Join More Than 50,000+ Subscribers and get latest camera news and rumors

NEW CAMERA VIDEOS ON YOUTUBE

Download Our Android Appthenewcamera-app
NEW CAMERA LINKS
NEWS News about new camera
Hot at New Camera Hot Picks by New Camera

Camera Rumors List of all latest Camera Rumors on Web.
Canon Rumors Latest Canon Rumors.
Nikon Rumors Latest Nikon Rumors.
Sony Rumors Latest Sony Rumors.

Sample Images Click here to see New Camera Sample Images.
Sample Video Click here to see New Camera Sample Video.
Firmware Update

Chinese Lens Maker Yongnuo Created World Most Sharpest 85mm F1.8 Lens

During the DXO Mark Lab test results, the Chinese third-party lens maker Yongnuo 85mm F1.8 (for sony) lens topped the chart for 85mm F1.8 category. And scored #3 position in the DXO best lenses list. And not only the best lens it’s also the most affordable in the list of top ten lenses.

As you can see from the price comparison with others,  I think this is the perfect time for all third-party lens makers and Canon, Nikon, and Sony to hire their lens R&D Lab team members with 4x salary.

Get the yongnuo 85mm f1.8 Nikon z mount from AMazon.com | B&H Store

Support us – Use or affiliate link Amazon.com | B&H Store  for the next purchase u make – it helps us

Follow us on our social pages  FACEBOOK | TWITTER | INSTAGRAM to get live news +  Nikon Rumors 24X7

Canon R5C Will Get Netflix Approval ?

Canon R5C has everything to get Netflix approval except for a Full-Size HDMI port 😉  Just believe me, these are the mentioned below factors considered by the Netflix team while approving the camera for Netflix

Major Factors for Netflix approval

  • Video Resolution
  • Dynamic range
  • Color reproduction,
  • Noise performance
  • Sensor readout speed
  • Compression
  • Chroma subsampling
  • Bit-depth
  • In-built Timecode compatibility
  • No-Time Limit
  • Overheating issue (if any)

other factors are also there, but these are the main

Canon R5C has all the bells and whistles

Yes, Canon R5 has all the bells and whistles to get Netflix approval, and maybe sooner or later will get the good news one day. Canon already added a built-in Time code function in the Canon R5C that even Sony FX3 was missing at the time of announcement and later on added by Sony via a firmware 2.0 update. If we talk about other features of R5C we have an 8K sensor with full readout, an active cooling system, no recording limit even at MAX RES, 10Bit internal recording option, and Dual gain ISO for better low light performance … the R5C has full potential to be in the NETFLIX-approved list of cameras. now, it’s a matter of time before we will get the good news.

Why are only 2 Panasonic Consumer level Cameras (S1H and BGH1) approved by NetFlix?

Why was Panasonic S1H approved by Netflix and Panasonic S1 didn’t? Although both of them have a timecode port? the answer is Panasonic S1 suffers from overheating in 5.9K mode as well as also has a recording time limit.. which was the biggest issue in the line of approval.
Not only the Panasonic S1, but the Panasonic S5 can also record embedded timecode in MOV mode as well as has an anamorphic 4:3 option available. The S5 doesn’t have an active cooling system like the S1H, and combined with the more compact body video record times in 10-bit modes are limited to 30 minutes of continuous recording.

Panny BGH1 the most affordable NETFLIX approved ccamera

So, both the Panasonic BGH1 and Panasonic S1H have no overheating issues as well as any recording limit, they also feature a 10bit internal recording option with log profiles, Dual gain ISO, full sensor readout while doing videos, and the ability to sync with another camera in the set with dedicated timecode functionality.

Netflix Approval process decoded

Netflix needs cameras for production sets, Cameras with high-quality video recording capability, without any recording limit and free from overheating issues, also able to sync with each other via timecode easily, should have all the standard ports, and finally proper lens mount support… that’s the basic things a camera need to get Netflix approval

Cano, Sony, and Nikon should keep eye on these sets of specs that Netflix actually requires to approve cameras.

Support us – Use or affiliate link Amazon.com | B&H Store  for the next purchase u make – it helps us

Follow us on our social pages  FACEBOOK | TWITTER | INSTAGRAM to get live news

Sony FX3 Get NETFLIX APPROVAL | Best Budget Cinema Camera 2022

 

Finally, Sony FX3 Camera got NETFLIX approval, before Sony FX3 the best Budget Cinema camera was Canon C70 @ $5499 at B&H Store. 
So, if you are a filmmaker and looking for an affordable cinema camera (obviously FX3 is affordable if you compare it to other cinema mirrorless camera prices), you can get unique third-party E-Mount lenses for your Sony FX3 Camera.

