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Firmware Update

Sony RX1R III Announced Press Release

Sony has announced the long-awaited RX1R III camera, updating their camera nearly 10 years after the introduction of the RX1R Mark II. The camera features a 61-megapixel BSI CMOS sensor paired with the Sony BIONZ XR image processor, approximately eight times faster than its previous generation, the RX1R Mark 2. Also, an AI chip has been integrated, and the auto-boxing feature has been upgraded to the next level.

Since it’s a compact FF camera, we are getting a 35mm F2 Zeiss lens. Although it’s a fixed lens, the camera does offer digital crop and other creative zoom controls. The camera is able to record 4K videos up to 30 frames per second, 10-bit internally and full HD videos up to 120 frames per second.

Sony RX1R III Specification

61MP Full-Frame Exmor R BSI Sensor
ZEISS Sonnar T* 35mm f/2 Lens
BIONZ XR & AI Processing Unit
693-Point PDAF & Real-Time Tracking AF
4K 30p 10-Bit & FHD 120p Video
2.36m-Dot 0.7x OLED EVF
3.0″ 2.36m-Dot Touchscreen LCD
Step Crop Modes and Creative Looks
Updated Design, Improved Battery Life
SD UHS-II Slot; USB-C, HDMI, Mic Ports

The RX1R III will be available in July 2025 for approximately $5,099.99 and CAD 6,299.99. The TG-2 for approximately USD 299.99 and $349.99 CAD, the LCS-RXL for approximately $249.99 and CAD 224.99, and the LHP-1 for approximately $199.99 and $249.99, in August 2025. They will be sold directly through Sony and at a variety of Sony’s authorized dealers throughout North America.

Sony RX1R III B&H Store


Sony R1R Mark III Press Release

Sony Electronics Introduces The RX1R III: The Flagship Full-Frame Premium Compact Camera With A Fixed Lens

SAN DIEGO, July 15, 2025 – Sony Electronics Inc. announces the RX1R III, the eagerly anticipated third generation of its RX1R series, featuring a 61-megapixel1 35 mm full-frame Exmor R™ CMOS image sensor, the latest BIONZ XR™ image processing engine, and a ZEISS® Sonnar T* 35 mm F2 lens.

“The RX1R III combines Sony’s design savvy with the latest innovations in imaging technology to produce a new flagship in our RX1R camera series that offers uncompromising full-frame quality in a premium compact camera body,” said Yang Cheng, Vice President of Imaging Solutions, Sony Electronics Inc. “The RX1R series has resonated greatly among discerning photographers, and we’re proud to now deliver the next generation of this popular camera model.”

A Focus On High-Quality Photography

The combination of the 61-megapixel1 full-frame Exmor R™ back-illuminated CMOS image sensor and the BIONZ XR™ image processing engine delivers high resolution and sensitivity, with low noise and a wide dynamic range. The sensor surface features AR (Anti-Reflection) coating and omits the optical low-pass filter to achieve superior image quality.

The integrated lens offers excellent image quality. By optimizing the position of the lens and the imaging surface one by one at the micron level, RX1R III achieves high optical performance in a compact form factor.

Dedicated To Creative Freedom

To ensure you always get your shot accurately and without effort, RX1R III is equipped with the latest AI-processing unit, a valued feature of top-of-the-line professional Sony AlphaTM cameras. The AI-processing unit can accurately recognize the shape and movement of subjects, human bodies, heads, and the position of eyes, tracking subjects even when their faces are not visible, and is available for both still images and videos2. Up to 693 densely arranged3 phase-detection AF (Auto-Focus) points cover approximately 78% (for still image shooting) of the image capture’s area.

While the camera has a fixed lens, users can tap into the versatility of three prime lenses thanks to the Step Crop Shooting4 function, which allows users to switch between focal lengths equivalent to 35 mm, 50 mm, and 70 mm5 via assigned buttons or dials. When shooting in RAW format, users can reselect the focal length during post-production. The lens’s macro ring enables instant switching to macro mode, allowing users to get as close as 20 cm (maximum magnification: 0.26x).

For creators who enjoy unique and personalized visuals, RX1R III offers twelve built-in Creative Looks. Adjustments to hue, saturation, brightness, contrast, and sharpness can be applied not only to still images but also to videos. Most notable among the Creative Looks6, FL2 allows the capturing of a nostalgic expression with subdued colors, and FL3 allows for a more vibrant image.

