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By admin, on November 13th, 2024
Take a look at the recent ongoing deal on Sony digital cameras. Not only Sony, but we also have exclusive deals running on Apple products at the B&H Store. The link is below. Unfortunately, when I am creating this article, Canon and Nikon are silent on pre-black Friday deals or holiday deals. As soon as they start any offers, I will be posting Canon and Nikon deals too.
Trending Links
Holiday BIG SAVINGS 2024
Apple B&H Exclusive Deals
EDU Special Deals for students and teachers
The B&H Super Deal Zone – Save up to 80%
Special Sony Deals – Exclusive THE BASIC BUNDLE @ $0 [ +1 Extra Battery + Bag + Memory Card]
Sony a6700 Mirrorless Camera with Basic Bundle
Sony a7 IV Mirrorless Camera with Basic Bundle
Sony a7R V Mirrorless Camera with Basic Bundle
Sony A7S III also available with a basic bundle deal
Black Friday Deals on Vlogging Cameras 2024
Camera Name |
Current Price |
MSRP |
Purchase Link |
Sony ZV-1 Digital Camera |
$678.00 |
$748.99 |
B&H |
Sony ZV-1F Vlog Camera |
$397.99 |
$499.99 |
B&H |
Sony ZV-E10 Mirrorless Camera |
$698.99 |
$799.99 |
B&H |
Sony ZV-E1 Full-Frame Mirrorless Camera |
$2,198.00 |
$2,198.00 |
B&H |
Here is a list of current Sony cameras, along with their current prices, manufacturer’s suggested retail prices (MSRP) and Deals price mentioned in the table
Camera Name |
Deal Price |
MSRP |
Purchase Link |
Sony a7 IV Mirrorless Camera |
$2,098.00 |
$2,498.00 |
B&H |
Sony a7R IVA Mirrorless Camera |
$2,998.00 |
$3,198.00 |
B&H |
Sony a7R V Mirrorless Camera |
$3,498.00 |
$3,898.00 |
B&H |
Sony a9 III Mirrorless Camera |
|
$5,998.00 |
B&H |
Sony Cyber-shot DSC-RX1R II Digital Camera |
|
$3,298.00 |
B&H |
Sony a7R IIIA Mirrorless Camera |
$1,998.00 |
$2,198.00 |
B&H |
Sony a9 II Mirrorless Camera |
|
$4,498.00 |
B&H |
Please note that prices are subject to change. For the most current information, visit the provided links.
By admin, on November 12th, 2024
Which camera is better for capturing images or recording content, the Nikon Z50 II or the Sony A6700? In this specification comparison, we will focus on the major differences between these two cameras. Besides the key feature differences, these cameras also vary in price, so when selecting your camera, consider all these factors before making a purchase.
Initially, in the design part, one thing I like about the Sony A6700 camera is its larger battery life. The Sony A6700 uses an NP-FZ100 battery, so you get approximately 2x battery life compared to the Nikon Z50 Mark II camera. However, the Z50 II has an upgraded Bluetooth antenna, which allows for faster transfer speeds. Another good feature introduced in the Z50 II is the silent transfer mode, enabling you to use your camera for shooting or capturing video while it silently transfers your images or videos in the background to your smartphone or PC. Although there aren’t many differences in the design patterns, both cameras are highly usable for photographers and content creators in terms of design and build
Nikon Z50 II vs Canon R10
Table 1: Design Comparison
Feature |
Nikon Z50 II |
Sony A6700 |
Lens Mount |
Nikon Z |
Sony E |
Body Dimensions (W x H x D) |
5 x 3.8 x 2.6 in (127 x 96.8 x 66.5 mm) |
4.8 x 2.7 x 3 in (122 x 69 x 75.1 mm) |
Weight |
17.46 oz / 495 g (Body Only) |
1.1 lb / 493 g (With Battery, Recording Media) |
Material |
Magnesium Alloy |
Magnesium Alloy |
Battery Type |
EN-EL25a or EN-EL25 (Approx. 230 Shots) |
NP-FZ100 (Approx. 550 Shots) |
Weather-Sealing |
Yes |
Yes |
Operating Temperature |
32 to 104°F / 0 to 40°C |
32 to 104°F / 0 to 40°C |
Connectivity Ports |
USB-C (Power/Data), Micro-HDMI, 3.5 mm Mic & Headphone Jacks |
USB-C (Power/Data), Micro-HDMI, 3.5 mm Mic & Headphone Jacks |
Memory Card Slot |
Single SD/SDHC/SDXC (UHS-II) |
Single SD/SDHC/SDXC (UHS-II) |
Wireless |
Wi-Fi 5, Bluetooth 5.0 |
Wi-Fi 5 (2.4/5 GHz), Bluetooth 4.2 |
GPS |
Via Connected Smartphone |
Via Connected Smartphone |
In the imaging comparison, we have compared the two different sensors and their specs. The big advantage of the Nikon Z50 II camera’s sensor—and a major reason why Nikon continues using it in their mirrorless lineup—is its strong low-light performance. The sensor pixel area is larger than that of the A6700, so even without optical stabilization, it captures more detail in low-light environments. Additionally, the Z50 II has an expanded ISO range that offers one more stop than the A6700. With these core differences, it’s clear that the Nikon Z50 II will perform better in low-light or uncontrolled lighting environments compared to the A6700.
