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By admin, on June 30th, 2023
Nikon Z8 camera visited PhotonstoPhotos Labs, as we know the Nikon Z8 camera uses the same sensor we have seen in the Nikon Z9 camera. So the test score of both the camera looks almost like the camera.
Maximum PDR |
Low light ISO |
Low-light EV |
Z8 |
11.32 |
4224 |
10.40 |
Z9 |
11.30 |
4144 |
10.37 |
Z8DX |
10.61 |
1994 |
9.32 |
Z50 |
10.53 |
2406 |
9.59 |
Z7II |
11.60 |
4157 |
10.38 |
α7R V |
11.70 |
5244 |
10.71 |
α1 |
11.36 |
5215 |
10.70 |
Canon EOS R5 |
11.85 |
5435 |
10.76 |
S1R |
11.37 |
4522 |
10.50 |
fpL |
11.39 |
8388 |
11.39 |
As you know Nikon Z8 is impressive and features almost the same core specification we have in Nikon Z9.
Nikon’s latest mirrorless camera is equipped with the same stacked 45-megapixel image sensor and EXPEED 7 processor as the Z9. It supports high-speed continuous shooting at 20fps RAW, despite the fact that it has almost the same core specs as the Nikon Z9.
The overall Dynamic Range Test results of the Sony A7R V, as well as Canon R5, are also very impressive.
Nikon Z8 at B&H Store
By admin, on June 24th, 2023
Nikon has announced that some customers using the mirrorless camera “ NIKON Z 8” have reported issues with attaching the lens. Nikon has identified the product number range of affected “Z 8” cameras and will repair them free of charge, regardless of the warranty period. Customers can check if their product is eligible by clicking “Confirm product number” and following the instructions. Nikon apologizes for the inconvenience caused to its customers.
Nikon Z8 Problems Press Release
Thank you for your continued patronage of Nikon products.
Customers using the mirrorless camera “Z 8” have pointed out that in rare cases the lens cannot be rotated to the locked position and the lens cannot be attached.
As a result of the investigation, it was found that this phenomenon may occur in “Z 8”. We have identified the product number range of the target “Z 8”, so we will inform you about the correspondence.
Regardless of the warranty period, we will repair the affected products free of charge. We will bear the return shipping fee. If you have any questions regarding this matter, please contact the service organization.
We sincerely apologize for the inconvenience caused to our customers.
How to check the target product
To check if your product is eligible, please click “Confirm product number” below and enter your “Z 8” product number according to the displayed instructions.
Depending on the result of matching the entered product number, if the product is applicable, the reception method will be displayed, so please check it. If it is not a target product, please feel free to use it.
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source NIKON USA
By admin, on May 21st, 2023
Nikon Z8 Best Lenses: The Nikon Z8 camera features almost the same specifications that we have seen in the Nikon Z9 but at a very reasonable price tag. To get the maximum output from the Nikon Z8’s 45-megapixel stacked sensor, you have to buy the best lenses available with the highest resolving power.
Get Nikon Z 24-70mm F2.8 Lens from Amaznon.com | B&H Store
1. Nikon Z 24-70mm f2.8
The best lens for the Nikon Z8 camera is the Nikon 24-70mm f/2.8 S. Since we are getting one of the industry’s best sensors in our hands, it’s highly recommended to match up the lens too. The first recommendation is the Nikon 24-70mm f/2.8 S. This lens features a constant f/2.8 aperture and delivers amazingly sharp output throughout the focal range with creamy bokeh, one of the most sharp and versatile lenses present to date, this lens will cover your 99% requirements.
The biggest reason behind recommending this lens is that you can shoot almost anything with it – starting from wide-angle landscapes to longer focal-length portraits. This is one of the most versatile and sharpest lenses Nikon has ever made for full-frame cameras.
Not only optically, but the lens’s autofocus performance is also top-notch. The lens uses 2 AF drive units synchronized to deliver extremely fast and accurate AF results – even when you are using your camera at 120 frames per second or when you are using it at 20 frames per second. This lens is bound to give perfect results when paired with Z9 or Z8
Get this Lens 70-200mm F2.8 lens from Amazon.com | B&H Store
2. Nikon 70-200mm f2.8s
The Nikon 70-200mm f2.8s lens produces incredibly sharp pictures and extracts the maximum amount of detail in your images. It is one of the best lenses to pair up with your Nikon Z8 camera. Practically no color fringing or chromatic aberration is visible in this lens. The lens is distortion-free and lens vignetting is also very minimal and can be easily corrected in post-processing.
