The latest news coming from Japan, according to the dclife.jp website Kitamura (one of the largest chains of camera stores) suspended the sales of the sony APS-C range of cameras and also stopped taking pre-orders.
Orders for Sony “α6600”, “α6400”, and “VLOGCAM ZV-E10” have been suspended due to delays in parts procurement due to the effects of global semiconductor shortages. You can also check the notation “Cannot purchase”.
We have to understand the chip shortage is not only for the APS-C lineup of cameras, Sony is using all its available resources to keep up the supply of full-frame cameras.
TNC Take – So, what we are discussing here, is the impact that is visible to our eyes. Let’s discuss the un-seen impact of the chip-shortage aka semiconductor shortage
Sony will not repeat the mistakes again as they did in the past, they have under-estimated the chip shortage issue. Now, as usual until and unless the issue gets resolved we won’t see any new APS-C Mirrorless camera announcement from Sony.
Why is Sony only Facing such a huge impact, whereas Canon M50 Mark II & Nikon Z50 is in stock right now? So, possibly there are two strong reasons
1. Canon and Nikon are able to manage the situation better than Sony OR
2. Due to very high demand and popularity Sony is not able to cope with the market.
The second point looks more logical to me since Sony announced Sony ZV-E10 and Sony A7 IV just prior to the chip shortage issue, and undoubtedly both of the cameras features class-leading core specification at their price range. Sony is more trouble than other camera makers is only due to the high demand.
2. Semiconductors Shortage affecting the camera industry
Why the hell semi-conductors will affect the camera industry in any way? But, I am from an engineering background and I can assure you that nowadays semiconductors are being used in each and every device which can process data in any form.
3. The reason behind the Shortage of Chips in 2022 aka semiconductor
After doing a little research I came to know there are three basic factors responsible for the global chip shortage
The COVID Backlog
Expansion vs Demand (Semi-conductor manufacturing units expansion not happing as per the demand of the market)
Crypto Currencies Miners raised the demand for semiconductor to the next level.
4. When will the Global chip shortage get resolved?
2022 will remain the way it is. But from 2023 we may see some sunshine. Intel helping our European Union to set up a semiconductor manufacturing unit there, TSMC (renowned chip maker) said it will invest $2.87 billion to expand production capacity in China. Many efforts have been taken worldwide in a big and small ways to resolve the chip shortage issue asap. So, the issue will get resolved but not very soon.
We all know that camera and smartphone industry worlwide facing chip shortage issues. And Sony also introduced ZV-E10, A7C as well as A7 IV models this year… these new cameras added extra pressure in the production line due to high demand.
To Manage the demand and chip shortage issues SONY adapting new production line strategy.
Best Lenses for Sony A6100 in 2023 – we have selected some of the best lenses for the Sony A6100 camera. The set of lenses include the best vlogging lens for the Sony A6100 camera. Best portrait lens for Sony A6100 camera. Best Wedding Lens for Sony A6100 camera and much more. The set of lenses we are recommending for you will cover most of your shooting requirements so let’s jump to the set of Top 5 Best Lenses for the Sony A6100 camera.
1. Best Wedding and Event Shooting Lens for Sony A6100
Tamron 17-70mm Lens is one the best lens for Sony APS-C system Mirrorless camera. The Tamron 17-70mm f/2.8 Di III-A VC RXD is a 25.5-105mm-equivalent lens for APS-C-format Sony E-mount mirrorless cameras. The Lens is perfect for everyday shooting and as usual, it features f/2.8 constant maximum aperture throughout the zoom range. So, you don’t have to worry about the lighting conditions you have around you. The lens features specialized optics, including aspherical and low dispersion elements, that produce well-corrected imagery with high sharpness, clarity, and color accuracy. Above all the Tamron’s BBAR coating, which suppresses flare and ghosting for greater contrast when working in backlit and harsh lighting conditions. We highly recommend you to get this lens if you want to have one of the best available APS-C Mirrorless lenses for your camera.
2. Best Lens for Lifestyle / Street Vlogging
Sigma 16mm f/1.4 DC DN Contemporary Lens for Sony E is the best lens for lifestyle vlogging. Ultra-fast maximum aperture, the 16mm f/1.4 DC DN is part of Sigma’s Contemporary series of lenses and is designed for use with APS-C-format Sony E-mount mirrorless cameras. The lens is even sharp at F1.4 aperture. A perfect lens when you need ultra-wide-angle coverage, highly recommended home, or office for video work.
The Sigma 16mm F1.4 uses a stepping drive motor for noise-free AF operation. The lens body is made from brass metal and the shield protected by a layer for internal rubber sealing to make it weatherproof.
