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Firmware Update

AutoFocus Speed of Nikon Z8?

AF calculation per second is now treated as a standard to determine the autofocusing capability of a camera.

Nikon Z9 and Z8 have a common AF calculation speed which is 120 frames calculation per second. The same AF speed is being spotted on the Sony Alpha A1 camera, the Sony Alpha A1 camera is also able to do 120 frames AF calculation per second.

The fastest Canon camera (as of May 2023), the Canon R3, is able to do 60 AF calculations per second according to Canon.

Despite the fact that the Canon R3 is able to shoot up to 195 frames per second, it doesn’t mean the sensor is doing autofocus calculations for every frame. The AF calculation speed is only limited to 60 frames and if the camera shoots up to 190 frames per second it means the camera refreshes its autofocus after every 3 to 4 frames at max shooting speed.

Nikon Z8 vs Canon R5

But this is not the case with the Nikon Z8 camera. Even if you are shooting at its max burst speed which is 120 frames per second at 11 megapixels, the sensor is able to refresh and recalculate its AF in every single frame.

Nikon Z8 at B&H Store

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Nikon Z8 Press Release

Finally Nikon announced the Nikon Z8 camera hers is Nikon official press release

Nikon Z8 at B&H Store

Nikon Z8 Press Release

ULTIMATE HYBRID PERFORMANCE. AGILITY WITHOUT COMPROMISE. THIS IS THE NIKON Z 8.

MELVILLE, NY (May 10, 2023) – Today, Nikon Inc. announced the highly anticipated Nikon Z 8, a full frame mirrorless camera made to meet the needs of imaging professionals, serious photographers, videographers and advanced creators. The Z 8 defines the concept of versatile agility, featuring the latest innovations and speed inherited from the flagship mirrorless Z 9, in a lighter, more compact form-factor that’s ready for action in the field, the studio, the ceremony, the street or on-set.

The Z 8 is packed with massive technology and user-focused features, providing impressive high-resolution images and video up to 8K 60p with overwhelming detail, sharpness and precise color. Engineered to be nimble, it’s approximately 30% smaller than the Nikon Z 9, and 15% smaller than the venerable Nikon D850 to which it is the true successor. As the final word in workflow efficiency, the Z 8 gives professionals the confidence to capture without boundaries while yielding stellar files and uncompromising Nikon color science that can minimize time needed for post-production or editing.

“We continue to rapidly expand the entire mirrorless ecosystem to support users, and with every Z series camera added to the line, the advantages of the next-generation Z mount become clearly apparent,” said Jay Vannatter, Executive Vice President, Nikon Inc. “As Nikon continues to roll out more Z series cameras and NIKKOR Z lenses, we push forward and continue to break new ground in optical and technological innovation.”

Ready for Action

Like the flagship Nikon Z 9, the Z 8 is at the industry apex of speed and versatility. At its core, Nikon’s powerful EXPEED 7 image processing engine has been combined with the proven full-frame (FX-format) 45.7-megapixel BSI stacked sensor with a scan rate so fast that no mechanical shutter is needed. This configuration can be completely silent and has virtually no rolling shutter distortion, while the removal of moving parts reduces wear and tear. Other favorite flagship features include the truly blackout-free Real-live viewfinder, internal 12-bit RAW video recording in a variety of formats and frame rates, along with additional new features for portrait photographers.

The Z 8 brings together speed and precision like no other, embracing the extremes to create a camera that can focus in candlelight during a first dance, yet is fast enough to freeze a falcon in flight. Like the Z 9, this new camera uses Nikon’s most powerful and precise AF system, which has been developed with deep learning technology. The focus is immediately responsive and reliable, offering a range of functions from fully Auto-Area AF, Nikon’s acclaimed 3D tracking and a fully customizable Wide Area AF. These modes take advantage of the enhanced Subject Detection capability for photo and video that recognizes humans, pets, birds, trains, cars, motorbikes and bicycles, and now various types of airplanes.

Ready for Production

The Z 8 is an extremely capable video camera for a diverse mix of productions, enhancing the process from capture to post by providing cleaner files from a variety of frame rates and resolutions. Because of its reduced body size and internal recording, it’s ideal for gimbal use, but also suitable as an A-cam for extended events and weddings, corporate clients, documentaries or even independent cinema. Benefits don’t stop at image quality, as users will appreciate the Nikon colors and consideration for the modern multimedia professional’s workflow.