Resolution Advantage of Sony A6700:
Now, with the Sony A6700 camera, we are getting a resolution advantage, but will it work in actual conditions? We will test and find out that capturing images near the base ISO range will bring more details from Sony with OLPF or with a 20.9 MP sensor without OLPF (Optical low-pass filter).
Table 2: Imaging Comparison
Feature |
Nikon Z50 II |
Sony A6700 |
Sensor Resolution |
Actual: 21.51 MP, Effective: 20.9 MP (5568 x 3712) |
Actual: 27 MP, Effective: 26 MP (6192 x 4128) |
Sensor Type |
APS-C CMOS, 23.5 x 15.7 mm |
APS-C CMOS, 23.3 x 15.5 mm |
Sensor Pixel Area
|
4.22µ |
3.76µ |
Low pass Fiter
|
No |
Yes |
Sensor Crop Factor |
1.5x, 1.2x in some video modes |
1.5x, 1.6x in some video modes |
Image Stabilization |
Digital (Video Only) |
Sensor-Shift, 5-Axis |
ISO Range (Photo) |
100 to 51,200 (Expandable: 100 to 204,800) |
100 to 32,000 (Extended: 50 to 102,400) |
ISO Range (Video) |
100 to 25,600 |
100 to 32,000 |
Continuous Shooting Speed |
Up to 11 fps (Raw) / 30 fps (JPEG) |
Up to 11 fps (26 MP) |
Pre- burst
|
Yes |
No |
White Balance Range |
2500 to 10,000K |
2500 to 9900K |
Autofocus Points |
231 Phase & Contrast Detection |
759 Phase Detection (Photo), 495 (Video) |
AF Sensitivity |
-9 to +19 EV |
-3 to +20 EV |
Image File Format |
HEIF, JPEG, Raw |
HEIF, JPEG, Raw |
Aspect Ratio Options |
3:2, 1:1, 16:9 |
3:2, 4:3, 16:9, 1:1 |
Bit Depth |
14-Bit |
14-Bit |
Continuous Shooting Speed:
Another significant difference is continuous shooting speed. Both cameras feature up to 11 fps with their mechanical shutters, but Nikon allows up to 30 fps with its electronic shutter. And in A6700 we don’t have the support of an Electronic shutter in Brust mode, so the maximum speed we are getting in A6700 is 11 Fps.
Buffer Memory and Pre-Burst Capture Mode:
Comparing buffer memory, the Z50 II can store up to 200 RAW files in a single shot, whereas the A6700 can store approximately 50. Now with the help of Pre Brust capture mode feature in the Z50 II is that it engages its buffer memory before shooting starts. This means that when you capture an image, the camera saves a stack of images even before the shutter is pressed, ensuring you don’t miss key moments.
Low-Light Autofocus Sensitivity:
Another strength is the Z50 II’s low-light AF sensitivity, which reaches -9 EV, compared to -3 EV on the Sony A6700.
Autofocus System:
The Sony A6700 has 759 phase-detect AF points for autofocus, while the Z50 II is limited to 231 points. This gives the A6700 a more advanced autofocus system, but Nikon has closed the gap by introducing similar AF algorithms to those seen in the Nikon Z8. So, while Sony may still have the edge in AF, the Z50 II’s performance now comes very close.