Sony FX3 Major feature

  • 12.1MP Full-Frame CMOS Exmor R Sensor
  • UHD 4K up to 120 | 1080p up to 240
  • Compact Form for Cage-Free Operation
  • 10-Bit 4:2:2 XAVC S-I,16-Bit Raw Output
  • S-Cinetone/S-Log3/HLG, 15+ Stops DR
  • Detachable 2 x XLR/TRS Adapter Handle
  • Phase Detection AF/Face Tracking/Eye AF
  • 80 to 409,600 Expanded ISO Range
  • Dual CFexpress Type A/SDXC Card Slots

Get Sony FX3 from B&H Store

Recommended accessories for Sony FX3

Follow us on our social pages  FACEBOOK | TWITTER | INSTAGRAM, If you have time –>see more Sony Alpha Rumor

Canon Upcoming Cameras to Feature Smart Display Unit to Save Power

According to a recent Canon Patent, we spotted, Canon’s upcoming Mirrorless cameras will use a smart display unit to save power consumption and to make the Mirrorless camera battery life a bit better.

Smart Display Units Working Principal as described in the patent

To sufficiently reduce power consumption while a user checks an image to be photographed.SOLUTION: When a user refers to additional information displayed on a display unit, an imaging apparatus considers that the user does not have an intention to perform photographing, and reduces the frame rate and resolution of an image displayed on a digital camera. Even during the pan operation of the digital camera, when the user’s line of sight does not track a subject to be tracked, the imaging apparatus considers that the user does not have an intention to perform photographing, and reduces the frame rate and resolution of an image displayed on the digital camera.

Canon Patent – Working on a New Adapter

Also, see

Canon Modular Camera

Get LIVE RUMORS –> FACEBOOK | TWITTER |  INSTAGRAM to get live news + Canon rumors 24X7

Nikon Z8 Coming Soon...

According to the latest rumors that surfaced over the web, the Nikon Z8 camera is expected to arrive next (Aug 2022) month. As per the rumors we have the camera will same sensor and image processor as of Nikon Z9 camera

Nikon Z8 Major Specification

  • 45.7MP FX-Format Stacked CMOS Sensor
  • EXPEED 7 Image Processor

These are the initial set of information coming straight out from the Twitter handle how2fly, so keep in mind that the source is new and we have to wait for more confirmation about the same

We will post more updates soon related to upcoming Nikon cameras | stay tuned

 

Follow us on our social pages  FACEBOOK | TWITTER | INSTAGRAM to get live news +  Nikon Rumors 24X7

source how2fly

Canon R7 vs Sony A7 III

We are comparing these two cameras based on subscribers’ requests, Canon R7 is a recent announcement from Canon. The Canon R7 camera uses Canon RF Mount. The camera arrived with very impressive core specifications, for still shooters as well as video shooters.

The Sony A7 III camera was announced back in Feb 2018, it’s almost 4 years more. Sony A7 III was a very popular camera back in 2018, but A7 III sales were hit by the Nikon Z6 Mark II camera announcement. We have seen after the announcement of the Z6 Mark II camera, wedding photographers specifically in the Asian region now preferring up the Nikon Z6 Mark II combo with a 24-70mm F4 coverage lens and an 85mm F1.8 Prime.

The big issue is that Sony A7 IV arrived at a higher price slot and it’s not a true replacement for the Sony A73. We need a perfect replacement for the Sony A73 camera in the same price range.

Canon R7 camera now catching up to many photographers’ eyes, due to its high-resolution 32.5MP sensor, super fast DPAF 2nd generation AF system, and ability to record 40bit 4k 60p videos in CLog.

In this comparison, we will try to find out the best camera between the two, in terms of image quality, AF speed, and Video performance.

1. Sensor

So, we have two entirely different sensors here, the sensor sitting inside the Canon R7 camera is a 1.6X Crop sensor / APS-C Sensor and the Sony A73 camera has a full-frame BSI CMOS sensor. Despite being an APS-C Sensor the resolution is 32.5 MP, which is higher than of Sony A7 III full-frame sensor with a 24MP sensor.

In general, when we compare a full-frame sensor with an APS-C we do assume that since we have a Fullframe sensor on the other side so we will also have better low-light performance and better detail capturing ability from the full-frame, but here you have nothing to assume.