  • Experience the intense resolution and freedom provided by 8K60p (N-RAW) and 8K30p video capture, and the ability that this massive resolution gives in post to crop and pan. Expansive 4K UHD video options for when the look you’re going for is anywhere from cinematic to slow motion, ranging from oversampled24p/30p, all the way to 120p with sound.
  • The Z 8 can record up to approx. 125 min. in 4K UHD/60pand up to approx. 90 min. in 8K UHD/30p2
  • Internal 12-bit RAW footage can be captured as ProRes RAW 4K60p, or up to 8K60p in N-RAW, Nikon’s RAW video format that is approximately a 50% smaller file size. N-RAW also creates a 1080p proxy file for easier editing. Capturing RAW footage allows for the most image data and highest bit rate for maximum range and flexibility.
  • For more latitude with color, footage can be captured internally in 10-bit ProRes 4:2:2 HQ, while other profile options are available in-camera, including an enhanced N-Log, HLG as well as the easily gradable Flat color profile.
  • The camera features two USB-C ports which are dedicated to charging (PD) and communication for accessories, further opening options for a truly modular configuration to fit any production. It also utilizes a full-size HDMI, minimizing the use of adaptors.
  • The camera focuses on videographer centric features, including those added to the Z 9 in subsequent firmware updates. These include Hi-res zoom3 function for 4K, highly visible red REC Frame Indicator, focus peaking, zebras, waveform, linear focus capability on many NIKKOR Z lenses, fine ISO control, Customizable AF speed tracking, timecode sync4, 24-bit stereo audio and more.

Ready to Capture the Impossible

The Z 8 enables users with a powerful combination of the latest hardware and curated features implemented to help make the most challenging creative vision a reality.

  • The 45.7-megapixel stacked CMOS sensor combined with the EXPEED 7 Imaging engine can render incredible image quality, stellar colors, fantastic dynamic range and high-speed calculations up to 120 cycles, even in low light with minimal noise.
  • Users now have the option to shoot in a 10-bit HEIF image file, a superior file format to JPEG that is approximately equal in size yet offers approximately one billion more colors.
  • 14-bit RAW image file formats include the proven high-efficiency RAW format, plus a new HLG RAW option for use on compatible devices.
  • The Z 8 features settings specifically for portrait photographers, including the Portrait Impression Balance function for precise control of skin tone accuracy, in addition to a new Skin Softening function and improved white balance.
  • Burst speeds range from 20 fps full res RAW+JPEG, 30 fps full-res JPEG, 60 fps DX-format JPEG, or up to 120 fps as 11 mp JPEG with High-speed frame capture +. Pre-Release Capture5 is also available to capture the moment in the camera’s buffer before the shutter is even depressed fully.
  • Get a wide and bright view with the truly blackout free Quad-VGA viewfinder, which provides a clear picture, especially when shooting at 120 fps. The same 3.2” horizontal and vertical tilting 4-axis touchscreen LCD from the Z 9 is also used, enabling creative composition from any angle.
  • Vibration Reduction image stabilization has been enhanced with Synchro VR to achieve up to 6.0 stops of compensation with compatible lenses.6
  • Upcoming features will be added in planned firmware updates, including an Auto Capture function, which will allow a photographer to automatically trigger a remote camera on user-set parameters. An update will also allow for the base ISO to be extended down to 200 when shooting video footage with N-Log enabled.

Ready to Impress

Like all pro-caliber Nikon cameras, the Z 8 has a robust build quality, further reinforcing the company’s ethos of usability and reliability as a paramount consideration. When asking professionals why they choose Nikon, ergonomics and reliability are always top answers.

  • The Z 8 is fully sealed and gasketed, exceeding the durability of the D850 and built with maximum consideration for dust and drip resistance, while it can also be operated down to -10°C/14°F. Materials including a new pro-grade carbon fiber composite and magnesium alloy are used in the construction to reduce weight and enhance durability.
  • Exceptional handling with thoughtfully laid out functions and buttons that are customizable.
  • To resist dust, the optical filter includes a dual coating to repel dust in front of the sensor, in addition to a sensor shield that protects the sensor when the camera is turned off.
  • The Z 8 makes it easier to capture in low light environments, with illuminated buttons, warm display color option, low viewfinder brightness adjustments, and Starlight View which enables focusing down to -9 EV.7
  • Dual card slots with one CF Express Type B / XQD and SD balance speed and widespread availability.
  • The MB-N12 battery grip will be an optional accessory that provides approximately 1.8x more battery life8, while adding a vertical grip and vertical shutter button /controls. The grip is also weather resistant to the same level as the camera and allows for hot-swapping batteries.

