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By admin, on November 11th, 2024
So in the latest update, we have that Nikon is currently working on the implementation of bird eye autofocus mode in the Nikon Z6 Mark III camera since the camera doesn’t have that particular mode, and many wildlife photographers are disappointed with this.
They have become more disappointed after the release of the Nikon Z50 II, which does have a birds-eye autofocus mode under the $1000 price range.
But not to worry, since, as per the latest information coming out from @Jan Wegener’s YT Channel, Nikon Japan is listening to us, and very soon in upcoming firmware updates, they will add the bird eye AF feature in the Z6 III camera.
Best Lenses for Nikon Z6 III
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By admin, on July 24th, 2024
Nikon’s president, in an interview, confirmed that they will focus more on the video quality of their upcoming products. Thanks to RED Corporation, the quality of professional cinema cameras will be brought down to Nikon consumer-level cameras. Who knows, shortly, Nikon may also announce a new range of cameras that will feature both RED and Nikon branding.
Take a look at he said
Nikon President Yoshiaki Tokunari said in an interview that “video performance is required in recent years” regarding the company’s main camera business, and expressed his intention to expand market share by incorporating video technology from a US movie camera company that Nikon acquired this spring. Regarding recent sales trends, he said, “We are seeing signs of recovery in interchangeable lens cameras.” By region, he explained, “China has grown to the same level as Europe, and the growth rate is large in emerging countries such as South Asia.” Semiconductor exposure equipment, which Nikon and Canon handle, is an industrial machine that burns circuits onto silicon plates. Plans for new semiconductor factory construction across the country are a tailwind, and Tokunari expressed his enthusiasm for expanding sales, saying, “There are business opportunities.
This is very good news, as Nikon is now open to many new possibilities. They already have an open mount, allowing for a wide range of lenses, and now they are focusing more on improving the video capabilities of their consumer-level cameras. Last year, they saw a 1.5% growth in overall operating profit, and experts predict they will achieve at least 1.5% to 2% growth in the future.
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source – nr.com
By admin, on July 16th, 2024
Let’s talk about the best camera and lenses for the recently announced Nikon Z6 Mark III camera, we have selected some of the best lenses available for the Nikon Z6 Mark III camera from the Native Nikon Z Mount as well as from Tamron and Sigma. Now, let’s enjoy the list, and don’t forget about the cup of coffee we need for writing the next article
What are the Best lenses for Nikon Z6 III in 2024?
Best lenses for Nikon Z6 III Camera start now, I have selected some of the best lenses for the Nikon Z8 camera for wedding photography, cinematography, Best lenses for wildlife and sports as well as Nikon Z6 III best lenses for shooting content.
Get Nikon Z 24-70mm F2.8 Lens from Amaznon.com | B&H Store
1. Nikon 24-70 mm F2.8
Nikon 24-70 mm F2.8 – The best allrounder lens for the Nikon Z6 III camera is the Nikon 24-70mm f/2.8 S. The first recommendation is the Nikon 24-70mm f/2.8 S. This lens features a constant f/2.8 aperture throughout the zoom range and delivers amazingly sharp output throughout the focal range with creamy bokeh, one of the most sharp and versatile lenses present to date, this lens will cover your 99% requirements.
If you are a wedding photographer and cinematographer, or a travel shooter, street and fashion portrait photographer, this versatile lens is highly recommended, once you have this lens on your camera you won’t need any other lens. The biggest reason for recommending this lens is that you can shoot almost anything with it, from wide-angle landscapes to longer focal-length portraits. This is one of the most versatile and sharpest lenses Nikon has ever made for full-frame cameras.
Nikon 24-70mm F2.8 user Review
Build Quality (5/5): The moment you pick up the NIKKOR Z 24-70mm f/2.8 S, you can feel the build quality and attention to detail. It’s robust, weather-sealed, and exudes a sense of durability. The lens mount is solid, and it pairs perfectly with Z series cameras.
Image Quality (5/5): This lens produces incredibly sharp and detailed images throughout the zoom range. The f/2.8 aperture is perfect for low-light situations, and the nine-blade aperture diaphragm creates beautiful, creamy bokeh. It’s versatile, whether you’re shooting landscapes, portraits, or events.
Autofocus (4.5/5): The autofocus system is lightning fast and remarkably accurate. It’s perfect for capturing fast-moving subjects or achieving precise focus in challenging conditions. The stepper motor ensures quiet and smooth focus transitions, making it an ideal choice for videographers as well.
Versatility (5/5): The 24-70mm focal length range is incredibly versatile and covers most photography situations. It’s a lens you can trust whether you’re shooting wide-angle landscapes, tight portraits, or anything in between. The lens is also relatively compact and lightweight, which makes it perfect for all-day shooting.
Handling (5/5): The ergonomic design of this lens is a joy to work with. The customizable control ring is a great addition, allowing you to adjust settings like aperture, ISO, or exposure compensation quickly. The zoom and focus rings are smooth, and the overall balance feels perfect in your hand.
Price (4/5): While this lens is an investment, its quality and performance justify the cost. It’s worth noting that you get what you pay for, and the NIKKOR Z 24-70mm f/2.8 S is a premium piece of glass that will serve you well for years to come.
Chromatic aberration is also very well-controlled. We didn’t find it to be an issue, and frankly such purple and green fringing in front of, and behind, the focus plane wasn’t an issue. The autofocus performance is also top-notch. The lens uses 2 AF drive units synchronized to deliver speedy and accurate AF results – even when you are using your camera at 120 frames per second or when you are using it at 20 frames per second. This lens is bound to give perfect results when paired with ZF or Z6 III.