3. Best Lens for Office / Room Vlogs
Sigma 30mm f/1.4 DC DN Contemporary Lens – is one of the best lenses to have with your Sony A6100 camera. You can also use this lens for shooting portraits and excellent home videos with amazing background blur. Sigma 30mm F1.4 is a must-have lens for those who video content for youtube. Bright f/1.4 maximum aperture excels in low-light conditions and also affords increased control over depth of field for achieving selective focus effects. A stepping AF motor benefits both photographers and videographers with its fast, precise, and near-silent performance.
4. Best Portraits Lens for A6100
Sony E 50mm f/1.8 OSS Lens: The must-have prime lens for every Sony APS-C Mirrorless shooter. The 50mm F1.8 portrait lens produces tack sharp images even at wide-open aperture and if you are comparing it price from Canikon lenses than don’t forget the Sony 50mm F1.8 lens also features OSS (Optical Steady Shot) image stabilization. The Bokeh of the lens is very creamy and the lens features a silent and FAST AF motor inside, usable for both still and video purposes. Highly recommended for Sony E-Mount users
5. Best Lens for Macro / Food Photography
Sony 30mm F3.5 is the perfect Macro Lens for Sony A6500. The lens captures tack sharp images at 1:1 proportion and features very well controlled Chromatic aberration. The lens features a minimum focusing distance of 9.5 cm and the focal length of the lens is 30cm. In general, the standard Focal-Length of a normal macro DSLR lens varies between 60mm to 100mm, so with a 30mm macro lens, you have to get closer to the subject to get a perfect shot. The lens is very durable and made up of aluminum alloy.
6. For shooting Still – Best All-rounder Lens
E 18-135mm f/3.5-5.6 OSS from Sony – The lens takes sharp images despite being a zoom lens with excessive coverage. Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. A linear autofocus motor provides quick and precise autofocus performance and enables accurate and silent focusing while recording videos. Additionally, a dedicated AF/MF switch allows for quick changes between focusing methods.
7. For Video Work – Best All-rounder lens
Sony E PZ 18-105mm F4 The lens features excellent optical at an affordable price, Power zoom function, constant F4 aperture through the zoom lens. It is definitely a lens designed for video since it is where it achieves the best results, it is sharp enough, the focus is excellent, in addition to not emitting a single noise. Highly recommended to you if you are looking for Sony APS-C lenses with excellent coverage specifically made for video recording purposes.
Sony A6100 is one of the best entry level cameras for beginners and features the same sensor as we have seen in Sony A6400 or Sony A6600 camera. We are recommending the best and fully compatible lenses for the Sony A6100 camera.
In the list we have sorted out some of the best lenses, that will cover more than 90% of your shooting needs. And you can use the lenses for travel, micro work, portraiture photography as well as events and wedding photography.
Best Prime Lens For Group Portraits and Low-light work
Sony E 50mm f/1.8 OSS Lens: The must have prime lens for every Sony APS-C Mirrorless shooters. The 50mm F1.8 portrait lens produces tack sharp images even at wide open aperture and if you are comparing it’s price from Canikon lenses than don’t forget the Sony 50mm F1.8 lens also features OSS (Optical Steady Shot) Image stabilization.
The Bokeh of the lens is very creamy and the lens features silent and FAST AF motor inside, usable for both still and video purpose. Highly recommended for Sony E-Mount users.
Sony 50mm F1.8 Sample Image
Best all-rounder lens for Sony A6100 camera for still shooters. If you want to have a all in one lens for a hassle free shooting. The Sony 18-135mm lens is made for you.
Sony 18-135mm Lens : It is sharp, quiet and easy to carry. Great zoom range for such a compact body. The compact setup has very versatile focal length and allows you to capture wide angle shots as well as telephoto zoom closeups. I am really amazed by the sharpness of the lens at this price point. Although the bokeh is not as soft as you will have from a prime lens like Sony 50mm F1.8. But having an 50mm F1.8 and 18-135mm lens will make a perfect kit for entry level shooters.
What I like:
Best Lens in it’s class
Compact and Lightweight
Smooth focus and zoom rings
Optical Steady Shot
Excellent coverage
Perfect Zoom Lens for Telephoto-Closeups
What I don’t like:
None
Sony 18-135mm Lens Sample Image @ 18mm : The lens do capture perfect wide-angle shots, although it’s a perfect travel companion and a all-rounder lens so do not expect corner to corner sharpness @ 18mm when compared to prime lenses. But, at the same time we do get perfect shots with this lens and if you wan a all-in one solution for your camera. 18-135mm lens is a best option.
Sony 18-135mm Lens Sample Macro Image captured at 86mm
You can capture usable macro images with the lens, specifically if you want to shoot flowers in your garden or you want to capture delicacy food. The 18-135mm lens will be a perfect companion for your Sony A6100 camera.
Sony 18-135mm Telephoto Close-up Sample Image
Now it’s time to talk about some of the and affordable zoom lenses available for the Sony A6100 camera.
Sony 55-210mm F4.5-5.6 OSS Zoom Lens: Quick focusing and sharp images are the two best words to define this entry level zoom lens. The lens is not heavy and bulky and great for a casual shooter. A lighter setup along for casual trips and still getting decent results is going to make outings a lot more enjoyable.