Image Stabilization
Sony A6700 camera features sensor-shift Image stabilization as well as GYRO, so if you are shooting still images of video the Sony A6700 camera is more helpful to you compared to Nikon Z50 II without IBIS and normal E- VR mode.
Best Camera for Different Environments:
So, if you’re working in a controlled lighting environment, the Sony A6700 may be more useful. However, if you’re often in uncontrolled or outdoor environments—like wildlife photography where lighting and subject positions vary—then a camera that performs better in low-light conditions may be preferable, making the Z50 II a better choice.
Table 3: Video Comparison
Feature |
Nikon Z50 II |
Sony A6700 |
Internal Recording Modes |
H.264/H.265 8/10-Bit |
XAVC HS/S 4:2:2 10-Bit, XAVC S 8-Bit, XAVC S-I 10-Bit |
Max Resolution & Frame Rate |
UHD 4K 30p Uncropped |
UHD 4K 30p Uncropped |
|
UHD 4K 60p 1.5X Crop |
UHD 4K 60p 1.04X Crop |
|
NA |
UHD 4k 120p 1.58x crop |
High-Speed Recording |
1920 x 1080 up to 120 fps |
1080p up to 240 fps |
External Recording |
HDMI 4K (Unspecified Frame Rate) |
HDMI 4K at up to 59.94 fps, HD up to 59.94 fps |
Slow/Fast Motion |
Slow Motion Only |
Yes |
Recording Limit |
Up to 125 Minutes |
Unlimited |
Gamma Curve |
HDR-HLG, Nikon N-Log |
HDR-HLG, S Cinetone, S-Log 3 |
Waveform
|
Yes |
No |
Product showcase Mode
|
Yes |
Yes |
Auto Framing
|
No |
Yes |
Built-In Microphone |
Stereo |
Stereo |
Image Stabilization
|
VR |
IBIS / GYRO |
Audio Recording Format |
MOV: 24-Bit 48 kHz LPCM, MP4: 16-Bit 48 kHz AAC |
XAVC: 2-Channel 16-Bit 48 kHz LPCM |
Headphone & Mic Jacks |
Yes (3.5 mm) |
Yes (3.5 mm) |
Video I/O |
Micro-HDMI |
Micro-HDMI |
This side-by-side comparison should help you see each camera’s strengths and features in detail. Now its time for a recommendation
Sony A6700: Higher Frame Rates and Minimal Crop in 4K
In the video comparison tables above clearly shows that with the Sony A6700 camera, we are getting higher frame rates up to 120 fps in 4K. Although we have to face significant crop in that mode, at the same time, in the Nikon Z50 Mark II camera, even at 4K 60 fps, we have to face a 1.5X crop, whereas in the Sony A6700 camera, the crop at 4K 60p is minimal, at only 1.04x. So more or less, if we talk about the usability of frame rates, we are getting more advanced specifications in the Sony A6700 camera.
Sony A6700: Superior Gyro-Based Image Stabilization for On-the-Go Shooting
Another significant advantage of the Sony A6700 camera is the presence of a gyro-based image stabilization system, so if you are hand-holding the camera and creating content on the go, then the most suitable camera for you is again the Sony A6700 camera.
Sony A6700: High Frame Rate Options for Slow-Motion and Content Creation
Again, for dance videos or creating reels that need higher frame rates, the Sony A6700 camera allows you to capture full HD videos up to 240 fps for creating super slow-motion videos. So if you talk about frame rates or gyro-based image stabilization, you are getting all that in the Sony A6700 camera, which also supports 10-bit internal recording with S-Log2, S-Log3, and Hybrid Log Gamma, so you can extract as much detail as you require for a given scene.
Nikon Z50 II: Exceptional Low-Light Performance and Professional Cinematography Features
Now, when should you buy the Nikon Z50 Mark II camera? Since the Nikon Z50 II camera features an ultra-low-light-sensitive sensor, if you are a short filmmaker and need a camera that performs exceptionally well under uncontrolled lighting conditions along with support for professional cinematography using RAW LUTs that the camera includes, then new RAW LUTs with the Z50 II camera may be added with updates in the future. Above all, you are also getting waveform support that will help you precisely control exposure, allowing you to rearrange elements to achieve optimal exposure. So if you are professionally involved in creating short films under uncontrolled lighting conditions, then the most recommended camera is the Nikon Z50 II.
