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Firmware Update

Canon R50V vs Sony ZV-E10 Mark II

Canon R50V vs Sony Z10 Mark II. Let’s discuss the major differences between the two, then we will do some deep core specification analysis so you can understand very clearly which camera you should buy.

Canon R50 V Specifications and Pricing

Initially, the Canon R50 V camera is available with a 24-megapixel DPAF CMOS sensor, the same sensor that is being used by entry-level cameras such as Canon R50 and Canon R10. If you buy it with a kit lens, you have to pay approximately $849, and when you are buying the body only, you have to pay approximately $649.

Sony Z10 Mark II Specifications and Pricing

Now, the Sony Z10 Mark II camera was released on July 10, 2024, and uses a 26-megapixel APS-C BSI CMOS sensor from FX30 or Sony A6700 camera, meaning it’s a flagship sensor. With a kit lens, you have to pay $1,099, and without a kit lens, you have to pay only $999.

So, the Canon body is a lot more affordable compared to the Sony Z10 Mark II camera. Now, let’s dive deep into the detailed core specifications of both cameras.

Key Differences in Sensor Technologies

So, initially, we have some basic differences between the two. The Canon uses an FSI CMOS sensor with a resolution from entry-level models, and the Sony Z10 Mark II uses a BSI CMOS sensor from higher-end models. Along with that, we also have a price difference between the two.


Best Camera for Recording 4K 60p Video

Crop Factor Comparison

If you compare both the Canon R50 V and Sony ZV-E10 Mark II, the advantage of the Sony ZV-E10 Mark II camera is clearly visible as it does only a 1.1x crop while recording 4K 60p video. On the other side, we have the Canon R50 V camera, which does a 1.5x crop while recording 4K 60p video. Both cameras allow you to record 10-bit videos at 4K 60p, but at the same time, you have to face a crop in Canon.

Usability and Stabilization

Usability-wise, the Sony ZV-E10 Mark II camera is more usable since, even while recording 4K 60fps with a crop, we can utilize the Active SteadyShot mode as well as the gyro-based image stabilization mode. If you are shooting handheld videos, that will, in turn, help you get stable footage without a gimbal. The electronic image stabilization (EIS) is very effective when you are using it at 30fps or 24fps recording. However, since it already has a very significant 1.5x crop, it doesn’t work that well.

Final Recommendation Best Camera for high-speed 4k videos

So, overall, for 4K 60fps recording, we highly recommend you to get the Sony ZV-E10 Mark II camera. Codec and Color Depth in Both Cameras


Video Codecs

Canon R50 V Video Capabilities

Now, with a 24-megapixel FSI CMOS sensor, our recently announced Canon R50 V camera is able to record 10-bit 4:2:2 videos in H.265 or H.264 codec. You can also record your videos in Canon Log 3 as well as in HLG HDR modes—all these features are available in this entry-level model.

Sony Z10 Mark II Video Capabilities

With a 26-megapixel BSI CMOS sensor, Sony does the same. It also records 10-bit 4:2:2 videos in XAVC HS (H.265) and XAVC S (H.264). Additionally, it supports S-Log2, S-Log3, and Hybrid Log Gamma (HLG), offering up to 14 stops of dynamic range.

Video codec – Comparison and Conclusion

So, in terms of video codec, both cameras record the same 10-bit videos, and neither of them has any limitations over log profiles or any other video codec restrictions. In terms of usability for beginners, videographers, and content creators, both cameras perform well. We are not discussing professional use at this moment.


Detailed Video Specifications Comparison Table

Feature Canon R50V Sony ZV-E10 Mark II
Max Video Resolution 4K 60p (cropped, crop factor unspecified), 4K 23.98p (assumed uncropped based on preview) 4K 60p (1.1x crop), 4K 30p/24p (uncropped, oversampled from 5.6K)
Full HD Capabilities 1080p up to 120p (implied from slow-motion options) 1080p up to 120p
Video Codecs H.265, H.264 (10-bit 4:2:2 internal with log) XAVC HS (H.265), XAVC S (H.264) (10-bit 4:2:2 internal)
Color Profiles C-Log, custom picture profiles from Canon cinema series S-Log2, S-Log3, HLG, Creative Looks (e.g., cinematic presets)
Bit Depth 10-bit internal recording 10-bit internal recording
Dynamic Range Not specified (likely ~12-14 stops with C-Log, based on Canon APS-C trends) Up to 14 stops with S-Log3
Streaming 4K 60p via USB-C (dedicated quick streaming button) 4K 30p via USB-C (UVC/UAC support, improved from original’s 720p)
Slow Motion Supported with option to bake in or exclude audio (specific frame rates not detailed) 1080p 120p, 4K 60p slo-mo with 2x playback (no audio baking options specified)
Recording Limit Not specified (likely no limit based on Canon trends) No recording time limit (improved thermal management over original)
Overheating Not specified (DIGIC X typically manages heat well, no issues noted in preview) Improved over ZV-E10 but can overheat after ~20-30 mins in 4K 60p at high ambient temps
Autofocus in Video Dual Pixel AF II (fast, reliable tracking, eye/face detection) Fast Hybrid AF with Real-time Eye AF, Tracking, Product Showcase mode (495 phase-detect points)
Stabilization No IBIS, relies on lens IS (e.g., 14-30mm PZ) or digital stabilization (crops further) No IBIS, Active SteadyShot (digital, ~1.1x crop), lens OSS support
Cinematic Features “Peter McKinnon mode” (baked-in cinematic bars), power zoom lens support Background Defocus button, vertical shooting metadata, Cinematic Vlog mode
Crop Factor in 4K Cropped in 4K 60p (extent unspecified), uncropped in 4K 23.98p (assumed) 1.1x crop in 4K 60p, uncropped in 4K 30p/24p

