bands. Compatibility with Bluetooth 5.0 (called BLE: Bluetooth Low Energy) enables constant connection with a smartphone or tablet with minimum power consumption. The settings of the LUMIX S5II and S5IIX cameras can be copied and transmitted wirelessly to other LUMIX S5II and S5IIX cameras when using multiple LUMIX S5II and S5IIX cameras. The LUMIX Sync application for iOS/Android devices allows remote control of the camera using a smartphone or a tablet via an easy wireless connection. In addition to wireless control via a Remote Shutter DMW-RS2 (sold separately), application software LUMIX Tether enables tethered shooting via USB. Users can control the camera by connecting it to a PC via USB. It lets them view the image on a large PC screen while shooting.

The camera’s 2200mAh high-capacity battery DMW-BLK22 can be recharged either via AC or USB according to the user’s convenience. It also complies with USB PD (Power Delivery) when the corresponding Battery Charger DMW-BTC15 (sold separately) is used. Battery Grip DMW-BGS5 (sold separately) can be used in common with LUMIX S5.

Dressed in an exceptional matte black profile, the LUMIX S5IIX boasts an exceptionally sleek, stylish design while the S5II takes on the authentic look as the predecessor.

  1. The best assortment of S PRO /S full-frame lenses

The Panasonic LUMIX S Series boasts a total lineup of 14 lenses including the new LUMIX S 14-28mm F4-5.6 MACRO (S-R1428) according to the purpose. Moreover, the L-Mount system provides the best assortment of full-frame lenses to choose from, for the limitless spectrum of creative possibilities. Color shading correction helps improve image quality when other manufacturers’ lenses including old lenses are used with or without using a Mount Adaptor. Furthermore, LUMIX S5II and S5IIX memorize the name and its focal length of analog lenses such as anamorphic lenses or old lenses to provide a suitable setting of the camera’s in-body image stabilizer automatically when those lenses are used.

  1. Future firmware update

To enhance the performance of LUMIX S5II and S5IIX, the functions below will be available with future firmware updates following the needs of customers.

  • RAW data output using Software Upgrade Key DMW-SFU2 (S5II)
  • Live View Composite (S5II) and more.

 

Panasonic S5 Mark II Price $1997


Panasonic S5 Mark II Body Price is $1997 | Finally,  we have the price of the Panasonic S5 mark II camera.  And the price of Panasonic S5 Mark IIX  is $2197. The only difference between the S5 Mark II and S5X Mark II is

Panasonic S5x Mark II vs S5 Mk II – Major difference

  1. 6k up to 60fps
  2. Apple Pro Res
  3. Matt finish

We have already done a specification comparison of the Panasonic S5 Mark II vs Sony A7 IV  and more coming

Special thanks to Simon Thanks to the ordinary filmmaker for sending us a quick alert.

Panasonic S5 Mark II vs Sony A7 IV

Panasonic S5 Mark II vs Sony A7 IV – We are comparing the two specifications. Panasonic S5 mark II camera features a newly developed 24MP Sensor with Phase detect AF points and support of DFD still there. The Max burst speed of the Panasonic S5 Mark II is 30fps with an electronic shutter and the expandable ISO range is 50-204800. Since, it’s Panasonic’s first full-frame camera so, we are not expecting blazing-fast AF performance like Sony A7 IV, but at least we will get a more accurate and fast AF system compared to its predecessor the Panasonic S5.

The Video part of the Panasonic S5 is more intense? the camera features open gate 6k 29.9 fps @ 4:2:0 10-bit LongGOP and UHD videos @ 29.97p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) and APS-CROP DCI 4k @ 50fps, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM).  So, u have to face an APS-C crop if you want to have a 60fps frame rate in UHD or DCI 4k which is not that impressive. Although if we combine all those features of the cinema part, which include Timecode, XLR Mic input, and an advanced built-in fan to suppress overheating. We will be updating this page soon as we get more information related to S5 Mark II

Imaging

Lens Mount Leica L Sony E
Sensor Resolution Actual: 25.28 Megapixel
Effective: 24.2 Megapixel (6000 x 4000)
Actual: 34.1 Megapixel
Effective: 33 Megapixel
Sensor Type 35.6 x 23.8 mm (Full-Frame) CMOS 35.9 x 23.9 mm (Full-Frame) CMOS
Image Stabilization Sensor-Shift, 5-Axis Sensor-Shift, 5-Axis
Built-In ND Filter None None
Capture Type Stills & Video Stills & Video