We will test both sensor performance at High ISO and as well as in base ISO for details. And then we will find out the best sensor for you.

image credit https://www.dpreview.com/reviews/image-comparison?

As you can see the detail(s) capturing ability of the Canon R7 is more compared to Sony A7 3 camera. At base ISO 100, Canon 32.5 MP APS-C CMOS Sensor is able to grasp more details in the image compared to Sony’s A7 III 24.2 MP Fullframe sensor.

At a high ISO test, you can clearly see the full frame advantage, with the Sony full-frame sensor we are getting roughly 1 stop of low-light advantage. So, if ur shooting mostly in a low-light environment Sony A7 III will be more helpful.

2. Fast AutoFocus

Both cameras feature an advanced autofocus system, the Canon R7 features  Dual Pixel CMOS AF II coming straight out from the Canon R3. The Canon R7 blazing fast AF system is capable to record 30FPS with will time AF/AE active. The Sony A7 III camera does have a fast AF system but lags behind Canon R7.

Sony A7 III Canon R7
Focus Type Auto and Manual Focus Auto and Manual Focus
Focus Mode Automatic, Continuous-Servo AF, Direct Manual Focus, Manual Focus, Single-Servo AF Continuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus Points Phase Detection: 693
Contrast Detection: 425
Photo, Video
Phase Detection: 651 AF Zones
 In total, the EOS R7 offers 5,915 AF points for shooting stills and 4,823 in video mode.
continuous drive Up to 10 fps at 24.2 MP for up to 89 Frames (Raw) / 177 Frames (JPEG) Mechanical Shutter
Up to 15 fps at 32.5 MP for up to 224 Frames (JPEG) / 51 Frames (Raw)
Electronic Shutter
Up to 30 fps at 32.5 MP for up to 126 Frames (JPEG) / 42 Frames (Raw)
Autofocus Sensitivity -3 to +20 EV -5 to +20 EV

As you can see in the table above,   the Canon R7 features a massive number of 5K AF points which is grouped further into 651 AF zones, and 4.8K AF points of the R7 camera remain active when you shoot videos in 16:9 ratio. The AF sensitivity of the Canon R7 camera goes down to -5Ev, helpful to detect AF in low-light conditions. Among both, Only R7 has the possibility of performing focus stacking in the camera.

Recording Modes H.264/XAVC S
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p [60 to 100 Mb/s]
Full HD (1920 x 1080) at 100p/119.88p [60 to 100 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p [50 Mb/s]
AVCHD/H.264
Full HD (1920 x 1080) at 50i/59.94i [24 Mb/s]
Full HD (1920 x 1080) at 50i/59.94i [17 Mb/s]
H.265/MP4 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p
H.264/MP4 4:2:0 8-Bit
UHD 4K (3840 x 2160) up to 23.98p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) up to 23.98p/25p/29.97p/50p/59.94p/100p/119.88p
Gamma Curve HDR-HLG, Sony S-Log 2, Sony S-Log 3 Canon Log 3, HDR-PQ
Recording Limit Up to 29 Minutes Unlimited
Video System NTSC/PAL NTSC/PAL
Built-In Microphone Type XAVC S: 2-Channel LPCM Audio
AVCHD: 2-Channel AC-3 Audio
MP4: 2-Channel AAC Audio
MP4: 2-Channel LPCM Audio

3. Video Specifications

Canon R7 is capable of recording 4K up to 60p and provides 10-bit 4:2:2 for internal recording. Sony A7 III remains limited to 8 bit recording and 4k video recording mode up to 30fps.  The Canon R7 with its 32.5 MP APS-C sensor can record 4K, without a crop, up to 30p, oversampling from a 7K area (due to the higher megapixel count on the sensor to start with). But also keep in mind

If you want 4K 50/60p on the R7, you have two options:

  • no crop, but the quality decreases since the Camera starts using the pixel binning / line-skipping method
  • record on a 3840×2160 – Full sensor readout mode, which translates into a more severe 1.8x crop. The latter means a small portion of the sensor is used to record the video.
Max Bit Rate
Canon R7 340 Mbps @ 10 bit (4k 60p HQ)
Sony A7 III 100 Mbps @ 8 bit (4k 30p)

10 Bit matters, as well as bit rates, the more bit rate ur getting from your camera, is directly proportional to the video quality.

4. Image Stabilization

Canon R7 features an advanced mechanical image stabilization unit,  R7 IBIS system corrects up to 7 stops of camera shake when shooting handheld. This 5-axis system can be also used in conjunction with OIS lenses to compensate for up to 8 stops of camera shake depending on the specific lens in use. Sony A7 III IBIS is effective up to 5 Stops.