Best Camera for Live Streaming

Canon R50 V Live Streaming Capabilities

The recently announced Canon R50 V supports streaming up to 4K 60fps via USB-C, but at the same time, you have to consider the fact that it still has a 1.5x crop. This means you need to use ultra-wide-angle lenses when placing the camera in front of you.

Sony ZV-E10 Mark II Live Streaming Capabilities

On the other hand, in the Sony ZV-E10 Mark II, video streaming or USB streaming remains limited to 4K 30fps via UVC/USC.

Best Camera for Live Streaming

So, you can consider the Canon R50 V as a clear winner in terms of streaming capability, but it also suffers from a crop limitation, which you need to keep in mind while choosing between these two cameras.


Canon R50V Autofocus Capabilities

Canon R50V camera uses a Dual Pixel CMOS autofocus sensor paired with DIGIC X image processor, and according to Canon’s official press release, they are using the same autofocus AF algorithm as they have used in the Canon R5 Mark II camera. The camera also includes subject tracking modes, which include birds, animals, airplanes, moving vehicles, as well as one of the most important modes that has been added to this camera—face registration. Here, you can technically register one, two, or multiple faces, and even in a crowd when you are creating a video sequence, like when you’re doing wedding cinematography. Then, even in a crowd, if you have already registered the bride and groom’s faces in the camera, it will track only those two.

Sony ZV-E10 Mark II Autofocus Capabilities

Now, in the Sony ZV-E10 Mark II camera, we have an advanced video autofocus tracking mode, which is directly coming from the Sony A7R V. It does have predictive AI tracking, just as we have seen in higher-end Sony models, so it is also very good at predicting human faces, human bodies, animals, birds, and eyes. Moreover, the camera also has a built-in AI auto-framing mode, which, in turn, the Canon R50 V doesn’t have. This particular AI auto-framing mode helps content creators, especially solo content creators—those who create cooking videos in a single room. The camera will automatically track them and crop them in a frame, like the way a professional cinematographer shoots their movement.

Best Camera with Usable AF in Video

So, each of these cameras does have brilliant autofocus tracking capability and some specialized modes. The Canon R50 V is more suitable for wedding cinematography, where you can register people’s faces for autofocus tracking, whereas in the Sony ZV-E10 Mark II camera, we have AI auto-framing mode, which is more useful for content creators.


Canon R50 V Image Stabilization

Canon R50 V camera is a base model, and we are not able to expect too much out of it. Since the absence of sensor-shift image stabilization looks a bit logical to me, any camera maker out there is not offering any sort of IBIS mechanism in that price range. Although the camera does have EIS (Electronic Image Stabilization), which is effective for video, you have to use ultra-wide-angle lenses when you are using EIS in the camera for creating content or shooting any sort of videos. But keep in mind that EIS is only effective in shooting videos, not in still photography.

Sony ZV-E10 Mark II Image Stabilization

Sony ZV-E10 Mark II camera comes at a higher price, and at least we were expecting the presence of some sort of IBIS feature inside it. But for video recording purposes, we do get Active I.S. inside this camera, supported with a gyro-based image stabilization system. So, specifically, when you are using gyro, you get very stable footage with minimal crop, but you have to post-process it on your laptop or PC using Sony Catalyst Browse software. Other than that, we have Active I.S. mode, where Sony does crop significantly, but we do get gimbal-like stable footage from the camera.

Best camera for Handheld Video

So overall, none of the cameras feature sensor-shift image stabilization systems, but in the Sony ZV-E10 Mark II camera, we do have gyro-based image stabilization as well as Active Mode, which is very effective. Price-wise, what we are getting in Canon R50 V also looks very logical to me, specifically if you are into content creation. So, it’s very obvious that if you are paying a bit higher price for a camera body like the Sony ZV-E10 Mark II, you will get better image stabilization performance, which is specifically made for videographers and cinematographers.


