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Firmware Update

Panasonic GH6 Announcement Soon

After Bluetooth certification, the Panasonic gh6 camera now surfaced at a Russian certification agency.  From the listening, it’s very clear that Panasonic GH6 will arrive with two different kit lenses or maybe a body only with a kit lens.  Not only the camera itself, the charger of the Panasonic gh6 camera as well as an AC adaptor is also registered alongside the camera.

In general, once a camera company registers its camera at a wireless certification agency hardly after 3 to 4 months they announce their camera officially.

We do have some specifications for the Panasonic gh6 camera. Keep in mind the specification below coming out from the b&h website. You can also check out Panasonic gh6 camera listening here.

Panasonic GH6 Major Specification

  • New Micro Four Thirds sensor
  • Updated Venus Engine Image Processor
  • 5.7K 60p video, 10-bit sampling
  • DCI 4K 10-bit 4:2:2, unlimited recording
  • UHD 4K 120p with 10-bit HFR
  • Price: approximately $2500

Stay with us, as soon as we get the detailed specification and life-size images of the upcoming camera we will publish it soon.

more updates about Panasonic GH6

Follow us on our social pages  FACEBOOK | TWITTER | INSTAGRAM, to get LIVE News and Panasonic Rumor

Fuji X-H2 Camera Surfaced at Wireless Certification Agency

Nokishita spotted a new camera at a wireless certification agency,  most probably the camera is Fuji X-H2 Camera.  Take a look at the details below,

Fujifilm’s unreleased digital camera “FF210002” has been registered with an overseas certification body. Equipped with Wi-Fi (2.4GHz / 5GHz) and Bluetooth

Most probably we will see the new Fuji X-H2 in 2022. We will publish more details as we get any.

Follow us on our social pages  FACEBOOK | TWITTER | INSTAGRAM,  –> See More Fuji Rumors Or subscribe us via Email or Push Notification You Can also Download our Android App

Best Lenses for Sony A7 IV

Best Lenses for Sony A7 IV Camera discussed here, we have discussed some of the best lenses for Sony A7 IV Camera. Which includes zoom lenses, best prime lenses as well as best zoom lenses. If you still have any questions related to Sony A7 IV Camera’s best lenses feel free to ask in the comment box.

What are the Best Budget Lenses for Sony A7 IV 2024

Here is the list of the best lenses for the Sony A7 IV camera for the year 2024. These lenses are ideal for wedding photography, sports, wildlife, and even for content creation on YouTube. All the lenses are divided into different groups. Some of these lenses are budget-friendly, and some are the best ones that your money can buy. So, here is the list of the best lenses for the Sony A7 IV.

1. Tamron 28-75mm F2.8 RXD
  • Budget Friendly
  • Developed for A74
  • Lightweight
  • Useful Focual Length
  • Dust Resistant
Buy this lens from Amazon | B&H
2. Tamron 28-200mm RXD
  • Versatile Zoom
  • Value for Money
  • Little Vignetting
  • Incredibly Sharp
Buy lens from Amazon | B&H Sore
3. Sigma 100-400mm Lens
  • Precise AF
  • Extremely Reliable
  • Expert In Low-light Conditions
  • Extremely Sharp
Buy this lens from B&H and Amazon
4. Tamron 17-28mm RXD
  • Razer Sharp
  • Lightweight
  • Useful Focal Length
  • Dust Resistant
But this lens from Amazon | B&H Store
5. Sony 85mm F1.8
  • Beautiful Bokeh
  • Great Value
  • Dust Resistant
Buy this lens from Amazon | B&H Store

 

Buy this lens from Amazon | B&H

1. Tamron 28-75mm F2.8 Di III VXD G2 Lens for Sony E

Best Tamron Lens for Sony A7 IV Camera. The new G2 lens features excellent sharpness throughout the zoom range, the corner sharpness also improved compared to the older RXD version. We highly recommend you to get this lens if you have already purchased the Sony A7 IV Camera that features a 33MP sensor which would of course need better optics to resolve the higher MP count perfectly.

The lens comes in a compact size and weight, and it offers the quality and sharpness of prime lenses. As I have mentioned above Tamron engineers updated the optics of the lens. So, you will be

The build quality is very solid and feels very comfortable in hand even if you are shooting up weddings or events for long hours. With consistent F2.8 aperture, you get amazing low-light performance and perfect portrait shots at 50-75mm.

Usage: Wedding Photographers, Event Shooters, or those who are looking for a perfect general-purpose lens under budget

 

Buy 28-200mm lens from Amazon | B&H Sore

2. Tamron 28-200mm f/2.8-5.6 Di III RXD 

The best Zoom Lens for Travel photographers is Tamron 28-200mm f/2.8-5.6 Di III RXD.  This lens is one of the best wide-angle zoom lenses for the Sony A7 IV camera. The lens captures the highest amount of details possible and gives amazing coverage

The overall design of the Tamron 28-200mm f/2.8-5.6 Di III RXD is very compact and very easy to carry and the lens is also lightweight ( 575.5 g). Whether for portrait or landscape, this lens does a very good job, clean and sharp images.

The Tamron 28-200mm f/2.8-5.6 Di III RXD features a stepping drive motor and the autofocus motors deliver very fast precise and quick focusing performance for both still and video work. This lens is an excellent alternative to the Sony 24 to 240 F3.5-5.6 lens, amazingly compact size and lightweight and overall the price of this lens is also affordable.

Usage: Travel Photographers, those who are looking for a perfect all-in-one zoom lens.