BTW, at the same time don’t expect too much from this lens at this price point, but for sure you will be impressed by the performance of the lens for the price you are paying off.
What I like:
Compact and Sharp
Smooth focus and zoom rings
Optical Steady Shot
Affordable
What I don’t like:
None
Sony 55-210mm Lens Sample Image
If you want to have more zoom range then you should invest in the Sony’s 70-300mm Zoom lens listed below.
The Sony E 70-350mm F4.5-6.3 G OSS is a compact telezoom built for APS-C cameras. It’s sturdy and sharp, with a bit higher price tag than the conventional 55-210mm zoom lens.
If you want an dedicated lens for sports and wildlife photography this lens is made for you under budget. It may not attain the ultimate reach, sharpness or brightness of the 200-600 or 100-400, but it’s less than half the price, not to mention considerably more manageable while still delivering respectable quality and focusing speed.
The AF Speed of this lens is just amazing and the lens is fully compatible with Sony A6100 camera. You can see some sample shots captured with this lens.
What I like:
Very sharp lens
Best Zoom Lens in it’s class
Smooth focus and zoom rings
Optical Steady Shot
What I don’t like:
It’s expensive
Sony A6100 with FE 70-350mm F4.5-6.3 G OSS Lens Sample Image
If you are interested in capturing macro images with your camera, then we do have a solution for you. Check out the Best and affordable macro lens for Sony A6100 camera.
Sony 30mm F3.5 lens is the perfect Macro Lens for Sony A6400. The lens captures tack sharp images at 1:1 proportion and features very well controlled Chromatic aberration. The lens features a minimum focusing distance of 9.5 cm and the focal-length of the lens is 30cm. In general the standard Focal-Length of a normal macro DSLR lens varies between 60mm to 100mm, so with a 30mm macro lens you have to get closer to the subject to get a perfect shot. The lens is very durable and made up of aluminum alloy. But keep in mind you have to use a tripod all the time to get a perfect picture since the Lens and Camera both don’t have an Image stabilization system.
What I like:
Very sharp lens
Compact and Lightweight
Smooth focus and zoom rings
What I don’t like:
No Optical IS
Sony 30mm F3.5mm lens image
Now, its time for best vlogging lenses – If you are a YouTuber and looking for best vlogging lenses for Sony A6100 camera. The next two lenses are made for you.
Sony 10-18mm f/4 OSS (costly) For Vlogging purpose and Wide-angle Shots. The 10-18mm lens is a time tested lens and a great upgrade from the kit lens, more than 7 years old and one of the favorite lens for vloggers and ultra-wide shooters (landscape and architecture). The lens features constant F4 aperture as well as a very effective Optical Image stabilization system. With the help of IS you can use slow shutter speed without any issue. The lens is full compatible with the Sony A6100 AF system and the lens does blazing fast AF all the time either you are shooting video or creating a still image.
Image quality of the lens is very sharp and the lens features a silent autofocus system. The lens takes images without noise and even when you are recording videos with camera internal microphone you won’t have any AF motor noise in the video.
6. Best Low-light Multipurpose Lens for Sony A6100
Sigma 16mm F1.4 Lens is one of the best third party vlogging lens for Sony A6100 camera. It’s a perfect companion and creates amazing cinematic videos when used at Max aperture F1.4. The lens really helps you a lot when you are using this lens on night streets for creating vlogs or where you have limited light set-up in your room and your office. The only drawback of this lens is absence of OIS (optical image stabilization).
7. Best 3-axis Gimbal to have for Travel Vloggers For Sony A6100
Before we begin let me tell you it’s better than zhiyun, to DJI and other third parties gimbals at this price Range. Moza AirCross 2 3-Axis Handheld Gimbal Stabilizer – One of the best and time-tested product to make your videos smooth and shake free. One of the best part of this gimbal is even if you upgrade your camera to Sony A7 III, it can easily handle that weight too.
What I like:
Best in Class Gimbal
Aprrox 600gms
Can carry Sony and other Fullframe Mirrorless / DSLRs
Affordable
What I don’t like:
None
Do ask any any questions if you have, in the comment box below.
Let’s compare Fuji X-T200 camera with Sony A6100 camera. Although Sony is making mirrorless camera from a long time and they do have very well capable entry level Mirrorless camera, now how does Fuji X-T200 compete against A6100 let’s find out.
Better Sensor & Image Processor – Fuji X-T200 vs Sony A6100
When we compare the sensor of both camera. we can clearly see Sony A6100 have with more standard ISO range compared to the Fuji recently announced X-T200 camera. With slightly more standard ISO range we do have the possibility to get one stop more clear images in the Sony a6100 camera compared to the Fuji X-T200 hundred.