Audio Specifications

Feature Canon R50V Sony ZV-E10 Mark II
Microphone Port Yes (3.5mm) Yes (3.5mm)
Headphone Port Yes (3.5mm) Yes (3.5mm)
Onboard Microphone Standard stereo mic (not emphasized as vlogging-specific) Directional 3-capsule mic with windscreen (optimized for vlogging, improved over original)
Digital Audio Support Digital hot shoe (24-bit, 4-channel audio with compatible Canon mics) Multi-interface shoe (digital audio with compatible Sony mics, e.g., ECM-W2BT)

 


Body Design & Battery Life

Body design-wise, both cameras are the same, and even the weight is almost equal, at under 400 grams. However, in the Sony ZV-E10 Mark II camera, we get a deeper hand grip as well as a battery life similar to that of a full-frame camera. The NP-FZ100 battery is capable of giving you approximately 610 shots and more than 2 hours of continuous 4K 30p video recording.

Body Design

Feature Canon R50V Sony ZV-E10 Mark II
Dimensions 116 x 86 x 69 mm 121 x 68 x 54 mm
Weight Not specified (likely ~375g with battery, based on R50) 377g (with battery and SD card)
Viewfinder None (EVF omitted to reduce cost) None
Screen 3-inch vari-angle LCD (lower resolution than R50, exact dots unspecified) 3-inch fully articulated LCD (1.04M dots, touch-capacitive)
Tally Light Yes (front-facing, with red box on screen) Yes (front-facing, improved visibility over original)
Vertical Video Support Quarter-20 mount on side for vertical tripod/gimbal use Vertical shooting metadata (no physical mount, relies on software orientation)
Weather Sealing None None
Ergonomics Not detailed (likely similar to R50 with deep grip) Larger grip than original ZV-E10, two control dials (top and rear)
Buttons/Dials Quick streaming button, standard Canon layout Background Defocus, Photo/Video/S&Q toggle, customizable Fn button

Ports and Connectivity

Feature Canon R50V Sony ZV-E10 Mark II
USB USB-C (supports streaming and charging) USB-C 3.2 Gen 1 (supports streaming and charging)
HDMI Not specified (likely micro HDMI based on R50) Micro HDMI (Type D)
Microphone Port Yes (3.5mm) Yes (3.5mm)
Headphone Port Yes (3.5mm) Yes (3.5mm)
Remote Port Yes (2.5mm) No (remote via Bluetooth or USB)
Hot Shoe Digital hot shoe (24-bit, 4-channel audio support) Multi-interface shoe (digital audio support)
Wireless Wi-Fi (version not specified), Bluetooth (assumed based on R50) Wi-Fi (2.4 GHz), Bluetooth 5.0

Battery and Storage

Feature Canon R50V Sony ZV-E10 Mark II
Battery Type LP-E17 (same as R50) NP-FZ100 (larger capacity than original ZV-E10’s NP-FW50)
Battery Life (CIPA) Not specified (likely ~230 shots based on R50) 610 shots (significant improvement over ZV-E10’s 440 shots)
Charging USB-C charging supported USB-C charging supported (faster charging with PD support)
Storage Single SD slot (UHS-II) Single SD slot (UHS-II support, faster than ZV-E10’s UHS-I)

In contrast, the Canon R50 V camera uses the regular LP-E17 battery, which offers approximately 230 shots and around 1 hour and 20 minutes of 4K 30p video recording.


Still Photography & Sensor Comparison

For still photography, the Canon R50 V camera uses a 24-megapixel FSI CMOS sensor and supports up to 12 FPS with an Electronic First Curtain Shutter (EFCS) and approximately 15 FPS with an electronic shutter.

Whereas in the Sony ZV-E10 Mark II camera, we have a 26MP BSI CMOS sensor with a maximum continuous shooting speed of 11 FPS, limited to an electronic shutter only. Technically, having an EFCS sensor-based camera is a better option if you’re planning to shoot sports or wildlife photography.

As we all know, Canon’s 100-400mm lens is also available at a budget-friendly price, making it a great pair for those into sports and wildlife photography, as well as content creation. However, at the same time, we must consider the advantage of a 26MP BSI CMOS sensor.

Feature Canon R50V Sony ZV-E10 Mark II
Resolution 24MP 26MP
Burst Shooting 15 fps (electronic), 12 fps (electronic first curtain) 11 fps (mechanical/electronic)
RAW Support Yes Yes (Compressed/Uncompressed)
Image Stabilization None (lens-based only) None (lens-based only)

Best Camera for Still Shooters

If you are not into sports and wildlife photography and are looking for higher detail, better low-light performance, and enhanced dynamic range, then getting a 26MP sensor will be a better decision.


Final Conclusion: Which Camera is Best for You—Canon R50 V or Sony ZV-E10 Mark II?

Tailored for Videographers & Content Creators

Both of them are custom-tailored for videographers or content creators, and the best part is Canon is offering us a 10-bit video recording mode in a budget body. But at the same time, we do have some limitations, like having a 1.5x crop in 4K 60 FPS mode. Other than that, we also have limitations in the Canon RF mount, which actually limits us in selecting budget lenses.