Buy the Simga 100-400 MM Lens from B&H and Amazon

3. Sigma 100-400mm f/5-6.3 DG DN OS Contemporary Lens for Sony E

Best wildlife Sports Zoom Lens for Sony A7 IV Camera. If you don’t want to spend $1500 or more on the Sony version of the same lens and you want almost the same image quality and AF speed then go with the Sigma 100-400mm Lens. Sigma has the nicer color, contrast, and bokeh. A great, affordable way to get into Wildlife and Nature photography.

The color and contrast ratio of the Sigma 100-400mm lens is just amazing. Throughout the focal length, the sharpness is very well maintained and it delivers excellent compression of a scene or enough zoom to bring a faraway subject into closer view.

one of the best part of this lens is its performance at the price we are getting. So, if you are looking for a budget wildlife photography lens then the Sigma 100-400mm lens is made up for you.

Usage: For budget Wildlife and Sports shooter

 

But this lens from Amazon | B&H Store

4. Tamron 17-28mm f/2.8 Di III RXD

Tamron 17-28mm f/2.8 Di III RXD Lens is the best budget lens for office, room, and hand-held vlogs. perfect wide-angle zoom lens with a 2.8 constant aperture. The sharpness of this lens very impressive and the new stepping drive motor inside this does AF Fast so without any lag even. You can easily use this budget-friendly high-quality lens for office and room vlogs and photographers can use this lens for landscapes, cityscapes,  architecture photography, and also for street photography. The lens is also weather-sealed so you don’t have to worry while you are using this dusty or moist condition.

We highly recommend you to get the Tamron 17-28mm f/2.8 Di III RXD Lens if you are looking for a budget-friendly high-quality ultra wide-Zoom Lens for your Sony A7 IV Camera.

Usage: Handheld-Vlogging, the Best Lens for Content Creation, Architecture, and Landscape photography.

 

Buy Sony 85mm lens from Amazon | B&H Store

5. Sony 85 mm f 1.8

Sony 85mm f 1.8 lens is the best portrait lens for Sony A7 IV camera. Undoubtedly the Sony 85mm is one of the most popular lenses among wedding photographers those who love to create beautiful backgrounds or perfect cinematic portrait images.  The lens is also highly useful when you want to create videos with Creamy me background blur.  The lens features a stepping drive motor and the autofocus mechanism of this lens work amazingly fast when paired with the Sony a7 iv camera. Additionally, a rounded seven-blade diaphragm is featured to render out-of-focus highlights with a smooth, circular appearance. Characterized by its straightforward design, this go-to lens balances both ease of handling along with enhanced image quality. It is an inexpensive lens if you compare its price with the features you are getting, but you get a bit more than what you pay for. 

 

Buy Sony F20mm F1.8 from Amazon and B&H Store

5. Sony FE 20mm F1.8

Sony F20mm F1.8 is the best Gmaster lens for a Sony A7 IV camera. A good prime lens for landscapes, travel and documentary photography, and interiors and architectural photography.
Sony 20mm f 1.8 g master lens is one of the best lenses if you want to create high-quality landscapes canvas, travel and documentary photography, and interiors and architectural photography.

The lens is also extremely useful for street photography, the 20mm focal length is all you need for a classic street shot and the lens delivers pixel to pixel level details even when used at its MAX F2.8 aperture.

The weight of the lens is only 373 grams and the less is very compact in size which makes it highly suitable for handheld videography as well as photography. Due to the nature of optical design inside the lens delivers amazingly sharp images and videos, as well as the background color it creates, which is very smooth and creamy.


Sony A7 IV Best accessories

We have selected some of the best accessories for the Sony A7 IV Camera.  Take a look and so share your thoughts with us.

 

Buy this Waterproof Camera Bag from Amazon

1. Best Sony A7 IV Camera Bag (Waterproof Hardshell Case)

We have selected one of the best Sony A7IV camera bags available right now. This camera bag has received one of the highest ratings at Amazon from its consumer as well as not on the highly-rated this bag is highly usable too for travel purposes. With the Sony A7 IV best camera bag you will not only get a space for lenses you will get additional space for its accessories, such as flashes or battery packs. I personally recommend you to get this camera back for your sony A7 4 camera.

Buy Watson battery for Sony A7 IV Camera from Amazon | B&H

2. Best Battery for Sony A7 IV Camera

Watson is one of the best battery makers of the Sony Alpha series camera, they make very affordable and usable best batteries for Sony A7IV too. At a little more than half the price of Sony’s battery, it holds a charge just about as long as the original.

 

Buy this vertical Grip from Amazon | B&H Store

3. Sony VG-C4EM Vertical Grip

Best battery grip for Sony A7 IV camera. If your portrait photographer then this is a must-have accessory for you. Otherwise, if you need more backup then this is highly usable. With this battery grip, you can use to battery cell simultaneously. So either you can buy Sony original batteries or you can also my the Watson batteries that I have mentioned above

Sony Tough Card from AMazon | B&H Store

4. Sony 160GB CFexpress Type A TOUGH Memory Card

Best CFexpress Memory Card for Sony A7 IV. Sony provides fast read speeds up to 800 MB/s along with write speeds up to 700 MB/s. It’s a perfect card for the Sony A7 IV camera, you can smoothly record 4k 10-bit videos on it. Transfer rates are almost exactly as advertised. Amazing, fast, tough, just a little expensive.

Buy Sony flash from Amazon.com | B&H Store

5. Sony HVL-F46RM Wireless Radio Flash

Best Flash for Sony A7 IV Cameram Sony Camera Flash with face detection. If the face of the subject is in the shade the flash and camera will know to increase the exposure to better expose the face. Best flash that works flawlessly in sports mode too. One of the most advanced flashguns sony ever made and is highly recommended for ALpha A7 IV.