We also have a better image processor inside the Sony camera and that’s why we are able to get 11 FPS continuous shooting speed from Sony a6100 where as the Fuji X-T200 hundred camera remains limited to 8 frames per second.
Fuji X-T200
Sony A6100
24.2MP APS-C CMOS Sensor
24.2MP APS-C Exmor CMOS Sensor
ISO Sensitivity
Auto, 200 to 12800 (Extended: 100 to 51200)
Auto, 100 to 32000 (Extended: 100 to 51200)
Shutter Speed
Mechanical Shutter
1/4000 to 30 Second
1/4000 to 4 Second in Program Mode
0 to 60 Minute in Bulb Mode Electronic Shutter
1/32000 to 30 Second
1/32000 to 4 Second in Program Mode Electronic Front Curtain Shutter
1/32000 to 30 Second
1/32000 to 4 Second in Program Mode
0 to 60 Minute in Bulb Mode
Mechanical Shutter
1/4000 to 30 Second
Bulb Mode
1/4000 to 1/4 Second in Movie Mode
Up to 11 fps at 24.2 MP for up to 33 Exposures (Raw)
Up to 11 fps at 24.2 MP for up to 77 Exposures (JPEG)
Up to 8 fps at 24.2 MP
Up to 6 fps at 24.2 MP
Up to 3 fps at 24.2 MP
Self-Timer
2/10-Second Delay
2/5/10-Second Delay
Best Camera for Video recording.
let’s talk about the video mode of both the camera, Sony a6100 camera features a better video, specification compared to the Fuji X-T200. With Sony A6100 camera you do have the ability to record videos upto 30 minutes without having any interruption either you are creating 4K videos are full HD videos. But with the Fuji X-T200 camera you can record 4K videos upto 15 minutes only
Other major advantage we have the Sony camera is fast and precise autofocusing system. Sony A6100 camera as usual have world’s fastest autofocus acquisition time of 0.02Sec. At the same time the Sony a6100 cameras literally have better autofocusing modes compared to the Fuji X-T200 camera.which includes animal eye AF tracking too.
Recording Modes
H.264/MPEG-4
UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p
HD (1280 x 720) at 23.976p/24.00p/25p/29.97p/50p/59.94p
1080 x 1080 at 23.976p/24.00p/25p/29.97p/50p/59.94p
720 x 720 at 23.976p/24.00p/25p/29.97p/50p/59.94p
XAVC S
UHD 4K (3840 x 2160) at 24.00p/25p/29.97p [60 to 100 Mb/s]
Full HD (1920 x 1080) at 24.00p/25p/29.97p/50p/59.94p/100p/119.88p [50 Mb/s] AVCHD
Full HD (1920 x 1080) at 23.976p/50i/59.94i/59.94p [17 to 28 Mb/s]
Recording Limit
Up to 15 Minutes for UHD 4K (3840 x 2160)
Up to 30 Minutes for Full HD (1920 x 1080)
Up to 30 Minutes for HD (1280 x 720)
AAC LC, AC3, Dolby Digital 2ch, Linear PCM (Stereo)
Fuji Have better Display and a option to use Headphones
But not only Sony Fuji X-T200 camera, when we talk about the video recording part of both the camera. With Fuji X-T200 camera we get a fully articulated display screen which covers nearly entire backside of the camera with the large 3.5 inch display. And best part of the camera is you can monitor audio levels while creating your video with the help headphones, yes Fuji is the first company to offer headphone port in entry level camera level Fuji X-T200 hundred. And not only that they are also giving inbox USB to headphone converter free alongside with the camera
Other best part of the Fuji X-T200 camera is now we get a regular 3.5 mm microphone port with the camera, earlier with Fuji cameras we are getting 2.5 mm microphone port which was a problematic thing for sure.
Viewfinder Type
Electronic (OLED)
Electronic (OLED)
Viewfinder Size
0.39″
0.39″
Viewfinder Resolution
2,360,000 Dot
1,440,000 Dot
Viewfinder Eye Point
17.5 mm
23 mm
Viewfinder Coverage
100%
100%
Viewfinder Magnification
Approx. 0.62x
Approx. 0.7x
Diopter Adjustment
-4 to +2
-4 to +3
Monitor Size
3.5″
3″
Monitor Resolution
2,760,000 Dot
921,600 Dot
Monitor Type
Articulating Touchscreen LCD
180° Tilting Touchscreen LCD
More Battery Life in Sony A6700 camera
Environmentally Sealed
No
No
Power via
Battery Pack
Battery Pack
Battery Type
NP-W126S lithium-ion battery & carger
NP-FW50 lithium-ion battery & charger
Shots per charge
270
420
Weight
370 g (0.82 lb / 13.05 oz)
396 g (0.87 lb / 13.97 oz)
Size
121 x 84 x 55 mm (4.76 x 3.31 x 2.17″)
120 x 67 x 59 mm (4.72 x 2.64 x 2.32″)
Verdict:
Let’s discuss, Sony A6100 does have upper hand when we talk about specs and list of available lenses for the system. At the same time Fuji X-T200 does have attractive options which include large display and a option to use headphones. Overall if 15Min 4K limit isn’t a issue you can go with Fuji X-T200 camera and for still images I will recommend you to go with Sony A6100.