The build quality of this lens is superb and made up of a metal body covered with rubberized material. It is extensively weather-sealed and able to deliver quality equal to its price tag.
The LCD display screen of the lens is not that much usable since we don’t have the habit of looking at the lens LCD. Maybe that’s one of the reasons I personally find the display not that much usable for me. Overall, the lens is worth every penny.
Finally, let’s talk about autofocusing performance. When paired up with a Nikon Z8 or Nikon Z9 camera which uses deep learning algorithms, the lens’s autofocusing system will improve with time. At the same time, the Z8 is capable of doing 120 AF calculations per second and supports burst speed up to 120 frames, and your lens is fully capable of synchronizing the AF performance even when shooting at max burst speed.
The image stabilization of this lens is highly reliable and you can shoot amazing pics handheld without any noticeable blur even at very slow shutter speeds when shooting at 200mm.
Although the price of this lens is approximately $2600, I have to say this lens is very reasonably priced
Get this Z 50mm F1.8 lens B&H Store | Amazon.com
3. Nikon z50 mm f 1.8s
Why we say the 50 mm f 1.8s is the best portrait lens Nikon ever made, the reason behind is very simple. The lens f1.8 aperture can give you a focal plane of only 10 degrees from 10 feet away so you have an amazing ability in your hand to shoot beautiful background blur in any situation.
F1.8 completely eliminates the requirement of additional light, and if you are a natural light shooter you will be blown away by the quality you will have from this lens. And do note that this lens is very sharp even at a wide open aperture.
If you are a professional portrait shooter or love to capture candid shots in natural light this is the best lens your money can buy and we highly recommend you to get the 50 mm f 1.8 lens for your Nikon Z8 camera.
Get this lens from Amazon.com | B&H Store
4. Nikon 24-70mm F4
Now if you are running out of budget after getting your Nikon Z8 camera and wish to have a perfect all-around lens, then undoubtedly the 24-70mm f/4 lens is the best choice.
24 to 70 F4 lens is also very sharp, but you will miss the deep creamy bokeh (background blur) of the Z 24-70mm 2.8. But, keep in mind this price, you are getting optical images stabilization to which pairs of Nikon z8 6 stops of IBIS
This lens is perfect for shooting landscapes as well as streets, this is the best budget kit lens for your Nikon z8 camera
Get this lens from Amazon.com | B&H Store
5. Nikon Z20mm f1.8s
The best and the most sharpness prime lens I have used to date, It has incredible sharpness with no distortion across the field of view. I highly recommend this Nikon glass for anyone needing this focal length for landscape or astrophotography work. AT f/1.8 it is very sharp at center. Sharpness drops just a little at the corners. Stopping it down to f/2.8 improve center sharpness. At f/4 it has perfect sharpness corner to corner. It’s much easier to balance on-camera flash with dim available light with a large aperture lens because shutter speeds don’t have to be so long. I was at 1/40 @ f1.8 @ ISO 4000 most of the night. So, for low-light ultrawide photography and video, if ur budget doesn’t allow u to have nikon 14-24mm F2.8, instead of getting 14-30mm F4 get the 20mm F1.8.
Get Nikon 14-24mm F2.8 Lens from Amazon.com | B&H Store
6. Nikon Z 14-24mm f/2.8 S
The 14 to 24 mm f/2.8 lens is the best lens for landscape and architecture photography, as well as for advanced cinematographers.
The 14 to 24 mm lens in Nikon is a part of a holy trinity lens which includes the 24 to 70 mm f/2.8 and the 70 to 200 mm f/2.8. The rest of the two lenses we have already discussed, now let’s talk about the 14 to 24 mm f/2.8.
This lens is the sharpest lens at this focal length in Nikon’s lineup, and one of the best ultra-wide zoom lenses present in the market. The image quality of this lens is super impressive even at 14 mm wide and covers approximately 115 degrees of view.