Price and Availability

The new Nikon Z 8 will be available on May 25, 2023 for a suggested retail price of $3,999.95.* The MB-N12 battery grip will be available in May for an SRP of $349.95.* For more information about the latest Nikon products, including the vast collection of NIKKOR Z lenses and the entire collection of Z series cameras, please visit nikonusa.com.

Canon’s EOS R5 is Out - TWO New Models are In

According to the latest rumors from Rumor Mill, Canon may announce two different replacements for the existing Canon R5 camera. One will carry an existing 45-megapixel sensor and the other may have a higher resolution sensor. The rumor mill added he split will be similar to what we have seen in the EOS 5D series.

After the 5D Mark III announcement, Canon also added the Canon 5DS and the 5DS R cameras as higher resolution DSLR options and further continued the 5D series with the 5D Mark IV announcement.

The biggest question is why this rumor has occurred now and not before. Since we already have rumors of the Nikon Z8 and its leaked specification that it will feature the same sensor we have seen in the Nikon Z9. At the same time, just a few days ago, we shared possible specifications of the upcoming Nikon Z7 Mark III camera, the specs say the forthcoming camera will feature a 61-megapixel sensor – the same sensor that we have seen in the Sony A7R4A and A7R5 cameras. This means Nikon will continue both the series Nikon Z8 and Nikon Z7.

In the same fashion, Canon may release two different models with high-resolution sensors that will match and compete against Sony’s A7R series (A7R IVa and A7R V) as well as the upcoming Nikon Z7 Mark III, in addition to a regular Canon R5 camera update with the same 45-megapixel sensor we may have and Canon R5 R camera with 60+ MP Sensor.

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source canonrumor

Canon V10 Price - Canon Vlogging Camera

It looks like Canon dumped the G7X Series, and now they are moving towards an AI-powered compacts camera with a smaller sensor. The upcoming camera’s name is Canon V10, more details below

Canon PowerShot V10
– Color: Black/Silver
–  Canon V10 Price: $429

V series is Canon Vlogging series, more cameras will arrive under the same powershot “V” branding. Stay tuned more details coming

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source digicameinfo

Canon Vlogging camera Coming on May 11 2023

Canon Japan teased a new image, a compact and vertically shaped camera under a curtain made for content creators that will arrive on 11 May 2023. We have a translated teaser image that says “Vlog new possibilities” on the extreme left side and on the right side, we have the date which is Thursday, May 11, 2023.

So, what’s under the curtain? As you can see, it’s an entirely new camera design which somehow looks vertical with a lens opening at its top (maybe a fixed lens compact camera ?). The shutter button is visible at the lower end of the extreme right side. It looks like a brand-new design from the camera maker and we are eagerly waiting for leaked images to have a glimpse of the camera

We do have some amazing Canon patents of Canon unique style vlogging cameras, but is the upcoming camera is same, or have a completely different design?

Canon already has cameras like the Canon R50 and Canon R10. Both of these cameras are capable of recording 10-bit HDR PQ videos.

Actually, the thing we miss in Canon is the open lens mount (yes I know I have published the new Canon open lens mount based on the information from the canon rumor mill, but when we tried to contact Meike over the same topic, they haven’t responded yet. So, it still looks fishy actually they have got some approval of it was a hoax created by the Canon rumor mill).  So, the real problem is We have very less lens options to select from, in the Canon APS-C lens range compared to other camera makers, like Sony or even Nikon, which now have huge support from third-party lens makers.

Now, from the above teaser, it’s very clear that Canon wants to make a separate vloggers series camera, just like the Sony ZV series. At the same time, I also think that Canon will not stop with just one camera announcement if they are in the mood to compete with Sony’s ZV series cameras. Soon they will add other variations to this range once the PEAK SALE period for cameras goes away, which is likely to be in 7 to 8 months.

As soon as we get the leaked images and specifications of the soon-to-be-announced camera, we will publish them.