Sony A7 IV vs Sony A7R III

Sony A7 IV vs Sony A7R III – We are comparing these two cameras since the price factor of both is up to some extent. So, let’s talk about the Major core differences between the two.

Keep in mind the specification we are using here is of the latest Sony A7R IIIA Camera.

Compared to its predecessor the a7R III, the most significant improvement of the a7R IIIA is the rear LCD resolution, which jumps from 1,440,000 to 2,359,296 dots. The USB port has also been upgraded from a USB 3.1 Gen 1 Type-C Port to a faster USB 3.2 Gen 1 Type-C Port. Beside these two improvements, the a7R III and a7R IIIA are equal in specifications and performance.

Sony A7 IV Sony A7R III
Lens Mount Sony E Sony E
Sensor Type 35.9 x 23.9 mm (Full-Frame) CMOS 35.9 x 24 mm (Full-Frame) CMOS
Sensor Resolution Actual: 34.1 Megapixel
Effective: 33 Megapixel
Actual: 43.6 Megapixel
Effective: 42.4 Megapixel (7952 x 5304)
Crop Factor None None
Aspect Ratio 1:1, 3:2, 4:3, 16:9 3:2, 16:9
Image File Format JPEG, Raw, HEIF JPEG, Raw
Bit Depth 14-Bit 14-Bit
Image Stabilization Sensor-Shift, 5-Axis + Gyro Based IS Sensor-Shift, 5-Axis

Image Quality:

Sony A7R III Features a BSI 42.4-megapixel Exmor R CMOS sensor that works with the BIONZ X image processor to offer high-resolution stills and video while minimizing noise and improving speed.

The newly developed 33MP Exmor R full-frame sensor features a back-illuminated design that promotes high clarity, low noise, and vivid color rendering. Paired up with a more advanced BIONZ XR Image processor.

ISO Rating

  • 100 to 51200 (Extended: 50 to 204800
  • 100 to 32000 (Extended: 50 to 102400)

Sony A7R III additional advantage: Pixel Shift Multi Shooting, this mode shifts the sensor while making four consecutive exposures in order to acquire approximately 169.6MP

Verdict (Image Processor): For Studio Shooters: Sony A7R III – features a super high-resolution sensor, but needs more light to deliver ultimate details compared to A7 IV. If you are a wedding photographer, casual style shooter or Hybrid shooter the Sony A7 IV is made for you.

Sony A7 IV Sony A7R III
ISO Sensitivity Auto, 100 to 51200 (Extended: 50 to 204800) Auto, 100 to 32000 (Extended: 50 to 102400)
Shutter Speed 1/8000 to 30 Second
Bulb Mode
1/8000 to 30 Seconds
1/8000 to 1/4 Second in Movie Mode
Bulb Mode
Metering Method Center-Weighted Average, Highlight Weighted, Multiple, Spot Center-Weighted Average, Highlight Weighted, Multi-Zone, Spot
Exposure Modes Aperture Priority, Manual, Program, Shutter Priority Aperture Priority, Auto, Manual, Program, Shutter Priority
Exposure Compensation -5 to +5 EV (1/3 EV Steps) -5 to +5 EV (1/3, 1/2 EV Steps)
Metering Range -3 to 20 EV -3 to 20 EV
White Balance Auto, Cloudy, Color Temperature, Color Temperature Filter, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
Continuous Shooting Up to 10 fps at 33 MP for up to 828 Frames (Raw) / Unlimited Frames (JPEG) Up to 10 fps at 42.4 MP for up to 76 Frames (Raw) / 76 Frames (JPEG)
Up to 8 fps at 42.4 MP for up to 76 Frames (Raw) / 76 Frames (JPEG)
Up to 6 fps at 42.4 MP for up to 76 Frames (Raw) / 76 Frames (JPEG)
Up to 3 fps at 42.4 MP for up to 76 Frames (Raw) / 76 Frames (JPEG)
Interval Recording Yes 2/5/10-Second Delay
Self-Timer 2/5/10-Second Delay

Autofocus

The New BIKONZ XR image processor features a new AF Algo for advanced tracking system. Let’s have a look at the screen coverage and number of AF points we are getting in both camera.

  • A7 IV: 759 phase, 425 contrast Screen Coverage 94 %
  • A7R III: 399 phase, 425 contrast Screen Coverage 68 %

Burst shooting

Both feature the same Burst Shooting Speed 10 FPS

  • Sony A7 IV @ 10 FPS  (33 MP) JPGs or Lossy Compressed RAW.
  • Sony A7R III @ 10 FPS (42 MP) JPG or Uncompressed RAW

Buffer Size

  • Sony A7 IV Can Record up to 1,000 files (JPGs, or lossless compressed RAW).
  • Sony A7 III Can Record up to 76 JPGs, 76 RAW (compressed) or 30 RAW (uncompressed).
Sony A7 IV Sony A7R III
Focus Type Auto and Manual Focus Auto and Manual Focus
Focus Mode Continuous-Servo AF (C), Direct Manual Focus (DMF), Manual Focus (M), Single-Servo AF (S) Automatic (A), Continuous-Servo AF (C), Direct Manual Focus (DMF), Manual Focus (M), Single-Servo AF (S)
Autofocus Points Phase Detection: 759
Contrast Detection: 425
Phase Detection: 399
Contrast Detection: 425
Autofocus Sensitivity -4 to +20 EV -2 to +20 EV

Verdict (Autofocus): Sony A7 IV features a more advanced tracking system than the Sony A7R III camera.  As well as more buffer, the best camera in-between these two is for sure the Sony A7 IV.

Faster Image Processor and Slower Speed, Why Sony?