If you don’t need that f/2.8 aperture at this wide range, and many professionals never use such a shallow depth of field while shooting landscapes and architecture, then the best investment will be the 14 to 30 mm f/4 lens. It will save you $1000, and at the same time, you can use standard 82 mm filters with this lens which are easily available, unlike the 14 to 24 mm f/2.8 which requires 112 mm filters.
So if your budget allows and you want to have an ultra-wide zoom lens, then you should go with this. The only issue that I have faced with this lens is in finding its proper filters since it has a very large thread of 112 mm.
Get Nikon 100-400mm Lens this Lens from Amazon.com | B&H Store
7. Nikon Z 100 to 400 mm f/4.5 to 5.6
The Nikon Z 100 to 400 mm f/4.5 to 5.6 lens is the best lens for sports and wildlife photography under budget.
This is one of the best zoom lenses Nikon has ever made for Z Mount cameras. Despite having a variable aperture, the lens performs extremely well throughout its entire focal length. The sharpness of this lens is noticeable, and I highly recommend you to use this lens with Nikon Z cameras with a 45 MP sensor due to its high resolving capability.
The 100 to 400 mm lens is relatively compact compared to the lenses that we have in the DSLR era. At the same time, it’s lightweight, weighing just over 3 lbs or 1400 grams, and you can easily handhold this lens while shooting wildlife or sports. The VR (Vibration Reduction) of this lens synchronizes with your camera’s in-built sensor-shift image stabilization to provide you greater stability.
The lenses that you should avoid
- NIKON 28-75MM F2.8 RXD One lens that you should avoid is the Tamron rebranded 28 to 75 mm f/2.8 lens with the Nikon camera since it’s the first generation of lenses that Tamron is still making for Nikon Z mount cameras. The first generation of lenses doesn’t have as much resolving power as the G2 has right now. So if they release the second generation of their 28 to 75 mm f/2.8 lens, then it’s okay, but right now, the first generation of the 28 to 75 mm f/2.8 is not that good for resolving higher resolution sensors like the Nikon Z8.
- NIKON 17-28MM F2.8 RXD The next lens you should add is the Tamron rebranded 17-28 mm f/2.8 lens. Again, this lens is perfect for lower resolution cameras like the Nikon Z6 Mark II, but when we talk about cameras like the Nikon Z7 Mark II, Nikon Z8, or even Nikon Z9, these cameras have a 45 MP high-resolution sensor and need high-grade optics to resolve it properly. For that reason, I am not recommending the Tamron 17-28 mm lens for the Nikon Z8 camera.The best alternative is the Nikon 14 to 24 mm f/2.8, or if your budget doesn’t allow it, then you should go with the 14 to 30 mm f/4.
- 14-24MM F2.8 – Finally, the third lens that you should avoid is for cost-related reasons. As we have mentioned above, the 14 to 24 mm f/2.8 lens is costly and the best alternative to it with higher resolving capability is the 14 to 30 mm f/4. So if your budget allows and you feel that you need a max aperture ultra-wide zoom lens, then it’s okay to buy the 14 to 24 mm. Otherwise, we highly recommend that for a Nikon camera you must go with the 14 to 30 mm f/4 lens and save yourself a thousand dollars.
By admin, on May 16th, 2023
Latest comparison of the design part of the Canon R50 versus the Nikon Z50 camera. Canon R50 features a very ultra-compact body. The big difference between the two is weather sealing. If you shoot mostly outdoors, Z50 and even Z30 feature weather sealing in their body. No weather sealing is present in Canon R50.
Both cameras feature a built-in flash as well as an EVF. They are almost the same. The Canon R50 features a vari-angle display, while the Nikon Z50 features a limited-tilt display screen.
Canon R50 vs Nikon Z50 – Table of contents
Due to the design issue, the Canon R50 camera is more content-creator-friendly when compared to can Nikon Z50
also, see – Canon R10 vs Nikon Z50
Best Lenses for Canon R50 Camera
|
Canon R50 |
Nikon Z50 |
Lens Mount |
Canon RF |
Nikon Z |
Sensor Resolution |
Effective: 24.2 Megapixel |
Actual: 21.51 Megapixel
Effective: 20.9 Megapixel (5568 x 3712) |
Image Sensor |
22.3 x 14.9 mm (APS-C) CMOS |
23.5 x 15.7 mm (APS-C) CMOS |
Crop Factor |
1.6x |
1.5x |
Image Stabilization |
None |
Digital (Video Only) |
Built-In ND Filter |
None |
None |
Capture Type |
Stills & Video |
Stills & Video |
1. Best Camera for Photography – Canon R50 vs Nikon Z50
Both cameras use an APS-C CMOS sensor. Nikon calls it DX and as you can see, physically the DX sensors are slightly larger compared to the Canon APS-C sensor.