Canon Lens Availability & Limitations

So even if you have purchased a budget body from Canon, then it will be a bit hard to find a usable prime lens within budget. Specifically, if you have purchased the Sony ZV-E10 Mark II camera by paying a bit higher price, you can use lenses like Viltrox Air series, which come at a very low price with usable high-grade optics.

Choosing Based on Personal Requirement

But again, it all depends upon your own personal requirement and usage. If you have already sorted out the best lenses that you are going to use for the Canon R50 V camera and having a crop in 4K 60 FPS mode doesn’t bother you, then without a doubt, the R50 V is much more usable for you.

Advantages of Sony ZV-E10 Mark II

Similarly, in the Sony ZV-E10 Mark II camera, we are getting uncropped 4K 60 FPS mode, we are getting active image stabilization as well as AI autofocus and ZV-E10’s in-body stabilization, plus some extra features and extra battery life in the Sony camera. The most important factor is the range of lenses available for the ZV-E10 Mark II.

Final Verdict

So for me, the best budget camera is the Canon R50 V, but if you consider lens availability, then you have to spend a lot more to get perfect Canon lenses for your camera.

Decision-Making Pros and Cons Table: Canon R50V vs Sony ZV-E10 Mark II

Sony ZV-E10 Mark II B&H   |  Amazon.com

Canon R50V Camera available at B&H Store | Adorama.com | amazon.com

Category Canon R50V Sony ZV-E10 Mark II
Price

✅ Lower cost at $649 body-only or $849 with kit lens – excellent value for features.

❌ Limited native RF-S lens options can increase long-term costs.

✅ Reasonable at $999 body-only or $1,099 with kit lens for upgraded specs.

❌ Significantly more expensive than R50V, less budget-friendly.

Video Resolution & Frame Rates

✅ 4K 60p (1.5x crop) for smooth motion, great for action or dynamic vlogging.

✅ Uncropped 4K 23.98p for cinematic wide shots.

✅ 1080p 120fps for slow motion.

❌ 1.5x crop in 4K 60p narrows field of view, requiring wider lenses.

✅ 4K 60p (1.1x crop) with less restrictive crop than R50V.

✅ Uncropped 4K 30p/24p (oversampled from 5.6K) for detailed wide-angle shots.

✅ 1080p 120fps for slow motion.

❌ None.

Battery Life

✅ LP-E17 battery, USB-C charging – decent for short shoots.

❌ Likely ~60-90 mins 4K recording – shorter than Sony.

✅ NP-FZ100 battery – ~130 mins 4K recording, significantly longer runtime.

✅ USB-C charging with PD support.

Lens Ecosystem

✅ RF-S mount with RF compatibility – access to high-quality lenses.

❌ Limited native APS-C lenses – fewer affordable options.

✅ E-mount – vast range of APS-C and full-frame lenses, including third-party.

❌ Kit lens (16-50mm) less versatile for video than Canon’s PZ lens.

Also see Canon R50V vs Sony ZV-E10

Canon R50V vs Sony ZV-E10

Let’s compare the specifications of the Canon R50V and Sony ZV-E10 cameras. We are also focusing on their video graphics features. Both specifications are up to date as of March 26, 2025. Enjoy the specs comparison between the two.

Specification Comparison Table: Canon R50V vs Sony ZV-E10

Category Canon R50V Sony ZV-E10
Release Date March 26, 2025 July 27, 2021
Sensor 24MP APS-C CMOS 24.2MP APS-C Exmor CMOS
Processor DIGIC X BIONZ X
Lens Mount Canon RF-S (compatible with RF lenses) Sony E-mount
Native ISO Range  ISO 100-32,000, extendable to 51,200 ISO 100-32,000 (expandable to 50-51,200)

Video Specifications

Feature Canon R50V Sony ZV-E10
Max Video Resolution 4K 60p (cropped), 4K 23.98p (assumed uncropped based on preview footage) 4K 30p (1.23x crop), 4K 24p (uncropped, oversampled from 6K)
Full HD Capabilities 1080p up to 120p (implied from slow-motion options) 1080p up to 120p
Video Codecs H.265, H.264 (10-bit 4:2:2) XAVC S (H.264, 8-bit 4:2:0)
Color Profiles C-Log3, custom picture profiles from Canon cinema series S-Log2, S-Log3, HLG
Internal Recording 10-bit internal recording with C log 8-bit internal recording S Log
Streaming 4K 30p via USB-C (dedicated quick streaming button) 720p via USB-C (requires software setup, no 4K streaming natively)
Slow Motion 1080 120p Supported with option to bake in or exclude audio (specific frame rates not detailed) 1080p 120p (no audio baking options specified)
Recording Limit Not specified  / No limit No recording time limit
Autofocus in Video Dual Pixel AF II (fast, reliable tracking, eye detection) Fast Hybrid AF with Real-time Eye AF, Tracking, Product Showcase mode
Stabilization No IBIS, relies on lens IS (e.g., 14-30mm PZ) or digital stabilization (crops further) No IBIS, Active SteadyShot (digital, ~1.44x crop in Active mode), lens OSS support
Cinematic Features “Peter McKinnon mode” (baked-in cinematic bars)  No SCinetone mode