Sony A7R III uses an older image processor Bionz X, despite that the A7R III camera is able to process a 42MP Sensor @ 10 FPS Uncompressed RAW. But, at the same time, the Sony A7 IV Camera uses a Bionz XR image processor with faster processing speed but the A7 IV speed is limited to 10FPS with lossless compressed RAW.

Sony A7 IV Sony A7R III
Recording Modes H.265/XAVC HS 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.976p/50p/59.94p [50 to 200 Mb/s]
H.265/XAVC HS 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.976p/50p/59.94p [30 to 150 Mb/s]
H.264/XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p [240 to 600 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p [89 to 222 Mb/s]
XAVC S 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p [100 to 200 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p [50 Mb/s]
XAVC S 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p [60 to 150 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [16 to 100 Mb/s]
XAVC S
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p [60 to 100 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [100 Mb/s]
HD (1280 x 720) at 100p/119.88p [50 Mb/s]
AVCHD
Full HD (1920 x 1080) at 50p/59.94p [28 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/50i/59.94i [17 to 24 Mb/s]
MP4
Full HD (1920 x 1080) at 50p/59.94p [28 Mb/s]
Full HD (1920 x 1080) at 25p/29.97p [16 Mb/s]
HD (1280 x 720) at 25p/29.97p [6 Mb/s]
External Recording Modes 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.976p/50p/59.94p
Full HD (1920 x 1080) at 50i/59.94i
4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.976p/50p/59.94p
Full HD (1920 x 1080) at 50i/59.94i
4:2:2 8-Bit
UHD 4K (3840 x 2160) at 24.00p/25p/29.97p
Full HD (1920 x 1080) at 24.00p/50i/50p/59.94i/59.94p
Recording Limit Unlimited Up to 29 Minutes
Video Encoding NTSC/PAL NTSC/PAL
Audio Recording Built-In Microphone (Stereo)
External Microphone Input (Stereo)
Built-In Microphone (Stereo)
External Microphone Input
Audio File Format AAC, Linear PCM (Stereo) AC3, Dolby Digital 2ch, Linear PCM (Stereo)
Live Streaming Yes
Webcam Functionality Yes

High Quality 7K Down sampled Video at Standard 4K

The A7 IV can record 4K up to 30p with no sensor crop and full pixel readout (7K Downsampled to create standard 4K 30p, 24p Video) without pixel binning (in other words, at the best quality possible).

Cropping at 4k 60p Sony A7 IV, when you will use the 50 and 60p mode in the Sony A7 IV camera, you have to face a 1.5x crop on the sensor (aka Super35/APS-C mode)

S-Cinetone can be used to deliver distinct colors and healthy-looking skin tone rendering that matches the FX9 and FX6 cameras, along with the a1 and a7S III, and is based on technology from the professional Cinema Line cameras, such as the VENICE. This color profile offers natural mid-tones, soft colors, and especially well-controlled highlights.

  • Gryo Based IBIS in Sony A7 IV – the A7 IV has gyro stabilization and would store metadata for the gyro which can be edited later.
  • Enhanced Vlogging AF Modes – Sony also added the product focusing mode, face exposure to upscale your full-frame Vlogging experience.

Sony A7R III 4k Full Sensor readout uses Pixel Binning / Lime Skipping

In full-frame mode, while recording 4k Videos at 24p and 30p, the Sony A7R III camera does line-skipping due to limited processing power. You also have a crop mode in 4K standard Video recording mode to get more details.

10 Bit Internal

  • You Can also record 1 hour in 4K 60p with 10-bit 4:2:2 with Sony A7 IV
  • No such option hin Sony A7R III

Verdict Video: Sony A7R III look weak in Video core specification and settings.

Sony A7 IV Sony A7R III
Viewfinder Type Electronic (OLED) Electronic
Viewfinder Size 0.5″ 0.5″
Viewfinder Resolution 3,680,000 Dot 3,686,400 Dot
Viewfinder Eye Point 23 mm 23 mm
Viewfinder Coverage 100% 100%
Viewfinder Magnification Approx. 0.78x Approx. 0.78x
Diopter Adjustment -4 to +3 -4 to +3

 

The various-angle display screen is really very impressive and makes it a perfect camera for vloggers.

Full-size HDMI A port and multi-interface hot-shoe in Sony A7 IV offers a more reliable connection when working with external recorders and sony’s own accessories.

Sony A7 IV Sony A7R III
Media/Memory Card Slot Slot 1: CFexpress Type A / SD (UHS-II)
Slot 2: SD/SDHC/SDXC (UHS-II)
Slot 1: SD/SDHC/SDXC (UHS-II)
Slot 2: SD/SDHC/SDXC/Memory Stick Duo Hybrid (UHS-I)
Connectivity HDMI A (Full Size), USB Type-C (USB 3.2 Gen 2), USB Micro-B (USB 2.0), 3.5mm Microphone, 3.5mm Headphone 3.5mm Headphone, 3.5mm Microphone, HDMI D (Micro), USB Type-C (USB 3.0), USB Micro-B (USB 2.0)
Wireless Wi-Fi
Bluetooth
Wi-Fi
Bluetooth
GPS No No

Size and weight

Sony A7 IV Sony A7R III
Battery 1 x NP-FZ100 Rechargeable Lithium-Ion, 7.2 VDC, 2280 mAh (Approx. 520 Shots) 1 x NP-FZ100 Rechargeable Lithium-Ion, 7.2 VDC, 2280 mAh (Approx. 530 Shots)
Dimensions (W x H x D) 5.2 x 3.8 x 3.1″ / 131.3 x 96.4 x 79.8 mm 5 x 3.76 x 2.9″ / 126.9 x 95.6 x 73.7 mm
Weight 1.4 lb / 658 g (Body with Battery and Memory) 1.45 lb / 657 g

Final Verdict: Sony A7 IV Camera is very impressive with its core specification and is recommended for Hybrid shooters of all type, if you work in a studio only and does product and model photography then A7R III is more recommended to you.

