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Panasonic S5 Mark II vs Canon R6 Mark II

Panasonic S5 Mark II vs Canon R6 Mark II – Both of these cameras features the same sensor resolution, but as usual, the Canon R6 Mark II features advanced AI AF for fast-tracking and the Jpeg burst speed of the R6 Mark II touches the 40fps mark. Although the buffer capacity of the Canon is just half of the Panasonic S5 Mark II and u can store up to a Max of 70-100 image files in a single burst with Canon.

1. Senor and AF System

We are comparing the two specifications. Panasonic S5 mark II camera features a newly developed 24MP Sensor with Phase detect AF points and support of DFD still there. The Max burst speed of the Panasonic S5 Mark II is 30fps with an electronic shutter and the expandable ISO range is 50-204800. Since it’s Panasonic’s first full-frame camera so, we are not expecting blazing-fast AF performance like Canon R6 Mark II, but at least we will get a more accurate and fast AF system compared to its predecessor the Panasonic S5.

Lens Mount Panasonic S5 Mark II   Canon R6 Mark II
Sensor Resolution Actual: 25.28 Megapixel
Effective: 24.2 Megapixel (6000 x 4000)
Actual: 25.6 Megapixel
Effective: 24.2 Megapixel (6000 x 4000)
Sensor Type 35.6 x 23.8 mm (Full-Frame) CMOS 35.9 x 23.9 mm (Full-Frame) CMOS
Image Stabilization Sensor-Shift, 5-Axis Sensor-Shift, 5-Axis
Built-In ND Filter None None
Capture Type Stills & Video Stills & Video

 

Panasonic S5 Mark II Canon R6 Mark II
Shutter Type Mechanical Focal Plane Shutter, Electronic Shutter Electronic Shutter, Mechanical Focal Plane Shutter
Shutter Speed Mechanical Shutter
1/8000 to 60 Seconds
Up to 30 Minutes in Bulb Mode
Electronic Front Curtain Shutter
1/2000 to 60 Seconds
Up to 30 Minutes
Electronic Shutter
1/8000 to 60 Seconds
Up to 60 Seconds in Bulb Mode
1/16000 to 1/25 Second in Movie Mode
Mechanical Shutter
1/8000 to 30 Seconds
Electronic Shutter
1/16000 to 30 Seconds
Bulb/Time Mode Bulb Mode Bulb Mode
ISO Sensitivity Photo
100 to 51,200 in Auto Mode (Extended: 50 to 204,800)
Video
100 to 51,200
100 to 102,400 in Manual, Auto Mode (Extended: 50 to 204,800)
Metering Method Center-Weighted Average, Highlight Weighted, Multi-Zone, Multiple, Spot Center-Weighted Average, Evaluative, Partial, Spot
Exposure Modes Aperture Priority, Manual, Program, Shutter Priority Aperture Priority, Manual, Program, Shutter Priority
Exposure Compensation -5 to +5 EV (1/3 EV Steps) -3 to +3 EV (1/3, 1/2 EV Steps)
Metering Range 0 to 18 EV -3 to 20 EV
White Balance Presets: Auto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set Presets: Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (White), Shade, Tungsten
Continuous Shooting Mechanical Shutter
Up to 9 fps at 24.2 MP for up to 999 Frames (Raw) / 1000+ Frames (JPEG)
Electronic Shutter
Up to 30 fps at 24.2 MP for up to 199 Frames (Raw) / 299+ Frames (JPEG)
Mechanical Shutter
Up to 12 fps at 24 MP for up to 1000 Frames (JPEG) / 110 Frames (Raw)
Electronic Shutter
Up to 40 fps at 24 MP for up to 190 Frames (JPEG) / 75 Frames (Raw)
Interval Recording Yes Yes
Self-Timer 2/10-Second Delay 2/10-Second Delay

2. Open Gate 6k 60FPS

Both of the camer able to record 6k video, but only Canon R6 Mark II with a faster image processor is able to shoot 6k 60fps and the Panasonic S5 Mark II remains limited to 6k 30fps in 4:2:2 10bit mode. The only issue with Canon is the output the 6K output is available only via the HDMI port.