Let’s us compare the Canon EOS M6 Mark II camera with the Sony A6100 camera. We have roughly $100 difference in the cost of both the camera and now it’s time to take a look at the specs difference between the two.
Camera
Canon M6 Mark II
Sony A6100
Camera Format
APS-C (1.6x Crop Factor)
APS-C (1.5x Crop Factor)
Pixels
Actual: 34.4 Megapixel
Effective: 32.5 Megapixel
Actual: 25 Megapixel
Effective: 24.2 Megapixel
Maximum Resolution
6960 x 4640
6000 x 4000
Aspect Ratio
1:1, 3:2, 4:3, 16:9
1:1, 3:2, 16:9
Sensor Type
CMOS
CMOS
Sensor Size
22.3 x 14.9 mm
23.5 x 15.6 mm
Image File Format
JPEG, RAW
JPEG, RAW
Bit Depth
14-Bit
14-Bit
Image Stabilization
Digital (Video Only)
None
1. Sensor Resolution
We have compared the sensor of the cameras, and from the specs comparison it’s very clear that Canon EOS M6 mark 2 camera carry a higher resolution sensor of 32 megapixel whereas with Sony a6100 camera we have a 24 megapixel aps-c CMOS sensor. More resolution allows you to recompose your images while editing. But of-course it also have some downside…
2. Large Photodiodes inside Sony
Technically speaking the sensor area of Sony is slightly larger compared to Canon, slightly larger sensor area and bit broad (15.28µm2 vs 10.29µm2) photodiodes inside the sensor will result in better light sensitivity and more dynamic range.
3. Canon in-Camera image stabilization in Video Mode
One of the most noticeable things in the table above is Canon EOS M6 mark 2 camera has digital video image stabilization, which will sure help you when you are creating content while walking. Canon camera based digital image stabilization synchronised with the optical image stabilization of lens. And as a result you will get more stabilized footage compared to the Sony a6100 camera, where we have to depend upon the OSS. (lens based optical image stabilization system only).
Up to 14 fps at 32.5 MP for up to 23 Exposures (Raw)
Up to 14 fps at 32.5 MP for up to 54 Exposures (JPEG)
Up to 30 fps at 18 MP
Up to 11 fps at 24.2 MP for up to 33 Exposures (Raw)
Up to 11 fps at 24.2 MP for up to 77 Exposures (JPEG)
Up to 8 fps at 24.2 MP
Up to 6 fps at 24.2 MP
Up to 3 fps at 24.2 MP
Interval Recording
Yes
2/5/10-Second Delay
Self-Timer
2/10-Second Delay
5. ISO Range
We can clearly see Sony A6100 camera gives us a bit more standard ISO range compared to the Canon EOS M6 mark 2 camera. However, the expandable ISO range of both the camera is almost same.
6. 48% larger pixel area Sony A6100 Sensor
At the same time due to the nature of high resolution sensor we have a bit more complex structure of photodiodes in Canon M6 Mark II with less light capturing area and for sure, as a result we get poor low light performance from EOS M6 Mark II when compared to the Sony A6100 camera. However, the difference is not to big, literally we will have 1 stop of ISO difference between the two which can be further compensate by Built-in IS feature and by the use of bright aperture lenses.
We will update you soon once we get the high ISO test results of both the camera, we do believe Sony will going to perform better when compared to Canon in low light environment.
7. Exposure compensation
Sony A6100 camera gives us a bit more range in exposure compensation compared to Canon M6 Mark II. At the same time the white balance modes options in Sony is slightly more compared to Canon.
8. Continuous shooting
Sony failed to impress us when we talk about continuous shooting speed. Despite having a low resolution sensor Sony continuous shooting speed is less compared to the Canon M6 Mark II, with a 32 megapixel resolution the Canon M6 mark 2 camera is able to grab 14 frames per second upto 23 exposure in raw and 54 exposure in JPEG mode.
Sony A6100 camera limited to 11 frames per second after 33 exposure in raw-mode and 77 exposure in JPEG mode. So, Canon used more powerful Digic 8 Image processing unit in the Canon EOS M6 mark II camera compared to the Sony A6100 camera Bionz X image processor.
If you are a sports photographer then of-course you should move along with the Canon EOS M6 mark 2 camera, where you are getting extra frames with higher resolution.