- Nikon’s DX: 23.5 mm x 15.7 mm
- Canon’s APS-C: 22.3 × 14.9 mm
Okay, that doesn’t make too much difference, but since the sensor resolution of Nikon Z50 is 20MP and the sensor size is slightly larger, then due to these two factors automatically the low light performance of the camera upscales compared to others.
If you look at the ISO range chart, then you will see a massive difference between the ISO range of the Canon R50 camera and the Nikon Z50. The maximum ISO range of the Canon R50 camera goes up to ISO 51200 whereas the Nikon Z50’s ISO range is expandable up to 204800.
Since R10 samples are not available at this moment we are picking up, the Canon R10 (both Canon R10 and R50 share the same sensor)
Not only in words and numbers, let’s compare the two practices and try to find out the best camera between these two. As you can see, the ISO range of the Canon camera limits to 25600. Comparing the two, it’s very clear that the Nikon Z50 camera is able to preserve color details in a much better way. As you can see, the color box lines are not melting into each other. Canon R50 is not able to resolve colors at higher ISO ranges.
|
Canon R50 |
Nikon Z50 |
Shutter Type |
Electronic Shutter |
Electronic Shutter, Mechanical Focal Plane Shutter |
Shutter Speed |
Electronic Shutter
1/8000 Up to 30 Seconds
Electronic Front Curtain Shutter
1/4000 Up to 30 Seconds |
Electronic Front Curtain Shutter
1/4000 to 30 Seconds
Electronic Shutter
1/4000 to 30 Seconds |
Bulb/Time Mode |
Bulb Mode, Time Mode |
Bulb Mode, Time Mode |
ISO Sensitivity |
Photo/Video
100 to 32,000 (Extended: 51,200) |
Photo
100 to 51,200 in Auto Mode (Extended: 100 to 204,800)
Video
100 to 25,600 in Manual, Auto Mode |
Metering Method |
Center-Weighted Average, Evaluative, Partial, Spot |
Center-Weighted Average, Highlight Weighted, Matrix, Spot |
Exposure Modes |
Aperture Priority, Manual, Program, Shutter Priority |
Aperture Priority, Manual, Program, Shutter Priority |
Exposure Compensation |
-3 to +3 EV (1/3 EV Steps) |
-5 to +5 EV (1/3, 1/2 EV Steps) |
Metering Range |
-2 to 20 EV |
-4 to 17 EV |
Continuous Shooting |
Electronic Shutter
Up to 15 fps for up to 28 Frames (JPEG) / 7 Frames (Raw)
Electronic Shutter
Up to 12 fps for up to 42 Frames (JPEG) / 7 Frames (Raw) |
Up to 11 fps at 20.9 MP
Up to 5 fps at 20.9 MP
Up to 4 fps at 20.9 MP
Up to 30 fps at 8 MP |
2. Autofocus – Canon R50 vs Nikon Z50
Both of them use completely different technology. Canon uses Dual Pixel CMOS autofocus technology and Nikon uses hybrid.
- The Canon R10 DPAF points are fabricated across the entire sensor, with a maximum of 4,503 points (single area mode) or 651 ZONES (when Tracking is enabled).
- The Z50 has 273 points that cover approximately 90% of the sensor. So technically we have less number of AF points inside the Nikon Z50 Mirrorless camera.
|
Canon R50 |
Nikon Z50 |
Focus Type |
Auto and Manual Focus |
Auto and Manual Focus |
Focus Mode |
Continuous-Servo AF, Manual Focus, Single-Servo AF |
Automatic, Continuous-Servo AF, Full-Time Servo, Manual Focus, Single-Servo AF |
Autofocus Points |
Photo
Phase Detection: 4503
Video
Phase Detection: 3713 |
Phase Detection: 209 |
Autofocus Sensitivity |
-4 to +20 EV |
-2 to +19 EV |
If you compare the autofocus points of the two, then you will see a massive difference. Don’t get demoralized after looking at the fewer number of points in Nikon Z50 camera. It is also highly usable and a perfect companion for general-purpose photography. You can also shoot sports and wildlife with this but don’t expect Hi-Fi 3D AF tracking performance from this camera.