Shutter and more…

Panasonic S5 Mark II Sony A7 IV
Shutter Type Mechanical Focal Plane Shutter, Electronic Shutter Electronic Shutter, Mechanical Focal Plane Shutter
Shutter Speed Mechanical Shutter
1/8000 to 60 Seconds
Up to 30 Minutes in Bulb Mode
Electronic Front Curtain Shutter
1/2000 to 60 Seconds
Up to 30 Minutes
Electronic Shutter
1/8000 to 60 Seconds
Up to 60 Seconds in Bulb Mode
1/16000 to 1/25 Second in Movie Mode
1/8000 to 30 Seconds
Bulb/Time Mode Bulb Mode Bulb Mode
ISO Sensitivity Photo
100 to 51,200 in Auto Mode (Extended: 50 to 204,800)
Video
100 to 51,200
Photo
100 to 51,200 (Extended: 50 to 204,800)
Video
100 to 51,200 (Extended: 100 to 102,400)
Metering Method Center-Weighted Average, Highlight Weighted, Multi-Zone, Multiple, Spot Center-Weighted Average, Highlight Weighted, Multiple, Spot
Exposure Modes Aperture Priority, Manual, Program, Shutter Priority Aperture Priority, Manual, Program, Shutter Priority
Exposure Compensation -5 to +5 EV (1/3 EV Steps) -5 to +5 EV (1/3 EV Steps)
Metering Range 0 to 18 EV -3 to 20 EV
White Balance Presets: Auto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set Presets: Auto, Cloudy, Color Temperature, Color Temperature Filter, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
Continuous Shooting Mechanical Shutter
Up to 9 fps at 24.2 MP for up to 999 Frames (Raw) / 1000+ Frames (JPEG)
Electronic Shutter
Up to 30 fps at 24.2 MP for up to 199 Frames (Raw) / 299+ Frames (JPEG)
Up to 10 fps at 33 MP for up to 828 Frames (Raw) / Unlimited Frames (JPEG)
Interval Recording Yes Yes
Self-Timer 2/10-Second Delay 2/5/10-Second Delay

Still Image Capture details

Panasonic S5 Mark II Sony A7 IV
Internal Recording Modes

[6K] 5952×3968 (3:2):

29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

6K] 5952×3136 (17:9):

29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

[5.9K] 5888×3312 (16:9):

29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

[C4K] 4096×2160:

29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)

[4K] 3840×2160:

29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)

[FHD] 1920×1080:

119.88p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)

H.265/XAVC HS 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/50/59.94 fps [50 to 200 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [89 to 222 Mb/s]
XAVC S 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [100 to 200 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [50 Mb/s]
Recording Limit None None
Broadcast Output NTSC/PAL NTSC/PAL
IP Streaming None None
Built-In Microphone Type Stereo Stereo
Audio Recording

MOV: LPCM (2ch 48kHz/24-bit, 96kHz/24-bit) (4ch 48kHz/24-bit, 96kHz/24-bit)

MP4: AAC (2ch 48kHz/16-bit)

2-Channel 16-Bit 48 kHz LPCM Audio
2-Channel 24-Bit 48 kHz LPCM Audio
4-Channel 24-Bit 48 kHz LPCM Audio
2-Channel AAC LC Audio

Camera Interface

Panasonic S5 Mark II Sony A7 IV
Media/Memory Card Slot Slot 1: SD/SDHC/SDXC (UHS-II)
Slot 2: SD/SDHC/SDXC (UHS-II)
Slot 1: CFexpress Type A / SD (UHS-II)
Slot 2: SD/SDHC/SDXC (UHS-II)
Video I/O 1 x HDMI Full Size (Type A) Output 1 x HDMI Output
Audio I/O 1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output
1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input
1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output
1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input
Power I/O 1 x USB-C Input/Output 1 x USB-C Input/Output
Other I/O 1 x USB-C (USB 3.2 / 3.1 Gen 1) Data Input/Output (Shared with Power Input)
1 x 2.5 mm Sub-Mini Control Input
1 x Sony Multi/Micro-USB Input/Output (Shared with Remote Input)
1 x USB-C (USB 3.2 / 3.1 Gen 2) Input/Output (Shared with Power Input)
Wireless Bluetooth, Wi-Fi Wi-Fi, Bluetooth
Global Positioning (GPS, GLONASS, etc.) None No
*As of October, 2021: Check with manufacturer for the most up-to-date compatibility
 