Get a Sony A6700 Camera from B&H Store and Amazon.com
Sony A6700 Recommended for:
- Portrait Photography
- Landscape Photography
- Street Photography
- Event Photography
- Sports Photography
- Vlogging
- YouTube Content Creation
- Product Photography
- Cinematic Videography (with high frame rates)
- Casual Travel Videography
- Action/Adventure Videography
Get a Nikon Z50 Mark II camera from the B&H Store | Amazon.com
Nikon Z50 II Recommended for:
- Low-Light Photography
- Wildlife Photography
- Documentary Videography
- Cinematic Filmmaking (low light)
Support us – Use or affiliate link Amazon.com | B&H Store for the next purchase u make – it helps us 🙂
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By admin, on November 11th, 2024
So in the latest update, we have that Nikon is currently working on the implementation of bird eye autofocus mode in the Nikon Z6 Mark III camera since the camera doesn’t have that particular mode, and many wildlife photographers are disappointed with this.
They have become more disappointed after the release of the Nikon Z50 II, which does have a birds-eye autofocus mode under the $1000 price range.
But not to worry, since, as per the latest information coming out from @Jan Wegener’s YT Channel, Nikon Japan is listening to us, and very soon in upcoming firmware updates, they will add the bird eye AF feature in the Z6 III camera.
Best Lenses for Nikon Z6 III
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By admin, on November 11th, 2024
As per the latest report we have Nikon’s imaging business has shown steady growth, leading to an upward revision of its forecast for the current fiscal year.
Nikon recently released its latest financial report, revealing that its imaging business maintained strong sales momentum from April 1st to September 30th. Overall sales have steadily increased.
Due to the strong performance of its full-frame Nikon Z8, Nikon Zf, and the new Nikon Z6 III, sales of mid-to-high-end cameras and lenses have been robust, resulting in growth in both sales revenue and profit. Imaging business operating revenue increased by 10.2% year-on-year to 151.791 billion yen, while operating profit rose by 14.4% year-on-year to 28.848 billion yen.
This growth was driven by both cameras and lenses. Camera sales reached 410,000 units (a 20,000 unit increase year-on-year), while lens sales reached 650,000 units (a 40,000 unit increase year-on-year).
Based on this recent strong performance, Nikon has revised its forecast for the current fiscal year. It expects to sell 850,000 cameras (a 50,000 unit increase year-on-year) and 1.35 million lenses (a 100,000 unit increase year-on-year) for the entire fiscal year 2025.
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source – Nikon Japan
By admin, on November 9th, 2024
Let us compare the Nikon Z50 II with the Canon R10 camera. Let’s explore the main differences between these two cameras and find out which one is the best for photographers and which one is best for shooting videos. In the comparison table below, we have highlighted the differences in design, and we have created two separate tables dedicated to photography and videography features. So let’s find out the best camera between these two for your specific needs and budget.
1. Design Comparison
Feature |
Nikon Z50 II |
Canon R10 |
Body Dimensions |
5 x 3.8 x 2.6″ / 127 x 96.8 x 66.5 mm |