3. Crippled 4k 60fps? 1.5X Crop in Panasonic S5 Mark II

Canon R6 Mark II Camera is able to shoot up to 4k 60fps uncropped which isn’t possible with the Panasonic S5 mark II camera since it’s limited to 4k 1.5x crop. So, if you like to shoot 4k HQ some music videos, or anything fast u would like to shoot to 4k 60fps.

4. Cooling vents in Panasonic S5 Mark II

Canon R6 mark II camera doesn’t overheat while shooting 4k 24 or 30 fps, but while you are shooting 4k @ 60fps  you may face some overheating issues while shooting in hot and humid conditions. At the same time, the Panasonic S5 Mark II camera features an advanced heat sink unit and cooling vents. but, at the same time, 4k 60fps is heavily crippled and the camera doesn’t do full sensor readout while shooting 4k 60fps. So, yes in a way we do have some added advantages of cooling vents in Panasonic S5 Mark II, but they are not that useful due to cropped 4k 60fps, better to get R6 Mark II if ur interested in recording uncropped oversampled 4k.

5. DUAL NATIVE ISO

Dual native ISO isn’t a new feature in Panasonic S5 Mark II, even the Panasonic S5 was having from ISO 640 – 4000 in VLOG. I don’t know the exact reason why these camera makers (Sony and Canon) hide the Dual Native ISOs in their Pro Cameras like Canon R6 Mark II or A74, btw the sensor of both the camera uses dual Native ISO circuits, and during HIGH ISO test it’s visible to the Dual Native ISO high gain and low gain circuit working on the backend of the camera. But, in the end, the open Dual Native ISO Menu inside the Panasonic S5 Mark II camera makes it more usable for low-light situations.

6. Timecode | Waveforms | Live LUTS | Vectorscope

These are some essential ingredients for professional cinematographers out there, all these are only available in Panasonic S5 Mark II Camera and not in Canon R6 Mark II.

   Panasonic S5 mark II    Canon R6 Mark II
6K 6k 24, 30 fps  internal 6k 24 60 FPS HDMI
Internal Recording Mode

[6K] 5952×3968 (3:2):

29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

6K] 5952×3136 (17:9):

29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

[5.9K] 5888×3312 (16:9) at 29.97p, 200Mbps

[C4K] 4096×2160 at 29.97p, 150Mbps

[4K] 3840×2160 at 29.97p, 150Mbps

[FHD] 1920×1080 at 119.88p, 150Mbps

External 6K 60 FPS ProRes RAW Recording

H.264/H.265/MPEG-4 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [60 to 340 Mb/s] 1920 x 4K60 10-Bit Internal Video, C-Log 31080 at 23.98/25/29.97/50/59.94/100/119.88/150/179.82 fps [12 to 270 Mb/s]

4k 60fps 1.5x Crop / APS-C Crop Uncropped
Dual Native ISO Yes No
Time Code Yes No
Audio Recording AAC Audio
LPCM Audio
LPCM Audio
AAC Audio

Interface

Panasonic S5 Mark II Sony A74
Media/Memory Card Slot Slot 1: SD/SDHC/SDXC (UHS-II)
Slot 2: SD/SDHC/SDXC (UHS-II)
Dual Slot: SD/SDHC/SDXC (UHS-II)
Video I/O 1 x HDMI Full Size (Type A) Output 1 x Micro-HDMI Output
Audio I/O 1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output
1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input
1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input on Camera Body
1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output on Camera Body
Power I/O 1 x USB-C Input/Output 1 x USB-C Input
Other I/O 1 x USB-C (USB 3.2 / 3.1 Gen 1) Data Input/Output (Shared with Power Input)
1 x 2.5 mm Sub-Mini Control Input
1 x USB-C (USB 3.2 / 3.1 Gen 2) Data/Tether Input/Output (Shared with Power Input)
Wireless Bluetooth, Wi-Fi 2.4 / 5 GHz Wi-Fi 5 (802.11ac) Control
Bluetooth
Global Positioning (GPS, GLONASS, etc.) None No
*As of November, 2022: Check with manufacturer for the most up-to-date compatibility
  None