If you are more into sports and wildlife photography and love to have a perfect camera under budget, then I highly recommend you to get the Canon R50 camera if possible, which has the fastest burst speed of 23 frames per second.
3. Best Camera – AF sensitivity – Canon R50 vs Nikon Z50
The stats say, the Canon R50 has a minimum sensitivity in the low light of -4EV, which is excellent for a class of camera like the Canon R10. The AF sensitivity of measured with an F1.2 lens is practically impossible to buy for beginners. So, it’s eq to – 2.5EV with an F2 lens.
Z50 has a rating of -2EV, or -4EV if you activate the Low Light AF mode (which is slower but can help in very dim light conditions). This data is measured with an F2 lens.
The R50 has a few extra features concerning autofocus, like focus bracketing and focus stacking which will interest macro photographers. So technically if he takes all the aspects here in terms of autofocusing performance of the two cameras then Canon R50 is a clear winner.
4. Best Camera for Sports and Wildlife – Canon R50 vs Nikon Z50
The Canon R50 camera doesn’t have any fully mechanical shutter, neither does the Nikon Z50. The Nikon Z50 specification says it has a mechanical focal plane shutter, but once we enter into the specs of the camera, we are able to witness only two shutters and these are:
Not able to see mention of any fully mechanical shutter. In the same way, even Canon R50 camera doesn’t have a fully mechanical shutter.
Now Canon is able to utilize its electronic shutter even when you are using the burst speed of the camera, but in Nikon Z50 we are limited to the use of only a mechanical shutter in high-speed burst mode. Since the camera doesn’t have a stacked CMOS sensor, there is literally no use in boosting up your shutter speed on electronic shutter steroids. You will have a massive rolling shutter effect in your images.
We highly recommend you go with Nikon Z50 for sports and wildlife photography. If you can spend more, then only Canon R10.
|
Canon R50 |
Nikon Z50 |
Internal Recording Modes |
H.264/H.265/MPEG-4
UHD 4K (3840 x 2160) at 23.98/25/29.97 fps
1920 x 1080 at 23.98/25/29.97/50/59.94/100/120 fps |
H.264/MOV/MP4
UHD 4K (3840 x 2160) at 23.98/25/29.97 fps
1920 x 1080p at 23.98/25/29.97/50/59.94/100 fps |
Broadcast Output |
NTSC/PAL |
NTSC/PAL |
Recording Limit |
Stereo |
Stereo |
5. Best Camera for Video – Canon R50 vs Nikon Z50
Both can record 4K videos up to 30 frames per second. Due to the use of a low light sensitive sensor in Nikon Z50, you are able to capture uncontrolled light videos in a better way. Even at higher ISO, Nikon Z50 camera is able to preserve more details, as we have already seen in the ISO test.
The Canon R50 has an amazing ability to record 10-bit HDR PQ videos. But at the same time, you need additional lights to get the maximum out from the R50 sensor. Otherwise, in an uncontrolled light environment, the quality goes even below that of Nikon Z50’s 8-bit output.
So if you are working in an uncontrolled light environment where you do not have any access to dedicated lights, you should buy the Nikon Z50. Otherwise, if you’re working with lights and in your studio, then Canon R50 is a better choice.
