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Firmware Update

Fuji 18-120mm F4 Lens Announcement Soon

According to the latest rumor coming out from Rumor Mills, Fuji XF 18-120mm F4 Lens is expected to arrive soon. The most important feature of this lens is its constant F4 aperture throughout the zoom range. The lens expected to arrive this year.

We will post more update once it become available to us

Also see

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image and news credit fujirumor.com

Canon 6D Beats Flagship Mirrorless Cameras in DR Test

A PDR (photography dynamic range) ranking report made by photos to photos website and believe me, reading the entire report is really very interesting. As usual, the report is full of very well capable and costly cameras. But one of the most eye-catching things in this entire report is the presence of Canon 6D(ML) with amazing dynamic range test scores, and surprisingly the PDR test score of these cameras is even better than the Fuji film GFX 50S medium format camera, not only that, you will find several other full-frame cameras below them which include Nikon Z6 Mark II, Z9, and the Sony Alpha A1.

How did they reach the top of the list since Canon DSLRs cameras are known for having less than average Dynamic Range than others in the market before the mirrorless era arrived? if you look at the report it’s really surprising how these DSLRs cameras are beating up today’s latest full-frame and medium format in the list.

magic lantern firmware Boosted the overall performance of the Canon 6D DSLR camera to the next level. As you can see, if we compare the 6D PDR with Canon 6D(ML), the DR range is boosted with increasing ISO.

We have already covered this in our previous post also that with the implementation of magic lantern firmware in Canon cameras the dynamic range is boosting up to a phenomenal level.

I am not encouraging anyone here to use the magic lantern firmware for Canon DSLR cameras to boost up their dynamic range. But it’s also important to shootout for the work done by the magiclantern.fm team, so we are able to witness the level of dynamic range coming out from these all DSLR cameras which was never possible with the original Canon made firmware.

I will just request to Canon and their team member reading this article, they must collaborate with these brilliant engineers who have modified the image and video decoding algorithms of the DSLR camera and their ability to dig out the maximum image quality possible from these old sensors. If they are able to collaborate with these guys, just think about the level of image quality we will be getting in upcoming Canon mirrorless cameras in near future.

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Fuji X-H2 Coming with a New 26MP Sensor

According to the latest rumors, Fuji X-H2 will be using a 26 MP X-Trans BSI CMOS Sensor paired with a new image processor. At the moment we don’t know its a new sensor or the old one, but according to rumors, the camera will have a brand new image processor to upscale the video performance when compared to Fuji X-T4.

Earlier it was told that the camera will arrive with a new 40MP sensor and will also have 8k recording capabilities.

Stay with us we will post more updates as soon they become available to us.

See more Sigma Lenses for Fuji X-Mount

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source FujiRrumor.com

Canon Upcoming Camera Model Codes 2022

We have recently published a list of Canon’s upcoming cameras 2022 based on the latest rumors we have, but now we have a list of Canon’s upcoming Camera model codes. The model code you see below is for those who are already registered in the worldwide wireless certification agency and in the Canon announcement pipeline.

Canon’s upcoming camera model codes

  • DS126841: Digital camera,  Wi-Fi (IEEE802.11b/g/n), Bluetooth installed
  • DS126842:L Digital camera, Wi-Fi (IEEE802.11b/g/n), Bluetooth installed
  • DS126862: Digital camera
  • DS126863: Digital camera
  • DS126877: Digital camera
  • DS126881: Digital camera

Canon Upcoming Lenses

  • Interchangeable Lens: SKU: 4858C001, 5564C001
  • CN-E20-50mm T2.4 LF: Cinema Camera Lens, EF Mount, Full Size Compatible
  • CN-E20-50mm T2.4 L FP: Cinema camera lens, PL mount, full size compatible
  • DS401244: Speedlight

Canon DS126841 and DS126842, are registered back on Sept 2021. From the initial set of information,  both the camera uses RF Mount and feature FF Sensor.

Canon’s unreleased digital cameras “DS126841” and “DS126842” have been registered with overseas certification bodies. (DS126801 is 90D. The recently announced R3 is DS126835 / DS126855 / DS126856 / DS126857 / DS126858 / DS126859)


Recently we have spotted Canon’s advanced heat sink system attached with Canon EOS M series style mirrorless body, see more here.

also see Canon ME200S-SH Successor will Have RF Mount, Display Unit and More

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source digicameinfo

Sigma Lenses for Fuji X-Mount

Finally Sigma announce the ultra-popular trio for Fuji X-Mount. The 16mm F1.4 DC DN, 30mm F1.4 DC DN, and 56mm F1.4 DC DN  are the first three lenses for the Fuji X-Mount Camera system. All these lenses are designed and developed for Fuji X-Mount system and will work perfectly if you are using them for Video purpose or for photography only.