5. Overheating in Canon R7?

As we all know that Sony A7 III is free from overheating under normal conditions.  If you watch Gordon Laing’s hands-on on YouTube, the video test shows even the Canon R7 is free from overheating as well and you can record up to an hour of 4k 30p high-quality videos without any issues.

6. Lenses ECO System

As we all know Sony has an open Lens ECO system, we have a lot of options from Sony as well as they are somehow affordable too. In, Canon we do have some limitations. Although you can use DSLR lenses with an EF to EOS R adapter. But, that’s not so recommended if ur a Sports shooter or cinematographer.

It depends upon you, if ur able to find out your own usable lenses under budget then it’s super awesome, otherwise better to shift to Sony.

But, don’t worry at all I have already written the best lenses for the Canon R10 guide, you can select any of these lenses for Canon R7 camera too. And also we have the Best lens guide for the Sony A73 camera.


Conclusion

Despite having sensor size limitations, Canon R7 does have the ability to capture more details, a better AF system, and also features advanced video recording modes with a 10-bit RAW recording option. On the other, we have a Sony A73 camera with 1 stop better low-light performance and open lens ECO system.

If ur is able to find ur lenses in Canon or even third-party lens makers for your work, and

Get Canon R7 from Amazon.com |

Get Sony A7III from B&H Store | Amazon.com

Support us – Use or affiliate link Amazon.com | B&H Store  for the next purchase u make – it helps uu

Also, see
Nikon Z30 vs Canon SL3 Canon 200D Mark II

Nikon Z30 vs Canon SL3 Canon 200D Mark II

We are getting lots of requests for this comparison from our subscribers, we are comparing the major differences between the two. Not only Major we will also include an image quality test. To find out the best camera between the two

We have the Nikon Mirrorless camera against the Canon DSLR, I do agree that Nikon Z30 is a Mirrorless camera but at the same time, the Canon 200D isn’t a traditional DSLR. It’s a Fusion of Mirrorless in a DSLR body.

1. Viewfinder

Design-wise both cameras are slightly different, although both of them have very deep handgrip. If ur photographer au will fell very comfortable with each of them. The main issue with Nikon Z30 is the absence of EVF / OVF. But, if you’re coming from the smartphone generation then you won’t miss the viewfinder of the camera, but if you’re a photographer who is using Viewfinder in their DSLR they may miss it.

2. Auto Focus system

Nikon Z30 AF system now supports continuous burst up to 11 FPS with full-time AF support. As usual Canon 200D, Mark II has a limited 5.5 FPS burst speed when ur using the EVF, and when you switch to a better AF system/sensor based / display is active then Canon 200D Mark II AF speed drops to 3 FPS.

Earlier when the Nikon Z50 camera was announced roughly two years back, the AF system of the Nikon Z50 was weak and slow. But, with constant firmware updates the AF system has been improved to the next level and now we are able also to track human eyes in the video, and animal eye AF is also enabled in firmware 2.0. With the same pre-loaded firmware the Nikon Z30 camera has arrived with the same image sensor and image processor. So, we are expecting an enhanced AF performance this time with the Nikon Z30 camera. And it’s not only on paper, if you look at the AF sensitivity range of the camera it is far better than that of the Canon 200D Mark II DSLR.
AF comparison table

Focus Type Auto and Manual Focus Auto and Manual Focus
Focus Mode Continuous-Servo AF, Manual Focus, Single-Servo AF Automatic, Continuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus Points Photo, Video
Phase Detection: 209
Phase Detection: 9 (1 Cross-Type)
HYbrid AF 209 143 AF Zones / 3975 AF points
Autofocus Sensitivity -4.5 to +19 EV -0.5 to +18 EV

It doesn’t mean if Nikon Z30 is loaded with an enhanced AF algorithm, our Canon 200D Mark II DSLR becomes inferior at any point. The Canon 200D Mark II 143 AF zones (3975 AF points) are really very helpful in tracking the human eye and face. And at the time when the 200D Mark II was announced it was the only DSLR with a 3D AF object tracking mechanism even the Fuji X-T200 doesn’t have that. But, now Nikon Z30 have 3D object tracking mode in the still and video too.

Overall, if we count the AF sensitivity and burst speed of both the camera Nikon Z30 wins clearly.