Audio Specifications

Feature Canon R50V Sony ZV-E10
Microphone Port Yes (3.5mm) Yes (3.5mm)
Headphone Port Yes (3.5mm) Yes (3.5mm)
Onboard Microphone Standard stereo mic (not emphasized as vlogging-specific) Directional 3-capsule mic with windscreen (optimized for vlogging)
Digital Audio Support Digital hot shoe (24-bit, 4-channel audio with compatible Canon mics) Multi-interface shoe (digital audio with compatible Sony mics)

Body Design

Feature Canon R50V Sony ZV-E10
Dimensions 116 x 86 x 69 mm 115 x 64 x 45 mm
Weight  ~375g with battery 343g (with battery and SD card)
Viewfinder None (EVF omitted to reduce cost) None
Screen 3-inch vari-angle LCD 1.04 Mdot 3-inch fully articulated LCD (921k dots)
Tally Light Yes (front-facing, with red box on screen) Yes (red tally light on front)
Vertical Video Support Quarter-20 mount on side for vertical tripod/gimbal use No dedicated vertical mount
Weather Sealing None None
Ergonomics Compact, lightweight, minimal grip Compact, lightweight, minimal grip

Ports and Connectivity

Feature Canon R50V Sony ZV-E10
USB USB-C (supports streaming and charging) USB-C (supports streaming and charging)
HDMI Micro HDMI Micro HDMI
Microphone Port Yes (3.5mm) Yes (3.5mm)
Headphone Port Yes (3.5mm) Yes (3.5mm)
Remote Port Yes (2.5mm) No
Hot Shoe Digital hot shoe (24-bit, 4-channel audio support) Multi-interface shoe (digital audio support)
Wireless Wi-Fi 5 Wi-Fi (2.4 GHz), Bluetooth 4.1

Battery and Storage

Feature Canon R50V Sony ZV-E10
Battery Type LP-E17 NP-FW50
Battery Life (CIPA) 270 shots per charge 440 shots
Charging USB-C charging supported USB-C charging supported
Storage Single SD slot UHS-II Single SD slot UHS-I

Still Photography

Feature Canon R50V Sony ZV-E10
Resolution 24MP 24.2MP
Burst Shooting 15 fps (electronic), 12 fps (electronic first curtain) 11 fps (mechanical/electronic)
RAW Support Yes Yes
Image Stabilization None (lens-based only) None (lens-based only)

Price and Kit Options

Feature Canon R50V Sony ZV-E10
Body Only $649 $699
Kit Option $849 with RF-S 14-30mm f/4-6.3 PZ IS STM (22-48mm equiv.) $799 with E PZ 16-50mm f/3.5-5.6 OSS (24-75mm equiv.)
Lens Ecosystem RF-S (limited native APS-C lenses, full RF compatibility) E-mount (extensive native APS-C and full-frame options, third-party support)

Additional Features

Feature Canon R50V Sony ZV-E10
Vlogging Features Tally light, vertical mount, quick streaming button, cinematic bars, Canon’s own product showcase mode, and many new features Product Showcase mode, Background Defocus button, directional mic
Customizability Custom picture profiles from the cinema series SCinetone Missing
Firmware Updates Not applicable yet (preview model) Regular updates (e.g., improved streaming with firmware v2.00)

Conclusion: Canon R50V vs Sony ZV-E10

The Canon R50 V camera features updated video recording capability, including 10-bit 4:2:2 internal recording and 4K video recording up to 60 frames per second (1.5x crop). However, the Sony ZV-E10 remains limited to 8-bit, and  60 FPS 4K mode is unavailable. Even in the live streaming option, the Canon R50 V can live stream up to 4K 60 FPS. Additionally, in the body, you get a vertical mount to record vertical videos for YouTube Shorts, Instagram, or other media networks.

The only reason Sony excels now is the vast lens found in the E-mount. We have a range of options, and nowadays, even Viltrox Air series lenses are available at very affordable prices and can be easily purchased for the Sony ZV-E10 camera. On the other side, in Canon R50 V, we have a very limited number of lenses, so you have to choose wisely—either go with a higher-priced Sony body like ZV-E102 and later buy affordable lenses or get the R50 V and pay for pricier lenses.

Also see – Canon R50V vs Sony ZV-E10 Mark IICanon V1 vs Sony ZV-E10

Canon RV Camera available at B&H Store | Adorama.com | amazon.com

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Sony VENICE 2 Extension System Mini Announced by Sony

Sony has finally announced the VENICE Extension System Mini. The main highlight is its form factor—as usual, it is very portable and able to record 8K videos, weighs approximately 0.54 kg, and is very easy to carry for some special kinds of shoots where portability is the main factor.