9. Video mode
Camera
Canon EOS M6 Mark II
Sony A6100
Recording Modes
MP4/H.264
UHD 4K (3840 x 2160) at 25p/29.97p
Full HD (1920 x 1080) at 25p/29.97p/50p/59.94p/100p/119.88p
HD (1280 x 720) at 50p/59.94p
XAVC S
UHD 4K (3840 x 2160) at 24.00p/25p/29.97p/100p/119.88p [60 to 100 Mb/s]
Full HD (1920 x 1080) at 24.00p/25p/29.97p/50p/59.94p [50 Mb/s]
AVCHD
Full HD (1920 x 1080) at 23.976p/50i/59.94i/59.94p [17 to 28 Mb/s]
External Recording Modes
4:2:2 8-Bit
UHD 4K (3840 x 2160) up to 25p/29.97p
4:2:2 8-Bit
UHD 4K (3840 x 2160) at 24.00p/25p/29.97p
Full HD (1920 x 1080) at 24.00p/50i/50p/59.94i/59.94p
Recording Limit
Up to 29 Minutes, 59 Seconds
Up to 29 Minutes, 59 Seconds
Video Encoding
NTSC/PAL
NTSC/PAL
Audio Recording
Built-In Microphone (Stereo)
External Microphone Input (Stereo)
Built-In Microphone (Stereo)
External Microphone Input (Stereo)
Audio File Format
AAC LC
AAC LC, AC3, Dolby Digital 2ch, Linear PCM (Stereo)
10. Video Mode
let’s talk about the video mode of both the camera. Canon EOS M6 mark II camera and Sony A6100 camera features 4K (3840 x 2160) video recording mode up to 30 minutes. At the same time we are getting digital image stabilization in canon which synchronizes with the lens based optical image stabilization system to give better stable footage. No digital image stabilization available in Sony A6100 camera.
11. No 4K Crop issues in Canon EOS M6 Mark II camera
like in earlier Canon cameras we were suffering from crop is issues, fortunately with Canon M6 Mark II camera canon does full sensor readout and we don’t have to suffer from any crop is issue in the M6 mark 2 camera. Although it’s not oversampled 4K video as of Sony.
More or less the video mode of both camera are same, and literally where are getting additional digital image stabilization with Canon M6 mark 2 camera. So it will going to be bit more favourable to us while we are creating like content on the go.
Additional features include 180 degree tilting touch screen in both the camera and both camera offers use external microphone for better audio quality input.
12. Auto Focus
Camera
Canon EOS M6 Mark II
Sony A6100
Focus Type
Auto and Manual Focus
Auto and Manual Focus
Focus Mode
Continuous-Servo AF (C), Manual Focus (M), Single-Servo AF (S)
Automatic (A), Continuous-Servo AF (C), Direct Manual Focus (DMF), Manual Focus (M), Single-Servo AF (S)
Autofocus Points
Phase Detection: 5481
Phase Detection: 425
Contrast Detection: 425
Autofocus Sensitivity
-5 to +18 EV
-2 to +20 EV
13. AF Performance of both the camera
let’s talk about the autofocusing performance of both the camera, we all know that Sony does a better job when we track eyes of the subject or the face. But at the same time canon claims that there Canon EOS M6 mark 2 camera arrived with more than 5400 autofocusing points on sensor. And if we talk about AF points then of course Sony A6100 camera is limited to 425 phase AF points + 425 contrast detect AF points.
Both camera features industry leading autofocusing system, so you won’t going to face any issues while you are capturing a still short or recording videos with the cameras.
14. AF sensitivity
Autofocus sensitivity range of Canon EOS M6 mark II camera is better in low light compared to the Sony A6? camera. Autofocusing performance of Canon EOS M6 mark 2 camera will going to be a bit more better in low light situation compared to the Sonye 6100 camera.
15. Display
Camera
Canon M6 Mark II
Sony A6100
Viewfinder Type
Electronic (OLED)
Viewfinder Size
0.39″
Viewfinder Resolution
1,440,000 Dot
Viewfinder Eye Point
23 mm
Viewfinder Coverage
100%
Viewfinder Magnification
Approx. 0.7x
Diopter Adjustment
-4 to +3
Monitor Size
3″ 180° Tilting Touchscreen LCD
3″ 180° Tilting Touchscreen LCD
Monitor Resolution
1,040,000 Dot
921,600 Dot
Monitor Type
3″
180° Tilting Touchscreen LCD
With Sony A6100 camera we are getting display screen as well as viewfinder. Canon EOS M6 Mark II features slightly higher resolution display unit, but you have to buy optional viewfinder.
16. Connectivity and memory
Camera
Canon M6 Mark II
Sony A6100
Memory Card Slot
Single Slot: SD/SDHC/SDXC (UHS-II)
Single Slot: SD/SDHC/SDXC/Memory Stick Duo Hybrid (UHS-I)
Connectivity
USB Type-C (USB 2.0), HDMI D (Micro)
3.5mm Microphone, HDMI D (Micro), Micro-B (USB 2.0)
Wireless
Bluetooth
Wi-Fi
Wi-Fi
Bluetooth
GPS
None
None
Both camera have single card slot and uses WiFi and Bluetooth for connectivity.