Monitor

Panasonic S5 Mark II Sony A74
Size 3.0″ 3.0″
Resolution 1,840,000 Dot 1,620,000 Dot
Display Type Articulating Touchscreen LCD Articulating Touchscreen LCD

 

Viewfinder

Panasonic S5 Mark II Sony A74
Type Built-In Electronic (OLED) Built-In Electronic (OLED)
Resolution 3,680,000 Dot 3,690,000 Dot
Eye Point 21 mm 23 mm
Coverage 100% 100%
Magnification Approx. 0.74x Approx. 0.76x
Diopter Adjustment -4 to +4 -4 to +2

Focus

Panasonic S5 Mark II Sony A74
Focus Type Auto and Manual Focus Auto and Manual Focus
Focus Mode Continuous-Servo AF, Manual Focus, Single-Servo AF Continuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus Points Phase Detection: Yes
Contrast Detection: 225
Photo, Video
Contrast Detection, Phase Detection: 1053
Dedicated Object AI AF Modes No Yes
Autofocus Sensitivity -6 to +20 EV -6.5 to +21 EV

General

Panasonic S5 Mark II Sony A74
Battery Type 1 x DMW-BLK22 Rechargeable Lithium-Ion, 2200 VDC, 7.2 mAh (Approx. 440 Shots) 1 x LP-E6NH Rechargeable Lithium-Ion, 7.2 VDC, 2130 mAh (Approx. 760 Shots)
HDMI Type Full Size Micro HDMI
Tripod Mounting Thread 1 x 1/4″-20 Female (Bottom) 1 x 1/4″-20 Female (Bottom)
Dimensions (W x H x D) 5.22 x 3.82 x 3.22″ / 132.6 x 97.1 x 81.9 mm 5.4 x 3.9 x 3.5″ / 138.4 x 98.4 x 88.4 mm
Weight 657 g (Body Only) 657 g (Body Only)

 

Verdict: For Photographer and content creators Canon R6 Mark II is more recommended and for professional cinematographers Panasonic S5x Mark II.

Panasonic S5 Mark II Price $1997


Panasonic S5 Mark II Body Price is $1997 | Finally,  we have the price of the Panasonic S5 mark II camera.  And the price of Panasonic S5 Mark IIX  is $2197. The only difference between the S5 Mark II and S5X Mark II is

Panasonic S5x Mark II vs S5 Mk II – Major difference

  1. 6k up to 60fps
  2. Apple Pro Res
  3. Matt finish

We have already done a specification comparison of the Panasonic S5 Mark II vs Sony A7 IV  and more coming

Special thanks to Simon Thanks to the ordinary filmmaker for sending us a quick alert.

Panasonic S5 Mark II vs Sony A7 IV

Panasonic S5 Mark II vs Sony A7 IV – We are comparing the two specifications. Panasonic S5 mark II camera features a newly developed 24MP Sensor with Phase detect AF points and support of DFD still there. The Max burst speed of the Panasonic S5 Mark II is 30fps with an electronic shutter and the expandable ISO range is 50-204800. Since, it’s Panasonic’s first full-frame camera so, we are not expecting blazing-fast AF performance like Sony A7 IV, but at least we will get a more accurate and fast AF system compared to its predecessor the Panasonic S5.

The Video part of the Panasonic S5 is more intense? the camera features open gate 6k 29.9 fps @ 4:2:0 10-bit LongGOP and UHD videos @ 29.97p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) and APS-CROP DCI 4k @ 50fps, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM).  So, u have to face an APS-C crop if you want to have a 60fps frame rate in UHD or DCI 4k which is not that impressive. Although if we combine all those features of the cinema part, which include Timecode, XLR Mic input, and an advanced built-in fan to suppress overheating. We will be updating this page soon as we get more information related to S5 Mark II