Conclusion – Highly Recommended if budget allows
| What we like |
What we don’t |
- Very lightweight and quite compact for its class
- Comprehensive weather-sealing
- Very sharp and free of most offensive optical defects
- Decent macro performance
- Handy multi-function OLED display
- Works well for video too
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get the Nikon 28-75mm F2.8 lens from Amazon.com | B&H Store
2. Tamron 28-75mm F2.8 (Budget Alternative)
The Tamron 28-75mm F2.8 lens is one of the best budget alternatives to the more expensive 24-70mm F2.8 lens. Users of the Tamron 28-75mm F2.8 appreciate its balanced features, including a constant F2.8 aperture throughout the zoom range. The optical performance of this lens is also excellent. It is designed for Nikon cameras to extract the maximum possible quality from a given scene
What users say
This is a great lens. Great for photos. Im use mine with my new Z8. What a great pair. Super light and f2/8. Will be using it in the fall for basketball.
The lens features a hybrid stepping drive autofocus motor, making it perfectly suitable for both still and video photography. The best part of this lens is its internal focus design, which allows you to capture your subjects even in adverse weather conditions, thanks to its advanced weather sealing.
If you are a wedding photographer or cinematographer and are unable to afford the Nikon 24-70mm F2.8 lens due to budget constraints, then the next lens you should consider is the Tamron 28-75mm F2.8. This lens is an excellent value for your money and is highly recommended for wedding, travel, fashion, and portrait photography.
Conclusion: Highly recommended
| What we like |
What we don’t |
- Best Pro Budget Lens for Nikon
- Comprehensive weather-sealing
- Very Sharp at the center
- Excellent macro performance
- Works well for video too
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- Less coverage at the wider end compared to 24-70mm F2.8
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Get this Lens 70-200mm F2.8 lens from Amazon.com | B&H Store
3. Nikon 70-200mm F2.8
The Nikon 70-200mm f2.8s lens produces incredibly sharp pictures and extracts the maximum amount of detail in your images. It is one of the best lenses to pair up with your Nikon Z6 III camera. Practically no color fringing or chromatic aberration is visible in this lens. The lens is distortion-free and lens vignetting is also very minimal and can be easily corrected in post-processing.
Should you buy this lens?
If you are a wedding photographer who wants to capture life-size portraits of your clients in a cinematic style, or if you want to capture distant candid images in a unique fashion, then this lens could be a good choice for you. Additionally, if you are into sports and wildlife photography, this lens is a must-have in your arsenal. However, the final decision should be based on your specific needs and budget. It’s always a good idea to research and compare different lenses before making a purchase.
The build quality of this lens is superb and made up of a metal body covered with rubberized material. It is extensively weather-sealed and able to deliver quality equal to its price tag. The LCD screen of the lens is not that much usable since we don’t have the habit of looking at the lens LCD. Maybe that’s one of the reasons I find the display not that much usable for me. Overall, the lens is worth every penny.
Finally, let’s talk about autofocusing performance. When paired up with a Nikon Z8 or Nikon Z9 camera which uses deep learning algorithms, the lens’s autofocusing system will improve with time. At the same time, the Z8 is capable of doing 120 AF calculations per second and supports burst speed up to 120 frames, and your lens is fully capable of synchronizing the AF performance even when shooting at max burst speed.
What our users say
As expected, this is a superb performing, ultra-sharp lens. It is built to professional standards, with a solid feel internal zoom, and smooth rotating tripod collar. The only reason I will cut a few marks is somewhat hefty weight. It is almost as heavy (within a few ounces) as the F-mount SLR equivalent, which would be another reason to consider the lighter 70-180. Sony and Canon both made their mirrorless 70-200 f2.8 lenses significantly lighter than the SLR equivalents, so why can’t Nikon do the same?
The image stabilization of this lens is highly reliable and you can shoot amazing pics handheld without any noticeable blur even at very slow shutter speeds when shooting at 200mm.
Although the price of this lens is approximately $2600, the worst thing about this lens since it costs even more than the Nikon Z6 III camera.
Conclusion
| What we like |
What we don’t |
- Excellent optics
- Hybrid AF Motor
- Almost free from all lens distortion
- Weather sealed
- Works well for video too
|
- Heavy, always need tripod/monopod for shoot
- Price
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Get Tamron 70-180mm F2.8 lens from Amazon.com | B&H Store
4. Tamron 70-180mm F2.8 VXD (Budget Alternative)
Let’s discuss the best budget alternative to the 70-200mm F2.8 VR lens. The Tamron 70-180mm F2.8 VXD lens is a great option. If your budget allows, then without a doubt, you should buy the Nikon 70-200mm F2.8 lens. However, if your budget doesn’t permit and you wish to have output similar to the 70-200mm lens, then you should consider buying the Tamron 70-180mm F2.8 lens. It’s always important to choose a lens that fits your specific needs and budget.
What professionals say about this lens
Added this for events rather than 70-200 when shooting all day. Excellent results. I wanted to trim my kit in weight so this was a no-brainer. The tiny differences in IQ are not noticeable unless you’re a pixel peeper at 200%. The fact that it doesn’t float my image after each shot is a HUGE bonus.
Conclusion
| What we like |
What we don’t |
- Excellent optics
- Hybrid STM AF Motor
- Lightweight design for event shoot
- Weather sealed
- Works well for video too
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Get Nikon 14-24mm F2.8 Lens from Amazon.com | B&H Store
5. Nikon 14-24mm F2.8 – Best Ultra Wide Zoom
The 14 to 24 mm f/2.8 lens is the best lens for landscape and architecture photography, as well as for advanced cinematographers and content creators.
Usage of the Lens ?: If you are a pro content creator and mostly you create daily lifestyle vlogs then for sure this one is a must-have lens for you, the other most applicable regions for this lens are indoor/outdoor architecture photography and corporate videos. This lens is also very usable for landscape shooters.