Streamlined Design & Reliable Hardware

Made of lightweight yet highly rigid magnesium alloy, the RX1R III design balances aesthetics and functionality. While maintaining excellent operability, the dials and Multi-Interface (MI) Shoe are embedded into the camera body and the top surface of the body features a flat design. The grip design and surface texture provide a secure and comfortable hold.

RX1R III is equipped with an electronic viewfinder featuring an approximately 2.36 million-dot XGA OLED with high resolution and high contrast, offering a magnification of approximately 0.70x.

RX1R III uses the rechargeable battery pack NP-FW50, allowing the capture of up to 300 still images7. It features a USB Type-C® port that allows rapid charging when connected to USB Power Delivery8 -compatible devices, or the addition of external power sources, such as mobile batteries, for extended shooting sessions.

Social Responsibility

Aligned with Sony’s ambitious ‘Road to Zero’ initiative, this product supports the company’s vision for achieving a zero environmental footprint by 2050. The Sony Group’s manufacturing facilities for imaging products, including the RX1R III, are operating at 100% renewable energy. The RX1R III packaging uses Sony’s proprietary environmentally friendly Original Blended Material9 instead of plastic10.

The camera system incorporates comprehensive accessibility options, including a Screen Reader function11 and Display Magnification, to support visually impaired users across an expanded range of menu items.

Optional Accessories

TG-2 is a dedicated thumb grip that attaches to the Multi Interface (MI) Shoe to provide stable holding and operability, including when operated with one hand. When attached to the body, the metal material and high-quality paint finish provide exceptional design unity.

LCS-RXL is a compact body case dedicated to this camera model intended to protect the camera from scratches and dirt and enhance its elegance with its refined texture material. The body case allows access to all ports—USB, HDMI, battery, memory card, and tripod attachment—without removal. The grip design improves the holding experience.

LHP-1 is a lens hood made specifically for this camera. It features a robust construction using lightweight and high-strength aluminum material, protecting the lens from impact and dirt. The bayonet mount allows for quick and secure attachment.
Pricing & Availability

The RX1R III will be available in July 2025 for approximately $5,099.99 USD and $6,299.99 CAD. The TG-2 for approximately $299.99 USD and $349.99 CAD, the LCS-RXL for approximately $249.99 USD and $224.99 CAD, and the LHP-1 for approximately $199.99 USD and $249.99 CAD, in August 2025. They will be sold directly through Sony and at a variety of Sony’s authorized dealers throughout North America.

Sigma 12mm F1.4 DC DN Price and More Details

The lens features ultra-wide 12mm coverage and f/1.4 aperture, specifically designed for APS-C mirrorless cameras. It is one of the fastest wide-angle prime lenses Sigma ever announced for APS-C sensors. It is an ideal lens for low-light photography, astrophotography, and most importantly, one for vloggers, those who need ultra-wide coverage for travel blogging. The lens also features a dedicated aperture ring, so you can isolate yourself or/subject from the background when you are recording live video without touching the controls of the camera.

Price of Sigma 12 mm F1.4 APS-C E-Mount lens

The price of the Sigma 12 mm 1.4 DC DN is approximately USD $649

B&H Store 

Amazon.com

Key Features Sigma 12mm F1.4 DC DN

Based on Sigma’s reputation for high-quality optics and the latest rumors, here are some anticipated features of the Sigma 12mm f/1.4 APS-C E-Mount lens:

  • Ultra-Wide 12mm Focal Length: Equivalent 18mm on a full-frame camera, perfect for Vlogging, architecture, landscapes and astrophotography.
  • Fast f/1.4 Aperture: Best for ultra-lowlight photography and videography.
  • Compact and Lightweight Design: Sigma’s Contemporary line of lenses is generally compact and easy to carry.
  • Aperture Ring: A clickable/de-clickable dedicated aperture for smooth transitions while shooting without messing up with camera controls.
  • Advanced Optics: Inclusion of Super Low Dispersion (SLD) glass and aspherical elements for sharp, high-contrast images with minimal aberrations.
  • Dust and Moisture Resistance: A robust build for challenging shooting conditions.

That’s the update we have related to the 12mm F1.4 DX DN Lens from Sigma. Stay tuned for more updates.