Imaging

Lens Mount Leica L Sony E
Sensor Resolution Actual: 25.28 Megapixel
Effective: 24.2 Megapixel (6000 x 4000)
Actual: 34.1 Megapixel
Effective: 33 Megapixel
Sensor Type 35.6 x 23.8 mm (Full-Frame) CMOS 35.9 x 23.9 mm (Full-Frame) CMOS
Image Stabilization Sensor-Shift, 5-Axis Sensor-Shift, 5-Axis
Built-In ND Filter None None
Capture Type Stills & Video Stills & Video

Shutter and more…

Panasonic S5 Mark II Sony A7 IV
Shutter Type Mechanical Focal Plane Shutter, Electronic Shutter Electronic Shutter, Mechanical Focal Plane Shutter
Shutter Speed Mechanical Shutter
1/8000 to 60 Seconds
Up to 30 Minutes in Bulb Mode
Electronic Front Curtain Shutter
1/2000 to 60 Seconds
Up to 30 Minutes
Electronic Shutter
1/8000 to 60 Seconds
Up to 60 Seconds in Bulb Mode
1/16000 to 1/25 Second in Movie Mode
1/8000 to 30 Seconds
Bulb/Time Mode Bulb Mode Bulb Mode
ISO Sensitivity Photo
100 to 51,200 in Auto Mode (Extended: 50 to 204,800)
Video
100 to 51,200
Photo
100 to 51,200 (Extended: 50 to 204,800)
Video
100 to 51,200 (Extended: 100 to 102,400)
Metering Method Center-Weighted Average, Highlight Weighted, Multi-Zone, Multiple, Spot Center-Weighted Average, Highlight Weighted, Multiple, Spot
Exposure Modes Aperture Priority, Manual, Program, Shutter Priority Aperture Priority, Manual, Program, Shutter Priority
Exposure Compensation -5 to +5 EV (1/3 EV Steps) -5 to +5 EV (1/3 EV Steps)
Metering Range 0 to 18 EV -3 to 20 EV
White Balance Presets: Auto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set Presets: Auto, Cloudy, Color Temperature, Color Temperature Filter, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
Continuous Shooting Mechanical Shutter
Up to 9 fps at 24.2 MP for up to 999 Frames (Raw) / 1000+ Frames (JPEG)
Electronic Shutter
Up to 30 fps at 24.2 MP for up to 199 Frames (Raw) / 299+ Frames (JPEG)
Up to 10 fps at 33 MP for up to 828 Frames (Raw) / Unlimited Frames (JPEG)
Interval Recording Yes Yes
Self-Timer 2/10-Second Delay 2/5/10-Second Delay

Still Image Capture details

Panasonic S5 Mark II Sony A7 IV
Internal Recording Modes

[6K] 5952×3968 (3:2):

29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

6K] 5952×3136 (17:9):

29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

[5.9K] 5888×3312 (16:9):

29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

[C4K] 4096×2160:

29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)

[4K] 3840×2160:

29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)

[FHD] 1920×1080:

119.88p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)

H.265/XAVC HS 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/50/59.94 fps [50 to 200 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [89 to 222 Mb/s]
XAVC S 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [100 to 200 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [50 Mb/s]
Recording Limit None None
Broadcast Output NTSC/PAL NTSC/PAL
IP Streaming None None
Built-In Microphone Type Stereo Stereo
Audio Recording

MOV: LPCM (2ch 48kHz/24-bit, 96kHz/24-bit) (4ch 48kHz/24-bit, 96kHz/24-bit)

MP4: AAC (2ch 48kHz/16-bit)

2-Channel 16-Bit 48 kHz LPCM Audio
2-Channel 24-Bit 48 kHz LPCM Audio
4-Channel 24-Bit 48 kHz LPCM Audio
2-Channel AAC LC Audio