6. Content creators and bloggers
The best camera for you is Canon R50 due to its flexible vari-angle display screen. Nikon Z50’s screen rotates in a 180-degree fashion which is not that much usable. It’s better to buy Canon R50.
|
Canon R50 |
Nikon Z50 |
Battery Type |
1 x LP-E17 Rechargeable Lithium Polymer, 7.2 VDC, 1040 mAh |
1 x EN-EL25 Rechargeable Lithium-Ion, 7.6 VDC, 1120 mAh (Approx. 300 Shots) |
Tripod Mounting Thread |
1 x 1/4″-20 Female (Bottom) |
1 x 1/4″-20 Female (Bottom) |
Dimensions (W x H x D) |
4.6 x 3.4 x 2.7″ / 116.3 x 85.5 x 68.8 mm |
4.98 x 3.68 x 2.36″ / 126.5 x 93.5 x 60 mm |
Weight |
13.2 oz / 375 g (With Battery, Recording Media)
11.6 oz / 328 g (Body Only) |
13.93 oz / 395 g (Body Only)
|
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Latest Price of Nikon Z50 B&H | Amazon.com
Get Canon R50 From Amazon.com | B&H Store
By admin, on May 12th, 2023
After the Announcement of the Nikon Z camera: I am getting lots of questions to explain what actually stacked camera sensor by many of my users.
Explain the steps in a sensor in the best possible and simplest way possible. But before knowing the advantages of a stacked CMOS sensor, we have to understand what a conventional CMOS sensor actually does and why we need that CMOS sensor.
A conventional CMOS sensor captures the image and then through the circuit board bus or you can say via wires it transfers its entire data to the image processor unit. So the capturing and transferring process takes a lot of time and it affects the readout speed of the sensor. To resolve the issue and to make digital camera sensors faster and almost free from the rolling shutter effect, camera makers added a memory layer integrated with an arithmetic layer or you can say signal processing unit.
The memory and signal processing unit is attached to the sensor, and you can say it acts as a buffer between the sensor and the image processor unit. It captures all the data as fast as possible since it is being attached to the sensor and hence the readout speed of the sensor increases dramatically when the data is transferred in no time. Once the data is grabbed by the second layer, it is now transferred to the image processing unit of the camera for further processing.
Hence, adding a second layer improves the readout speed of the camera. As well as since the readout speed is improved, the camera becomes almost free from the rolling shutter effect.
So this is the main advantage of a stacked CMOS sensor: to improve the readout speed of the camera. The stacked technology doesn’t help the camera sensor improve its image quality in any way. It is just a tool to upskill the readout speed which in turn reduces the rolling shutter effect.
See more about the latest Nikon Z8 stacked CMOS Sensor based camera
By admin, on May 11th, 2023
What’s next from Nikon? According to the latest rumors surfacing on the web, the Nikon Z6 Mark III is Nikon’s next announcement. The expected arrival date for the Nikon Z6 Mark III is somewhere between July and October 2023. The camera is set to feature a range of upgrades in core specifications, including a new sensor and the ability to record 4K 60 FPS video uncropped and 10-bit internally. All these specs somehow looks very similar to the specs we have shared back on November 30th, 2022
Nikon Z6 Mark III Rumored Specification
- 30-33MP FX-Format CMOS Sensor
- EXPEED 7 Image Processor
- 5-Axis In-Body Vibration Reduction
- UHD 4K60 uncropped Video; N-Log & 10-Bit internal
- HDR (HLG), ProRes RAW
- New AI-Based Subject Detection from Nikon Z9
- Real-time Tracking and Real-time Eye AF
- Dual Memory Card Slots
- Body price under $2500
These are the initial inputs we have from unreliable sources. We will post an update if we get any. Also, see the core specs of the Nikon Z7 Mark III camera.
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By admin, on May 11th, 2023
AF calculation per second is now treated as a standard to determine the autofocusing capability of a camera.
Nikon Z9 and Z8 have a common AF calculation speed which is 120 frames calculation per second. The same AF speed is being spotted on the Sony Alpha A1 camera, the Sony Alpha A1 camera is also able to do 120 frames AF calculation per second.
The fastest Canon camera (as of May 2023), the Canon R3, is able to do 60 AF calculations per second according to Canon.
Despite the fact that the Canon R3 is able to shoot up to 195 frames per second, it doesn’t mean the sensor is doing autofocus calculations for every frame. The AF calculation speed is only limited to 60 frames and if the camera shoots up to 190 frames per second it means the camera refreshes its autofocus after every 3 to 4 frames at max shooting speed.
Nikon Z8 vs Canon R5
But this is not the case with the Nikon Z8 camera. Even if you are shooting at its max burst speed which is 120 frames per second at 11 megapixels, the sensor is able to refresh and recalculate its AF in every single frame.
Nikon Z8 at B&H Store
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