4.8 x 3.5 x 3.3″ / 122.5 x 87.8 x 83.4 mm |
Weight |
495 g (Body Only) |
382.2 g (Body Only) |
Lens Mount |
Nikon Z |
Canon RF |
Display |
3.2″ Tilting Touchscreen LCD, 1,040,000 Dot |
3.0″ Free-Angle Tilting Touchscreen LCD, 1,040,000 Dot |
EVF Type |
Built-In Electronic (OLED), 0.39″, 2,360,000 Dot – 1000 NITS Brightness |
Built-In Electronic (OLED), 2,360,000 Dot |
Battery Type |
EN-EL25a or EN-EL25, approx. 230 shots |
LP-E17, approx. 430 shots |
Ports |
USB-C Data & Power, Micro-HDMI, Mic & Headphone Jacks |
USB-C, Micro-HDMI, Mic Jack |
Available Lenses |
Nikon Z DX and FX lenses |
Canon RF-S and RF lenses |
2. Photographic Feature Comparison
Feature |
Nikon Z50 II |
Canon R10 |
Sensor Type
|
BSI CMOS |
FSI CMOS |
Sensor Size |
23.5 x 15.7 mm (APS-C) |
22.3 x 14.9 mm (APS-C) |
Effective Resolution |
20.9 Megapixel |
24.2 Megapixel |
ISO Range (Photo) |
100 to 51,200 (Extended: 100 to 204,800) |
100 to 32,000 (Extended: 100 to 51,200) |
Shutter Type |
Mechanical Focal Plane, Electronic Rolling |
Mechanical, Electronic Rolling |
Shutter Speed (Mechanical) |
1/4000 to 900 sec |
1/4000 to 30 sec |
Bulb Mode |
Yes |
Yes |
Continuous Shooting (Mech) |
Up to 11 fps at 20.9 MP |
Up to 15 fps at 24.2 MP |
Continuous Shooting (Elec) |
Up to 30 fps at 20.9 MP (JPEG) |
Up to 23 fps at 24.2 MP |
Pre-Capture Mode
|
1 Sec |
0.5 Sec |
Autofocus Points |
231 (Phase & Contrast Detection) |
651 (Phase Detection Zones) |
AF Sensitivity |
-9 to +19 EV |
-4 to +20 EV |
AF Modes |
Continuous-Servo AF, Full-Time AF, Manual, Single-Servo AF |
Continuous-Servo AF, Manual, Single-Servo AF |
Weather sealed
|
Yes |
No |
Battery Life
|
250 Shots |
450 Shots |
3. Video Comparison
Feature |
Nikon Z50 II |
Canon R10 |
Sensor Type |
BSI CMOS |
FSI CMOS |
Video Resolution & Frame Rates |
UHD 4K (30 fps) Uncropped |
UHD 4K (30 fps) Uncropped |
4k 60 FPS
|
1.5X Cropped |
1.5x Cropped |
Full HD Max Frame rate
|
120 FPS |
100 FPS |
Product showcase mode
|
Yes |
No |
Video Stabilization |
Digital (Video Only) |
Digital (Video Only) |
Internal Recording Codec |
H.264/H.265 (8/10-Bit) |
H.264 MP4 4:2:0 8-Bit, H.265 MP4 4:2:2 10-Bit |
External Recording Codec |
HDMI 4K |
HDMI 1080p |
HDR/LOG Support |
HDR-HLG, Nikon N-Log |
HDR-PQ |
Support RAW Video
|
Yes, N-Log available |
No, C-Log isn’t there |
Recording Limit |
Up to 125 minutes |
Upto 120 Mins |
Audio Recording |
Stereo, 24-Bit 48 kHz LPCM or 16-Bit AAC |
Stereo, 2-Channel AAC |
Conclusion Verdict
The Nikon Z50 II camera now has much-improved autofocus and also a low-light sensor, which helps to extract the maximum amount of detail possible in uncontrolled lighting environments or in any outdoor location. For wedding and event photography, we recommend you to go with Nikon Z50 II
Now, for sports and wildlife, it depends on which camera you like to buy since both are very capable. But again, due to the presence of a BSI CMOS sensor, the Z50 Mark II camera will perform better in uncontrolled lighting environments, specifically when you are using this camera for wildlife or bird photography. However, for sports events, you can take the Canon R10 with you when there is no big issue with light, as sports events generally happen during daylight. So, you may utilize the R10, and also, in sports events, you may require more reliable autofocus tracking, which is present in the Canon R10 alongside its slightly faster 15 fps mechanical shutter.