Sony A7 IV vs Canon R6

Sony A7 IV vs Canon R6 – Take a look at the specification comparison between the two

Lens Mount Sony E Canon RF
Sensor Type 35.9 x 23.9 mm (Full-Frame) CMOS 36 x 24 mm (Full-Frame) CMOS
Sensor Resolution Actual: 34.1 Megapixel
Effective: 33 Megapixel
Actual: 21.4 Megapixel
Effective: 20.1 Megapixel (5472 x 3648)
Crop Factor None None
Aspect Ratio 1:1, 3:2, 4:3, 16:9 1:1, 4:3, 16:9
Image File Format JPEG, Raw, HEIF JPEG, Raw, HEIF
Bit Depth 14-Bit 14-Bit
Image Stabilization Sensor-Shift, 5-Axis, 5 Stops of IS Sensor-Shift, 5-Axis,  8 Stops of IS

Exposure Image

Sony A7 IV Canon EOS R6
ISO Sensitivity Auto, 100 to 51200 (Extended: 50 to 204800) Auto, 100 to 102400 (Extended: 100 to 204800)
Shutter Speed 1/8000 to 30 Second
Bulb Mode
Mechanical Shutter
1/8000 to 30 Seconds
Electronic Front Curtain Shutter
1/8000 to 30 Seconds
Electronic Shutter
1/8000 to 0.5 Seconds
Metering Method Center-Weighted Average, Highlight Weighted, Multiple, Spot Center-Weighted Average, Evaluative, Partial, Spot
Exposure Modes Aperture Priority, Manual, Program, Shutter Priority Aperture Priority, Auto, Manual, Program, Shutter Priority
Exposure Compensation -5 to +5 EV (1/3 EV Steps) -3 to +3 EV (1/3, 1/2 EV Steps)
Metering Range -3 to 20 EV -3 to 20 EV
White Balance Auto, Cloudy, Color Temperature, Color Temperature Filter, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (White), Shade, Tungsten
Continuous Shooting Up to 10 fps at 33 MP for up to 828 Frames (Raw) / Unlimited Frames (JPEG) Mechanical Shutter
Up to 12 fps at 20 MP for up to 1000 Frames (JPEG) / 240 Frames (Raw)
Electronic Shutter
Up to 20 fps at 20 MP for up to 1000 Frames (JPEG) / 240 Frames (Raw)
Interval Recording Yes Yes
Self-Timer 2/5/10-Second Delay 2/10-Second Delay

Video modes of both the camera

Sony A7 IV Canon EOS R6
Recording Modes H.265/XAVC HS 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.976p/50p/59.94p [50 to 200 Mb/s]
H.265/XAVC HS 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.976p/50p/59.94p [30 to 150 Mb/s]
H.264/XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p [240 to 600 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p [89 to 222 Mb/s]
XAVC S 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p [100 to 200 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p [50 Mb/s]
XAVC S 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p [60 to 150 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [16 to 100 Mb/s]
H.265 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.976p/29.97p/59.94p [170 to 340 Mb/s]
Full HD (1920 x 1080) at 23.976p/29.97p/59.94p/119.88p [28 to 180 Mb/s]
H.264 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.976p/29.97p/59.94p [120 to 230 Mb/s]
Full HD (1920 x 1080) at 23.976p/29.97p/59.94p/119.88p [12 to 120 Mb/s]
External Recording Modes 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.976p/50p/59.94p
Full HD (1920 x 1080) at 50i/59.94i
4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.976p/50p/59.94p
Full HD (1920 x 1080) at 50i/59.94i
4:2:2 10-Bit
UHD 4K (3840 x 2160) up to 59.94p
Recording Limit Unlimited Up to 29 Minutes, 59 Seconds
Video Encoding NTSC/PAL NTSC/PAL
Audio Recording Built-In Microphone (Stereo)
External Microphone Input (Stereo)
Built-In Microphone (Stereo)
External Microphone Input
Audio File Format AAC, Linear PCM (Stereo) AAC, Linear PCM
Live Streaming Yes
Webcam Functionality Yes

AutoFocus Types

Focus Type Auto and Manual Focus Auto and Manual Focus
Focus Mode Continuous-Servo AF (C), Direct Manual Focus (DMF), Manual Focus (M), Single-Servo AF (S) Continuous-Servo AF (C), Manual Focus (M), Single-Servo AF (S)
Autofocus Points Phase Detection: 759
Contrast Detection: 425
Phase Detection: 1053
Autofocus Sensitivity -4 to +20 EV -6.5 to +20 EV

Viewfinder

Viewfinder Type Electronic (OLED) Electronic (OLED)
Viewfinder Size 0.5″ 0.5″
Viewfinder Resolution 3,680,000 Dot 3,690,000 Dot
Viewfinder Eye Point 23 mm 23 mm
Viewfinder Coverage 100% 100%
Viewfinder Magnification Approx. 0.78x Approx. 0.76x
Diopter Adjustment -4 to +3 -4 to +2

Display

Sony A7 IV Canon R6
Size 3.0″ 3.0″
Resolution 1,036,800 Dot 1,620,000 Dot
Display Type Free-Angle Tilting Touchscreen LCD Free-Angle Tilting Touchscreen LCD

Card Slots

Sony A7 IV Canon R6
Media/Memory Card Slot Slot 1: CFexpress Type A / SD (UHS-II)
Slot 2: SD/SDHC/SDXC (UHS-II)
Dual Slot: SD/SDHC/SDXC (UHS-II)
Connectivity HDMI A (Full Size), USB Type-C (USB 3.2 Gen 2), USB Micro-B (USB 2.0), 3.5mm Microphone, 3.5mm Headphone USB Type-C (USB 3.1), HDMI D (Micro), 3.5mm Headphone, 3.5mm Microphone
Wireless Wi-Fi
Bluetooth
Wi-Fi
Bluetooth
GPS No No

Sony A7 IV Officially Announced - Press Release, Full Specification and More..