Camera Interface

Panasonic S5 Mark II Sony A7 IV
Media/Memory Card Slot Slot 1: SD/SDHC/SDXC (UHS-II)
Slot 2: SD/SDHC/SDXC (UHS-II)
Slot 1: CFexpress Type A / SD (UHS-II)
Slot 2: SD/SDHC/SDXC (UHS-II)
Video I/O 1 x HDMI Full Size (Type A) Output 1 x HDMI Output
Audio I/O 1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output
1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input
1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output
1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input
Power I/O 1 x USB-C Input/Output 1 x USB-C Input/Output
Other I/O 1 x USB-C (USB 3.2 / 3.1 Gen 1) Data Input/Output (Shared with Power Input)
1 x 2.5 mm Sub-Mini Control Input
1 x Sony Multi/Micro-USB Input/Output (Shared with Remote Input)
1 x USB-C (USB 3.2 / 3.1 Gen 2) Input/Output (Shared with Power Input)
Wireless Bluetooth, Wi-Fi Wi-Fi, Bluetooth
Global Positioning (GPS, GLONASS, etc.) None No
*As of October, 2021: Check with manufacturer for the most up-to-date compatibility
 

Display

Size 3.0″ 3.0″
Resolution 1,840,000 Dot 1,036,800 Dot
Display Type Articulating Touchscreen LCD Free-Angle Tilting Touchscreen LCD

Viewfinder

Type Built-In Electronic (OLED) Built-In Electronic (OLED)
Resolution 3,680,000 Dot 0.5″
Eye Point 21 mm 3,680,000 Dot
Coverage 100% 23 mm
Magnification Approx. 0.74x 100%
Diopter Adjustment -4 to +4 Approx. 0.78x
-4 to +3

Auto Focus Details

Panasonic S5 Mark II Sony A7 IV
Focus Type Auto and Manual Focus Auto and Manual Focus
Focus Mode Continuous-Servo AF, Manual Focus, Single-Servo AF Continuous-Servo AF, Direct Manual Focus, Manual Focus, Single-Servo AF
Autofocus Points Phase Detection: Yes
Contrast Detection: 225
Phase Detection: 759
Contrast Detection: 425
Autofocus Sensitivity -6 to +20 EV -4 to +20 EV

General

Battery Type 1 x DMW-BLK22 Rechargeable Lithium-Ion, 2200 VDC, 7.2 mAh (Approx. 440 Shots) 1 x NP-FZ100 Rechargeable Lithium-Ion, 7.2 VDC, 2280 mAh (Approx. 520 Shots)
Tripod Mounting Thread 1 x 1/4″-20 Female (Bottom) <5.7 W
Accessory Mount 1 x Hot Shoe Mount 1 x 1/4″-20 Female (Bottom)
Material of Construction Magnesium Alloy 1 x Hot Shoe Mount
Dimensions (W x H x D) 5.22 x 3.82 x 3.22″ / 132.6 x 97.1 x 81.9 mm Magnesium Alloy
Weight 657 g (Body Only) 5.2 x 3.8 x 3.1″ / 131.3 x 96.4 x 79.8 mm
1.4 lb / 658 g (With Battery, Recording Media)

Thanks for reading

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Panasonic S5 Mark II Official Teaser | More Leaked Images

Panasonic S5 mark II official teaser is now available on Panasonic’s official social media handles. The S5 Mark II official announcement will happen on Jan 4th, 2023.

Leaked Specification
24.2 megapixels full-size CMOS sensor, AR coating
dust reduction is sensor-shift type
Video is 6K30p 4:2:0 10-bit, C4K 60p 4:2:2 10-bit, Full HD 120fps 4: 2:0 10-bit, full HD 60fps 4:2:2 10-bit
3.68 million dots organic EL EVF, magnification 0.78x, eyepoint 21mm, refresh rate 120fps/60fps
3-inch 1.84 million dots free-angle monitor, touch panel, aspect ratio 3:2
AF method phase-detection AF/contrast AF, DFD, EV -6 – 18, AF assist light
1728 zone multi-pattern metering, metering range EV0-18
ISO range 100-51200 (50-204800 with extension)
dual native ISO, Normal ISO 100 and 640, V-log 640 and 4000, HLG 400 and 2500
5-axis image stabilization, 5 steps effect (6.5 steps effect with dual IS 2)
Shutter 1/8000-60 seconds (mechanical), 1/ 2000-60 seconds (electronic front curtain), 1/8000-60 seconds (electronic)
, 1/250
second continuous shooting, 9 fps for AFS/MF, 7 fps for AFC
(electronic Shutter) is AFS/AFC/MF and up to 30 frames per second.
Buffer is 200 or more for RAW+JPEG, 200 or more for RAW, 300 or more for JPEG.
USB Type-C port (USB3.2 Gen2)
HDMI Type-A dual SD
card slot
Fan Auto/Auto 2/High speed/Normal/Slow/OFF
Wi-Fi, Bluetooth v5.0 Battery
life: 370 shots ), 657g (body only)

More Leaked Images.