Sigma 56mm F1.4 B&H Store

Sigma 56 mm F1.4 Lens for Fuji X-Mount

Major Feature

  • X-Mount Lens/APS-C Format
  • 84mm (35mm Equivalent)
  • Aperture Range: f/1.4 to f/16
  • One SLD Element, Two Aspherical Elements
  • Super Multilayer Coating
  • Stepping Motor AF System
  • Weather-Sealed Construction
  • Rounded 9-Blade Diaphragm

 

Sigma 30mm F1.4 Lens

Sigma 30mm f/1.4 DC DN Lens for Fuji X-Mount

Major Features

  • X-Mount Lens/APS-C Format
  • 45mm (35mm Equivalent)
  • Aperture Range: f/1.4 to f/16
  • Two Aspherical Elements
  • One High-Refractive Index Element
  • Super Multi-Layer Coating
  • Stepping Motor AF System
  • Rounded 9-Blade Diaphragm

 

 

Sigma 16mm f/1.4 DC DN

Sigma 16mm f/1.4 DC DN Contemporary Lens

Major Features

  • X-Mount Lens/APS-C Format
  • 24mm (35mm Equivalent)
  • Aperture Range: f/1.4 to f/16
  • Two SLD Elements, Three FLD Elements
  • Two Aspherical Elements
  • Super Multi-Layer Coating
  • Stepping Motor AF System
  • Weather-Sealed Construction
  • Rounded 9-Blade Diaphragm

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Panasonic GH6 v Panasonic GH5 II

Panasonic GH6 v Panasonic GH5 specification comparison, let’s talk about the major difference between the two cameras.

Panasonic GH6 v Panasonic GH5, new 25.2-megapixel Live MOS Sensor boasts high-resolution, high-speed signal readout and wide dynamic range.
The LUMIX GH6 contains V-Log/V-Gamut – a first for LUMIX G Micro Four Thirds cameras – and provides 12+ stops and even 13+ stops of wide dynamic range using Dynamic Range Boost mode

Panasonic GH6 B&H Store

Pro Mirrorless Lens (All in one lens) –

Best Budget Lenses for Panasonic GH6 under budget
Tamron 14-150mm f/3.5-5.8 Di III Lens

Lens Mount Panasonic GH6 Panasonic GH5 II
Sensor Resolution Actual: 26.52 Megapixel
Effective: 25.2 Megapixel (5776 x 4336)
Actual: 21.77 Megapixel
Effective: 20.3 Megapixel (5184 x 3888)
Sensor Type 17.3 x 13 mm (Four Thirds) MOS 17.3 x 13 mm (Four Thirds) MOS
Crop Factor 2x 2x
Image Stabilization Sensor-Shift, 5-Axis (Improved) Sensor-Shift, 5-Axis
Built-In ND Filter None None
Capture Type Stills & Video Stills & Video

New Major Features in Panasonic GH6 camera

  • The GH6 is based around a completely new sensor: the highest resolution chip we’ve yet seen in the Four Thirds sensor size.
  • New to the GH6 is the option to shoot in Apple ProRes 422 HQ and 422 formats. At first the camera’s ProRes modes will only be available for 5.7K capture, but DCI 4K and FullHD support will be added in firmware, due later in 2022.
  • Camera’s 8-shot high-resolution mode, which delivers 50 or 100MP images,
  • GH6’s noise reduction has been updated
  • DFD is Updated and does very well in still mode, works best in Full HD 60p mode.
  • Magnified live view while recording video
  • Fan to extend the recording time limit of 4:2:2 10-bit 4K at up to 60p.

