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By admin, on October 24th, 2023

Based on the latest update we have received the leaked image is of the Insta360 RS 2, as you can see the new Insta360 RS 2 Action Camera now has a front Display panel to smoothly create VLOGS on the go. The Leica brand name can be seen written on the action camera lens. The camera is equipped with a 1/1.3-inch base, a Leica SUMMARIT lens, and a focal length equivalent to 16mm.

Stay tuned for the latest Camera news and rumors.
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By admin, on October 11th, 2023

Check out the latest ongoing deal on SAMYANG LENSES, for sure the lenses are available at their lowest price since their announcement Check Deals Here.
By admin, on October 7th, 2023

Sigma has finally completed its trio by releasing a 70-200mm lens for Sony E-mount. I’ve been eagerly awaiting this lens, especially since Tamron already has their trio for Sony E-mount. It’s been quite some time since they announced the 70-180mm RXD series lens. The first version was announced back in April 2020, and its updated version was announced in August 2023.
I’m looking forward to the official announcement of the lens. Very soon, it will become available to us, and we will have at least one more option in the trio series, after the G Master lenses from Tamron, and finally, Sigma.
Sigma 70-200 Development announcement press release
Development announcement of SIGMA 70-200mm F2.8 DG DN OS|Sports
The SIGMA Corporation is pleased to announce the development of the SIGMA 70-200mm F2.8 DG DN OS | Sports.
The SIGMA 70-200mm F2.8 DG DN OS | Sports is a large-aperture zoom lens for full-frame mirrorless cameras. In addition to the expressive imaging capabilities owing to the latest optical design, the lens offers a high level of performance and features that meet the expectations of professionals in both still and video, including high-speed autofocus with HLA (High-response Linear Actuator), optical stabilizer with the latest algorithm “OS2”, and the superior weather resistance of SIGMA’s Sports line.
Combined with the SIGMA 14-24mm F2.8 DG DN | Art and the SIGMA 24-70mm F2.8 DG DN | Art, SIGMA’s three zoom lenses for full-frame mirrorless cameras with a bright F2.8 constant aperture cover a wide range of focal lengths.
Launch: December, 2023
Available mounts: L-Mount, Sony E-mount
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By admin, on September 20th, 2023

