News: Shortage of Canon RF 35mm F1.4L VCM and Panasonic S9 | Both are in VERY High Demand
Canon Latest News:
In an latest Press text, Canon Confirmed that Canon RF35mm F1.4 is in very HIGH Demand, as well as the OLDER Canon Speedlite EL-1 demand suddenly raised. Hence, the are experiencing production line issues and are not able to feed up the demand of consumer market right now, so customers have to face some delays with lens and the Speedlite.
From Canon;
Thank you for your continued patronage of Canon products.
Currently, we are experiencing delays in delivery for the following products due to orders exceeding our expectations and also due to the impact of global parts supply. We sincerely apologize to our customers and business partners for the inconvenience caused. We would like to apologize again for keeping our eagerly awaiting customers waiting for such a long time. We will continue to take measures to ensure a stable product supply so that we can deliver the products as soon as possible. We appreciate your understanding.
Product Name
Availability
RF 35mm F1.4L VCM
We plan to ship the products one by one, but delivery may take longer than usual.
RF 200-800mm F6.3-9 IS USM
We plan to ship the products one by one, but delivery may take longer than usual.
Speedlight EL-1
We plan to ship the products one by one, but it is expected that it will take a considerable amount of time for delivery.
If you place a new order, it may take up to six months for delivery.
Panasonic Lumix News
Panasonic S9 Shortage of Supply | Huge Demand Among Content Creators, According to the latest press text from Japan, Panasonic S9 Camera is in very high demand among content creators and cannot fulfill the supply chain request. That’s why Panasonic LUMIX Japan has issued an apology letter
Panasonic S9 Shortage of Supply Press Release
Notification regarding delivery of the full-frame mirrorless interchangeable-lens camera DC-S9
Thank you for your continued patronage of Panasonic products. We would like to sincerely apologize for the great concern and inconvenience caused by the inappropriate use of images from a stock photo service on the LUMIX product website.
Regarding the above, we have started accepting pre-orders for the new LUMIX DC-S9 full-frame mirrorless interchangeable-lens camera, which is scheduled to be released on June 20th, but we have received more pre-orders than we expected. Therefore, some customers who have pre-ordered may not be able to receive the product on the release date. In addition, for customers who make pre-orders in the future, it may take some time for the product to be delivered from the release date.
We would like to once again apologize for not meeting the expectations of our customers who were looking forward to the product and for the inconvenience caused.
We will make every effort to deliver your order as soon as possible to meet your expectations, and we appreciate your understanding.
Canon today announced a new lens, the RF-S 3.9mm F3.5 STM Dual Fisheye lens. The lens is made for Canon APS-C sensor-based cameras, but specifically, the lens is compatible with the R7. Right now, we don’t have compatibility confirmation about Canon R10 or Canon R50 cameras.
The lens is targeted at social media content creators specifically for creating virtual reality-based content. It achieves a view area of 144 degrees and can be used for hassle-free VR production.
The lens is fully compatible with Canon’s latest Dual Pixel CMOS autofocus system and inherits Air Sphere Coating to reduce ghosting and excel in image quality. The lens is available at a $1,099 price tag.
CANON UNVEILS THE FUTURE OF EVERYDAY VR CONTENT CREATION WITH NEW DUAL FISHEYE LENS
MELVILLE, NY, June 10, 2024 – Canon U.S.A., Inc., a leader in digital imaging solutions, has announced the new RF-S 3.9mm F3.5 STM Dual Fisheye lens, bringing ease, affordability and quality for social media creators interested in exploring VR content creation. The RF-S3.9mm F3.5 STM Dual Fisheye lens is compatible with the EOS R7 camera* and will be available in June 2024.
The new RF-S3.9mm F3.5 STM Dual Fisheye lens makes VR content creation with a mirrorless camera more accessible and efficient than ever. Engineered to empower creators of all types, this lens offers a perfect balance between clarity and usability for vlog-style VR creation. This APS- C Stereoscopic VR lens’ ability to achieve a 144º wide-angle view and utilize equidistant projection makes it ideally suited for every day, virtually hassle-free VR production. Also designed for versatility, this lens permits multiple methods of camera handling, from hand- holding, mounting on a gimbal, or tripod-mounting. Canon’s available EOS VR Utility software (separately available with a paid subscription) is designed for a smooth editing process.