Sony finally announced the new Sony A7 IV camera today. the camera features a newly developed 33 MP  Exmor R BSI CMOS Sensor. Optimized video, optimized sensitivity, optimized speed, the Sony Alpha a7 IV raises the bar for what a full-frame mirrorless camera is capable of. The new A7 IV uses a BIONZ XR processor, the same image processor we have seen in the Sony in the A7S III camera, which offers a whopping 15+ stops of dynamic range as well as the new A7 IV processor is 8x more processing power than the BIONZ X processor found in the A7 III.

Buy Sony A7 IV Camera at Amazon.com 

Buy Sony A7 IV Camera at B&H Store

Both cameras feature the same High ISO range up to 204800, but due to the new image processor with a new image decoding algorithm as well as a new higher-resolution sensor on the board we will get more details with less noise in the new Sony A7 IV camera compared to the Sony A7 III.

10 Bit internal recording is one of the key eye-catching features of the new Sony A7 IV camera, and that is why it becomes a perfect companion for a filmmaker too looking for a perfect Mid-range Mirrorless camera. 4K/30p video is oversampled from 7K, but unfortunately 4K/60p is oversampled from 4.8K in the APS-C Super 35 mode. So when shooting in 4K at 30p, the camera utilizes the full width of the image sensor to oversample from 7K’s worth of data, but at 60p, a 1.5x crop is applied.

Sony has done a lot of work in improving the AF mechanism of the camera, although the number of Hybrid AF points is slightly improved but we do have a major change in Sony A7 IV It also has the recent focusing algorithm that’s the same as the one used by the recently released A7S III, we also have a major upgrade in the buffer memory of the Sony A7 IV camera when shooting Raw files, being able to shoot at 10fps for up to 830 JPG+RAW images in one high-speed burst.

The Sony A7 IV is a very impressive camera and we do hope and expect it will create a major impact on the Fullframe mirrorless market.

Press Release Sony A7 IV

Sony Electronics’ Alpha 7 IV Goes Beyond ‘Basic’ with 33-Megapixel Full-frame Image Sensor and Outstanding Photo and Video Operability

San Diego, CA – October 21, 2021 – Sony Electronics Inc. today announced three new additions to its imaging line-up: the Alpha 7 IV interchangeable-lens camera (model ILCE-7M4) with a newly developed 33-megapixel (approx.,effective) full-frame image sensor, as well as two new flashes – the HVL-F60RM2 and HVL-F46RM.

The Alpha 7 IV takes “basic” to the next level for full-frame cameras with excellent image quality and performance, redefining the lofty standards set by the acclaimed Alpha 7 III. The new model features many of Sony’s most advanced imaging technologies, including the latest BIONZ XR™ processing engine and advanced AF (autofocus) capabilities from the flagship Alpha 1 combined with streamlined operability and enhanced reliability for photos and movies, making it the perfect all-around camera for today’s imaging enthusiasts and professionals. The Alpha 7 IV also boasts a 33MP (approx., effective) image resolution, rich movie expression and various features to support the growing demand for remote communication, bringing new meaning to what a “basic” camera can accomplish.

“Since its introduction over three years ago, the Alpha 7 III has made tremendous impact in our industry, completely redefining the expectations for what can be accomplished with a ‘basic’, or entry-level full-frame camera,” said Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “Now, it’s time to break through all existing boundaries again. The Alpha 7 IV brings together the best of Sony imaging technologies in both photo and video to deliver a high-end experience to a wider range of customers. This gives today’s creators a new level of freedom to capture, create and share in ways that they’ve never been able to before, no matter the situation in which they find themselves.”

Alpha 7 IV: Innovation Never Ends

The new Alpha 7 IV is an exceptional hybrid camera packed with outstanding still image quality and evolved video technology with advanced autofocus, enhanced operability and improved workflow capability. The model was developed with the environment in mind by using Sony’s original recycled plastic SORPLAS™ for the camera body and packaging with recyclable  materials and less plastic.

Outstanding Image Quality

Thanks to a newly developed 33MP (approx., effective) full-frame back-illuminated Exmor R™ CMOS image sensor, superior image quality and Wide ISO sensitivity range expandable to ISO 50 – 204,800 is achieved. The high resolution enables the Alpha 7 IV to express smooth gradation, fine details and textures of the subject while reducing noise, and its 15-stop dynamic range allows a wide expressive range while Creative Look settings can help create original looks effortlessly for both stills and video.

Next-Level AF performance

The latest BIONZ XR™ processing engine is the same that is used in Sony’s flagship Alpha 1, delivering high-speed AF, uninterrupted continuous shooting up to 10fps with AF/AE tracking and a large buffer for a prolonged shooting experience. The Alpha 7 IV tracks subjects with tenacious Real-time Tracking and 759 phase-detection AF points in a high-density focal plane phase-detection AF system that covers approximately 94% of the image area. Additionally, for the first time, Real-time Eye AF can now track birds’ and animals’ eye for both still images and movies, in addition to humans. The Alpha 7 IV also has face and eye detection accuracy for humans that is improved by approximately 30% compared to the Alpha 7 III.

