Finally, the specification of the upcoming Sony ZV-E10 camera leaked, the upcoming camera features 4k @ 25p (100 Mbps) video recording capability and vlogger friendly vari-angle display screen. As we all know one of the biggest drawbacks of the Sony APS-C Mirrorless camera series was the 180-degree tilting display screen, now finally Sony fixed it in the Sony ZV E-10 Camera. Take a look at the major specifications of the upcoming camera
Sony ZV-E10 Specification
24MP APS-C Sensor
Kit lens will be a Sony 16-50mm f/3.5-5.6
XAVC-S 4k 25p 100mbps
FHD 100p
Standard and Active stabilization
Auto exposure with face priority
Product feature autofocus mode
Button for Bokeh mode (prioritizes the lowest aperture)
Dedicated button to swap between S&Q/Photo/Video
USB-c tether direct streaming to pc. (Plug and play)
fully articulating screen
Sony A5xxx body with no EVF
Price around $899 (900 Euro)
Kindly note that this set of specifications is not coming from highly trusted sources. We will post update one more details and images become available to us.
Panasonic Gh5 Mark II Camera videos available now, take a look at the latest set of videos of the Panasonic GH5 Mark II camera. One of the most important that I have noticed after watching these videos if the AF performance of the Panasonic GH5 Mark II is significantly better than that of the Panasonic GH5 (predecessor).
According to the latest rumors, the Fuji X-T40 announcement will also get delayed just like the X-H2 camera (as we have told you earlier post) due to the absence of advanced technology (new sensor and image processor).
Fuji doesn’t want to let down the Fuji X-S10 Sales number
According to the latest rumors we are getting if Fuji X-T40 arrives with the IBIS unit it will eat up the Fuji X-S10 sales which are available at a bit higher price point compared to X-30 / X-T40 series cameras.
This is just a reference table to let you know based on the current set of information we have on May 2021. That announcement pattern of Fuji’s upcoming camera will look like this. (camera names in chronological order)
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We are comparing Panasonic GH5 Mark II vs Panasonic GH5 with the set of available information here. Most of the major specification of the camera remains same. Take a look at the Major specs of the camera
Panasonic GH5 Mark II
Panasonic GH5
Sensor
Actual: 21.77 Megapixel
Effective: 20.3 Megapixel (5184 x 3888)
Actual: 21.77 Megapixel
Effective: 20.3 Megapixel (5184 x 3888)
Image Stabilization
Sensor-Shift, 5-Axis
Sensor-Shift, 5-Axis
ISO Sensitivity
Auto, 200 to 25600 (Extended: 100 to 25600)
Auto, 200 to 25600 (Extended: 100 to 25600)
Continuous Shooting
Up to 12 fps at 20.3 MP
Up to 30 fps at 18 MP
Up to 60 fps at 8 MP
Up to 12 fps at 20.3 MP
Up to 30 fps at 18 MP
Up to 60 fps at 8 MP
Video
MOV/MP4 4:2:2 10-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p [150 to 400 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p [150 to 400 Mb/s]
Full HD (1920 x 1080) at 50p/59.94p [100 to 200 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p [100 to 200 Mb/s] MOV/MP4 4:2:0 8-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p [100 Mb/s]
UHD 4K (3840 x 2160) at 50p/59.94p [150 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p [100 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p/180p [100 Mb/s]
Full HD (1920 x 1080) at 50p/59.94p [28 Mb/s]
Full HD (1920 x 1080) at 25p/29.97p [20 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p [24 Mb/s] MP4 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p [72 Mb/s] AVCHD
Full HD (1920 x 1080) at 50p/59.94p [28 Mb/s]
Full HD (1920 x 1080) at 50i/59.94i [17 to 24 Mb/s]
Full HD (1920 x 1080) at 23.976p [24 Mb/s]
MOV/MP4 4:2:2 10-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p [150 to 400 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p [150 to 400 Mb/s]
Full HD (1920 x 1080) at 50p/59.94p [100 to 200 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p [100 to 200 Mb/s] MOV/MP4 4:2:0 8-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p [100 Mb/s]
UHD 4K (3840 x 2160) at 50p/59.94p [150 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p [100 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p/180p [100 Mb/s]
Full HD (1920 x 1080) at 50p/59.94p [28 Mb/s]
Full HD (1920 x 1080) at 25p/29.97p [20 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p [24 Mb/s] MP4 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p [72 Mb/s] AVCHD
Full HD (1920 x 1080) at 50p/59.94p [28 Mb/s]
Full HD (1920 x 1080) at 50i/59.94i [17 to 24 Mb/s]
Full HD (1920 x 1080) at 23.976p [24 Mb/s]
DMW-BLF19 Rechargeable Lithium-Ion, 7.2 VDC, 1860 mAh
USB power supply, USB power charging, USB power delivery
NA
As you can see from the initial specification the camera is using the same sensor as Panasonic GH5, although they have upgraded EVF and battery from Panasonic S5.