This system Mini is compatible with VENICE 2 6K and 8K models, and most importantly, the VENICE 2 6K model is now able to capture 8K resolution with this system, although it will require a system software update.

The improvement that has been made in the System Mini is that you are now getting approximately 4.5m (14 feet) of cable, allowing you to move a greater distance while keeping the head unit of the camera along with the lens only.

The System Mini is based on E-mount, and you can easily use E-mount lenses. It also supports hybrid autofocus with Eye AF tracking. Additionally, you can use PL-mount lenses with the help of an adapter, which in turn also transfers the lens metadata through the input port.

The VENICE 2 System Mini will be showcased at the upcoming NAB 2025 show in Las Vegas, beginning on April 6, 2025. The camera is now available for pre-order at B&H stores.

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Panasonic S1R II Dynamic Range Test Results - Photons to Photos

The LUMIX DC-S1R Mark II is a mirrorless camera from the LUMIX S series, announced at the end of February 2025. It is equipped with a newly developed 44MP BSI sensor and a processor that supports high-speed processing using L2 technology. It supports 40 frames per second continuous shooting and 8K 30p video recording. As an alternative to expensive stacked CMOS sensors, it has high-speed performance.

At the same time, it is significantly smaller and lighter than the previous model, and the selling price, at least in North America, is cheaper. Furthermore, it has a high-resolution EVF and a tilt + vari-angle monitor, but the body size is close to that of the S5II.

Key points of Panasonic S1R II Test Results

  • According to the Photons to Photos test results,  NOISE REDUCTION is applied to RAW from ISO 6400 onwards, which results in higher test scores, but caution is advised if you value detail over noise. The results are very similar to DPReview’s studio scene test.
  • On the other hand, unlike the previous model, which applied noise reduction even at base ISO, it seems that the noise reduction process is not applied at low ISOs. If you are shooting stars, etc., it seems that there will be no problem if you keep the ISO up to around 5000.
  • While the peak values ​​are lower than other high-resolution sensors, the difference in performance is not surprising, and in comparison, the results are better from ISO 6400 onwards (thanks to noise reduction).
Maximum PDR Low Light ISO Low Light EV
S1RII 11.08 8139 11.35
S1R 11.37 4522 10.50
α7R V 11.70 5244 10.71
α1 II 11.61 5768 10.85
α1 11.36 5215 10.70
R5 II 11.45 4846 10.60
R5 II ES 10.92 4392 10.46
Z 7II 11.60 4157 10.38
Z9 11.30 4144 10.37
  • Please note that the DC-S1R only performs better where the noise reduction is performed on the RAW data.

Lumix S1R II Rolling Shutter Exposed: The 48p Trick You Need to Know

Panasonic Camera Registrations in 2025 – Upcoming Camera Model codes

This article, “Panasonic S1R II Dynamic Range Test Results – Photons to Photos,” was first published on TheNewCamera.com.

source www.photonstophotos.net

Panasonic S9 Become More Better with Latest Firmware Update Ver.1.3

One of the best budget cameras to record 6K open-gate recording, earlier or when it was announced, there was a 4K 15-minute recording limit in the camera, and for which it was criticized at the time of announcement. But Panasonic listened to us, and on October 9, 2024, they released their first firmware update, version 1.1, and they removed the recording limit. Now, it does not have any recording limit in 4K 30fps mode or even in open-gate recording as long as your memory card isn’t full or the camera doesn’t face any kind of overheating issues.

But again, practically, the overheating performance of this camera is very good, and users are quite happy with the usage of this camera. Just keep in mind the camera is using the first generation of hybrid autofocus similar to what was used with the Panasonic S5, S5II, and S5IIX, so autofocus tracking is not on par with Canon and Sony cameras.

In the latest firmware update, version 1.3, they have again tried to optimize the overall operational speed of the camera. Additionally, they fixed a problem where when connecting to a Wi-Fi network, the password was always required. Now, it has become a one-time entry, so overall connectivity performance has been improved along with the operational speed of the camera.

Dlownload the latest Update from here

Details of the update

  1. Feature changes due to security enhancements
    – When directly connecting the camera and smartphone via Wi-Fi, the connection has been changed to always require password authentication. (The [Wi-Fi Password] menu has been removed.)
    – The [TKIP] encryption method is no longer supported when connecting to Wi-Fi via an access point.
    – The [No Encryption] option in network authentication is no longer supported when connecting to Wi-Fi via an access point.
    – The image transfer feature to PC via Wi-Fi has been removed. (Only European/Ukrainian models)
  2. Other improvements
    – The startup speed when powering on has been improved.
    – The operational stability has been improved.

Panasonic Major camera announcement in April 2025

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Panasonic Camera Registrations in 2025 – Upcoming Camera Model codes

This article, “Panasonic S9 Becomes Better with Latest Firmware Update Ver.1.3,” was first published on TheNewCamera.com.