Nikon finally announced the long rumored Nikon Zf Camera, the camera features lot of new features, although the sensor remains same as of the Nikon Z6 Mark II camera. Take a look at the Major set of features of the camera
Key specifications
- 24MP full-frame BSI CMOS sensor
- In-body image stabilization rated up to 8EV
- Dedicated Monochrome mode
- Up to 14fps continuous shooting (JPEG), 11 fps Raw
- AF system with tracking and recognition of 9 subject types
- 4K/60 video from 6K capture with 10-bit N-Log recording
- 32-shot high-res mode to give 96MP images
- SD and MicroSD card slots
The camera is available B&H $1996 | B&H Store with 24-70mm Lens
Nikon Zf Press Release
THE NIKON Z f: INNOVATION THAT DRIVES CREATIVITY
The Nikon Z f is the Beautiful Convergence of Groundbreaking Technology + Iconic Design
MELVILLE, NY (September 20, 2023) Today Nikon announced the release of the Z f, a full-frame mirrorless camera that harmonizes a timeless aesthetic with the best of Nikon’s next-gen camera technology, derived directly from the acclaimed Z 8 and flagship Z 9. At first glance, the Z f is a definitive statement in functional design that ignites the desire to craft an image. Looking closer, it’s a veritable powerhouse of modern performance fueled by the EXPEED 7 processing engine that enables an enhanced AF system, impressive speed and astounding low-light capability. The new processing power also adds incredible new features such as pixel-shift shooting, the most advanced in-body stabilization of any Z series camera, plus the addition of a dedicated monochrome mode.
“It’s exciting to see the leaps in innovation that propelled the Z 9 trickling down, making the latest technology and features more accessible than ever before inside the Z f, a camera which is a beautiful marriage of form and function,” said Jay Vannatter, Executive Vice President, Nikon Inc. “The Z f is more than a means to simply capturing an image; using the camera is an experience unto itself, one which not only sparks creativity, but also elevates the user’s intent with its advanced performance and feature set.”
Technology Forward
The Z f is equipped with the EXPEED 7 image-processing engine, enhancing response time, burst speed and AF performance, while adding new features to create an entirely new category of Z series full-frame mirrorless. The 24.5-megapixel full frame BSI CMOS sensor effortlessly captures stunning colors and incredible definition with minimal noise and stellar dynamic range, even in challenging light. This well-balanced sensor is paired with an AF system that offers 3-D Tracking plus subject detection developed with Deep Learning technology, detecting and locking on to 9 different types of subjects. Similar to the Nikon Z 8, the camera finds people, dogs, cats, birds, cars, motorcycles, bicycles, trains and planes. It can even detect the world’s smallest1 size of a face in the frame — approx. 3% of the frame’s longest side. The AF system uses 299 AF points in Auto Area AF, covering 96% of the horizontal axis of the frame, making it easy to lock on and track a subject, even near the edge of the viewfinder. When the inspiration hits to go fully manual, the Z f uses Eye/Face-Detection in MF mode, recognizing the eye and allowing users to magnify the area on the screen to nail critical focus.
With the additional processing power, the Z f achieves 5-axis in-camera vibration reduction (VR) image stabilization equivalent to an 8.0-stop2 increase in shutter speed, the best among Nikon Z series cameras. The Z f is also the world’s first camera3 to support focus-point VR4, which minimizes blurring at the focus point rather than the center of the frame, even when subject is positioned near the edge of the viewfinder. The camera is also capable of high-speed continuous shooting at approx. 14 frames per second, or up to 30 frames per second5, when High-Speed Frame Capture+ (C30) is set. To ensure no shot is missed, the camera is also capable of using the Pre-Release function to start recording before the shutter is fully pressed.6 What’s more, the additional processing power in combination with the BSI sensor improves low-light performance, raising the standard ISO range from 100 to 64,000. In challenging light, even fine details and textures come out sharp and clear with rich saturation, while mid-tones, where noise tends to increase, come out much cleaner than before.
For those who want the ultimate in fidelity while reducing moiré, false colors and noise for immersive depth, the Z f is the first Nikon camera capable of pixel-shift shooting7 to create images up to 96 megapixels. Ideal for landscape, architecture and commercial artists, the system works by subtly shifting the image sensor position when capturing between 4, 8, 16 or 32 RAW (NEF) files, acquiring more accurate color information and massive resolution.
Forever Iconic