Sigma recently announced a 17-40mm F1.8 Lens for APS-C cameras (available at B&H Store), we have added the samples of 17-40mm F1.8 on our website. You can check them 

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Sony FX8 Camera Specification Leaked

According to the latest rumours coming from the webio / rumour mills, the Sony FX8 camera is said to feature 12K resolution, which we have also reported before, and it is expected to arrive in September 2025, possibly at the IBC conference. Now let’s break down the details — the list of rumoured specifications expected to arrive inside the Sony FX8 camera:

Sony FX8 Camera Specification

  • The new full-frame product, named FX8, will feature a resolution of 12K, which is four times that of the FX9.
  • It uses a 16:9 cropped 12K full-frame (3:2 aspect ratio, 96MP total pixels) CMOS image sensor.
  • It doesn’t have internal RAW or X-OCN recording capabilities. Like the FX6, it outputs full-frame crop 3.8K 16-bit RAW to a third-party recorder via SDI at a maximum of 120fps.
  • The only recording format available is XAVC, which offers 8K30p or 4K60p recording in full-frame and S35 modes.
  • Full-frame crop 3.8K mode provides 4K120p recording.
  • The readout specifications are not as good as the URSA Cine 12K, as the processor limits it, but it is still a reliable and easy-to-use camcorder that offers high-speed 4K (for FX6 users) and full-frame/Super35 dual-format 8K30p/4K60p (for FX9 users) for creative freedom.

About Sony FX8: Sony FX8 is said to be a professional filmmaker’s cinema camera set to join the Sony FX line, alongside the Sony FX6 and FX9. The camera will undergo a significant upgrade in its core specifications, offering very tough competition to the Blackmagic URSA Cine 12K camera.

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source/credit webio


Sony A7 V Announcement Before September 2025

 

 

Sony FE 100mm F2.8 Macro GM OSS Coming Soon

Sony New Lens coming

According to the latest rumor coming from one of the most trusted and authentic sources of information,n howtofly, Sony is testing a new full-frame macro lens, the FE 100mm F2.8 Macro GM OSS.

Stay tuned – We will post an update soon. Also see – Sony A7 V Announcement Before September 2025

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source – howtofly twitter

Sony A7 V Announcement Before September 2025

According to the latest rumors we have, we have a Sony A7 V camera coming on or before September 2025. I was really waiting for this sort of confirmation for a long time, and now we have just received the confirmation.

Sony A7V Sensor Resolution

Sensor resolution-related confusion still exists, since even today, Sony Alpha Rumor (*1) posted a rumored specs of the camera via a Chinese source. Today, take a look.

I saw some prototypes,
44mpx 20fps non-stacked sensor 100% confirmed.
same body as A1II
same screen as A1II
AI chip
New improved evf compared to A7IV – could not confirm
Better heat management

44 megapixel sensor is not new, we all know back from November 2023 that Sony does have an IMX366 sensor with 44 MP resolution, and there is a high possibility that they can use this sensor in the A7 V camera.

Also, we have clearly mentioned, Sony does have the working prototypes of A7 Bodies with a 44MP Sensor  – A Part of the Content of our post published on November 13th, 2024

As for the core specifications I was expecting from the Sony A7V camera, the arrival of a 33-megapixel stacked sensor, the presence of an AI chip, and a new generation of the BIONZ X image processor. But, Recent rumors suggest that Sony is testing prototypes with the IMX366 sensor, which has a 44-megapixel resolution. The good thing about this sensor is that despite being a non-stacked sensor, the readout speed is very fast. The camera will be paired with Sony’s latest BIONZ X image processor and AI chip. This is not the first time we have gotten hints of a 44 Mp sensor, check here Unbelievable! Sony A7 V May Feature a 44-Megapixel Sensor

Another set of rumors that is continuously roaming over the internet is the use of a 33MP stacked Exmor sensor inside the upcoming Sony A7 Mark V camera. So, we have to still wait for the final confirmation related to the resolution,  Sony A75 will carry inside it — a 33 MP stacked Exmor sensor or 44 MP non-stacked BSI CMOS sensor.

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source (1) SAR Website


Sony’s Latest Registered Model Codes of Upcoming Cameras

Also, check some latest camera deals – Camera deals USA

Sony FX2 vs Nikon Z6 III

Sony FX2 versus the Nikon Z6 Mark III camera, let’s explore the differences between the two point by point

The Nikon Z6 Mark III camera is slightly larger, with a photography-friendly body and controls. The Sony FX2 does have a deep hand grip, but it has a somewhat boxy design. The thing that makes a big difference between the two, specifically in the design part, is that Sony is made for cinematography purposes and carries a lot of tripod threads all over the body to mount it perfectly in cinema rigs. The other advantage we have with the Sony FX2 camera is the moving viewfinder.