“The RF-S3.9mm F3.5 STM Dual Fisheye lens offers a solution to the growing demand for more affordable and accessible tools in the VR market,” said Brian Mahar, senior vice president and general manager, Canon U.S.A., Inc. “Whether you’re a social creator looking to expand your content into VR, or a filmmaker interested in making the jump from 2D to 3D content, this lens enables creators of all levels to comfortably explore VR content creation and generate amazing content.”
Get to know the RF-S3.9mm F3.5 STM Dual Fisheye lens:
⦁ One-shot AF and Left/Right focus Adjustment with Focus ring, helping to create effortless and precise shooting in virtually any environment.
⦁ An Air Sphere Coating (ASC) is a first for Canon non-L Series lenses and helps to minimize ghosting and facilitate pristine image quality.
⦁ Rear filter holder that accommodates both 30.5mm screw-on filters and sheet-type filters,
i.e. gelatin or polyester filters.
Pricing and Availability
The Canon RF-S3.9mm F3.5 STM Dual Fisheye lens is scheduled to be available in June 2024 for an estimated retail price of $1,099.00**. For additional information, please visit www.usa.canon.com.
Take a look at the list of Sony’s Upcoming Camera and Lenses Updated List below, we have selected the name of camera and lenses expected to arrive in next few months from Sony,
Sony FE 85mm F1.4 GM II is expected to be released within the next month.
The ZV-E10 II is also expected to be released in the next 1-2 months.
Sony’s ultra-wide 24-70mm F2.0 lens is set to be released in the next 1-2 months. There are rumors that it might be launched alongside the ZV-E10 II, or possibly a little later.
Sony’s FX full-frame new camera is scheduled for an official release in July-August, potentially being a successor to the FX9 model.
Sony α7S IV is expected to be released in August-September. Rumors suggest that the new camera will feature a brand-new 24 million pixel Exmor R sensor, supporting 6K oversampling, 60fps 4K video recording, and 120fps 4K video recording in Super35 mode. The new model will have significant differences in features and positioning compared to its predecessor (A7S III), with a lower price range expected (between 2799−2799−3099).
There may be a new α series camera to be released (in October-November), but there are no details available at the moment. Additionally, an unknown mysterious new camera is planned for release in October-November.
Sony A7 V is set to be released in Q4 of 2024 is everything goes on schedule, the camera will have an uploadable LUT option, a dedicated AI chip for AI Auto framing, and an upscaled AF performance, the user will notice a Major upscaling in the Video performance of the camera.
Sony FX6 Mark II in the wild – Sony FX6 Mark II prototypes are in the wild and the announcement will happen in Q4 of 2024 if everything goes under schedule. The Sony FX6 was announced back in November 2020 and was one of Sony’s most popular cinema line cameras.
Canon Announces New EOS C400 6K Full-Frame RF Mount Cinema Camera and RF-Mount CINE-SERVO Lens, take a look at the Major specifications of the camera, price, and press release.