The heart of the Z f is “fusion”- an idea embedded in the name while paying homage to important models through Nikon’s history. It represents the fusion of past, present and future. With an iconic exterior design reminiscent of the FM2, the Z f links Nikon’s heritage of innovation and precision craftsmanship. The magnesium-alloy body is durable and features a glossy finish, which is adorned with a classic Nikon logo. The characters on the mechanical dials for shutter speed, ISO and exposure compensation are all etched, and provide the user with satisfying tactile response, while the feel of the shutter-release button was given meticulous consideration.
Black and white capture is an ageless medium, one that lets the user see a different perspective and explore the principles of light in new ways. The Z f includes a physical switch to engage a dedicated B&W photo mode, which enables multiple monochromatic Picture Controls. In addition to the sharp, dynamic and higher-contrast “Monochrome” mode in Picture Control, the new “Flat Monochrome” mode reproduces tones with a smooth gradation from shadow to light, rich in mid-tones for a warm, soft impression. The new “Deep Tone Monochrome” mode expresses high-contrast and highlights by bringing more emphasis to dark tones, keeping mid-tones dark and with fewer blocked shadows.
Primary features of the Zf
Full-frame 24.5-megapixel BSI CMOS sensor combined with the new EXPEED 7 Processing engine for amazing fidelity and image quality paired with stellar processing power.
Excellent AF tracking capability with 3D-tracking mode for photographers and dedicated Subject-tracking AF in video mode.
With up to 299 points in Auto-area AF, the range of coverage and number of focus points used in Auto-area AF mode have been increased for better focus acquisition performance with distant or moving subjects.
The first full-frame Z-series mirrorless camera to be equipped with a vari-angle touchscreen monitor.
Starlight view mode boosts display brightness for users to visually confirm composition in extremely dark scenes. It also achieves sharp focus with the low-light limit extendable down to -10 EV.8
Video frame rates and resolutions up to 4K UHD 30 oversampled from 6K,9 as well as 4KUHD 60P (DX-mode) and 1080/120P with recording times up to 125 minutes.10
The first Nikon camera to feature video recording in shutter-priority auto mode, letting the user select the shutter speed, while the camera adjusts the aperture and ISO.
In-camera, 10-bit H.265 recording, allowing users to record full-scale video directly to the camera without the need for an external recorder.
The first Z-series camera to support Touch Fn for adjustment of camera settings while framing pictures in the viewfinder. The user is now able to move the focus point via the LCD screen while looking through the viewfinder.
Supports the merging of NEF (RAW) images shot with pixel shift shooting to create a highly detailed image up to 96 megapixels.
Fast shooting, with up 14 fps bursts plus High-Speed Frame Capture+ (C30), which achieves high-speed continuous shooting at up to 30 fps. Pre-Release Capture is also available, buffering the images before the shutter is fully depressed.
Advanced features for dedicated portrait photographers include the skin softening function and a portrait impression balance function for users to better achieve the portraits they intended. Rich Tone Portrait Picture Control is a new setting that better captures details of the subject’s complexion.
Equipped with two memory card slots, one compatible with widely available UHS II SD cards and the other compatible with Micro SD cards.
Rugged and reliable construction, with magnesium alloy on the front and top covers, for maximum durability with minimal weight. The camera is engineered with high dust- and drip-resistance,11 effective sealing on the exterior cover joints, shutter-release button and vari-angle mechanism. Additionally, an electro-conductive coat that keeps the surface clean from dust and a fluorine coat that makes for easier cleaning.
In addition to the basic black body, the Z f lets users express their own style through six different color options. These premium exteriors render the embossed artificial leather sections of the camera — covering the grip and all around to the rear of the folding camera monitor — in three rich, expressive standard colors (Indigo Blue, Sepia Brown, Bordeaux Red) and three deep, warm natural colors (Sunset Orange, Moss Green, Stone Gray), rendered with individually matching surface textures. These colors will be sold in limited quantity and will be sold exclusively through the Nikon Store.
Price and Availability
The new Nikon Z f will be available in mid- October 2023 for a suggested retail price of $1999.95* for the body only, with the retro-styled NIKKOR Z 40mm f/2.0 SE for an SRP of $2239.95*, or with a NIKKOR Z 24-70mm F/4 S lens for an SRP of $2599.95*. The additional color options will be available as body-only for an SRP of $2099.95* exclusively from the Nikon Store. Nikon is working with SmallRig to develop a custom grip bracket, which will be available at a later date. For more information about the latest Nikon products, including the vast collection of NIKKOR Z lenses and the entire line of Z series cameras, please visit Nikonusa.com
Nikon Zf Fulll Specification Download PDF
By admin, on September 13th, 2023