The rear side of the camera

And we have one more camera coming with very little difference in the core specification (Support Apple ProRes)

Panasonic S5 Mark II X

DC-S5M2X
24.2-megapixel full-size sensor
6K30P video (full size) / 4K60P video (APS-C size)
Supports Apple ProRes recording
IP streaming function (Wi-Fi, USB, wired LAN)

Panasonic S5 Mark II Images and Details Leaked

 

Panasonic S5 mark II’s first image and details leaked,  Panasonic S5 Mark 2X is also planned to be announced in June of 2023. Take a look at the list of Panasonic’s upcoming products

List of Upcoming Panasonic Products

  • Panasonic S5 Mark II
    – Body/Standard Zoom Lens Kit/Double Lens Kit-
    Scheduled release date: February 16, 2023
  • Panasonic S5 Mark II X
    – Body/Standard zoom lens kit/Double lens kit-
    Scheduled release date: Late June 2023
  • LUMIX S 14-28mm F4-5.6 MACRO
    – Model number: S-R1428
    – Release date: March 16, 2023

That’s great news, stay tuned. we will soon publish the detailed core specifications of the upcoming camera.

UPDATE: We can clearly see vents in the leaked image, which shows the upcoming Panasonic S5 Mark II camera uses active cooling technology for loner run.

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source 2

Canon R8 Announcement Feb 2023

According to the latest rumors we have from rumor mills the Canon R8 announcement is expected in Feb of 2023.  Canon R8 Announcement in February  2023.  According to the rumor mill, the camera will feature the same sensor as we have seen in the Canon R10 camera, a 24MP Traditional FSI APS-C CMOS Sensor. No information is available about the core specs of the camera.

Earlier it was rumored that Canon R8 will replace the Canon EOS R with a full-frame sensor and advanced core specification, but am disappointed to see that one more Camera is coming in between R10 and R7 with an APS-C sensor and we already have rumors of Canon R50 and R100 too, so how many RF mount camera Canon wants to add for entry-level users without having proper APS-C RF lens range? as well as the Lens mount is also locked for third party lens makers.

Well, let’s wait and watch.. We will post an update soon as we get any new information related to Canon’s upcoming cameras.,

Must Read – Is Canon EOS M50 Mark II worth buying in 2023?

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source canon rumors

BREAKING NEWS: Nikon Z8 as Christmas Gift from Nikon?

As you can see Thom hogan uploaded a pic of a Christmas gift on his website Take a look text written in the gift box, it looks like the pre-production model is already in the hands of reviewers around the web. Thom has also writes

A new Z8 with a new Speedlight. With the new lenses. With no mechanical shutter. With some new software updates (note that NX Mobile Air just got a significant one)…..bonus points for performance superlatives, such as 10K raw video or 60 fps raw stills. Deductions for leaving out something, such as pixel-shift capture or higher resolution EVFs.

Not only Nikon Z8, but Thom hogan also writes an entire  article on what he is expecting from Nikon in the CES event 2023

CES is Probably Worthwhile if…

…we get a new, useful, interesting camera. I suppose I’d put a Z70, Z6 III, or Z7 III in that category

full article here zsystemuser

Well, that’s really exciting news, if we consider all the hints from the images and the text.. then for sure the Nikon Z8 announcement is in the corner and we will see it very soon. Most probably in the CES show. Well, let’s hope for the best.

STAY CONNECTED – We will being the latest updates to you asap

Thanks to Arpit Gahlot for sharing valuable information with us

source bythom website  | Also see – Nikon Upcoming Cameras 2023

And yes our latest buying guide Best Camera under the $1000 2023 list.

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