Nikon Z6 III and the Sony FX2 — both of them support dual card slots, one dedicated for CFexpress and one SD card slot. The Nikon Z6 Mark III monitor is slightly larger and of higher resolution, so users may experience better LCD quality with the Z6 Mark III camera. At the very same time, the electronic viewfinder is also a 5.76 million-dot unit compared to a 3.6 million-dot electronic viewfinder in Sony, but yeah, we are getting better display units in the Nikon Z6 Mark III.

The wireless functionality of the two is almost the same, but Nikon does have GPS support via smartphone to enable geotagging functionality for travel purposes, documentary work, or maybe for photojournalism purposes. The FX Mark 2 camera misses out. Although the humidity tolerance and the weatherproof criteria of both cameras match each other, so we literally do have almost the same build quality in both cameras.

Design Comparison

Feature Sony FX2 Nikon Z6 III
Lens Mount Sony E Nikon Z
Material of Construction Magnesium Alloy Magnesium Alloy
Dimensions (W x H x D) 5.1 x 4.1 x 3.1″ / 129.7 x 103.7 x 77.8 mm 5.5 x 4 x 2.9″ / 138.5 x 101.5 x 74 mm
Weight 1.3 lb / 594 g (Body Only), 1.5 lb / 679 g (With Battery, Recording Media) 23.6 oz / 670 g (Body Only)
Shoe Mount 1x Intelligent Hot Shoe 1x Hot Shoe
Tripod Mounting Thread 2x 1/4″-20 Female (Bottom) 1x 1/4″-20 Female (Bottom)
Accessory Mounting Thread 3x 1/4″-20 on Camera Body Not specified
Operating Conditions 32 to 104°F / 0 to 40°C 32 to 104°F / 0 to 40°C up to 85% Humidity
Media/Memory Card Slot

Slot 1: CFexpress Type A / SD (UHS-II)

Slot 2: SD/SDHC/SDXC (UHS-II)

Slot 1: CFexpress Type B / XQD

Slot 2: SD/SDHC/SDXC (UHS-II)

Wireless 2.4 GHz Bluetooth 5.0, 2.4 / 5 GHz Wi-Fi (802.11a/b/g/n/ac) 2.4 / 5 GHz Wi-Fi 5 (802.11ac), Bluetooth 5.0
Mobile App Compatible Yes: Android & iOS (Sony Creators’ App
Global Positioning No GPS (via Connected Smartphone)
Monitor 3″ Tilting Touchscreen LCD, 1,036,800 Dot 3.2″ Articulating Touchscreen LCD, 2,100,000 Dot
Viewfinder Electronic (OLED), 3,686,400 Dot / Titling EVF Electronic, 5,760,000 Dot, 0.5″

Best Camera for Photographers

Sony FX2 camera offers higher resolution at 33 megapixels, but at the very same time, the Nikon Z6 Mark 3 camera offers 24.5 megapixel resolution, which is of course limited. But if you talk about sensor architecture, then the Nikon Z6 Mark 3 camera is using a partially stacked CMOS sensor.

Video Recording: Nikon Z6 III Excels

Of course, the Sony FX2 camera is able to create highly detailed 4K 30fps footage from a 7K oversampled file. At the very same time, when you are recording videos at 4K 60 frames per second or 4K 120 frames per second with the Nikon Z6 Mark 3 camera—and of course, to be noted—4K 120 FPS is not possible with the Sony FX2 despite being in a higher price range. Other than that, even when you are trying to record 4K @ 60 frames per second, at that time you have to face a 1.5x crop in the Sony FX2. So with the FX2, we have limitations attached in the higher frame rate, and 4K 120 is not possible.

Continuous Shooting Speed Comparison

The same advantage we also get in the continuous shooting speed of the camera, where we are able to get up to 20 FPS RAW, and up to 60 frames per second in full resolution, and up to 120 frames per second in the DX crop mode. Thankfully, the Sony FX2 camera is using a mechanical shutter, but despite that, the continuous shooting speed of the camera remains limited to 11 frames per second.

Autofocus: Sony FX2’s Precision

When you dive into autofocus performance, each system really brings something different to the table. Sony’s FX2 boasts a whopping 759 phase-detection points (compared with Nikon’s 299 “hybrid” points), which means it can lock onto—and keep track of—moving subjects across with Sony’s famous AI AF. That’s a huge advantage when you’re shooting fast-paced street scenes or busy event coverage.