Nikon Z30 Canon SL3 / 200D Mark II
Shutter Type Electronic Shutter, Mechanical Focal Plane Shutter Electronic Shutter, Mechanical Focal Plane Shutter
Shutter Speed Mechanical Shutter
1/4000 to 30 Seconds
Electronic Front Curtain Shutter
1/4000 to 30 Seconds
Electronic Shutter
1/4000 to 30 Seconds
Mechanical Shutter
1/4000 to 30 Seconds
Bulb/Time Mode Bulb Mode, Time Mode Bulb Mode
ISO Sensitivity Photo
100 to 51,200
Video
100 to 25,600
Photo
100 to 25,600 in Auto Mode (Extended: 100 to 51,200)
Video
100 to 12,800
Exposure Compensation -5 to +5 EV (1/3, 1/2 EV Steps) -5 to +5 EV (1/3, 1/2 EV Steps)
Metering Range -4 to 17 EV 1 to 20 EV
White Balance 2500 to 10,000K
Presets: Auto, Cloudy, Color Temperature, Direct Sunlight, Flash, Fluorescent, Incandescent, Preset Manual, Shade
Presets: Auto, Cloudy, Custom, Daylight, Flash, Fluorescent (White), Shade, Tungsten
Continuous Shooting Up to 11 fps at 20.8 MP Up to 5 fps at 24.1 MP for up to 10 Frames (Raw) / Unlimited Frames (JPEG)
Interval Recording Yes Yes
Self-Timer 2/10-Second Delay 2/10-Second Delay

3. Image Quality

The Nikon Z30 uses the same 20MP sensor and Expeed 6 image processor we have seen in the Nikon Z50 camera, so we have decided to make a high ISO test between the Canon 200D mark II and the Nikon Z30, with a promise once the Z30 samples are available we will update this page too.

Initial High ISO test comparison, we can clearly notice that the Nikon Z50 / Z30 camera is able to preserve more details compared to the Canon 200D Mark II camera. So, we have added one more high ISO test image here @ISO 12800. In both, images it’s very clearly visible that Nikon 20MP sensor’s low-light performance is better than of Canon 24MP sensor used in the Canon 200D Mark II camera.

So, if you are working in an uncontrolled light environment then Nikon Z3 is best for you, otherwise, if you work with light / you work in the studio or always have portable lights with you then Canon 200D Mark II will also perform better.

4. Video Quality

Nikon Z30 camera captures oversampled 4k 24, 30 fps video. Oversampled video means the Nikon Z30 camera is using the entire 20MP sensor each pixel to create Oversampled 6K Video, so the quality we get from the Nikon Z30 video is just phenomenal. The color, contrast output, and shadow details are very good and usable. On the other side, we have a Canon 200D Mark II camera that creates video by sub-sampling / line-skipping method, so the details are not coming through the entire sensor. Although I have used the Canon 200D Mark II as a video camera and the Full HD video quality looks good to me. Also, kindly note that now Nikon Z30 doesn’t have any 30min recording limit.

In the end, I have to mention that in Canon 200D Mark II / SL3 we have to face an excessive crop of 1.6X. So, we already have a 1.6X cropped sensor and over that again we have to face a 1.6X crop. And the worst part is the DPAF gets disabled when you use the 4K video mode of the Canon 200D mark II or SL3 camera. No, such issue i am able to find in the Nikon Z30 camera.

 Nikon Z30  Canon SL3 / 200D Mark II
Recording Modes H.264/MOV/MP4
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p
MP4/H.264
UHD 4K (3840 x 2160) at 23.98p/25p [120 Mb/s]
Full HD (1920 x 1080) at 25p/29.97p/50p/59.94p [12 to 60 Mb/s]
Recording Limit Up to 125 Minutes Up to 29 Minutes, 59 Seconds
Video System NTSC/PAL NTSC/PAL

Viewfinder and display

Nikon Z30 Canon SL3
Viewfinder No Yes, OVF
Size 3.0″ 3.0″
Resolution 1,040,000 Dot 1,040,000 Dot
Display Type Articulating Touchscreen LCD Articulating Touchscreen LCD

5. Verdict

If you are a photographer and want to get everything within budget, which includes Canon’s super affordable 50mm F1.8 lens, then you should go with SL3. Since the price and availability of lenses is the only factor where the Nikon Z30 fails to impress us. Otherwise, if we talk about sensor performance, Autofocus, or Video recording modes. Nikon Z30 is a clear winner.

Get Canon  200D Mark II from Amazon | B&H Store

Get Nikon Z30 From B&H Store | Amazon.com

Canon 200D Mark II / SL3 Best Lenses

Support us – Use or affiliate link Amazon.com | B&H Store  for the next purchase u make – it helps us