Best lenses for Canon R50

Canon R10 vs Sony ZV-E10

Canon R10 vs Sony A6400

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source Canon Japan

 

Nikon Z8 vs Canon R5

Nikon Z8 vs Canon R5 – Let’s compare the Nikon Z8 with Canon R5 – Nikon Z8 is a newly announced camera and features almost the same core specification that we have seen in the Nikon Z9, its better to say its a mini Nikon Z9. Due to its very competitive price range, the camera comes in direct competition with Canon’s most popular Canon R5 Camera. So, let’s start the comparison

10 Major Differences between Nikon Z8 vs Canon R5

We are here talking about the Major difference between the two and not about the similar features

1. Nikon Z8 without shutter

The Nikon Z8 camera completely eliminates the shutter, just like the Nikon Z9, but it is a welcome step since Nikon is using a stacked CMOS sensor with a readout speed of 3.7 milliseconds. Even if they eliminate the mechanical shutter from their camera, there will be no visible rolling shutter effect at high speeds.
Imaging

  Nikon Z8 Canon R5
Sensor Resolution Actual: 52.37 Megapixel
Effective: 45.7 Megapixel (8256 x 5504)
Actual: 47.1 Megapixel
Effective: 45 Megapixel (8192 x 5464)
Sensor Type 35.9 x 23.9 mm (Full-Frame) CMOS 36 x 24 mm (Full-Frame) CMOS
Image Stabilization Sensor-Shift, 5-Axis Sensor-Shift, 5-Axis
Built-In ND Filter None None
Capture Type Stills & Video Stills & Video

2. Nikon 45 MP Stacked vs  Canon 45MP FSI

Both cameras feature a 45-megapixel full frame sensor but the core difference exists between their technology, Nikon camera uses the same sensor that Nikon first introduced in the Nikon Z9. The 45 Megapixel Stacked CMOS Sensor and due to the presence of stacked CMOS tech, the read-out speed of the Nikon Z8 camera sensor is 3.7ms which is way too fast compared to the sensor of Canon R5 with 16.7ms read out the speed.

Undoubtedly, one of the biggest advantages of the Nikon Z8 camera is the STACKED CMOS sensor used inside it. If you are shooting fast-moving subjects such as wildlife, sports, racing cars, or flying birds while tracking them at high speeds, there is a very low probability that the camera will capture the rolling shutter effect as badly as the Canon R5. The readout speed of R5 is 16.7ms which can result in some bad rolling shutter effects at the fastest shooting speed. Therefore, if you are into sports and wildlife photography and interested in shooting fast-moving subjects, the Nikon Z8 would be a better choice. However, if you are not interested in Nikon cameras, it’s better to go with the Canon R3 which has a stacked CMOS sensor, instead of the Canon R5.
Exposure Control

Nikon Z8 Canon R5
Shutter Type Electronic Shutter Electronic Shutter, Mechanical Focal Plane Shutter
Shutter Speed Electronic Shutter
1/32000 to 30 Seconds
0 to 900 Seconds in Manual Mode
Mechanical Shutter
1/8000 to 30 Seconds
Electronic Front Curtain Shutter
1/8000 to 30 Seconds
Electronic Shutter
1/8000 to 0.5 Seconds
Continuous Shooting Electronic Shutter
Up to 20 fps at 45.7 MP for up to 1000 Frames (Raw)
Up to 30 fps at 45.7 MP
Up to 120 fps at 11 MP
Mechanical Shutter
Up to 12 fps at 45 MP for up to 180 Frames (Raw) / 350 Frames (JPEG)
Electronic Shutter
Up to 20 fps at 45 MP for up to 83 Frames (Raw) / 170 Frames (JPEG)

3. AUTOFOCUS

Let’s start with the autofocusing system and the calculations done by the camera per second for focus accuracy. The Nikon Z9 sensor, which is now being used inside the Nikon Z8 camera, has a speed of 120 calculations per second. Now, if you pick Canon’s fastest camera, the Canon R3, the camera is limited to 60 calculations per second. However, the calculation speed per second of the Canon R5 camera isn’t clear since the camera uses a front-side illuminated sensor. Therefore, the calculation speed of the R5 is expected to be inferior compared to the Canon R3.
Focus table

Nikon Z8 Canon R5
Focus Type Auto and Manual Focus Auto and Manual Focus
Focus Mode Continuous-Servo AF, Manual Focus, Single-Servo AF Continuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus Points Phase Detection: 493 Phase Detection: 1053 (5k+ DPAF points)
Autofocus Sensitivity -8.5 to +20 EV -6 to +20 EV

Burst speed of both cameras. The MAX continuous shooting speed aka Brust speed of the Canon R5 is limited to 20 frames per second when using the electronic shutter and while using the mechanical shutter, it is limited to 12 frames per second. The mechanical shutter is recommended for those who do not want any kind of rolling shutter effect in their camera.