The Canon Cinema EOS C400 Full-Frame RF Mount Camera is scheduled to be available in September 2024 for an estimated retail price of $7,999.00*. The CINE-SERVO 17-120mm will be available in October 2024 for an estimated retail price of $23,850.00*. The MOUNT ADAPTER PL-RF will be
Improved light-capturing efficiency and faster readout speed
4K image quality from 6K oversampling
Recording Capabilities
6K full frame up to 60p in 12-bit Cinema RAW Light
4K RAW up to 120fps
2K RAW up to 180fps
10-bit 4:2:2 with 6K oversampling, up to 120P
New codecs: XF-AVC S and XF-HEVC S
Recorded to CFexpress slot, with proxy and sub-recording options to SD Card slot
Production Features
Dedicated 12-pin lens terminal for broadcast and cine-servo lenses
Interfaces: mini-XLR audio inputs, DIN connectors for time code, genlock, return video, 12G-SDI, 3G-SDI, full-size HDMI
Built-in Wi-Fi connectivity and Ethernet
SRT protocol for IP streaming of video and audio
Remote control via Ethernet or Wi-Fi; supports Canon Multi-Camera Control app, browser remotes, RC-IP100/RC-IP1000 controllers
Metadata and Virtual Production
Frame-by-frame metadata support for virtual production workflows
Built-in compatibility with Canon RF5.2mm F2.8 L dual fisheye lens for 180-degree VR shooting
New Canon CINE-SERVO Lens
Lens
RF-mount version of the CINE-SERVO 17-120mm cinema lens
New Accessory
Mount Adapter
First MOUNT ADAPTER PL-RF for Canon cameras
Canon C400 Press Release
New EOS C400 Camera Features a 6K Full-Frame, Back-Illuminated CMOS Sensor, With Triple-Base ISO; New CINE-SERVO Lens Compatible with RF Mount Cinema Cameras
MELVILLE, N.Y., June 5, 2024 —Canon U.S.A. Inc., a leader in digital imaging solutions, is pleased to announce the new Canon EOS C400 cinema camera, with a native RF-mount and full-frame, back- illuminated stacked CMOS sensor, designed with the film and live production markets in mind. Canon is also proud to announce the company’s first MOUNT ADAPTER PL-RF, and an RF-mount version of the popular and award-winning CINE-SERVO 17-120mm cinema lens.
“Canon is proud to provide filmmakers and videographers with a variety of tools to capture high-quality and visually stunning images,” said Brian Mahar, senior vice president and general manager, Canon U.S.A., Inc. “The new camera and lens strengthen Canon’s already impressive lineup of cinema products.”
EOS C400 Camera Back-Illuminated Stacked Sensor
For the first time in the cinema EOS system, the Canon EOS C400 camera features a newly developed 6K full-frame, back-illuminated CMOS sensor, with triple-base ISO, allowing the camera to deliver stunning imagery in a wide range of lighting conditions. The base ISOs of 800, 3200, and 12,800 maximize the full dynamic range of the camera.
An additional benefit of the EOS C400 camera’s sensor is the support for the next generation of Canon’s Dual Pixel CMOS Autofocus, Dual Pixel AF II. The back-illuminated stacked positioning offers better light-capturing efficiency, which widens the area of the sensor that can be used for autofocusing. The sensor also empowers faster readout speed, as well as better 4K image quality from 6K oversampling.
EOS C400 Camera Recording Options
The EOS C400 camera records in 6K full frame up to 60p in 12-bit Cinema RAW Light. By changing the sensor mode, the camera can record 4K RAW up to 120fps and 2K RAW up to 180fps. This is all
recorded in Canon’s latest iteration of Cinema RAW Light, which provides three different recording modes to choose from depending on your file size preference and workflow.
Other recording options include the Canon-developed, industry standard XF-AVC codec which can be recorded in 10-bit 4:2:2 with oversampling from the 6K sensor, helping to create rich detail and smooth
imagery, at frame rates up to 120P, without the need for cropping the image from the sensor. Canon is also introducing two new recording codecs into the EOS C400 camera, XF-AVC S and XF-HEVC S. These formats feature an easy-to-manage naming system and folder structure, while recording in the familiar MP4 format and preserving metadata.
All of these options are recorded to the camera’s CFexpress slot with sub-recording and proxy options available to the SD Card slot, which allows for simultaneous recording even when shooting RAW.