Fuji GFX100 II features a newly redesigned sensor, the readout speed of the sensor is now 2X improved, microlenses to upscale the image quality are updated as well, and the sensor is now paired up with the company’s latest ‘X Processor 5’ chip to deliver a range of features, many of which were first seen on the X-H2 cameras. With the introduction of the new image processor IBIS performance is also improved upto 8 Stops.

Fuji GFX 100 II Major Features
- 102MP BSI CMOS 44x33mm medium format sensor
- AI-derived subject recognition AF system
- In-body image stabilization rated at 8EV
- Continuous shooting at up to 8fps
- Extensive video options including 8K and anamorphic support
- 9.44M dot OLED EVF
- Waveform and Vectorscope display for video
- Direct record to SSD
- Camera to cloud support
- IPTC metadata
The Fujifilm GFX100 II will be available from September 2023 at a suggested price of $7499.
Get the camera from B&H Store
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Fuji GFX 100 II Press Release
Fujifilm Bolsters its Flagship Camera Lineup with Launch of FUJIFILM GFX100 II Mirrorless Digital Camera
VALHALLA, N.Y., September 12, 2023 – FUJIFILM North America Corporation today announced the introduction of FUJIFILM GFX100 II digital camera (GFX100 II), a new flagship addition to the GFX System’s family of mirrorless digital cameras. Incorporating a 55mm large-format image sensor1 – which is nearly 1.7x larger than the 35mm image sensors found in full-frame cameras – GFX100 II produces images with broad dynamic range at a very shallow depth-of-field.
GFX100 II includes a newly developed, 102-megapixel high-speed image sensor and Fujifilm’s latest 5th generation X-Processor 5 image processing engine, which doubles the signal readout speed compared to the current model2. This in turn provides unique benefits to image makers, especially in the areas of high-speed, continuous shutter mode, autofocus (AF) and video.
“Imaging professionals rely on FUJIFILM GFX System cameras and lenses to take their bestimages to another level,” said Victor Ha, vice president, Electronic Imaging Division and Optical Device Division, FUJIFILM North America Corporation. “GFX100 II is another incredible design and engineering feat for Fujifilm. We’re incredibly excited to see the new creative heights that will be achieved with this camera when it gets into the hands of our photographers and filmmakers.”
GFX100 II utilizes Fujifilm’s latest high-speed image sensor, along with its advanced image processing engine to deliver Artificial Intelligence (AI) based subject-detection autofocus (AF), which was most recently featured in the FUJIFILM X-H2S mirrorless digital camera. Developed with Deep Learning technology and updated with the latest prediction AF algorithm, GFX100 II now incorporates AI based subject-detection AF to quickly track and detect animals, birds, vehicles, and other fast-moving objects like insects and drones3, and it automatically keeps them in focus so that photographers can concentrate on framing their images and waiting for the perfect moment to make their image.
Burst shooting performance has been increased from the current4 5.0 frames per second to 8.0 frames per second5, expanding the GFX100 II’s application across various genres, including fashion, commercial, landscape, sports, and photojournalism. An expanded buffer memory4 extends seamless burst capabilities for those once-in-a-lifetime moments.
GFX100 II’s new sensor also provides enhanced capabilities for video production. The ability to internally record Apple ProRes 4:2:2, 10-bit video at 4K/60p and 8K/30p is a major first for GFX System cameras. With the use of an optional, third-party GF to PL lens adapter, multiple video recording formats can be natively accommodated on GFX100 II, making the FUJINON PREMISTA 35mm lens and Anamorphic (35mm) cinema lenses easily adaptable for various uses including cinematic applications. Additionally, GFX100 II supports three Apple ProRes codecs, i.e., Apple ProRes 422 HQ, Apple ProRes 422 and Apple ProRes 422 LT. When recording in Apple ProRes, the camera can also output h.264 and Apple ProRes 422 Proxy files, which can streamline workflows overall from production to post-production.
GFX100 II also features Ethernet, HDMI Type A, and USB-C terminals for enhanced external device connectivity. Dual card slots support one CFExpressTM Type B and one SD card. CFExpressTM Type B cards are required to access the GFX100 II’s enhanced video performance features. Production workflows are additionally streamlined with the camera’s native, accessory free integration for Frame.io Camera to Cloud, which seamlessly delivers files directly to the cloud, and Atomos AirGluTM BT, which allows timecode on GFX100 II to be accurately jammed and synchronized across various compatible accessories, audio recorders, and other hardware and software products that are commonly used in video production.
GFX100 II includes a total of 20 Film Simulation modes, including the new REALA ACE mode, which is based on Fujifilm’s color negative film, offering a neutral color reproduction suitable for all subject types. Additionally, Fujifilm’s innovation of the pixel structure has enabled the use of ISO80 as a standard sensitivity. When the sensor sensitivity is set at
ISO80, the camera can make images with incredible dynamic range and noise levels that are lower than previous GFX100 and GFX100S models. The new sensor’s photosites have been optimized to increase light use efficiency at the sensor’s edges, thus improving both image quality at the edges of the photo, and AF accuracy over the previous, GFX100 and GFX100S models.
Hardware enhancements include a five-axis, in-body image stabilization (IBIS) that provides up to 8-stops of image stabilization, as well as 1.0x viewfinder magnification, and a high- magnification, high-definition 9.44-million-dot EVF. The camera’s new design also features a large, sub-LCD, tilted top panel, and a fashionably textured grip.
Optional Accessories
- FUJIFILM VG-GFX II Vertical battery grip (VG-GFX II) accommodates two NP-W235 batteries for extended image- and video-making opportunities.
- FUJIFILM FAN-001 Cooling fan (FAN-001) allows for extended video filming in high temperatures.
- FUJIFILM EVF-TL1 EVF tilt adapter (EVF-TL1) provides diverse shooting angles while using the viewfinder.
Pricing and Availability
GFX100 II is expected to be available in early fall 2023 at a Manufacturer’s Suggested Retail Price of $7,499.95 USD and $10,124.99 CDN. The pricing for the optional accessories is expected to be as follows:
VG-GFXII – $499.95 USD and $679.99 CDN
By admin, on September 12th, 2023