The MAX shooting speed of the Nikon Z8 camera reaches up to 120 frames per second but is limited to an 11-megapixel resolution. If you want to have a maximum speed at full resolution, then the camera allows you to shoot up to 30 frames per second in JPG mode. And if you like to shoot RAW images, then the camera limits you to 20 frames per second.

Best camera for Sports and Wildlife photography – if you want to track and shoot a moving subject like a flying bird, in that scenario Nikon z8 is more suitable for you due to its nature of construction. The Nikon Z8 camera allows you to use burst speed of up to 30 frames per second at full resolution and a maximum speed of up to 120 FPS when you are using 11 MP images. So technically, if we compare the specs of both cameras and the type of sensor technology used inside, the Nikon z8 camera is advanced compared to the Canon R5. WE HIGHLY RECOMMEND NIKON Z8 CAMERA for sports and wildlife. And if you do not want to go with a Nikon camera, as I said earlier, go with the Canon r3.

4. Core Difference in Sensor Tech

ISO Z9 R5
Photos (normal) 64-25,600 100-51200
Photos (extended) 32-102,400 50-204,800
Video (normal) 64-25,600 100-25600
Video (extended) 64-102,400 100-51200

I like the Way the Nikon Z8 camera pushes the BASE ISO 1 stop more than of the Canon R5, resulting in a better Dynamic range. Which is highly essential for High Resolution based camera like this.

Nikon Z8 and Nikon Z9 Sensor are the same | Hence we have selected the sensor of Nikon Z9 against the Canon R5. Let’s do a high-ISO image comparison between the two

As you can notice the difference in the ISO range of both the camera. The Canon R5 has a more extended (HIGH) ISO range and with Nikon Z8 you can push the ISO up to 32.

5. HIGH ISO TEST between CANON R5 and NIKON Z8

At ISO A6400 you can clearly see the capturing ability of the Nikon Z8 Stacked CMOS sensor, The Canon R5 camera image file looks slightly faded when compared to the Nikon Z8/Z9 45 MP stacked CMOS sensor

6. Best Camera for Video

As we know, the Nikon z8 camera is able to shoot 8K videos up to 30 frames per second, and the Canon r5 has the same capability. But the biggest advantage of the Nikon z8 is that you are able to record 8K videos in Apple ProRes 422 high-quality mode

The overheating issue of the Canon R5 camera is very well-known to us without a doubt, and that’s why we have included it in this comparison despite the massive effort done by Canon with firmware updates. The issue remains unresolved, and the camera tends to overheat quickly if used in hot and humid weather conditions and when recording at high settings such as 4K high-quality mode.

Both cameras are capable of recording 4K videos up to 120 frames per second and offer 8K 12-bit RAW video recording. Both of them also perform oversampling when creating 4K videos. However, if you select the Canon R5 high-quality aka oversampling mode, it may overheat quickly. In such cases, it is highly recommended to select the standard mode, where the camera uses pixel binning or line-skipping technology to create the 4K video.