EOS C400 Camera Production Options
For live productions, the EOS C400 camera body features a dedicated 12-pin lens terminal for broadcast and cine-servo lenses, a variety of output and input interfaces including mini-XLR audio inputs, DIN connectors for time code, genlock and return video, 12G-SDI and 3G-SDI monitor outputs, a full-size HDMI output, built-in Wi-Fi connectivity, Ethernet and much more. The camera also features SRT protocol for IP streaming of video and audio. For shooting scenarios where the camera will be controlled remotely, you can use the Ethernet port or Wi-Fi connectivity to enable remote control, including support for the Canon Multi-Camera Control app, browser remotes, or the Canon RC-IP100 or RC-IP1000 controllers via use of the included XC protocol.
The EOS C400 camera can also provide frame-by-frame metadata in real-time and post-production to support virtual production workflows. Ready for 180-degree VR shooting, the EOS C400 camera has built-in compatibility with the Canon RF5.2mm F2.8 L dual fisheye lens.
CINE-SERVO 17-120mm Cinema Lens
This latest cinema lens from Canon builds upon the legacy of the company’s CINE-SERVO line, with the added benefit of a native RF mount. The additional pins of the RF mount increase communication with RF-mount cameras such as the EOS C400, enabling auto focus, distortion correction and metadata output for virtual productions. The lens comes in either RF or PL mount configurations, with the PL mount version supporting ZEISS eXtended Data and ARIA (Automatic Restoration of Illumination Attenuation)i.
The lens’ new e-Xs V servo drive unit helps to improve its focus and iris speed, enables focus breathing compensation, and includes a USB-C connector for copying drive unit configurations.
PL to RF Mount Adaptor
Canon is also introducing the newly developed MOUNT ADAPTER PL-RF. This adapter opens up a broad range of PL mount lenses to the EOS C400 camera. The adapter maintains compatibility for Cooke i/Technology metadata communication between camera and lens and includes locking plates to help achieve maximum mount strength. To learn more about these new products and Canon’s array of cinema solutions, please visit here.
According to the latest rumors from the rumor mill, the Nikon Z6 Mark 3 camera is expected to arrive on June 11. Take a look at the set of rumored specifications of the upcoming Z6 Mark 3 camera.
Nikon Z6 Mark III specification
Pixels: 24.5 million pixels
Processor: EXPEED7 processor
Anti-shake: Level 7 anti-shake
Shutter speed: 1/16000 second
AF: 299 points
Video: 6K/60p&4K/120p 12bit N-RAW recording
4KH.265 10Bit MOV video, can be 6K oversampled 4K
FX format or DX format up to 120p.
Continuous shooting: up to 40fps FX format, 120fps DX format continuous shooting
Viewfinder: Brand new high-resolution viewfinder with 5.76 million pixels
Card slot: support CFexvressB, SD UHS-II
Battery: EL-15 battery
Set up a warm association of photographers
Additional Specs
other
Pixel displacement high-resolution photography
Easy-to-use multi-angle LCD screen
Fine shutter angle options, split the project pause rate from the shooting pause rate
Support WiFi2.4/5GHZ, Bluetooth LE connection
USB-C fast charge & HDMI Type-A connection
Inherited from the Z8 style body, smaller than the Z8
Top micro-label (same as Z8 and Z9)
PASM dial pad
Nikon Z6 mark III Shipping information
According to the previous set of information we have published a while ago the Nikon Z6 mark III camera shipping will start in July 2024. [Check here]
【Sirui officially joins the M43 camp! A new M43 autofocus lens on the way?】Recently, the official M43 system website announced that the Chinese lens maker aka brand Sirui has officially joined the M43 camp, Sirui is not the only Chinese lens maker in the group, we already have the DJI, Yongnuo, and Laowa.
Currently, only Olympus and Panasonic remain in this camp as camera makers, while there have been no new camera releases for a while, mostly aimed at video or live streaming. The addition of a new manufacturer is a good thing for this camp. Sirui has always had M43 lenses, including tilt-shift lenses… With this official entry, one wonders if a new M43 autofocus lens might be coming soon.
An interesting patent application from Canon was published on May 28, 2024. It appears to be an optical system that is based on a standard zoom lens that is slightly wider than the standard wide-angle lenses, such as the RF-S14-30mm F4-6.3 and RF20-50mm F4-5.6.
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