Display

Size 3.0″ 3.0″
Resolution 1,840,000 Dot 1,036,800 Dot
Display Type Articulating Touchscreen LCD Free-Angle Tilting Touchscreen LCD

Viewfinder

Type Built-In Electronic (OLED) Built-In Electronic (OLED)
Resolution 3,680,000 Dot 0.5″
Eye Point 21 mm 3,680,000 Dot
Coverage 100% 23 mm
Magnification Approx. 0.74x 100%
Diopter Adjustment -4 to +4 Approx. 0.78x
-4 to +3

Auto Focus Details

Panasonic S5 Mark II Sony A7 IV
Focus Type Auto and Manual Focus Auto and Manual Focus
Focus Mode Continuous-Servo AF, Manual Focus, Single-Servo AF Continuous-Servo AF, Direct Manual Focus, Manual Focus, Single-Servo AF
Autofocus Points Phase Detection: Yes
Contrast Detection: 225
Phase Detection: 759
Contrast Detection: 425
Autofocus Sensitivity -6 to +20 EV -4 to +20 EV

General

Battery Type 1 x DMW-BLK22 Rechargeable Lithium-Ion, 2200 VDC, 7.2 mAh (Approx. 440 Shots) 1 x NP-FZ100 Rechargeable Lithium-Ion, 7.2 VDC, 2280 mAh (Approx. 520 Shots)
Tripod Mounting Thread 1 x 1/4″-20 Female (Bottom) <5.7 W
Accessory Mount 1 x Hot Shoe Mount 1 x 1/4″-20 Female (Bottom)
Material of Construction Magnesium Alloy 1 x Hot Shoe Mount
Dimensions (W x H x D) 5.22 x 3.82 x 3.22″ / 132.6 x 97.1 x 81.9 mm Magnesium Alloy
Weight 657 g (Body Only) 5.2 x 3.8 x 3.1″ / 131.3 x 96.4 x 79.8 mm
1.4 lb / 658 g (With Battery, Recording Media)

Thanks for reading

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Panasonic S5 Mark II Official Teaser | More Leaked Images

Panasonic S5 mark II official teaser is now available on Panasonic’s official social media handles. The S5 Mark II official announcement will happen on Jan 4th, 2023.

Leaked Specification
24.2 megapixels full-size CMOS sensor, AR coating
dust reduction is sensor-shift type
Video is 6K30p 4:2:0 10-bit, C4K 60p 4:2:2 10-bit, Full HD 120fps 4: 2:0 10-bit, full HD 60fps 4:2:2 10-bit
3.68 million dots organic EL EVF, magnification 0.78x, eyepoint 21mm, refresh rate 120fps/60fps
3-inch 1.84 million dots free-angle monitor, touch panel, aspect ratio 3:2
AF method phase-detection AF/contrast AF, DFD, EV -6 – 18, AF assist light
1728 zone multi-pattern metering, metering range EV0-18
ISO range 100-51200 (50-204800 with extension)
dual native ISO, Normal ISO 100 and 640, V-log 640 and 4000, HLG 400 and 2500
5-axis image stabilization, 5 steps effect (6.5 steps effect with dual IS 2)
Shutter 1/8000-60 seconds (mechanical), 1/ 2000-60 seconds (electronic front curtain), 1/8000-60 seconds (electronic)
, 1/250
second continuous shooting, 9 fps for AFS/MF, 7 fps for AFC
(electronic Shutter) is AFS/AFC/MF and up to 30 frames per second.
Buffer is 200 or more for RAW+JPEG, 200 or more for RAW, 300 or more for JPEG.
USB Type-C port (USB3.2 Gen2)
HDMI Type-A dual SD
card slot
Fan Auto/Auto 2/High speed/Normal/Slow/OFF
Wi-Fi, Bluetooth v5.0 Battery
life: 370 shots ), 657g (body only)

More Leaked Images.

The rear side of the camera

And we have one more camera coming with very little difference in the core specification (Support Apple ProRes)

Panasonic S5 Mark II X

DC-S5M2X
24.2-megapixel full-size sensor
6K30P video (full size) / 4K60P video (APS-C size)
Supports Apple ProRes recording
IP streaming function (Wi-Fi, USB, wired LAN)

Panasonic S5 Mark II Full Specification Leaked

Panasonic S5 Mark II full specification leaked. For the first time a Panasonic Camera that uses Phase detect AF system + DFD AF system. A Brand New Sensor able to record 6K videos and deliver 24MP Still, burst speed up to 30FPS in full resolution, and no issues related to overheating while recording videos since the camera feature active cooling tech, and look at the Dual Native ISO range we are getting with S5 Mark II Native ISO: 640, 4000 in Vlog.  Amazing camera for sure.