Internal Recording Modes H.265 4:2:2 10-Bit
UHD 8K (7680 x 4320) at 23.98/25/29.97 fps
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/100/ fps
ProRes 422 HQ 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97 fps
H.265 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97 fps
H.264 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97 fps
1920 x 1080p at 23.98/25/29.97/50/59.94/100/ fps
Raw 12-Bit
7680 x 4320 at 59.94 fps
H.265 4:2:2 10-Bit
DCI 8K (8192 x 4320) at 23.98/24.00/25/29.97 fps [680 to 1300 Mb/s]
UHD 8K (7680 x 4320) at 23.98/25/29.97 fps [680 to 1300 Mb/s]
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/100 fps [170 to 1880 Mb/s]
H.264 4:2:0 8-Bit
DCI 8K (8192 x 4320) at 23.98/24.00/25/29.97 fps [470 to 1300 Mb/s]
UHD 8K (7680 x 4320) at 23.98/25/29.97 fps [470 to 1300 Mb/s]
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94/100 fps [120 to 1880 Mb/s]
Raw 12-Bit
8192 x 4320 at 23.98/24.00/25/29.97 fps [2600 Mb/s]
Codec ProRes 422 HQ*
H.265/HEVC
H.264/AVC
H.265/HEVC
H.264/AVC
ALL-I
Sensor Crop Modes Super35 / APS-C
4K (3840 x 2160)
1080p (1920 x 1080)
Super35 / APS-C
4K
Gamma Curve HDR-HLG Canon Log, Canon Log 3
Recording Limit None Up to 30 Minutes
Broadcast Output NTSC/PAL NTSC/PAL
IP Streaming None Yes
Built-In Microphone Type Stereo Stereo
Audio Recording 2-Channel LPCM Audio
2-Channel AAC Audio
AAC Audio
LPCM Audio

7. Image Stabilization System

Image stabilization of Canon is always better since R5 features IBIS up to 8 stops. However, remember that the 8th stops of image stabilization is not always effective on all the lenses you use with the R5. In the Nikon Z8, we have 5-axis stabilization up to 6 stops, so when comparing the two for handheld shooting, the Canon R5 is more recommended.

But at the same time, if you are a handheld wildlife photographer or sports shooter, then instead of giving priority to the sensor’s shift image stabilization system’s extra 3 stops, you have to give priority to the stacked CMOS sensor with 5 to 6x faster readout speed.

If you are a fashion and portrait photographer, then having 8 Stops IBIS will help you more for getting ur perfect shot. So, if all depends on your shooting style, preference, requirements, and budget.

8. Display and Electronic View-finder

The electronic viewfinder of Canon r5 is really very impressive with 5.76 million dots resolution. Nikon’s camera is using a 3.69 million electronic viewfinder, which is not recommended for a professional camera like this.

But at the same time, Nikon claims that the Nikon z8 camera’s viewfinder is one of the brightest in the market, with a 3000 nits display unit and 60Hz refresh rate.

The display screen resolution of both cameras is almost the same, and both cameras have a vari- angle display screen for compositional freedom.

9. Design tidbits

The Z8 and the R5 are very robust cameras and build like a tank by DSLR makers, with weather sealing and a mag alloy frame. The dimensions are very similar, but the Nikon is slightly heavier.

Tripod Mounting Thread 1 x 1/4″-20 Female (Bottom) 1 x 1/4″-20 Female (Bottom)
Accessory Mount 1 x Hot Shoe Mount 1 x Hot Shoe Mount
Material of Construction Mag alloy Magnesium Alloy
Dimensions (W x H x D) 5.6×4.6×3.2 | 144×118×83mm | 5.43 x 3.84 x 3.46″ / 138 x 97.5 x 88 mm
Weight 2.2 lb / 1040 g (With Battery, Recording Media) 1.62 lb / 738 g (With Battery, Recording Media)

Each camera has its own button layout and controls, but both of them are very simplified and easy to use. Both cameras can cover the sensor when powered off to protect it. While the R5 uses the curtains of the mechanical shutter, the Z8 has a mechanism design only for this purpose, which should also be more robust.

10. Cards and interface

The Z8 works with two cards, and they are both the CFexpress Type B standard. The R5 also has two slots, but one for CFexpress cards and one for SD UHS-II cards. Both cameras have USB Type C, microphone input, headphone output and HDMI socket. (in R5 we have mini and in Z8 we have full size)

Canon R5 at B&H Store

Nikon Z8 at B&H Store

We are updating this post regularly to make essential corrections

DJI Hasselblad to Expand Mirrorless System Cameras [Rumor]

According to the latest rumors surfaced over the web, DJI may enter direct competition with Sony, Nikon, and Canon in the Mirrorless market with its own DL-Mount Mirrorless system camera range which will include APS-C and Fullframe camera sensor-based cameras. If everything goes as per scheduled then the expansion/introduction of the range will start in Q1/Q2 of 2024.

On January 2017 DJI acquired Hasselblad, DJI reportedly bought a majority stake in the classic Swedish photography brand Hasselblad. after that, the DJI Drones cameras were re-branded with the Hasselblad name and we have seen a new level of advancement in aerial camera technology.

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