Nikon Z6 III’s Low-Light Autofocus

On the other hand, Nikon’s autofocus shines in low-light situations. With a sensitivity down to –10 EV (versus Sony’s 4 EV), the Z6 III can find and focus on subjects in near-darkness—perfect for late-night cityscapes, dimly lit weddings, or cozy indoor gatherings.

Autofocus Tracking: Nikon Closing the Gap

Recent reviews peg the Z6 III’s subject recognition and tracking as nearly on par with Sony’s vaunted system, so you’re not really “giving up” much by choosing Nikon—especially if you need that extra push in challenging light. Still, many pros continue to call Sony the gold standard for sheer reliability, so it really comes down to what kind of shooting you do most often.

Image Stabilization: Nikon’s Edge

Sensor-shift image stabilization of the Nikon Z6 Mark 3 is more helpful, since you can link your autofocus point with the VR system of the camera, and you will be getting a true 7.5 stops of stabilization all the time, even if you are focusing in the corner of the frame. Sony’s Active Image Stabilization is highly effective in video mode, but when you are talking about stills, it’s the traditional-style IBIS system we are getting.

Why Choose Nikon Z6 III for Pros

Nikon Z6 Mark III camera, due to its partially stacked CMOS sensor and Expeed 7 image processor, the autofocus calculation is being done at the rate of 120 frames per second in-camera. So the autofocus and the auto exposure refresh rate is actually 120 FPS. And due to the introduction of a new artificially intelligent autofocus algorithm inside the camera, the overall photographic experience is now elevated to the next level.

So if you are a professional photographer, then the Nikon Z6 Mark 3 will be a perfect choice for your requirements.

Photographic Features Compared

Feature Sony FX2 Nikon Z6 III
Sensor Resolution Actual: 34.1 MP, Effective: 33 MP Actual: 26.79 MP, Effective: 24.5 MP (6048 x 4032)
Image Sensor 35.9 x 23.9 mm (Full-Frame) CMOS 35.9 x 23.9 mm (Full-Frame) Partially Stacked CMOS
Image Stabilization Sensor-Shift, 5-Axis, Active IS Sensor-Shift, 5-Axis, AF points can be linked to VR
ISO Sensitivity Native 100-51,200 (50-204,800 Extended) Photo: Native 100-64,000 (50-204,800 Extended)
Shutter Type Mechanical Focal Plane and Electronic Rolling Shutter Mechanical Focal Plane and Electronic Rolling Shutter
Shutter Speed 1/8000 to 30 Seconds (Photo) 1/8000 to 15 Minutes (Mechanical), 1/16000 to 15 Minutes (Electronic)
Continuous Shooting Not specified in the provided data (10 fps per web sources) Up to 20 fps at Maximum Resolution
Autofocus Points Photo: Phase Detection: 759 Photo, Video: Contrast Detection, Phase Detection: 299
Autofocus Sensitivity 4 to +20 EV -10 to +18 EV
White Balance 2500 to 9900K 2500 to 10,000K, Presets: Auto, Cloudy, Color Temperature, Direct Sunlight, Flash, Fluorescent, Incandescent, Shade
Image File Format Not specified (JPEG, Raw per web sources) HEIF, JPEG, Raw
Bit Depth Not specified (14-bit per web sources) 14-Bit

Best Camera for Video

When it comes to video, the Z6 III feels like a powerhouse that’s ready to stretch your creativity. Imagine being able to capture in gorgeous ProRes RAW—right inside the camera—at up to 6K/60p. With the help of the stacked CMOS sensor, the camera can record 6K 60fps videos. Despite being a consumer hybrid mirrorless camera, the Nikon Z6 Mark III is able to deliver 6K resolution, that is really a big surprise.
That means you’ve got room to push and pull your colors, tweak contrast, and hold onto every bit of shadow and highlight detail without worrying about external recorders or cables.

Nikon Z6 Mark III Slow-Motion Capabilities

And if you need silky-smooth slow-mo or a little extra resolution, you can jump into uncropped 4K/120p or even 1080p/240p modes. While shooting 4K 120 frames per second, you have to face a 1.5x DX crop, and when you are shooting 4K @ 60 frames per second, there is a negligible amount of crop, which remains unnoticeable.