Fuji Upcoming Cameras 2025 - 2026

Fuji Upcoming cameras
Finally, we have the Fuji X-E5 camera from Fuji on summer, now we have a bunch of more Fuji cameras waiting to be announced next, let’s explore the list of the upcoming Fuji Cameras.
Fuji Half Frame camera official image

Upcoming Half-Frame Camera with a 1-Inch Sensor

Just before the Fuji X-E5 in 2025, the X-Half camera also becomes official, now let’s explore in the table below the list of cameras announced and expected to arrive in 2025.

Wrap-Up of 2025 – 2026 Announcements

So now, that wraps up the 2025 announcements, and now we will move forward and talk about the possibilities of 2026.

elow is the corrected table, organized by year, showing announced and expected Fujifilm cameras based on historical patterns and current information.

Year Camera Model Announcement Date Status Key Features Source
2025 Fuji GFX100RF March 20, 2025 Announced 102MP medium-format sensor
2025 Fuji X Half May 22, 2025 Announced 20MP 1-inch sensor
2025 Fuji X-E5 Announced 11 June Rumored 40MP X-Trans CMOS sensor
2025 Fuji GFX Eterna 2025 (Expected) Formally Announced 102MP medium-format sensor, cinema camera Confimred
2025 Fuji X-T6 September 2025 (Expected) Rumored 40MP X-Trans CMOS sensor
2025 Fuji X-H3/X-H3S March or September 2025 (Expected) Rumored NA
2026 Fuji X-Pro5 2026 (Expected) Rumored NA
2026 Fuji GFX100S II Early 2026 (Expected) Rumored Upgraded sensor expected Based on Fujifilm’s GFX refresh cycle
2027 Fuji X100VII Early 2027 (Expected) Rumored Upgraded sensor, refined 23mm f/2 lens, Based on Fujifilm’s X100 series refresh cycle

Fuji X-PRO 5 / X-Pro 6

Previous reports suggest that the upcoming X-Pro series camera will be called X-Pro 6 since Fuji will sync the name of the X-Pro series camera with others in 2026. It has been almost six years since the Fuji X-Pro 3 was released. The camera was announced in October 2019, and now it feels too old. Fuji has taken too much time, considering that even flagship cameras from other brands receive regular updates every four to five years. However, we have been waiting for more than six years now. Read full article here 

We got confirmation from the general manager of Fuji Film Professional Imaging Group that the Fuji X-Pro 4 is under development. In a recent interview with PetaPixel, he clearly stated that.

In the recent interview, the general manager has said, “Of course, we can put the X-Processor 5 and the new X-Trans sensor in an X-Pro3 and call it X-Pro4, but that’s boring,” Igarashi says. 

That clearly indicates they are either planning a brand new sensor for the new X-Pro series. Since it’s a flagship series, it may introduce a new X-Trans 6 sensor or X-Processor 6 in the upcoming X-Pro 6 camera.

And if this happens, then Fuji will allow the Fuji X-Pro 6 camera to gain as much market share as possible, and in that time span, they will not announce another camera with the same sensor in a lower price range (peak sales period of a camera is generally considered for 6 to 7 months).

So, if Fuji X-Pro 6 arrives with a new X-Trans VI sensor, then for sure Fuji X-T6 scheduled announcement plan will get delayed.

Fuji X-T6 to be Delayed

The Fuji X-T5 camera was announced in November 2022. Based on the online pattern of the X-T series camera, which has been quite consistent for the past 6 to 7 years, the next X-T series camera, the Fuji X-T6, will be announced in late 2025 or early 2026.

Yes, there is a high possibility that we may have the Fuji X-T6 camera next, if Fuji goes as per schedule. But, chances are low, since they have to protect the sales of the recently announced X-E5 camera, and on the other hand, do they have to keep new pieces of technologies like a new sensor and image processor ready for X-PRO and X-H series announcement in 2026. So, even if X-T6 arrives in 2025, it will be a subtle update. Otherwise, the best thing for Fuji is to break the announcement pattern or update cycle of 33 months and announce it sometime in Q4 of 2026 or Q1 of 2027 with a major update.

Fuji X-E5 has been announced recently, which falls almost in the same price range X-T series camera (+ $200 for body), Fuji will never allow itself to cannibalize the sales of other models by announcing the X-T6 with enhanced core specification, which almost matches the X-H2 under budget.

Recent GFX Camera Announcements

Recently, we witnessed the announcement of the GFX 100 RF camera as well as GFX Eterna, the medium-format cinema camera. So now, Fuji has introduced both a compact camera with a 28mm F4 fixed lens for photographers and a cinema camera. Both of them use the 102-megapixel medium-format sensor.

No Further 102MP GFX Announcements for 2026

That means there will be a pause in further GFX series announcements for 7 to 8 months. So, for next year, we are certain that no further 102-megapixel medium-format camera is coming.