The 14 to 24 mm lens in Nikon is a part of a holy trinity lens which includes the 24 to 70 mm f/2.8 and the 70 to 200 mm f/2.8. This lens is the sharpest wide-angle zoom lens at this focal length in Nikon’s lineup, The image quality of this lens is super impressive even at 14 mm wide, and covers approximately 115 degrees of view.
So if your budget allows and you want to have an ultra-wide zoom lens, then you should go with this. The only issue that I have faced with this lens is finding its proper filters since it has a very large thread of 112 mm.
Conclusion
| What we like |
What we don’t |
- Excellent optics
- Best Ultra-wide Zoom Lens
- Lightweight design
- Weather sealed
- Works well for video too
|
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Get Tamron 17-28mm F2.8 lens from Amazon.com | B&H Store
6. Tamron 17-28mm F2.8 (Budget alternative)
Now, if you have a limited budget, then do not buy the 14-30mm F4 lens. The best alternative to that is the Tamron 70-28mm F2.8 lens. For Daily Life Vloggers/content creators, it’s highly recommended that they should buy this lens. Even for those who shoot indoors, like indoor architecture photography or corporate-style videos where sometimes u need a wide-angle zoom lens the best option will be the Tamron 17–28mm F2.8 RXD. Now, for those who shoot nature and landscape images or those who shoot outdoors architecture where light isn’t a big issue, AND if you are not able to buy the Nikon 14-24mm F2.8, then you can go with the 14-30mm F4 in that specific case.
Conclusion
| What we like |
What we don’t |
- Good Optics
- Good chromatic aberration control
- Silent AF
- Lightweight design
- Works well for video too
- Excellent price-to-performance ratio
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- Abbreviated zoom range compared to competitors
- Pronounced barrel distortion at 17mm
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Get a Nikon 24-120mm Lens from Amazon.com | B&H Store
7. Nikon 24-120mm F4S Best Travel Zoom Lens
The Nikon 24-120mm F4 lens is a multipurpose zoom lens with a constant F4 aperture throughout the zoom range. It is highly recommended for daytime travelers or for those who want an all-rounder lens and mostly work in light, not in dark situations or at night time. This particular lens is highly usable as it covers a very broad range from 24-120mm and features an F4 aperture with a VR unit inside.
For those concerned about low light performance, or those who know they will be working mostly in uncontrolled light environments or they didn’t carry any professional lights with them all the time, in those very specific scenarios, it’s recommended to buy a bright aperture-based zoom lens if possible. For that, I would highly recommend the Tamron 28-75mm F2.8 lens. Otherwise, you may feel sometimes that the F4 aperture is blocking a lot of light, whereas an F2.8 lens will help you to capture a clear picture
Conclusion
| What we like |
What we don’t |
- Cover long range
- Constant F4 Aperture
- Hybrid STM AF Motor
- Lightweight design
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Get a Nikon 180-600mm Lens from Amazon.com | B&H Store
8. Best Wildlife and Sports – Nikon 180-600mm F5.6-6.3 VR
If you are interested in sports and wildlife photography and have a good budget, then I have a lens recommendation for you. The lens is the 180-600mm lens which covers a remarkable range. The lens construction is rock solid and weather-sealed, and it has different types of VR as well as programmable modes for its easy function during the shoot. The quality of optics used by Sigma Japan just amazing, capturing sharp images throughout the zoom range. When capturing at 600mm or 180mm, you will be surprised by the amount of detail present in the image, even when paired with a Z9 camera’s 45.7-megapixel sensor. The lens’s resolving capability is exceptional. This lens could be a great addition to your photography gear.
What users say about Nikon 180-600mm F5.6-6.3 VR
I finally got this lens that is replacing my Nikon 200-500 and, I have to say, it is superior in every way. It’s sharper, has interior movement, goes from 180 to 600 in a flick of the wrist, it’s water resistant and has a 4-button programmable ring. I use it on my Z9 camera-great combination. I could not be more pleased with it. It has noticeably upped my wildlife shooting game.
The Nikon Z 180-600mm f5.6-6.3 VR lens’s sharpness is phenomenal and delivers tack-sharp images across the full frame at all focal lengths. As I have said if budget allows this is the best lens you can buy for your Nikon Z6 III camera. The lens pairs beautifully with the Z TC-1.4x without any issues and boasts a speedy and dependable autofocus. The Lens handles color aberrations, coma, focus-breathing, and distortions with aplomb. Plus, it’s got effective optical image stabilization and produces a creamy bokeh. Weighing in at a relatively high 2kg and packed with features, this lens offers great value for its price. If you’re looking for a lens that delivers on performance, the Nikon Z 180-600mm f5.6-6.3 VR lens comes highly recommended!
Conclusion – 180-600mm Lens Highly Recommended for sports and wildlife shooters
| What we like |
What we don’t |
- Best Lens for Wildlife | Sports
- Cover up to 600mm
- Hybrid USM AF Motor
- Hybrid IS
- Dust Proof design
|
- Heavy approx 2kg, will need monopod support for smooth capture
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Get the Tamron 150-500mm Lens from Amazon.com | B&H Store
9. Tamron 150-500 F5-6.7 – Budget Alternative
See the budget alternative is only when you don’t have the budget to buy the 182600 MM lens. Otherwise, the 180 to 600 MM lens produces very sad images at the tele compared to 150 to 500 mm and the darkest part is Damron 150 to 500 mm has a slower aperture at 500 mm compared to the Nikon 182 800 MM lens whose maximum aperture goes up to 6
We recommend you to go with Nikon 180-600 mm and only if the budget does not allow then you go with the 150 to 500
Conclusion
- If you prioritize features and image quality and are willing to pay more for a longer reach and better low-light performance, the Nikon Z 180-600mm is the better choice.