17. Physical
Camera
Canon EOS M6 Mark II
Sony A6100
Battery
1 x LP-E17 Rechargeable Lithium-Ion, 7.2 VDC, 1040 mAh (Approx. 305 Shots)
1 x NP-FW50 Rechargeable Lithium-Ion, 7.2 VDC, 1080 mAh (Approx. 420 Shots)
Dimensions (W x H x D)
4.71 x 2.76 x 1.94″ / 119.6 x 70 x 49.2 mm
4.72 x 2.63 x 2.34″ / 120 x 66.9 x 59.4 mm
Weight
14.39 oz / 408 g
0.87 lb / 396 g (Body with Battery and Memory)
Canon fast image processor grabs a bit more extra power, you are getting approx 305 shots in single charge and Sony A6100 camera offers you to capture 420 shots in single charge. My recommendation is, If you are planning to record 4K videos with your camera you should buy extra battery packs with your camera.
18. Conclusion
Both the camera shoots 4K and with Canon you are getting additional Digital Image stabilization when you needed, but you have to face slight crop when u are using Dual IS.
Canon M6 Mark II camera features higher resolution sensor, faster image processor with high burst rate compared to Sony A6100 and more than 5K AF points on sensor, the AF sensitivity of Canon EOS M6 Mark II camera is better than of Sony A6100. On the other side we have Sony A6100 with better low-light performance and better Auto eye or face tracking feature.
Versatility: With EF-M to EF-S adapter you can literally use all Canon lenses, so with EOS M6 mark II camera you have a huge range of lenses, at the same time Canon lenses are more affordable than of Sony’s.
Video: Sony A6100 downsamples 6K file to create 4K video and in turn you get better details with more DR. So, if you do too much editing with your videos (recovery shadow details.. etc) than go with A6100, for causal editors Canon EOS M6 Mark II is enough.
If I have to choose between the two, than I will select Canon EOS M6 Mark II since the still part of Canon EOS M6 mark II look more attractive with 32MP DPAF sensor and better AF sensitivity.
Sony is just heating the competition, Sony announced new Sony A6100 camera with super affordable price tag priced at $750 body-only, $850 with a 16-50mm power zoom lens.
The camera features excellent specs at that price point, we are getting 24MP IMX 271 sensor, with 425 PDAF and full time real time Autofocus tracking for moving subjects. With Sony A6100 camera we will also get a bit smaller viewfinder and ISO range upto 51200.
What it does feature is Sony’s familiar 24MP APS-C sensor, a 425-pt PDAF system with Real-time Tracking, 11 fps burst shooting, 3″ flip-up touchscreen LCD and oversampled 4K video capture. It also features a mic input, making the a6100 a good option for vlogging.
Sony Electronics Strengthens APS-C Mirrorless Line-up with Launch of Two New Cameras
Company Introduces Alpha 6600 with in-body Image Stabilization and Enhanced Battery Life, Also Boosts Product Portfolio with Introduction of Alpha 6100
SAN DIEGO — August 28, 2019 — Sony Electronics today announced two new additions to its α (Alpha) series of mirrorless cameras with the launch of the Alpha 6600 (model ILCE-6600) and Alpha 6100 (model ILCE-6100). These new models bring many of Sony’s most advanced imaging technologies into compact, lightweight APS-C bodies.
The new, extremely versatile Alpha 6600 camera has been designed to address the needs of the most demanding photographers and videographers, while the new Alpha 6100 is targeted at users who are looking to produce high-quality photos and videos with an interchangeable lens camera.
In addition to the new bodies, the Sony APS-C range has been further strengthened by the launch of two new lenses: E 16-55mm F2.8 G and E 70-350mm F4.5-6.3 G OSS. Sony’s “One Mount” solution for both APS-C and Full-frame cameras provides creators an extreme amount of versatility for all of their photography and video needs.
“These new APS-C cameras provide excellent image quality in a compact package, with the ability to take full advantage of Sony’s growing lineup of 54 different E-mount lenses,” said Neal Manowitz, deputy president of Imaging Products and Solutions at Sony Electronics. “We are proud to bring so many of our innovations into our APS-C lineup and to provide creators with several new tools to realize their vision.”
The new Alpha 6600 and Alpha 6100 include a 24.2MP[i] Exmor™ CMOS image sensor, the latest BIONZ X™ image processor, and a front-end LSI implemented in Sony’s full-frame cameras. This powerful trio combine to deliver all-around enhancements in image quality and performance across all areas of photo and video capture.