Exposure those

Shutter Type Mech & Electronic Shutter Mechanical Focal Plane Shutter, Electronic Shutter
Shutter Speed Electronic Front Curtain Shutter
1/2000 to 60 Seconds
Up to 30 Minutes in Bulb Mode
Electronic Shutter
1/32000 to 1 Second
to 60 Seconds in Bulb Mode
1/25,000 to 1/8 Second in Movie Mode
Electronic Front Curtain Shutter
1/8000 to 60 Seconds
Up to 30 Minutes in Bulb Mode
1/16000 to 1/24 Second in Movie Mode
Electronic Shutter
1/16000 to 1 Second
Bulb/Time Mode Bulb Mode, Time Mode Bulb Mode
ISO Sensitivity Photo
100 to 256,000 in Auto Mode (Extended: 50)
Video
100 to 12,800 (Extended: 50)
Photo
200 to 25,600 in Auto Mode (Extended: 100 to 25,600)
Video
200 to 12,800 in Auto Mode (Extended: 100 to 12,800)
Metering Method Center-Weighted Average, Highlight Weighted, Multiple, Spot Center-Weighted Average, Multiple, Spot
Exposure Modes Aperture Priority, Manual, Program, Shutter Priority Aperture Priority, Manual, Program, Shutter Priority
Exposure Compensation -5 to +5 EV (1/3 EV Steps) -5 to +5 EV (1/3 EV Steps)
Metering Range 0 to 18 EV 0 to 18 EV
White Balance Presets: Auto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4 Presets: Auto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4
Continuous Shooting Mechanical Shutter
Up to 14 fps for up to 65 Frames (Raw) / 95 Frames (JPEG)
Electronic Shutter
Up to 75 fps for up to 200 Frames (Raw) / 200 Frames (JPEG)
Up to 12 fps at 20.3 MP
Up to 30 fps at 18 MP
Up to 60 fps at 8 MP
Interval Recording Yes Yes
Self-Timer 2/3/10-Second Delay 2/10-Second Delay

The full sensor region of the GH6 is very similar to what you’d get by taking a 4:3 crop from a Super35 (APS-C) camera’s 16:9 video. However, while this should deliver comparable noise performance,

Internal Video Capture

Recording Modes H.264/MOV/MPEG-4 AVC/ProRes 422 HQ 4:2:2 10-Bit
5728 x 3024 at 29.97p [1900 Mb/s]
5728 x 3024 at 23.98p/24.00p [1500 Mb/s]
5728 x 3024 at 25p [1600 Mb/s]
H.264/MOV/MPEG-4 AVC/ProRes 422 4:2:2 10-Bit
5728 x 3024 at 29.97p [1300 Mb/s]
5728 x 3024 at 25p [1100 Mb/s]
5728 x 3024 at 23.98p/24.00p [1000 Mb/s]
H.264 ALL-Intra/MOV 4:2:2 10-Bit
4096 x 2160 at 47.95p/50p/59.94p [600 to 800 Mb/s]
4096 x 2160 at 23.98p/24.00p/25p/29.97p [400 Mb/s]
3840 x 2160 at 47.95p/50p/59.94p [600 to 800 Mb/s]
3840 x 2160 at 23.98p/24.00p/25p/29.97p [400 Mb/s]
1920 x 1080 at 200p/239.76p [800 Mb/s]
1920 x 1080 at 100p/119.88p [400 Mb/s]
1920 x 1980 at 23.98p/24.00p/25p/29.97p/47.95p/50p/59.94p [200 Mb/s]
1920 x 1080 at 50i/59.94i [100 Mb/s]
H.264 Long GOP/MOV/MPEG-4 AVC 4:2:2 10-Bit
4096 x 2160 at 50p/59.94p [200 Mb/s]
4096 x 2160 at 47.95p [200 Mb/s]
4096 x 2160 at 23.98p/24.00p/25p/29.97p [150 Mb/s]
3840 x 2160 at 47.95p/50p/59.94p [200 Mb/s]
3840 x 2160 at 23.98p/24.00p/25p/29.97p [150 Mb/s]
1920 x 1080 at 200p/239.76p [200 Mb/s]
1920 x 1080 at 100p/119.88p [150 Mb/s]
1920 x 1080 at 23.98p/24.00p/25p/29.97p/47.95p/50p/59.94p [100 Mb/s]
1920 x 1080 at 59.94i [50 Mb/s]
H.265/MOV 4:2:0 10-Bit
6K Anamorphic (4992 x 3774) at 23.98p/24.00p/25p/29.97p [200 Mb/s]
4K Anamorphic (3328 x 2496) at 50p [200 Mb/s]
DCI 4K (4096 x 2160) at 50p/59.94p [200 Mb/s]
UHD 4K (3840 x 2160) at 50p/59.94p [200 Mb/s]
H.264/MOV 4:2:2 10-Bit
DCI 4K (4096 x 2160) at 23.98p/24.00p/25p/29.97p [150 to 400 Mb/s]
DCI 4K (4096 x 2160) at 50p/59.94p [200 Mb/s]
UHD 4K (3840 x 2160) at 23.98p/24.00p/25p/29.97p [150 to 400 Mb/s]
4K Anamorphic (3328 x 2496) at 23.98p/24.00p/25p/29.97p [150 to 400 Mb/s]
Full HD (1920 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [100 to 200 Mb/s]
H.264/MOV 4:2:0 8-Bit
4K Anamorphic (3328 x 2496) at 23.98p/24.00p/29.97p/50p/59.94p [100 to 150 Mb/s]
DCI 4K (4096 x 2160) at 23.98p/24.00p/25p/29.97p [100 to 150 Mb/s]
UHD 4K (3840 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [100 to 150 Mb/s]
Full HD (1920 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [100 Mb/s]
H.265/MP4 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p [72 to 100 Mb/s]
H.264/MP4 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p [100 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50/59.94p [20 to 28 Mb/s]
Variable Frame Rates 5.7K: to 60 fps
DCI 4K: to 119.88 fps
3.8K: to 119.88 fps
1080p: to 300 fps
Gamma Curve Panasonic V-Gamut, Panasonic V-Log
Recording Limit Unlimited for DCI 4K (4096 x 2160) at 59.94p (4:2:2 10-Bit)
Video System NTSC/PAL
Built-In Microphone Type Stereo
Audio Recording MOV: 2/4-Channel 24-Bit 96 kHz LPCM Audio
MOV: 2/4-Channel 24-Bit 48 kHz LPCM Audio
MP4: 2-Channel 16-Bit 48 kHz AAC Audio