- If you are on a budget and prefer a more compact and portable lens, the Tamron 150-500mm is a great option that still offers excellent image quality.
Get the Nikon Z 85mm F1.8 S Lens from Amazon.com | B&H Store
10. Nikon Z 85mm F1.8S
If you’re a professional portrait, fashion, or wedding photographer looking for the perfect portrait prime lens, then without a doubt, the 85mm F1.8 S is the best lens you can have for your Nikon Z camera.
This lens is a portrait lover’s dream. It’s highly recommended for portrait photography. Its wide f/1.8 aperture throws the background into dreamy softness, making your subject the star. Whether it’s a romantic candlelit dinner or a child’s infectious laughter, or ur capturing pre-wedding candids, capture those expressions with stunning detail and depth.
Low-Light Luminary: Don’t let darkness dim your creativity. The f/1.8 aperture gobbles up light, letting you shoot stunning photos in dimly lit cafes, concert halls, or even under the starry sky. Capture the mood, the emotion, and the beauty of those fleeting moments, even when the sun sets.
If your budget allows, you must have this lens for your Nikon Z camera. It’s the best portrait prime lens ever built by Nikon for its Z system mirrorless camera.
What users say about this lens
As I transitioned from DSLR (D850) to Z7 this lens replaced my 85 1.4G. Pleasantly surprised. Light, fast focus, and extremely sharp. Even if or when Nikon produces a 1.4 version, I wouldn’t upgrade.
Get Viltrox 85mm F1.8 from Amazon.com | B&H Store
11. Viltrox 85mm F1.8: Budget alternative:
The construction is very solid, the focus ring is very comfortable and has a smooth action. The autofocus is very fast and silent. And the optical performance is excellent. Razor sharp at the center, even at maximum aperture. AF works perfectly. Eye AF works great no complaints. The focus ring is vary smooth. It came with the latest firmware installed. For the price, you can’t ask for anything more.
Nikon 85mm F1.8 OR Should you buy the more affordable Viltrox 85mm F1.8 Lens instead of Nikon 85mm F1.8, let’s find out
Conclusion
What we like Nikon 85mm F1.8
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What we don’t |
- Superior build quality: Weather-sealed construction makes it ideal for harsh conditions.
- Superb bokeh: Creamy and smooth background blur for exceptional portraiture.
- More consistent autofocus: Highly reliable even in low-light situations.
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- Higher price: Significantly more expensive than the Viltrox.
- Bulky and heavier: Not as comfortable for long outings or travel.
- Autofocus speed: Slightly slower than the Viltrox in some situations.
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Budget alternative: Viltrox 85mm F1.8
Should you buy the more affordable Viltrox 85mm F1.8 Lens instead of the Nikon 85mm F1.8, let’s find out
| What we like |
What we don’t |
- Significantly cheaper: This is a major advantage for budget-conscious photographers.
- Compact and lightweight: Easier to carry around and travel with.
- Fast autofocus: Great for capturing fleeting moments and fast-moving subjects.
- Good image quality: Sharpness and color rendition are generally excellent, especially for the price.
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- Build quality: Not as weather-sealed or robust as the Nikon.
- Bokeh: May not be as smooth or creamy as the Nikon at wider apertures.
- slow AF in low-light compared to Nikon
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Which one is better?
Picture this: you’re staring down two magical wands, each promising to conjure up dreamy portraits and captivating close-ups. One wand sings a budget-friendly tune, while the other whispers promises of pro-grade performance. So, which one unleashes your inner photography wizard?
The Viltrox: This wand is for budget-conscious photographers and cinematographers. It’s lighter, easier to sling on your back, and won’t break the bank. Its autofocus is quick as a wink, capturing fleeting moments like a charm. Sure, it might get a little cranky sometimes in dim light, and its build isn’t quite as tough as a dragon’s scales, but the photos it conjures are sharp and stunning. Think of it as your sidekick for budget-friendly street stories and travel escapades.
The Nikon: This Lens is made for the perfectionist who craves control. It’s built like a fortress, ready to weather any storm and keep your focus razor-sharp even in the deepest shadows. Its bokeh (that’s the fancy word for blurry backgrounds) is like a creamy dream, making your subject the star of the show. But be warned, this wand demands a hefty investment. Think of it as your ultimate ally for crafting flawless portraits and capturing fleeting moments with professional precision.
7 Best Lenses for Nikon Z8 (…and 3 to avoid)
Nikon ZF vs Nikon Z6 Mark II – 12 Major Differences
By admin, on June 27th, 2024
The good thing is that Nikon has added the Nikon Z6 Mark III camera repair manual to their self-repair web page. That’s great news since the Z6 Mark 3 is a recently announced camera. Nikon’s initiative means that all the details on how the camera can be repaired and the spare parts will be available to everyone. The only thing is that it is advised to do self-repair only if you are confident / already have a deep understanding of electronics and how it works or get fixed, or ask your nearest camera serviceman or expert to repair it once the warranty period is over.
The service or repair manual helps you and other camera servicemen and experts understand how this camera can be completely repaired. Another interesting part is that most of the parts will soon be available online and at the nearest Nikon stores, allowing for easy replacement if they get damaged.
Download Self repair PDF from here
Nikon Z6 III-related content
Nikon Z6 III Pre-Review | Features Explained | Press Release
Nikon Z6 III vs Sony A7 IV | In-Depth Analysis | Best Camera for Photographers
Nikon Z6 Mark III vs Nikon Zf
By admin, on June 18th, 2024
Let’s the comparison of the Nikon Z6 III camera with the Sony A7 IV starting from the design part we do have some major differences let’s find out.