Sony FX2 Video Features

Sony’s FX2 isn’t slouching, though. It delivers clean, 10-bit H.264/H.265 internally and will give you oversampled 4K/30p for sharp, detailed footage. If you really need that ProRes RAW goodness, you can use an external recorder via HDMI—but that means more gear hanging off your rig. And when you want to push the frame rate higher in 4K—meaning if you want to record your 4K videos at 60 frames per second—you have to face a 1.5x crop, and there is no 120 frames per second option available in the Sony FX2 while recording 4K videos.

Sony FX2 Live-Streaming Advantages

Where Sony shines is in its live-streaming chops: built-in RTMP/RTMPS and SRT support make it a dream camera for one-person streaming setups, whereas the Z6 III leaves you hunting for a separate encoder. Both cameras give you flexible picture profiles—N-Log on Nikon holds up beautifully alongside Sony’s S-Log 3 and S-Cinetone—but in professional circles, S-Log and Cinetone have built a bit more of a buzz.

Audio and Rolling Shutter Comparison

Don’t forget audio: both record in 24-bit LPCM, but Sony’s extra channels give you more mics or ambient tracks to play with. And if rolling shutter is a worry, Nikon’s stacked sensor really pulls ahead—its readout is faster, so you’ll see far less “jello” when you whip the camera side-to-side at 4K/60p or 120p.

Nikon Z6 III vs. Sony FX2: Which to Choose?

In short, if you’re a solo shooter who loves to color-grade, chase cinematic slow-mo, and keep your rig light, the Z6 III’s internal RAW and high-speed modes deliver. If you’re streaming live, mixing multiple audio sources, or don’t mind an external recorder for 16-bit RAW, the FX2’s built-in streaming and flexible codecs have you covered.

Video Comparison

Feature Sony FX2 Nikon Z6 III
RAW 16 BIT via HDMI 12 Bit internally
MAX RES. 4K 60p 6K 60p N-RAW, 6K 30p ProRes RAW
Internal Recording Modes

H.264/H.265 8/10-Bit:

UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps

DCI 4K (4096 x 2160) at 23.98/24/25/29.97/50/59.94 fps

 

ProRes RAW/ProRes RAW HQ/Raw: 6048 x 3404 at 23.98/25/29.97/50/59.94 fps

4032 x 2268 at 23.98/25/29.97/50/59.94 fps 3984 x 2240 at 23.98/25/29.97/50/59.94/100/120 fps

UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/100/120 fps

 

Format and codes 16 Bit RAW, 10-Bit 4:2:2 XAVC S-I 12 Bit RAW,
4k 60 FPS Yes, 1.5X Crop Yes, No crop at 4k 60FPS
4K 120 FPS No Yes, 1.5X Crop
External Recording Modes

4:2:2 8/10-Bit via HDMI:

DCI 4K (4096 x 2160)

UHD 4K (3840 x 2160)

HD (1920 x 1080)

Raw 16-Bit: 4672 x 2628

HDMI: UHD 4K (3840 x 2160)
Dual Native ISO
Dual Base 800/4000 Dual Native ISO 800
Built-in Fan Yes No
Video IS Very effective / Active IS + Gyro  Mechanical IBIS + EVR
Fast-/Slow-Motion Support Yes Slow-Motion Only
Gamma Curve HDR-HLG, Rec709, S Cinetone, Sony S-Log 3, Standard HDR-HLG, Nikon N-Log
Anomorphic Lenses support Yes No
Audio Recording

2/4-Channel 24-Bit 48 kHz LPCM

2-Channel 16-Bit 48 kHz LPCM

16-Bit 48 kHz AAC Audio

2-Channel 24-Bit 48 kHz LPCM Audio

IP Streaming RTMP, RTMPS, SRT: 1280 x 720 to 3840 x 2160 at 25p, 29.97p, 50p, 59.94p No

Buy Nikon Z6 Mark III from Amazon.com | B&H Camera store

Buy Sony FX2 From B&H Store

also see

Which one is the Best Camera for Recording Video – Panasonic Lumix S1 II vs. Nikon Z6 III?

Best Lenses for Nikon Z6 III

Sony FX2 Announced, Official Press Release

Sony announced the Sony FX2 camera. The camera is a mixture of the Sony A7 IV 33MP sensor and FX3 body. Now we have an AI chip inside the camera. The autofocus speed has been increased by up to 30%, and the tracking has been improved dramatically compared to the Sony Camera AIV. We have lots of new modes that include auto framing, framing stabilizer, and AI tracker that make the entire camera a kind of powerhouse Swiss Army knife.