Evolved Movie Technology

The Alpha 7 IV inherits technology taken from real-world movie production, including the S-Cinetone™ picture profile adopted from Sony’s highly regarded Cinema Line cameras. This delivers a rich, cinematic look that has become popularized by a broad range of cinematographers and filmmakers who are shooting on Sony. High quality movie is achieved with 4K 60p recording in Super 35mm mode and up to 4K 30p recording with 7K oversampling is available in full-frame mode. The new camera also features 10-bit depth 4:2:2 color sampling to enable natural gradation, XAVC S-I™ intra-frame encoding for more efficient editing workflows and XAVC HS™ H.265 long-GOP for doubled compression efficiency.

To meet the growing need for precise autofocus performance when shooting videos, unique AF features are achieved when using the Alpha 7 IV with a Sony E-mount lens, including AF Assist that supports focus transitions when using AF, and Focus Map that visualizes depth of field. For the first time in the Alpha series, the new camera features Breathing Compensation to combat focus breathing and maintain a consistent angle of view throughout focus changes and can be switched on or off.

Advanced Operability as a Genuine Hybrid Model

The Alpha 7 IV is a hybrid still and video camera with outstanding operability and reliability that easily allows the user to switch from photo to video and back at their convenience. New to Sony’s lineup of Alpha cameras is a dual-layer mode dial, with a lower layer for selecting Still/Movie/S&Q and a top layer for Auto/P/A/S/M and MR (Memory Recall), enabling users to quickly select and switch between the dedicated settings. It also has 5-axis optical in-body image stabilization for a 5.5-step[v] shutter speed advantage, an improved grip for greater comfort, and a CFexpress Type A compatible media slot to support media with faster writing and clearance. Additionally, the 3.68 million-dot (approx.) OLED Quad-VGA viewfinder is 1.6 times the resolution of the Alpha 7 III viewfinder, benefiting users with an upgraded live-view image quality that minimizes false color and increases resolution.

Videographers can record 4K 60p 10-bit 4:2:2 video continuously for more than an hour thanks to the camera’s heat-dissipating structure. Optical ‘Active Mode image stabilization further stabilizes movie shooting. They can also benefit from the 3-inch (3.0-type) 1.03 million-dot (approx.) side-opening vari-angle touch-panel rear LCD monitor, top-panel REC button and high-capacity Z-series battery.

The Alpha 7 IV body is built with magnesium alloy to achieve a robustness while minimizing its weight. In addition, the redesigned structure and lens lock button contribute to enhanced dust and moisture resistance.

Enhanced Workflow Capabilities

By offering a variety of connectivity options, the Alpha 7 IV enables on-the-spot streaming and sharing of high-quality content to meet the growing need for remote communication in real-time without sacrificing excellent image and sound quality. The connection between the camera and Imaging EdgeMobile™ application[viii] is simplified via Bluetooth, and fast data transfer is possible by 5GHz/2.4.GHz Wi-Fi.

The camera also has a new feature called “Shot Mark” to enable easy access to the marked scenes in a video clip, within camera and on Sony’s Catalyst Browse/Prepare applications.[ix]

Moreover, the camera has a range of new features to support live streaming and remote communication without needing dedicated software. UVC (USB Video Class) and UAC (USB Audio Class) turn the Alpha 7 IV into a high-performance live streaming camera when connected to a computer or smartphone[x]. High image quality such as 4K 15p and 1080 FHD 60p deliver realistic video for remote sharing and the Alpha 7 IV’s digital audio interface can be paired with a range of mics and accessories to deliver high quality sound.

Finally, Sony plans to offer a new cloud service next year, “AI Video Editing Studio”, for automated editing with AI technology. To allow creators to focus on more creative tasks, “AI Video Editing Studio” automatically performs initial editing in the cloud, using AI technology. Sony will continue to strive to offer a wide variety of imaging experiences and services through the active integration and advancement of cameras, cloud and AI.

Designed with the Environment in Mind

In line with Sony’s environmental efforts based on the “Road to Zero” initiative, environment was an important factor in the development of the Alpha 7 IV’s design, production and packaging. The camera uses recycled plastic, SORPLAS™, which does not depend on non-renewable resources and is produced at the sites by using renewable energy such as solar power generation. The product packaging also adopts recyclable plastic-reduced materials.

HVL-F60RM2 and HVL-F46RM: Powerful Flashes to Evolve Alpha Lighting System

The HVL-F60RM2 with GN 60 and 20-200mm coverage and HVL-F46RM with GN 46 and 24-105mm are powerful wireless flashes to offer precise control, enhanced high-speed and intuitive operability. They are designed to meet the needs of both professional and advanced content creators when shooting with a Sony Alpha camera, including the Alpha 7 IV, to offer the ultimate Alpha Lighting System by the detailed communication between cameras and external flash.

Both flashes have upgraded continuous shooting flash performance, up to 200 consecutive flashes at 10 frames per second for the HVL-F60RM2 and 60 times for the HVL-F46RM. The optimized flash algorithm ensures both flashes are overheat-resistant, and a set of four Ni-MH (Nickel-metal hydride) batteries can power up to 240 flashes with a 1.7 second recycle time for the HVL-F60RM2 and up to 320 flashes with a 2.0 second recycle time for the HVL-F46RM .

When used in combination with an Alpha camera, they allow users to experience the unique communication and system benefits of the Alpha Lighting System that sets a new standard for mirrorless camera lighting systems. For example, with the Alpha 7 IV, P-TTL flash control metering for every frame in Mid, and Hi continuous mode has become possible in addition to Lo continuous mode. The flash release time lag is also shortened to capture momentary facial expressions and movements of the subject.