Panasonic S5 Mark II Full Specification

effective pixel 24.2 megapixels full-size CMOS sensor, AR coating
dust reduction is sensor-shift type
Video is 6K30p 4:2:0 10-bit, C4K 60p 4:2:2 10-bit, Full HD 120fps 4: 2:0 10-bit, full HD 60fps 4:2:2 10-bit
3.68 million dots organic EL EVF, magnification 0.78x, eyepoint 21mm, refresh rate 120fps/60fps
3-inch 1.84 million dots free-angle monitor, touch panel, aspect ratio 3:2
AF method phase-detection AF/contrast AF, DFD, EV -6 – 18, AF assist light
1728 zone multi-pattern metering, metering range EV0-18
ISO range 100-51200 (50-204800 with extension)
dual native ISO, Normal ISO 100 and 640, V-log 640 and 4000, HLG 400 and 2500
5-axis image stabilization, 5 steps effect (6.5 steps effect with dual IS 2)
Shutter 1/8000-60 seconds (mechanical), 1/ 2000-60 seconds (electronic front curtain), 1/8000-60 seconds (electronic)
, 1/250
second continuous shooting, 9 fps for AFS/MF, 7 fps for AFC
(electronic Shutter) is AFS/AFC/MF and up to 30 frames per second.
Buffer is 200 or more for RAW+JPEG, 200 or more for RAW, 300 or more for JPEG.
USB Type-C port (USB3.2 Gen2)
HDMI Type-A dual SD
card slot
Fan Auto/Auto 2/High speed/Normal/Slow/OFF
Wi-Fi, Bluetooth v5.0 Battery
life: 370 shots ), 657g (body only)

Download the full specification from here

DC-S5M2X
24.2-megapixel full-size sensor
6K30P video (full size) / 4K60P video (APS-C size)
Supports Apple ProRes recording
IP streaming function (Wi-Fi, USB, wired LAN)

LUMIX S 14-28mm F4-5.6 MACRO
lens construction: 14 elements in 10 groups (1 aspherical ED lens, 1 aspherical lens, 3 ED lenses, 1 UHR lens)
Shortest shooting distance: 0.15m
Maximum magnification: 0.5x (at 28mm) / 0.25x (at 14mm)
Filter size: 77mm
Size: φ84 x 89.8mm
Weight :
345g

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source digicam-info

Panasonic S5 Mark II Images and Details Leaked

 

Panasonic S5 mark II’s first image and details leaked,  Panasonic S5 Mark 2X is also planned to be announced in June of 2023. Take a look at the list of Panasonic’s upcoming products

List of Upcoming Panasonic Products

  • Panasonic S5 Mark II
    – Body/Standard Zoom Lens Kit/Double Lens Kit-
    Scheduled release date: February 16, 2023
  • Panasonic S5 Mark II X
    – Body/Standard zoom lens kit/Double lens kit-
    Scheduled release date: Late June 2023
  • LUMIX S 14-28mm F4-5.6 MACRO
    – Model number: S-R1428
    – Release date: March 16, 2023

That’s great news, stay tuned. we will soon publish the detailed core specifications of the upcoming camera.

UPDATE: We can clearly see vents in the leaked image, which shows the upcoming Panasonic S5 Mark II camera uses active cooling technology for loner run.

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source 2

Canon R8 Announcement Feb 2023

According to the latest rumors we have from rumor mills the Canon R8 announcement is expected in Feb of 2023.  Canon R8 Announcement in February  2023.  According to the rumor mill, the camera will feature the same sensor as we have seen in the Canon R10 camera, a 24MP Traditional FSI APS-C CMOS Sensor. No information is available about the core specs of the camera.

Earlier it was rumored that Canon R8 will replace the Canon EOS R with a full-frame sensor and advanced core specification, but am disappointed to see that one more Camera is coming in between R10 and R7 with an APS-C sensor and we already have rumors of Canon R50 and R100 too, so how many RF mount camera Canon wants to add for entry-level users without having proper APS-C RF lens range? as well as the Lens mount is also locked for third party lens makers.

Well, let’s wait and watch.. We will post an update soon as we get any new information related to Canon’s upcoming cameras.,

Must Read – Is Canon EOS M50 Mark II worth buying in 2023?

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source canon rumors