External Video Capture

External Recording Modes 4:2:2 10-Bit via HDMI
DCI 4K (4096 x 2160) at 50p/59.94p
UHD 4K (3840 x 2160) at 50p/59.94p
4:2:2 10-Bit via HDMI
DCI 4K (4096 x 2160) at 24.00p
UHD 4K (3840 x 2160) at 24.00p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 24.00p/25p/29.97p/50p/59.94p
IP Streaming None None

Interace

Media/Memory Card Slot Slot 1: CFexpress Type B
Slot 2: SD/SDHC (UHS-II) [U3/V30 or Faster Recommended]
Dual Slot: SD/SDHC/SDXC (UHS-II)
Video I/O 1 x HDMI Output 1 x HDMI Output
Audio I/O 1 x 3.5 mm TRRS Headphone/Microphone Microphone Input
1 x 3.5 mm TRRS Headphone/Microphone Headphone Output
1 x 3.5 mm TRS Stereo Headphone Output
1 x 3.5 mm TRS Stereo Microphone Input
Other I/O 1 x USB Type-C 1 x USB Type-C (USB 3.2 / 3.1 Gen 1) Data Input/Output (Shared with Power Input)
1 x 2.5 mm Sub-Mini Control Input
Power I/O 1 x USB Type-C Input/Output 1 x USB Type-C Input/Output
Wireless 5 GHz Wi-Fi 5 (802.11ac) Video Output, Audio Output, Control Bluetooth, Wi-Fi
Global Positioning (GPS, GLONASS, etc.) None None

Focus

Focus Type Auto and Manual Focus Auto and Manual Focus
Focus Mode Automatic, Continuous-Servo AF, Focus Lock AF Area Mode, Manual Focus, Single-Servo AF, Touch AF & Shutter Continuous-Servo AF, Flexible, Manual Focus, Single-Servo AF
Autofocus Points Photo, Video
Contrast Detection: 315
Contrast Detection: 225
Autofocus Sensitivity -4 to +18 EV -4 to +18 EV

Interface

Type Built-In Electronic (OLED) Built-In Electronic
Resolution 3,680,000 Dot 3,686,000 Dot
Eye Point 21 mm 21 mm
Coverage 100% 100%
Magnification Approx. 0.76x Approx. 0.76x
Diopter Adjustment -4 to +3 -4 to +3

Environmental

Operating Temperature 14 to 104°F / -10 to 40°C 14 to 104°F / -10 to 40°C
Storage Humidity 10 to 80% 10 to 80%

Promised via future firmware:

  • Direct recording to SSD over USB
  • ProRes recording for DCI 4K and Full HD
  • HDMI interface to v2.1 standard
  • 4K/120 over HDMI with live view and 4K/120 Raw stream over HDMI

Olympus OM-1 Press Release

 

Finally, we have the Oly OM-1 Camera, the camera features a 20.4MP Micro Four Thirds Stacked CMOS sensor powered by a TruePic X Dual Quad Core Processor. The sensor features four photodiodes at each pixel position, allowing each pixel to contribute to X-type phase detection autofocus.