The Sony A7 IV camera uses a 3.69 million-dot electronic viewfinder whereas in the latest Nikon Z6 Mark 3 camera, Nikon has introduced a flagship-level electronic viewfinder with 5.76 million resolution. Not only that, the refresh rate of this particular viewfinder is the best in its class with 120 frames per second as well as the EVF has 4000 nits of brightness units. That indicates you will experience one of the best electronic viewfinders ever introduced in a camera.
Buy Nikon Z6 III from B&H Store | amazon.com
Design and Build
Electronic Viewfinder (EVF)
- Sony A7 IV: 3.69 million-dot resolution.
- Nikon Z6 Mark 3: Flagship-level EVF with a 5.76 million-dot resolution, 120 frames per second refresh rate, and 4000 nits brightness. This provides a superior viewing experience.
Now the second major advantage in the design part of the Nikon Z6 Mark 3 camera we have is the introduction of a full-size HDMI port, so that’s a really very usable tool for professional cinematographers as well as photographers. For those who work in the studio and use their camera in their workflow HDMI cable this is a highly usable upgrade.
HDMI Port
- Nikon Z6 Mark 3: Features a full-size HDMI port, as well as Sony A7 IV camera, features Full Size HDMI port
Apart from these two features, the rest of the force in both the camera is almost similar. Even if we compare the display screen, the Nikon Z6 Mark 3 camera vari-angle display screen is slightly larger by 2 inches compared to the Sony A7 IV camera. Resolution-wise, the Sony A7 IV camera uses a 1.4 million-dot display unit whereas Z6 Mark 3 camera uses 2.1 million dots display unit, so even though if you compare the electronic viewfinder or the vari-angle display screen in both of the scenarios Z6 Mark 3 camera wins.
Dual vs Triple Card Slot – No Backup option in Nikon Z6 III
The Sony A7 IV camera carries 3 card slots now why do they have to put 3 different card slots in a single camera says there is no connection between a CF Express Type A card slot and an SD card slot(s), so they have to put two different sets of UHS-II SD card slot and single CF Express Type A card slot at the Sony A7 IV camera so that if you want to create a backup card then you can utilize the two different UHS-II SD card slots in a camera like you use them from DSLR time as a backup card or once the card gets overflow then the camera automatically stores in a different (SD) card so you have all the options available as you generally used the two different card slots in any other camera Pro DSLR Camera, A7 IC also has an extra CF Express to record 4K videos up to 30 frames per second without getting the camera overheated.
The biggest issue with the Nikon Z6 Mark 3 cameras is that you only have two different card slots which act as a single card slot since one is a UHS-II SD card slot and the other is a CF Express Type B card slot now none of these cards are connected so there is no way that you can create a backup card.
Display Screen
- Sony A7 IV: 1.4 million-dot display unit.
- Nikon Z6 Mark 3: Vari-angle display screen with 2.1 million dots, offering a clearer and larger display.
Now let’s talk about one of the biggest advantages of the Sony A7 IV camera. The Sony A7 IV camera’s battery life is twice as good as in the Z6 Mark 3. With the help of A7 IV you can capture approximately 600 shots and in Z6 Mark 3 with EN-EL 15c battery you’re limited to 380 shots, so approximately with the A7 IV camera, you are getting 220 plus shots in a single charge.
Battery Life
- Sony A7 IV: Approximately 600 shots per charge. That’s an awesome backup, just like DSLR time when u charge and forget
- Nikon Z6 Mark 3: Approximately 380 shots per charge with the EN-EL15c battery. The Sony A7 IV offers better battery life, providing around 220 more shots per charge.
Now it’s time to compare the core specifications of both cameras.
Core Specifications Difference
Sensor and Performance
- Nikon Z6 Mark 3: Newly developed 24.5MP Partially-Stacked CMOS Sensor
- Sony A7 IV: 33MP Full-Frame Exmor R CMOS BSI Sensor (Non Stacked)
Let’s start with the sensor in the latest Z6 Mark 3 camera. We have recently developed partially stacked CMOS sensor with the help of new stacked sensor the camera is able to grab continuous shooting speed up to 120 frames per second in DX mode as well as in full resolution JPEG mode you are able to capture up to 60 frames per second. At the very same time if we calculate the readout speed of the sensor then it ranges between 6.4 milliseconds to 9.4 milliseconds, so overall the readout speed of Nikon Z6 Mark 3 camera sensor is exceptionally well and you will not notice any rolling shutter effect while capturing high frame rate images in your camera. When compared to the Sony A7 IV the continuous shooting speed of the camera is limited to 10 frames per second, which is completely unethical to have such a kind of continuous shooting speed in 2024 in a camera of $2000 price range.
Nikon Z6 Mark III and the Sony A7 IV cameras: comparison of the sensor readout speeds
| Feature |
Nikon Z6 Mark 3 |
Sony A7 IV |
| Sensor Type |
Partially Stacked CMOS |
CMOS |
| Continuous Shooting Speed (DX Mode) |
Up to 120 fps |
Not specified |
| Continuous Shooting Speed (Full Resolution JPEG Mode) |
Up to 60 fps |
10 fps |
| Sensor Readout Speed |
6.4 milliseconds to 9.4 milliseconds |
26.8 milliseconds |
| Rolling Shutter Effect |
Minimal due to fast readout |
More noticeable due to slower readout |
ISO Range
- Nikon Z6 Mark 3: Standard ISO range from 100 to 64,000, expandable from 50 to 204,800. 1 Stop advantage over A7 IV standard ISO range
- Sony A7 IV: Standard ISO range from 100 to 51,200, expandable from 50 to 204,800.