For day-to-day usage and street photography, I am going to recommend the Nikon Z50 Mark II camera. Due to the nature of its sensor and construction, the camera is able to capture clear shots and also has high low-light autofocus sensitivity compared to the R10. So more or less, for uncontrolled lighting environments of any type, the Nikon Z50 Mark II is more recommended. 165
Get a Nikon Z50 Mark II camera from the B&H Store | Amazon.com
Canon R10 – Camera body $879 [B&H Store] [Amazon.com] |
Type of Photography/Video |
Recommended Camera |
Wedding and Event Photography |
Nikon Z50 II
Due to its improved autofocus, low-light sensor, and availability of third-large amount party lenses , we recommend you to go with Nikon Z50 II |
Wildlife and Bird Photography |
Nikon Z50 II
The BSI CMOS sensor in the Z50 II performs well in low-light and uncontrolled lighting, which is often required in wildlife photography. + You get AF sensitivity down to – 9 FV and upscaled 3d AI AF tracking. |
Sports Photography (Daylight Events) |
Canon R10
Reliable autofocus tracking and slightly faster 15 fps mechanical shutter make the R10 a strong choice for sports events in daylight conditions. |
Everyday Use and Street Photography |
Nikon Z50 II
Excellent low-light autofocus sensitivity and sensor design allow the Z50 II to capture clear shots in diverse lighting, making it versatile for daily use. |
General Video Needs |
Canon R10 (for daylight, faster autofocus)
OR Nikon Z50 II (for low-light video) |
Nikon Z50 II Image Quality Test
Nikon Z30 / Zfc Image samples have been taken here since Nikon Z50 II and Zfc, both of them share the same sensor, so image quality is expected to remain exactly same as of the Nikon Z50 Mark II. Image credit dpreview.com
In the Image below we have compared the Nikon Z30 vs Canon R10 Images at ISO 25600, in RAW mode, as you can see the details are much preserved in Nikon Z50 II file
Next comparison Even in the JPEG comparison below you can see that Nikon is preserving more details compared to the Canon R10 FSI CMOS sensor.
During the base ISO test we can see the letters in the Nikon Z50 II are more clearly visible than those of the Canon R10, despite having higher resolution Canon isn’t able to extract the amount of details they should at the base ISO range
In the JPEG Mode, the performance of the Canon R10 Camera is much improved which may be due to JPEG filters the Nikon Z30 sample at base ISO losing a bit of details which was visible in the RAW Mode.
Verdict / Conclusion Image Quality
In terms of image quality, the Nikon Z50 II performs better than the Canon R10 at higher ISO settings, particularly when shooting in RAW mode. The Nikon Z50 II (or Z30) tends to capture more details at higher ISOs due to its 20MP sensor and lack of a low-pass filter, which helps to maintain fine textures.
However, at base ISO, when shooting in JPEG, the Canon R10 may show slightly more detail due to its higher 24MP resolution. But if you’re shooting in RAW at base ISO, the Nikon cameras can still provide a slightly clearer picture due to the low-pass-less design, which can enhance sharpness. Overall, for detail preservation, the Nikon Z50 II’s 20MP sensor has a slight edge, especially for those who prioritize high ISO performance and RAW shooting.
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By admin, on November 9th, 2024
Nikon Z50 Mark II camera features the same sensor we’ve seen in other Nikon APS-C cameras, but it’s worth noting that it now has Picture Control support, custom profiles are now helping the low-light sensor to extract more and more details and better color contrast during the time of shoot, a clear example is shown below
Get a Nikon Z50 Mark II camera from the B&H Store | Amazon.com
Not only that, but the sharpness the Nikon Z50 II provides with its low-pass-less architecture is impressive, as you can see in the camera’s phenomenal circular resolving capacity in the next image.
Of course, those who love high resolution may be disappointed with this release, but again… for those who love to capture images and videos in an un-controlled light environment it’s a great camera for them
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By admin, on November 7th, 2024
Nikon announced the long-awaited Nikon Z50 Mark II camera. If we talk about body design, we have a much-improved hand grip, which reminds us of DSLR cameras; they are very deep and very comfortable for professional hands. The other noticeable thing is a bright viewfinder of 1000 nits, despite having a 2.36 million resolution. Nikon has scaled the EVF. The other major improvement we can say in the design is the introduction of a vari-angle display screen on the rear side of the camera. As you can clearly remember, the Z50 had a tilting display screen, and now with the arrival of a vari-angle display as well as an additional audio port on the side of the camera, content creators can monitor their audio while recording videos.
Get a Nikon Z50 Mark II camera from the B&H Store | Amazon.com – Est. Ship Date: Thu Nov 21, 2024
Overall Design Improvements
Overall, the camera is much improved compared to its predecessor. When we compare the designs, we see that we have a few extra controls and a newly added picture control button on top of the camera. The other noticeable advantage we have is the introduction of the EN-EL25a battery. Although it is very similar to the battery we have seen (EN-EL15) in the Z50, it has also been redesigned to run more efficiently.
Core Specifications
Now let’s talk about the internal core specifications of the camera. We have the same 20-megapixel sensor in the Nikon Z50 Mark II camera paired with the latest Expeed 7 image processor. Many users out there are disappointed with the resolution of the camera since it is the same sensor we have seen in the D500, Z30, and ZFC. All these cameras have the same, but the most interesting part of this particular sensor is its low-light performance, similar or even better to the recent current generation of higher-end APS-C cameras.