If you compare the Sony A74 versus the Sony A7C II, let me tell you one thing very clearly. The Sony A7C II camera features the same 33-megapixel full-frame CMOS sensor, Even the AF system of the Sony A7C II camera is much more advanced due to the presence of dedicated artificial intelligence CHIP inside, compared to the Sony A74 camera. Now, we all know that if a baseline product/product with a lower price range has as many special features as its higher-end body, then for sure it will cut off the sales of the A74.
To protect it, Sony added some layers of features and design cannibalization, which now depends upon us. Does this crippling hurt the camera’s core, or can we buy it despite the standard crippling done over Sony A7C II to save the Sony A7 IV sales? Which we will explain in this article.
Lens Mount |
Sony A7C II |
Sony A7 IV |
Sensor Resolution |
Actual: 34.1 Megapixel
Effective: 33 Megapixel |
Actual: 34.1 Megapixel
Effective: 33 Megapixel |
Image Sensor |
35.9 x 23.9 mm (Full-Frame) CMOS |
35.9 x 23.9 mm (Full-Frame) CMOS |
Image Stabilization |
Sensor-Shift, 7 Stops |
Sensor-Shift, 5.5 Stops |
Built-In ND Filter |
None |
None |
Capture Type |
Stills & Video |
Stills & Video |

1. DUAL CARD SLOT
From the design point of view, there is a basic design difference between the two. The Sony A7C II camera has only a single card slot compatible with UHS-II V90 cards, while the Sony A7 IV camera features dual card slots in which you can have UHS-II and CFexpress in the other.
2. Full-size HDMI in Sony A7 IV
The other biggest advantage I see in the Sony A7 IV camera is the presence of a full-size HDMI port, which is missing in the Sony A7C II camera.
3. Anti-Dust Shutter in Sony A7IV
The Sony A7 IV camera also features an anti-dust settling mechanism that covers the sensor and protects it. In the Sony A7C II camera, we have an EFCS shutter, so due to the absence of a fully functional mechanical shutter, we do not have such a feature in this camera.
4. Display Difference
On the display side, the Sony A7 IV has a slightly higher resolution electronic viewfinder (3690k dotvs2360k dot) with a better magnification ratio, as well as a slightly higher resolution LCD screen (1.440k dots vs. 1.030k). The position of the viewfinder is also different in both cameras.
The rest of the things are the body controls. The Sony A7 IV camera has a bit more advanced features, such as a joystick controller on the rear side and a center-placed viewfinder, which generally helps a photographer a bit more in handling a camera and using it while composing a perfect shot


5. Size Difference
As you can see, the Sony A7C Mark II camera is more compact, whereas the A7 IV is a bit bulky. Due to the nature of construction and the type of series they belong to, both have their design interface. So, design-wise, for a professional photographer, undoubtedly the Sony A7 IV camera looks more promising.