Not only speed when Nikon Z6 Mark 3 camera excels in low light performance and you get extra stops of ISO in this standard ISO zone. The standard ISO range of Nikon Z6 Mark 3 camera starts from 100 to 64,000 and expandable ISO range starts from 50 to 204,800 whereas in Sony A7 IV camera we have standard ISO range that starts from 100 and goes up to 51,200. The expandable ISO range is 50 to 204,800.
| Feature |
Nikon Z6 Mark 3 |
Sony A7 IV |
| Standard ISO Range |
100 to 64,000 |
100 to 51,200 |
| Expandable ISO Range |
50 to 204,800 |
50 to 204,800 |
| Low Light Performance |
Extra stops of ISO in standard range, excels in low light |
Good low light performance, but lower standard ISO range |
Base ISO Test
The resolution advantage is associated with the Sony A7 IV camera. With the Sony A7 IV camera, you can capture 33 megapixel images whereas the Z6 Mark 3 camera is limited to 24 megapixels. If you just compare the 24-megapixel sensor of the Nikon Z6 camera with the Sony A7 IV you can see that the Sony A7 IV camera with the help of a 33-megapixel sensor can extract a little bit more detail in the image when compared to a 24 MP FX-format full-frame sensor of Nikon.
The clear advantage of a Sony A7 IV camera is that you can extract a bit more detail from a given scene, but at the very same time with the Nikon Z6 Mark 3 camera, we do have a higher resolution pixel shift mode.
PIXEL SHIFT Mode in Nikon Z6 Mark III Camera
- Sony A7 IV: 33 megapixels, providing a bit more details
- Nikon Z6 Mark 3: 24 megapixels, but features a pixel shift mode allowing for 96-megapixel images.
With the help of pixel shift mode with Nikon Z6 Mark 3 camera can capture 96 megapixels of image, but we do have a few drawbacks of pixel shift mode. The number one drawback is that the subject has to be still not moving at the very same time you have to place your camera on a tripod and overall the camera is not able to stitch the multiple-shot images you have to take out all the images, put them in a software and it will automatically stitch all together.
Sony A7R Mark IIIa as an option for Pixel Peepers
So yes if you are a high resolution sensor fan then in this particular price you can also get cameras like Fuji XT5 or maybe Sony A7R Mark 3 camera in the very same price range and both of them are approximately 40 megapixels and plus one of my personal favourite cameras is without a doubt Sony A7R Mark 3A even in 2024 so if you are a fan and you want to extract the maximum possible details available in the entire scene then you can go towards these two cameras.
Being said that the sensor does have a little bit less resolution but the low light performance and the readout speed of the Nikon Z6 Mark 3 camera is exceptionally well.
| Feature |
Nikon Z6 Mark 3 |
Sony A7 IV |
| IBIS Stops |
8 stops |
5.5 stops |
| Sensor-Shift IBIS |
Advanced sensor-shift mechanism linked with autofocus points |
Traditional sensor-shift stabilization |
| Slowest Shutter Speed Based on IBIS |
Up to 8 stops slower than standard handheld speeds (approximately 1-second exposure handheld) |
Up to 5.5 stops slower than standard handheld speeds (approximately 0.5-second exposure handheld) |
| Low Light Advantage |
Significant advantage due to 8 stops of IBIS |
Good stabilization but less effective in low light compared to Nikon Z6 Mark 3 |
Additional Features
Image Stabilization
- Nikon Z6 Mark 3: Advanced in-body image stabilization (IBIS) system, offering 8 stops of IBIS. The IBIS is connected to the autofocus points, Advanced AI IBIS algo inside the camera.
- Sony A7 IV: Traditional IBIS system with 5.5 stops of stabilization, not linked to autofocus points.
Now Nikon Z6 Mark 3 camera has an additional advantage for shooting in low light. You already have a low light sensitive full-frame CMOS sensor in construction Mark 3 camera which now pairs up with highly advanced in-body image stabilization system.
The Nikon Z6 Mark 3 camera image stabilization system is coming straight out from Nikon ZF camera. The camera is having 8 stops of IBIS sensor-shift mechanism and one of the most advanced things is the sensor-shift image stabilization system is directly connected with the autofocus point of the camera so as the autofocus point of your camera moves in the frame the sensor-shift image stabilization also shifts and gives you 8 stops of IBIS experience. If you compare with the Sony A7 IV camera sensor-shift stabilization system then it limits to 5.5 stops and it’s kind of traditional IBIS so it is not linked with the points and all that stuff.
Conclusion – Best Camera for Photographers
While the Sony A7 IV offers better battery life and higher resolution, the Nikon Z6 Mark 3 excels in low-light performance, viewfinder quality, display resolution, and continuous shooting speed. The Z6 Mark 3’s advanced HYBRID stabilization system and full-size HDMI port also make it a strong contender for professional use.
Make your Decision on these two FACTORS
1. The Requirement you have for your next camera
2. The Budget Range You Have
TNC Recommendation and Overall Best Camera for Photographers
Nikon Z6 Mark III camera features class-leading core specification and very reasonable price point, I recommend the Nikon Z6 Mark III over the Sony A7 IV camera, the A7 IV now needs an update and lets hope and expect the Sony A7 V will beat the Nikon Z6 III in terms of its core specification as well as price.
If, your requirement is less, you mostly shoot weddings, events, nature, Landscape, or Even portraits and you feel having a bit more details in your image will help you to capture shot with more details, then for sure the Sony A7 IV camera is more recommended to you.
SUPPORT US | Buy Nikon Z6 III from B&H Store | amazon.com
By admin, on June 17th, 2024
The Nikon Z6 Mark III camera has finally been announced! The camera features a newly developed 24-megapixel sensor with a readout speed of 10 milliseconds or less while recording 6K video footage, and approximately 6 milliseconds when shooting 4K videos up to 120 frames per second. Technically, such a fast readout speed is usually not possible in any camera of this price range, but that’s what you get with the Nikon Z6 Mark III.