The battery life of the Panasonic GH5 Mark II camera improved. The Panasonic GH5 Mark II uses the BLK22 battery of the Panasonic S5 camera. So, more or less.
The new Panasonic GH5 camera allows a USB power supply, USB power charging, USB power delivery which was not possible with the old GH5 camera.
More of less the Video and still specs of the camera remain the same which is really disappointing for those who are waiting for an upgrade.
According to the latest rumors surfaced over the rumor mills, Sony A6700 / A7000 (High-End APS-C Mirrorless Camera) announcement may happen in May 2021. Sources of the rumor mill suggest the camera will feature a 30mp APS-C EXMOR CMOS Sensor.
As usual before the official announcement of any camera, we generally get leaked images and specifications of the camera. So, if the rumor is true then for sure images and specs of the camera should be available to us in the first or 2nd week of May 2021.
Samyang finally announced a dedicated astrophotography lens with autofocus for Sony APS-C Mirrorless cameras. The lens features 12mm Focal length (18mm focal length perspective equivalent to 35mm full-frame format)
Samyang MF 12mm F2.0, one of the Samyang’s bestsellers, now adopts the Autofocus system!
This new prime lens is the world’s first Autofocus 12mm lens compatible with E mount, which performs optimally on Sony APS-C mirrorless cameras.
1. It’s the only option for APS-C users who want ultra-wide-angle autofocus lens.
2. It’s a perfect match to compact APS-C camera with gimbal, since it’s very compact and light.
3. It includes useful design features as well as new modern design to meet the photographers’ needs.
It has new modern designs such as matt finishing and a hidden red ring. An ergonomically designed grip with a micro pattern rubber ring maximizes the usability. A weather-sealing feature and a rear protective glass prevent dust, light rain, and snow from penetrating.
Bright F2 aperture guarantees faster shutter speed in low light condition while capturing astrophotography or nightscapes. 5 special glasses (1 H-ASP, 1 ASP, and 3 ED) in this lens deliver exceptional resolution from the center to corner, minimizing optical aberration. Meet the ‘Astrophotography-Centric’ lens for the photographers who want both astrophotography and Autofocus system.
Finally, Tamron announced an ultra-wide-angle lens for APS-C Mirrorless cameras (Sony A6400, Sony A6600, A6100, and Sony A6000 / aka A6000 series). The 11-20mm F2.8 RXD is an addition to the already announced 17-70mm F2.8 Lens.
Tamron 11-20mm F2.8 RXD – Highly Usable Lens for Video Vloggers
Before the announcement of 11-20mm F2.8 RXD Lens we were recommending Sigma 16mm F1.4 lens for Video vloggers (also a cheap alternative Sony 16mm F2.8 also there). But, now after this lens announcement, I will include this lens in my recommendation list, since by maintaining the F2.8 aperture range the lens is also giving you zooming capability so you can adjust composition as per you like
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