6. Heat Sink
Heat Sink According to initial reports, the heat sink mechanism of the Sony A7C Mark II camera is slightly better at dissipating heat from the body in an outward direction. This is one of the biggest reasons why Sony skipped the CF express card in the A7C Mark II camera. With the use of a UHS-II V90 card (See V90 Cards at Amazon), you can record 4K at all resolutions without any major issues.
Does The Absence Of Full Mechanical Shutter Affect The Performance Of The Camera? It all depends upon your usage. If you want to capture portraits at a very high shutter speed which is somewhere around 1/4000 of a second up to 1/8000 of a second in that very specific scenario most cameras with mechanical shutters are not open to some of these special situations then undoubtedly, the A7C Mark II camera’s EFCS (Electronic Front Curtain Shutter) is very usable.
|
Sony A7C II |
Sony A7 IV |
Shutter Type |
Electronic Shutter, EFCS |
Electronic Shutter, Mechanical Focal Plane Shutter |
Anti Dust Shutter |
No |
Yes |
Shutter Speed |
1/4000 to 30 Seconds
1/8000 to 30 Seconds
1/8000 to 1 Second in Movie Mode |
1/8000 to 30 Seconds
1/8000 to 1/4 Second in Movie Mode |
Bulb/Time Mode |
Bulb Mode |
Bulb Mode |
ISO Sensitivity |
Photo
100 to 51,200 in Manual Mode (Extended: 50 to 204,800)
100 to 12,800 in Auto Mode
Video
100 to 51,200 in Manual Mode (Extended: 50 to 102,400)
100 to 12,800 in Auto Mode |
Photo
100 to 51,200 in Manual Mode (Extended: 50 to 204,800)
100 to 12,800 in Auto Mode
Video
100 to 51,200 in Manual Mode (Extended: 100 to 102,400)
100 to 51,200 in Auto Mode |
Exposure Modes |
Aperture Priority, Auto, Manual, Program, Shutter Priority |
Center-weighted average, Highlight Weighted, Multi-Zone, Spot |
Continuous Shooting |
Up to 10 fps for up to 44 Frames (Raw) / 1000 Frames (JPEG) |
Up to 10 fps at 33 MP for up to 1000 Frames (Raw) / 1000 Frames (JPEG) |