Having a stacked CMOS sensor in a full-frame camera is not very useful if you have a slower continuous shooting speed. Here, they have used the latest Expeed 7 image processor paired with the stacked CMOS sensor. The overall readout speed is very fast and unbelievable for this price range. You are getting full-frame JPG images up to 60 frames per second with the help of the electronic shutter in the Nikon Z6 Mark III camera, and due to the faster readout speed of the sensor, you will notice less rolling shutter effect in your images. It is a class-leading wildlife photography camera available within this budget.
If you want to push further, the camera can shoot up to 120 frames per second in DX crop mode. At the same time, the readout speed of the sensor decreases more, resulting in a completely rolling shutter-free action in your images. If you want to capture RAW, the camera can shoot up to 20 frames per second and can save both RAW and JPEG without any issue.
Having all these features, if your camera lacks in the sensor-shift stabilization area, then what’s the use of having a stacked sensor and faster continuous shooting speed? Fortunately, the Nikon Z6 Mark III camera uses the same sensor-shift image stabilization technology that we have seen in the Nikon ZF camera. The camera offers a complete 8 stops of sensor-shift image stabilization, and the IBIS is linked to the autofocus points of the sensor.
As you can see, it’s a perfect professional camera for photographers. You will not find any area where the camera has inferior specs.
The autofocus sensitivity of the camera is very similar to the ZF, which is a very good thing. You can use f/2.8 lenses, and the AF sensitivity works up to -10 EV, which is technically not possible with any other camera in its class and price range.
That said, it’s a perfect photography tool for any professional photographer under a reasonable price tag.
Let’s explore the videographic features of the camera. Finally, in the Nikon Z6 series, we are getting RAW and ProRes RAW video recording support. The camera can capture 6K videos up to 60 frames per second, and starting from 6K videos, all these frames and resolutions can be recorded in CF Express Type B cards in both RAW and ProRes format in 4:2:2 10-bit internal recording.
There is also a full-size HDMI port to get a neat and clean external recording option for professional cinematographers.
Additionally, you can capture 4K videos up to 120 frames per second, but in DX crop mode. With the help of the stacked sensor and Expeed 7 image processor, the camera can record 4K 60 FPS video oversampled from a 6K sensor, and there is no crop you have to face while recording. This is quite interesting since cameras like the Panasonic S5 IIX do have a 4K 60fps crop. Despite having no internal fan, the camera can shoot 4K 60 FPS videos uninterruptedly for up to 125 minutes under 25 degrees Celsius.
Overall, the video core specifications of the camera outperform other cameras in its price range.
Overall, it is one of the best Nikon cameras ever made in the $2000 price range, highly recommended for photographers as well as cinematographers.
Get Nikon Z6 Mark III Camera from B&H Store
Nikon Z6 Mark III Camera Press Release
Impressively versatile, capable and powerful: the new Nikon Z6III outperforms expectations, setting the new benchmark for its class
World’s First Partially-Stacked CMOS Sensor1 Gives Photographers & Filmmakers Flagship-Level Performance; Nikon Also Announces Nikon Imaging Cloud Online Service & Curated Image Recipes
MELVILLE, NY (June 17, 2024) – Today Nikon announced the Z6III, a 24.5MP full-frame mirrorless camera that stands in a class of its own with an unmatched suite of powerful features that bring exceptional performance to both photographers and filmmakers. The Z6III is the world’s first camera with a partially-stacked CMOS sensor, delivering ultra-fast readout that unlocks blistering speeds and high frame rates in both photo and video modes. Other benefits include a truly immersive viewfinder experience with the brightest EVF of any mirrorless camera,1 and a wide range of pro-level features inherited from Nikon’s acclaimed Z8 and Z9 flagship cameras.
The combination of the Z6III’s unique new sensor design and EXPEED 7 image processing engine results in an approximately 3.5x increase to readout speed compared to the previous-generation Z6II. This unlocks enhanced performance across the board, enabling benefits such as 6K internal N-RAW and ProRes RAW video, Full HD video up to 240p, and rapid continuous shooting of stills up to 120 fps with Pre-Release Capture. However, the camera’s incredible performance goes far beyond just frame rates. The Z6III features an impressively fast AF system inherited from the Z8 and Z9, which includes highly advanced multi-subject detection with the speed and accuracy needed for maximum confidence.
“Offering a camera with this level of performance, reliability and an appealing price is a winning formula for all kinds of users who need a camera that will help them excel in every job or creative endeavor,” said Naoki Onozato, President and CEO, Nikon Inc. “The Z6III represents much more than simply a generational update–it’s a major leap forward that’s going to establish a whole new concept of what a mid-range camera should be capable of.”
Outperform with unmatched features
- World’s first partially-stacked sensor: The Z6III is the first mirrorless camera to adopt this new sensor architecture, which features multiple high-speed processing circuits stacked in layers above and below the imaging area of the sensor. The high-speed readout made possible by this new sensor in combination with the same EXPEED 7 processing engine as the Z8 and Z9 enables a range of powerful features.
- Upgraded autofocus: AF is fast and accurate, clocking in at a full 20% faster than the Z6II. In challenging light, the AF detection range has been extended to an incredible −10 EV2, superior even to the flagship level cameras. This enhanced sensitivity makes it easier to focus in dark situations like nighttime sports or an event reception.
- Advanced subject detection: The Z6III draws on the advanced subject-detection technology of the Z8 and Z9 to automatically detect nine subject types, including people, animals and various vehicles. Users can lock onto these subjects with advanced AF modes including 3D-tracking, Auto-area AF, Wide-area AF and Dynamic-area AF. Custom wide-area AF patterns allows for the detection and tracking of subjects within a custom designated area.