Video capabilities also extend its boundaries to the maximum extent. Now we have certain angle DCI 4K and true 24fps recording. For professionals and videographers, we have an anamorphic recording mode in-camera, discreetly, as well as 24-bit audio recording capability with the help of XLR input.

Sony FX2 Specification

  • Sensor: 33MP full-frame BSI CMOS (from a7 IV)
  • Video:
    • 4K up to 30p (7K full-width oversampled)
    • 4K up to 60p (1.5x APS-C crop)
    • DCI 4K with true 24p
  • Autofocus: AI-based, 30% better recognition, auto-framing, AI tracker
  • Shutter: Mechanical, movie/stills switch
  • Viewfinder: 3.68M-dot tilting EVF, 0.7x magnification
  • Storage: 1x CFexpress Type A/SD, 1x SD (redundant recording)
  • ISO: Dual native (800, 4000), clean up to 25,600, usable at 51,200
  • Extended Features:
    • Shutter angle
    • 4K30 UVC streaming (USB-C)
    • Focus breathing compensation
    • Dynamic active stabilization
    • S-Log Photo mode
    • 4K JPEG shot mark grabs
    • Active cooling (unlimited recording)
    • HDMI Type A, headphone/mic jacks
    • Dual 1/4-20 tripod holes
    • FX3/FX30 XLR handle compatible

Focus breathing compensation as well as dynamic active image stabilization also help this camera to explore a new dimension of usability and portability. However, the FX2 retains the Sony A7 IV 4K 60fps crop limitation. That’s really disappointing. Sony can add a line-skipping 4K 60 APS-C mode in their camera so users can have the uncropped version of 4K 60p recording by having a bit of loss in quality.

The price of the camera is expected to be somewhere around $2698. B&H Store

Sony FX2 Press Release

Sony Electronics Introduces the FX2 Compact Camera, Expanding Cinema Line’s Versatility for Creatives

Sony Electronics Inc. is proud to announce today the latest addition to its established Cinema Line family, the FX2. The FX2 will offer a seamless entry point into the broader Cinema Line range, giving greater cinematic expression to independent creators or small crews needing a versatile camera.

“The hybrid cinema camera was created based on user feedback and is engineered with unique features to support filmmaking, a new eyepiece, and enhancements for versatile production needs. The FX2 is intended to continue the Cinema Line’s goal of preserving authentic emotion in every shot and empower creators across all areas of content production,” says Theresa Alesso, President, Imaging Products and Solutions Americas, Sony Electronics Inc.

FX2 Features: Full-frame Photo and Video Capabilities

The FX2 comes with a full-frame sensor that delivers stunning imagery and beautiful bokeh effects. Equipped with a 33.0 effective megapixel1 back-illuminated Exmor R™ sensor with up to 15+ stops of wide latitude using S-Log3, it captures impressive detail in both highlights and shadows.

Designed for versatile shooting environments, the FX2 offers Dual Base ISO at 800 and 4000, ensuring optimal performance in both bright and low-light conditions. Its ISO sensitivity for video can be extended up to 102400, making it ideal for challenging lighting scenarios. The camera supports a wide range of recording formats—including 4:2:2 10-bit All-Intra—and records in high-quality options, such as XAVC S-I DCI 4K at 24.00p, providing professionals with the tools needed for flexible, high-end production workflows.

The FX2 can also continuously record for up to 13 hours in 4K 60p2 thanks to its internal cooling fan and effective heat dissipation structure. The FX2 offers variable frame rate settings, allowing up to 60 fps in 4K (for a maximum 2.5x slow-motion effect) and up to 120 fps in Full HD (for up to 5x slow motion). It supports Log shooting in Cine EI, Cine EI Quick, and Flexible ISO modes, offering versatile workflows for different production needs. To further the cinematic expression of the camera, creators can import up to 16 user LUTs for on-camera preview, enabling precise color monitoring on set.

Filmmakers can also easily and quickly create in-camera cinematic looks, with S-Cinetone™ set as the default, along with a range of Picture Profile and Creative Look presets. A de-squeeze display function is available, supporting both 1.3x and 2.0x anamorphic lenses for accurate framing.