7. Dedicated AI CHIP
AI Chip The introduction of a dedicated artificial intelligence chip inside this camera has improved its overall performance significantly. Specifically, when we talk about autofocus performance, the 3D object tracking has improved greatly.
Continuous Shooting Speed The biggest improvement that we might see between these two cameras is their ability to track moving subjects while using burst mode. Both feature 10 frames per second continuous burst speed, but now the autofocus performance of the A7C Mark II camera is much improved compared to the Sony A74.
The buffer size of the Sony A74 camera remains larger, one of the biggest reasons being its ability to adopt a CF express-type card slot. The memory of the A7C Mark II camera is slightly limited to 100 frames.
8. IBIS
Image Stabilization With the introduction of the A7 Mark II camera, Sony also introduced a brand new sensor-shift image stabilization mechanism which is very helpful for photographers. Now, the overall IBIS support goes up to 7 stops, and in the Sony A74 camera, it is limited to 5.5 stops.
So if you’re a handheld photographer then undoubtedly, the A7C Mark II camera will help you a lot with its autofocus performance and ability to capture more stable images and footage.
|
Sony A7C II |
Sony A7 IV |
Internal Recording Modes |
H.265/XAVC HS 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/50/59.94 fps [50 to 200 Mb/s]
H.265/XAVC HS 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98/50/59.94 fps [30 to 150 Mb/s]
H.264/XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [240 to 600 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [89 to 222 Mb/s]
XAVC S 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [100 to 200 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [50 Mb/s] |
XAVC HS 4:2:2/4:2:0 10-Bit
3840 x 2160 at 23.98/50/59.94 fps [30 to 200 Mb/s]
XAVC S 4:2:2/4:2:0 8/10-Bit
3840 x 2160 at 23.98/25/29.97/50/59.94 fps [60 to 200 Mb/s]
1920 x 1080 at 23.98/25/29.97/50/59.94/100/120 fps [16 to 100 Mb/s]
XAVC S-I 4:2:2 10-Bit
3840 x 2160 at 23.98/25/29.97/50/59.94 fps [240 to 600 Mb/s]
1920 x 1080 at 23.98/25/29.97/50/59.94 fps [89 to 222 Mb/s] |
External Recording Modes |
4:2:2 10-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
1920 x 1080p at 23.98/50/59.94 fps
1920 x 1080i at 50/59.94 fps
4:2:0 8-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
1920 x 1080p at 23.98/50/59.94 fps
1920 x 1080i at 50/59.94 fps |
4:2:2 8/10-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
HD (1920 x 1080p) at 23.98/50/59.94 fps
HD (1920 x 1080i) at 50/59.94 fps |
AI AUTO FRAMING |
Yes |
NO |
Enhanced AI AF |
Yes (Dedicated AI CHIP) |
NO |
IBIS VIDEO |
7 STOPS / GYRO Support |
5.5 Stops Gyro Support |
Gamma Curve |
HDR-HLG, Sony S-Log 2, Sony S-Log 3 |
S Cinetone, Sony S-Log 3 |
Recording Limit |
None |
None |
Broadcast Output |
NTSC/PAL |
NTSC/PAL |
IP Streaming |
MJPEG, UVC/UAC
3840 x 2160 at 12.5p, 14.99p, 25p, 30p
1920 x 1080 at 25p, 30p, 50p, 60p
1280 x 720 at 25p, 30p |
MJPEG, UVC/UAC
3840 x 2160 at 12.5p, 14.99p, 25p, 30p
1920 x 1080 at 25p, 30p, 50p, 60p
1280 x 720 at 25p, 30p |
Built-In Microphone Type |
Stereo |
Stereo |
Audio Recording |
XAVC S: 2-Channel 16-Bit 48 kHz LPCM Audio
MPEG4: 2-Channel AAC LC Audio |
2-Channel 16-Bit 48 kHz LPCM Audio |
9. Videographics Difference Between Both The Cameras
Resolution-wise both cameras feature exactly the same video resolution, Record in 10-bit 4:2:2 using the advanced XAVC S-I format for consistent performance and quality at bitrates up to 600 Mb/s.
With the introduction of the AI chip in Mark II camera tracking performance has improved significantly in videography. The camera is able to track moving subjects from afar and even eye detection is now much more accurate even in animals and insects while you are creating your video.
10. User Uploadable LUT and AI Framing
Other big differences like in professional cameras we have user-uploadable LUTs (Look-Up Tables). With this feature, you are able to control output in a much better way optimizing your workflow as desired.
Auto Framing With introduction of dedicated AI chip we also have an opportunity for artificial intelligent auto framing.
Enhanced Heat Sink Unit As I have said in this post, The A7C Mark II camera’s heat dissipation system is now much more improved and distributes heat effectively.
11. Price Difference vs Features Difference
If you compare the price and specifications we are getting with the Sony A7C Mark II camera it’s much more compared to the set of features that we are getting with the A74. If you want to have the same set of features with the A74 camera body you have to wait for the Sony A75 camera announcement. Otherwise, we highly recommend you get the Sony A7C Mark II camera while looking at its core specification and price ratio.
Sony A7C II Body Price $2198 B&H STORE | AMAZON.com
Sony A7 IV Body Price $2498 B&H STORE | AMAZON.com
By admin, on September 11th, 2023

Panasonic G9 II, boasts a new 25.2 million pixel image sensor and a new engine, above all the image plane phase-detection AF guarantees sharp, precise focus, while the 60fps AFC continuous shooting. The camera also features up to 8.0 stops of image stabilization and 4K/4 K 60p 4:2:2 10bit recording and comes with a pre-installed V-Log, providing more flexibility for post-production. The camera also supports C4K/4K 10bit 120p/100p, enabling super slow-motion video capture. More Details below
Panasonic G9 II Specification
- New 25.2 million pixel image sensor
- new engine
- Image plane phase detection AF
- 60fps AFC continuous shooting
- 8.0 stops of image stabilization
- 7.5 steps Dual IS
- C4K/4K 60p 4:2:2 10bit
- V-Log
- 1.84 million dot tilt free angle monitor
- 3.68 million dot OLED viewfinder
- Dustproof and splashproof
- Capable of continuous shooting for 3 seconds without blackout
- Pre-continuous shooting function
- ~AFS 75fps
- LEICA Monochrome with L2 technology
- Real-time LUT
- C4K/4K 10bit 120p/100p
- 8 direction joystick
- Wifi
- Bluetooth
- Lineup covering from 16mm to 1600mm (35mm format equivalent)
Stay tuned more updates coming

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