- Pre-Release Capture up to 120 fps: This powerful feature enables photographers to capture shots that might have otherwise been missed, such as the moment a bird takes flight, a lightning strike or the game-winning goal. A half-press of the shutter-release button starts buffering images3, and when the shutter is pressed all the way, the Z6III saves images taken up to one second prior.
- Internal 6K RAW video: The Z6III is capable of capturing 12-bit 6K/60p N-RAW and 6K/30p ProRes RAW, as well as 10-bit 5.4K ProRes 422 and H.265 video formats. The ability to capture super high-resolution video footage affords filmmakers the freedom to crop, trim, track and stabilize a 4K timeline in post with ultimate clarity. Furthermore, filmmakers can take advantage of the Z6III’s maximum video resolution of 6K to create oversampled 4K UHD/60p video footage4. The Z6III’s efficient heat-dissipating design allows continuous 4K UHD/60p recording for up to 125 min.5
- Brightest EVF of any mirrorless camera: At up to 4,000 cd/m2 (nits), the Z6III’s 5,760k-dot electronic viewfinder is the brightest ever in a mirrorless camera, delivering a clear, detailed view even in extremely bright outdoor situations while minimizing viewfinder blackout. In addition to its class-leading brightness and high resolution, the Z6III’s EVF is the first in a mirrorless camera to support a DCI-P3 equivalent color gamut1, which enables photographers and filmmakers to see a more lifelike display of colors.
- Dynamic Full HD/240p slow motion: The Z6III can capture dramatic slow-motion footage up to 10× with 10-bit Full HD/240p H.265 video recording.
- Amazing low-light ability: The Z6III’s wide native ISO range is from 100-64,000 (51,200 in video) and is expandable to 204,800 for ultra-low-light shooting. The Z6III’s EXPEED 7 image processing engine enables tailored noise reduction, effectively minimizing grainy noise in flat areas of the image while preserving fine details in subjects such as buildings. This results in sharper, clearer images in low-light environments.
- 8.0 stop Vibration Reduction6: Built-in 5-axis image stabilization delivers up to 8.0 stops of Vibration Reduction, empowering photographers and filmmakers to shoot handheld with confidence. Enjoy the creative freedom of slower shutter speeds, while keeping subjects sharp and using lower ISOs. Additionally, the Z6III features Focus Point VR7, which prioritizes stabilization on the active focus point.
- Vari-angle LCD screen: The 3.2” rear LCD touchscreen can be used as a front-facing screen for video production and self-recording, as well as framing at a low angle.
- High-resolution Pixel Shift mode: In Pixel-shift mode, the Z6III’s sensor is subtly shifted across 4, 8, 16, or 32 exposures, for increased color and detail with an incredibly high resolution of up to approx. 96MP.8
- Z8-level build quality: The Z6III is constructed from magnesium alloy and Sereebo® material for maximum durability and light weight. Weighing only 1.67 lbs. with a battery and memory card, the Z6III is sealed against dust and moisture to the same level as the Z8, and is rated for operation down to 14°F/−10°C, making it suitable for use in a wide variety of environments and conditions.
- Flexible Color Picture Controls: The Z6III supports the new Flexible Color Picture Control feature in NX Studio.9 Z6III owners can use the software’s powerful Color Blender and Color Grading features to create custom presets that can be uploaded to the camera as Custom Picture Controls.
New Nikon Imaging Cloud
Nikon Imaging Cloud10 will be a new complimentary cloud service that expands connectivity and creative options for Z6III owners.11 Users will be able to browse a suite of curated Imaging Recipes courtesy of Nikon and selected creators, which provide all the ingredients necessary to create amazing images: Suggested camera settings, inspiring insights plus Cloud Picture Control presets that Z6III owners can download straight to their camera. Furthermore, when the Z6III is connected to Nikon Imaging Cloud via Wi-Fi, still images captured with the camera can be automatically uploaded to a range of popular cloud storage services including NIKON IMAGE SPACE, making the storage and sharing of images even more convenient. In addition, Z6III owners will be able to use Nikon Imaging Cloud to keep their camera’s firmware up to date automatically over Wi-Fi, avoiding the need to manually download and install via a memory card.12
New MB-N14 Power Battery Pack
The MB-N14 (release scheduled for Summer 2024) is an optional power battery pack with an integrated shutter button for the Z6III, Z7II and Z6II. The MB-N14 can hold two EN-EL15c13 rechargeable Li-ion batteries, allowing users to record approximately 1.9× more stills and extend video shoots.14 In addition to offering the same dust and drip resistance as the Z6III, the MB-N14 can also be used in conditions as cold as −10°C/14°F, making it extremely useful when shooting for extended periods of time in harsh conditions. What’s more, the MB-N14 is a “hot swap” power battery pack that continues to supply power even when one of the two batteries is removed. A built-in USB connector enables batteries inserted in the MB-N14 to be charged even when the MB-N14 is not attached to the camera.15
Price and Availability
The new Nikon Z6III will be available in late June for a suggested retail price of $2,499.95* in the body-only configuration, or with the NIKKOR Z 24-70mm f/4 lens for $3,099.95.* The MB-N14 power battery pack will be available this summer for a suggested retail price of $359.95
By admin, on June 17th, 2024
Nikon Z6 Mark III camera registration details surfaced over the web, as you can see in the registration the Nikon Z6 Mark III camera is made in Thailand. The Announcement of the camera is about to happen today and the pre-order links will also become active
Nikon Z6 Mark III – B&H Store
All about Nikon Z6 Mark III here
Also see – Nikon’s Lens Empire Expands: Sendai Factory’s Mega Investment!
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