With the Alpha 1, the HVL-F60RM2 achieves a phenomenal up to 20fps of continuous shooting and approximately 20 flashes per second can be produced for more than 10 seconds with the external flash battery adapter FA-EBA1 (sold separately). When the Alpha 1 is used with Sony’s flashes, including HVL-F60RM2 and HVL-F46RM, users can sync up to 1/400 second shutter speed to expand expressive capabilities when shooting in full-frame mode. In addition, with the silent electronic shutter of the camera, silent flash shooting is possible when absolute silence is required.

Other system benefits of HVL-F60RM2 and HVL-F46RM with an Alpha camera include:

  • Flash parameters controlled directly from the menu of a compatible camera
  • Flash control linked to camera face detectionxv
  • Automatic correction of white balance based on the color temperature information from the flash

Both flashes also feature improved robustness and operability. The Multi Interface shoe with Sony’s unique metal shoe foot with rugged side frame significantly increases strength and reliability. Shoe sealing helps the flashes to be more dust and moisture resistant[xvi]. The HVL-F60RM2’s original rotating head mechanism, “Quick Shift Bounce,” that enables flexible positioning and optimum lighting control has also been improved to prevent unintended change in the bounce angle.

They support wireless radio communication and can control up to 15 flashes and/or receiver units in 5 groups via wireless radio communication for enhanced lighting control versatility.

Visual Story is now Supported on Android

“Visual Story” is a mobile application for professional event photographers and video creators to enable immediate and automatic delivery of photos and movies  to their clients after an event through gallery creation, utilize AI (artificial intelligence) assistance for easy image selection, upload assets online and more. While the Visual Story app is already available to iOS users, Android user can now also take advantage of the benefits Visual Story provides to professional photographers and videographers.

When using the Alpha 7 IV, “Shot Mark” is also supported by Visual Story on iOS Version 2.1.

Pricing and Availability

The new Alpha 7 IV will be available in December 2021 for approximately $2,500.00 USD and $3,200.00 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America. The PCK-LG2 Screen Protect Glass Sheet accessory for the Alpha 7 IV will be available at the same time.

A kit version with Sony’s FE 28-70mm F3.5-5.6 OSS zoom lens will also be available for approximately $2,700.00 USD and $3,400.00 CAD.

The new HVL-F46RM will be available in November 2021 for approximately $400.00 USD and $550.00 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.

The new HVL-F60RM2 will be available in November 2021 for approximately $550.00 USD and $750.00 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.

 

 

Nikon Z 18-140mm f/3.5-6.3 VR lens Officially Announced

Nikon officially released the NIKKOR Z DX 18-140mm f/3.5-6.3 VR lens, so roughly it’s an update of 2013 18-140mm DX APSC DSLR Lens. The new Mirrorless 18-140mm DX is more compact, lightweight and Nikon claims that features excellent resolving power. More improved OIS and enhanced AF Mechanism to support Photo and Video.

Key Features

  • Z-Mount Lens/DX Format
  • 27-210mm (35mm Equivalent)
  • Stepping Motor AF System
  • Vibration Reduction Image Stabilization

The 18-140mm F3.5-6.3 will be available from November at a recommended price of $600.

Nikon 18-140mm Lens B&H Store | Amazon.com

THE NIKKOR Z DX 18-140MM F/3.5-6.3 VR IS A HIGH-POWER DX-FORMAT ZOOM LENS FOR Z SERIES MIRRORLESS CAMERAS
MELVILLE, NY (October 13, 2021) – Today, Nikon Inc. has announced the NIKKOR Z DX 18-140mm f/3.5-6.3 VR, the latest NIKKOR Z lens compatible with APS-C size (Nikon DX-format) mirrorless cameras

The NIKKOR Z DX 18-140mm f/3.5-6.3 VR is a 7.8x high-power zoom lens that is extremely compact and easy to carry, with a total length of approx. 3.6-inches (90mm) and weight of approx. 11.2 oz (315g). Its wide focal-length range makes the NIKKOR Z DX 18-140mm ideal for capturing a variety of subjects, from travel to daily snapshots and everything in between.

The lens achieves consistently high resolution, regardless of focal length or shooting distance, making it a great choice for both still shooting and video recording. Its short minimum focus distance of 0.2m at the maximum wide-angle position lets users capture dynamic close-up shots such as shooting flowers or tabletop photography. The lens also realizes high vibration reduction (VR) performance with an effect equivalent to a 5.0-stop1 increase in shutter speed for more stable and sharp photos even during telephoto shooting or in low-light situations where vibration is likely to occur.

Primary features of the NIKKOR Z DX 18-140mm f/3.5-6.3 VR:

Covers a focal-length range of 18mm to 140mm (27mm-210mm, 35mm angle of view equivalent), convenient for capturing stills and videos of a wide variety of subjects, from landscapes to portraits.
The short minimum focus distance of 0.2m (at max wide-angle) is optimum for close-up shots.
The maximum reproduction ratio of 0.33x at the maximum telephoto position enables rendering of subjects in large size.
Equipped with an optical VR mechanism that provides camera shake compensation equivalent to a 5.0-stop increase in shutter speed.
High resolution achieved consistently across the entire zoom range, from maximum aperture.
Ideal for shooting video, with effective reduction of shifting of focus when zooming in/out and shifting of angle of view when adjusting focus.
Select functions can be assigned to the control ring for stills and video.
Fast, precise and quiet AF operation is attained with the employment of an STM (stepping motor).
Designed with consideration of dust- and drip-resistant performance.
Pricing and Availability:

The NIKKOR Z DX 18-140mm f/3.5-6.3 VR telephoto zoom lens will be available starting in November (US) for a suggested retail price (SRP) of $599.95*. For more information about the latest Nikon products, including this new NIKKOR Z lens and the entire Nikon Z series cameras, please visit www.nikonusa.com.