Improved Usability for Comfortable Solo Operation

The FX2 features the same compact, flat-top design as Sony’s Cinema Line FX3 and FX30 cameras, ensuring familiarity and compatibility across setups. Built-in mounting points (UNC 1/4-20 x3) support a cageless configuration, offering greater flexibility for rigging. An optional top handle (ILME-FX2) enhances mobility and control, especially during handheld or dynamic shooting. Its lightweight, portable build—measuring approximately 5 1/8 x 3 1/8 x 4 1/8 in and weighing approximately 1 lb 8.0 oz—makes it ideal for solo operators or small crew productions.

The camera offers advanced focus features designed for precision and creativity. Its new Real-time Recognition AF (auto focus) delivers fast and reliable performance with improved accuracy for human subjects, although its intelligent subject recognition extends to animals, birds, vehicles, and insects, with an Auto mode available for effortless detection. For even more control, tools like focus breathing compensation, AF Assist, and customizable autofocus transition speed and sensitivity give creators the flexibility to fine-tune focus for expressive, cinematic imagery. The FX2 comes with Active Mode and Dynamic active Mode, which is new to the Cinema Line, and are both designed to ensure smooth and steady handheld shooting.

The Auto Framing feature automatically crops and tracks a subject to keep them in a prominent position when the camera is mounted on a tripod, producing footage that looks like it was shot by an experienced operator. The Framing Stabilizer function automatically keeps the subject in the same position within the frame, which can be useful, for example, when the camera operator is moving alongside the subject.

From a still image perspective, the camera features an additional log shooting option with a newly added ‘Log shooting’ menu. This feature allows creators to shoot high-resolution 33MP stills, optimized for color grading in post-production. The FX2 also offers smooth operation with a MOVIE/STILL mode lever, allowing for a quick switchover between still and movie shooting. Depending on the selected mode, the displayed menu items will automatically adjust. Additionally, mode selection is made easy with a long press of the Fn button, which recalls and changes the shooting mode.

FX2 Features: Improved but Familiar Hardware Inherited From Sony’s Cinema Cameras

The FX2 is equipped with a new high-resolution 3.68-million-dot tiltable EVF3 (electronic view finder) designed specifically for video production, offering a wide viewing angle and enhanced immersion thanks to its included deep eyepiece. Complementing the EVF is a 3.0-type vari-angle touchscreen LCD, making it easy to frame shots from virtually any angle. Intuitively arranged controls on the top panel and grip, along with tally lamps for clear recording status, support efficient on-set operation. The camera also introduces a customizable “BIG6” home screen that provides quick access to essential shooting parameters, such as FPS, ISO, shutter speed (angle or speed), Look presets, white balance, iris, and neutral-density (ND) filter settings. Addressing the growing demand for vertical content creation, the FX2 supports vertical menu display during shooting—ideal for social media formats. The handle-equipped model further enhances professional usability with two XLR/TRS terminals and a 3.5mm stereo mic jack, enabling 4-channel, 24-bit digital audio capture.

The camera offers extensive expandability and connectivity options, including an HDMI Type-A terminal capable of outputting up to 4K 60p 4:2:2 10-bit video and 16-bit RAW4 for high-end recording and monitoring. For seamless data transfer and remote control, it supports dual-band Wi-Fi (2.4 GHz and 5 GHz5) as well as wired LAN via a compatible adapter6. Additionally, the USB Type-C port enables SuperSpeed USB up to 10Gbps data transfers and supports USB Power Delivery (PD)7, while built-in USB and network streaming support enables live broadcasting and remote production workflows.

Social Responsibility

Aligned with Sony’s global environment plan, ‘Road to Zero’, this product supports the company’s vision for achieving a zero environmental footprint by 2050. The manufacturing process reflects this commitment through facilities powered entirely by renewable energy sources8.

The camera system incorporates comprehensive accessibility options, including a Screen Reader function9 and Display Magnification, to support visually impaired users across an expanded range of menu items. Additional intuitive controls enhance usability for all shooters, featuring:

  • Real-time recognition autofocus that reduces manual adjustments
  • Streamlined touch interface operations for direct menu navigation
  • Tactile button design with clear differentiation

These inclusive design elements ensure professional imaging tools remain accessible to creators of all abilities while maintaining full operational capability

The FX2 will be available early August for a suggested retail price of $2,699.99 USD and $3,499.99 CAD body only or $3,099.99 USD and $3,999.99 CAD with XLR handle. It will be sold directly through Sony and at a variety of Sony’s authorized dealers throughout North America.