Before We Move Forward to 2026, let understand the development and announcement pattern of X-Trans CMOS sensors

If we look at historical trends, Fuji uses flagship models to introduce new  new sensor generations, like the X-H or X-Pro series, such as X-Trans V with X-H2S and X-H2. Thus, it’s plausible that X-Trans VI could appear in a new X-Pro 6 or X-H3 or X-T6, expected in early 2026

Generation Introduction Date First Camera
X-Trans I January 9, 2012 X-Pro1
X-Trans II January 7, 2013 X100S
X-Trans III January 15, 2016 X-Pro2
X-Trans IV September 6, 2018 X-T3
X-Trans V HS May 31, 2022 X-H2S
X-Trans V HR September 8, 2022 X-H2
X-Trans VI Predicted: Late 2025 – Early 2026 Fuji will use Flasghip models like X-Pro6, X-T6 or X-H3

HS for speed and HR for resolution

Research suggests that Fujifilm’s X-Trans VI sensor is likely to arrive in late 2025 to early 2026, based on historical intervals of 2.5 to 3 years between generations and the introduction of X-Trans V in 2022

Fuji Fullframe Compact Camera Fuji FX 100 with 40mm F2 Lens – A Leica Q3 Compatitor

Fuji FX100 post image

Back in June 2025, Japanese website ASOBINET spotted something intriguing in Fujifilm’s patent filings: alongside new GF 20mm f/2.8 and XF 15mm f/2.8 designs, there was a 40mm f/2 lens specifically laid out for a full-frame sensor. That little detail is probably the strongest hint yet that Fuji is toying with the idea of a full-frame compact. A 40 mm normal-view optic makes perfect sense here—it’s roughly the classic field of view you’d get with Leica’s Q3 at 43 mm f/2.

As recently as 2023, during INTERVIEWS, they have CLEARLY SAID that they have no plans to enter the crowded full-frame interchangeable-lens mirrorless market dominated by Canon, Nikon, and Sony. Their reasoning is clear: APS-C (X Series) offers a compact, cost-effective alternative, while medium format (GFX Series) provides superior resolution and dynamic range for professionalsBuilding a FULLFRAME interchangeable LENS system from scratch means designing new mounts and glass, then convincing photographers to invest in yet another lineup, possibly at the expense of their current X and GFX customers. It’s a risky move that could or may end up cannibalising their lineup of GFX and Z series cameras.

That said, Fujifilm isn’t ruling out playing in the full-frame sandbox entirely—a fixed-lens full-frame compact camera, as we have discussed above the Fiji FX100, would not contradict Fujifilm’s stance. It would be a distinct product category, akin to the Leica Q3 (60MP full-frame sensor, 28mm or 43mm f/1.7-2 lenses) or Sony RX1R II (42MP full-frame, 35mm f/2 lens): FX100 will let them dip a toe into full-frame territory without overhauling their entire lens portfolio

Full detailed article here https://thenewcamera.com/fuji-fx100-the-possibility-of-a-full-frame-compact-camera-in-2026/

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Fuji GFX100 RF Sample Images

The Fujifilm GFX 100 RF is a newly announced medium-format camera. It features a 102-megapixel medium-format sensor and a fixed lens of 28mm F4, which is equivalent to a 35mm lens—maybe a 35mm F5.6 lens when used in a full-frame camera. Compared to other medium-format cameras in the market, it has a rangefinder design and a compact body.

The camera was announced on March 20, 2025, with a price tag of $4,899. Shipping will start on April 24, 2025, and it will be available in black and silver. We have already covered the Fujifilm GFX 100 RF Press Release here.

Get GFX100 RF from B&H Store | Adorama.com

Rangefinder-Style Body & Unique Features

The rangefinder-style body also includes an offset electronic viewfinder and the most attractive thing in the body design is the new aspect ratio dial with 9 options that include 4:3, 2:2, and even 16:9. This allows you to compose your images in a very different way, making landscape and architectural photography more intuitive.

This aspect ratio dial will give you a new dimension to capture and preserve your compositions. You can check our best aspect ratio guide to understand how different ratios impact composition.

A Compact Medium Format Camera for Professionals

The camera was announced in a very unique niche that blends traditional medium format photography with a compact body. Some photographers who strive for high image quality but don’t want to carry the traditional bulky GFX models with interchangeable lenses will find this specific design inspiring.

Samples of GFX 100 RF

Jonas Rask Photography Blog: The blog post “Impossibly Possible – The Fujifilm GFX100RF review” (Jonas Rask Review) offers an in-depth look with sample images from real-world use. The author, involved in early testing.

DPReview Sample Gallery: DPReview’s initial review of the GFX100RF (DPReview Initial Review) includes a sample gallery.

Official Fujifilm Pages: The official product page for the GFX100RF (FUJIFILM GFX100RF Product Page) does not directly host a sample image gallery but credits photographers like Lee-Ann Olwage and Yukio Uchida.

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