The Alpha 6600 and Alpha 6100 offer a lightning-fast autofocus acquisition time of 0.02 seconds[ii]. With 425 focal-plane phase-detection autofocus (AF) points covering approximately 84 percent of the image area and 425 contrast-detection AF points, the high density and wide coverage of the AF system ensure reliable AF, even in the most challenging light conditions. Both new models benefit from Sony’s ‘Real-time Tracking’ which utilizes Sony’s latest algorithm with Artificial Intelligence[iii]-based object recognition to ensure that subjects can be captured with excellent accuracy, even via the touch panel on the rear screen. In addition, the new models offer ‘Real-time Eye AF’, the latest version of Sony’s acclaimed Eye AF technology. Real-time Eye AF employs AI-based object recognition to detect and process eye data in real time, resulting in improved accuracy, speed and tracking performance of Eye AF for both humans and animals[iv], and it allows the photographer to concentrate exclusively on composition.[v] The Alpha 6600 also offers Real Time Eye AF in video. When activated, the eye of a subject is automatically tracked with high precision and reliability, allowing the shooter to focus on the content itself as opposed to what is in focus or not.
Additionally, both cameras can shoot high-quality 4K video, and include a microphone jack and flip screen that allows for easy framing and shooting of vlog-style content. The Alpha 6600 also features a headphone jack to monitor audio.
An Eye for Detail
Based upon feedback from users of existing Sony APS-C camera users, Sony has added features to the Alpha 6600 and Alpha 6100 to fine tune the user experience. These include:
Improved color reproduction; algorithms inherited from full-frame models deliver natural color reproduction, particularly in skin tones
Hi-resolution internal 4K[vi] movie recording with full-pixel readout without pixel binning in Super 35mm format with easy smartphone transfers via the Imaging Edge™ Mobile application[vii]
Interval shooting[viii] for stunning time-lapse videos
Integrated Microphone input for clear and crisp audio on video recordings
4K Recordingvi
The Alpha 6600 and Alpha 6100 boasts internal 4K movie recording in Super 35mm format with full pixel readout without pixel binning, to enable them to capture approximately 2.4x[xv] the amount of information required for 4K movies. This oversampling results in stunning footage, delivered in the XAVC S™ format with unparalleled resolution. The Alpha 6600 also equips an HLG (Hybrid Log-Gamma)[xvi] picture profile that supports an instant HDR workflow. Recorded movies played back on an HDR (HLG) compatible TV will appear true-to-life, with no blocked shadows or blown highlights, and without the need for color grading. For users who want to color grade their footage in post-production, S-Log3 and S-Log2 Gamma profiles are provided.
Pricing and Availability
The new Alpha 6600 will be available in November and will be sold at a variety of Sony authorized dealers throughout North America at below prices:
Camera body – $1,400 US / $1,900 CA
Camera kit with Sony 18-135mm Lens – $1,800 US / $2,400 CA
In addition, the Alpha 6100 will be available in October and will be sold at a variety of Sony authorized dealers throughout North America at below prices:
Camera body – $750 US / $1,000 CA
Camera kit with Sony 16-50mm Lens – $850 US / $1,100 CA
Camera kit with Sony 16-50mm Lens and 55-210mm Lens – $1,100 US / $1,550 CA
Exclusive stories and exciting new content shot with the new lens and Sony’s other imaging products can be found at alphauniverse.com, a site created to educate and inspire all fans and customers of Sony’s α – Alpha brand.
The new content will also be posted directly at the Sony Photo Gallery and the Sony Camera Channel on YouTube. For detailed product information, please visit:
(US) – Alpha 6600
(CA) – Alpha 6600
(US) – Alpha 6100
(CA) – Alpha 6100
A product video on the new Alpha 6600 and Alpha 6100 can be viewed HERE.
[i] Approximate effective megapixels
[ii] Based on Sony research, CIPA-guideline-compliant internal measurement with an E 18-135mm F3.5-5.6 OSS lens mounted, Pre-AF off and viewfinder in use
[iii] AI (artificial intelligence) including machine learning technology is used
[iv] Real-time Eye AF for Animals supports still images only and cannot be used in combination with tracking. Does not work with some types of animal. Focusing may not perform well depending on scene and subject conditions
[v] Both right eye and left eye are selectable, either via the menu or by the touchscreen panel
[vi] 3840×2160 pixels. A Class 10 or higher SDHC/SDXC memory card is required to record movies in the XAVC S format. UHS-I (U3) SDHC/SDXC card is required for 100Mbps
[vii] Imaging Edge Mobile Ver. 7.2 or later is required
[viii] Wi-Fi does not work during interval shooting
[ix] Only on still images
[x] Based on CIPA standard. Pitch/yaw shake only. With Sonnar T* FE 55mm F1.8 ZA lens mounted. Long-exposure Noise Reduction off
[xi] Among mirrorless interchangeable-lens digital cameras equipped with an APS-C image sensor. As of August 2019, based on Sony research
[xii] CIPA standard compliant
[xiii] Not guaranteed to be 100% dust and moisture proof
[xiv] This function does not track animal eyes
[xv] 24p recording. Approx. 1.6x at 30p
[xvi] Connect this product to an HDR (HLG) compatible Sony TV via a USB cable when displaying HDR (HLG) movies
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