Resolution and Low-Light Performance
That said, resolution may be a completely personal choice, but having an excellent low-light-performing BSI CMOS sensor under a $1,000 budget is really impressive. I love to see the same sensor again in the Z50 Mark II body.
Advanced Autofocus
Now, with the introduction of the Expeed 7 image processor, we have an advanced autofocus algorithm inside the Z50 Mark II camera, which comes directly from the Nikon Z6 III and Nikon Z8 bodies. But kindly remember that Nikon’s higher-end cameras, or even the Nikon Z6 Mark III, have a partially stacked sensor, whereas the Z50 II does not have that. So the response of the AF algorithm present inside those cameras acts differently. But again, having advanced AF algorithms inside the Z50 Mark II camera enhances the autofocusing performance to the next level. The 3D auto-tracking performance keeps tracking the subject regardless of the subject or the camera movement. The other big advantage we have is the introduction of 9 different types of autofocus tracking modes. So, if we talk about the autofocus performance, the Z50 Mark II has now become one of the most advanced Nikon APS-C cameras Nikon ever announced.
Continuous Shooting Speed
The continuous shooting speed of the camera has been upscaled, and now you can shoot up to 30 frames per second with the electronic shutter. With the mechanical shutter, you can do continuous shooting up to 11 frames per second. We all know that the 20 MP BSI CMOS sensor is not a stacked CMOS sensor, so those who don’t want any kind of rolling shutter effect can select the mechanical shutter.
Picture Control / Profile Button and Cloud Integration
Now we have a dedicated picture profile button on the top of the camera, and with this button, you have a world of possibilities. You can browse all the presets and different kinds of picture profiles available to you through Nikon’s cloud system. Once you connect your camera with the NX software, it opens up multiple picture profiles being used by Nikon ambassadors worldwide while shooting images. So you can select any of these picture profiles for your camera and have some fun.
Video Features and Enhancements
Let’s talk about the video part of the camera. Nikon has done a lot for the video side of the camera. Starting from the design, Nikon has introduced a vari-angle display screen and a headphone port to monitor audio. Now, internally with the Expeed 7 image processor, we have an advanced 3D autofocus system for videos.
10-Bit Video Recording and Waveform
The Nikon Z50 Mark II now supports 10-bit video recording. You can record videos in 10-bit format and apply various colour profiles, including some introduced recently in Nikon’s professional cameras. Professionals will love this camera for the introduction of the waveform; now you can see the waveform functionality on the back of the camera, which helps set the exposure for the entire scene more accurately than the histogram.
Image Stabilization Drawbacks
The only thing that disappoints me is the presence of electronic image stabilization, which is not very effective in the Z50 Mark II. With VR lenses, you can achieve some stability, but it is not as good as we have seen in the Sony ZV-E10 or ZV-E10 Mark II cameras.
Here’s a straightforward table summarizing the pros and cons of the Nikon Z50 II:
Conclusion / Early Verdict
Pros |
Cons |
Improved Grip Design: Deep, DSLR-style grip for comfortable handling. |
Electronic Image Stabilization (EIS) Limitation: EIS is present but not as effective as IBIS or advanced stabilization systems in other brands. |
High-Quality Vari-Angle Display: Versatile screen for flexible shooting angles, great for vlogging. |
Same 20 MP Sensor: Uses the same 20 MP sensor as its predecessor, which may disappoint users looking for higher resolution. |
Advanced Autofocus with 3D Tracking: Enhanced AF algorithms with 9 AF tracking modes and better 3D tracking from Expeed 7 processor. |
No Significant Increase in Frame Rate for Mechanical Shutter: Mechanical shutter limited to 11 fps, which may fall short for some action photographers. |
10-Bit Internal Video Recording: Adds professional video quality options with 10-bit color profiles. |
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Enhanced Low-Light Performance: BSI CMOS sensor provides strong low-light capability for the APS-C segment. |
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Dedicated Picture Profile Button: Conveniently browse and apply custom profiles from Nikon’s cloud library. |
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Improved Battery Efficiency: Redesigned EN-EL25a battery for better performance compared to the previous Z50. |
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