Olympus OM-1 Major SPecification

  • OM-1 Mirrorless Digital Camera Highlights
  • 120 Frames Per Second Continuous Shooting
  • 8.0 EV Stops of Stabilization Performance
  • 80MP High Res Shot Mode
  • M.Zuiko ED 12-40mm f/2.8 PRO II Highlights
  • F2.8 Bright Aperture
  • IP53 Weather sealed Performance
  • 24 – 80mm 35mm Equivalent Focal Length
  • Sensor Size: Micro Four Thirds Format
  • Resolution: 20 MP
  • Max Video Quality: 4K 60fps
  • Lens Included: 12-40mm
  • In-Body Stabilization: 5-Axis Digital
  • Configuration: Body & Lens
  • WiFi: Yes
  • Edition: Standard

 

The mechanical shutter is limited to 10 frames per second (fps) with its mechanical shutter, but this jumps to 120 fps (blackout-free) using the electronic shutter, with support for autofocus and auto-exposure up to 50 fps.

Olympus OM-1 Video Specification

4K video (UHD or DCI) at up to 60 fps and Full HD (1080p) video at up to 240 fps. Internally, the camera can record 10-bit video internally. OM-1 can output a Raw 12-bit 4:4:4 video on external recorders.

OM-1 can output a Raw 12-bit 4:4:4 video on external recorders.

Did you get that? and the camera is weather-sealed without any cooling fan inside it with 8 stops of IBIS unit (sensor floating in air still camera manages to record 12 bit 4:4:4 videos without heat warning ) … amazing isn’t it?

The ‘Cross Quad Pixel AF’ system gives 1,053 cross-type phase detection AF points, which work to drive the OM-1’s AI-trained autofocus modes for ‘formula cars, motorcycles, airplanes, helicopters, trains, and birds, as well as animals (dogs and cats).’ Below is a demonstration of the animal eye autofocus system working with a dog

Pricing and Availability

OM SYSTEM OM-1 (Body Only)

Pricing: $2,199.99 USD; $2,799.99 CAD

Approximate Availability date: Early March 2022

OM SYSTEM OM-1 Kit with M.Zuiko Digital ED 12-40mm F2.8 PRO II

Pricing: $2,799.99 USD; $3,599.99 CAD

Approximate Availability date: Early March 2022

Separately Available Accessories

Olympus OM-1 Press Release

The New OM SYSTEM Flagship Model Revolutionizes Emerging Technology and Newly Developed Devices

Bethlehem, PA, February 15, 2022 – OM Digital Solutions is pleased to announce the introduction of the OM SYSTEM OM-1: This Micro Four Thirds System standard interchangeable lens camera features a compact, lightweight design for superior mobility along with high image quality. It is scheduled to go on sale in early March 2022. As the OM SYSTEM flagship camera, this model will deliver a one-of-a-kind experience to customers, driving the desire for photographers to create. This interchangeable lens camera delivers inspiration in a lightweight design that users can take along anywhere to capture the precise photos they have in mind.

The OM SYSTEM OM-1 is the culmination of new devices and cutting-edge digital technologies, delivering high image quality that goes beyond the expectation of the sensor size. It also features autofocus and sequential shooting performance that far surpasses conventional models, and dramatically improves basic performance. Computational photography technology has been incorporated, empowering the photographer to utilize such features as Live Composite and High Res Shot mode, without the need for advanced shooting techniques, special equipment, or skills, delivering a rich variety of expressive power for more photographic opportunities than ever before.

Thanks to the superb mobility of the Micro Four Thirds system, the OM SYSTEM OM-1 can be taken anywhere at any time, allowing anyone to take advantage of its high performance to capture versatile images with high image quality. This is the next generation Micro Four Thirds camera brought to you by OM SYSTEM.

MAIN FEATURES:

1. High image quality that goes beyond the expectations of the sensor size

This model features a high-end compact, lightweight body unique to OM SYSTEM, including the new 20 Megapixel1 Stacked BSI Live MOS sensor, and the latest TruePic X image processor, which is three times faster than previous models. The OM SYSTEM OM-1 delivers high image quality that goes beyond the expectations of the sensor size. Not only does it take full advantage of high-resolution M.Zuiko Digital lens performance, delivering our highest ever resolution2, but new noise processing technology increases the maximum normal sensitivity to ISO 25600, and an expanded maximum sensitivity to ISO 102400. Furthermore, the dynamic range has been improved thanks to the latest image processing technology. These improvements deliver a richer range of tonal expressions than ever before, from shadows to highlights.

The high-performance image stabilization in the OM SYSTEM OM-1 delivers up to 8.0 steps3 of compensation with 5-axis sync IS, and up to 7 steps4 with the body alone. The new Handheld Assist feature makes it easy to capture slow shutter speed effects that previously required a tripod.

2. Computational photography functions that empower the photographer to further expand their imaging expressions

Photographic expressions that have traditionally required special equipment and a computer to composite images are available in the OM SYSTEM OM-1. Thanks to computational photography (advanced digital image processing) technology, these imaging features have been incorporated in this interchangeable lens camera at an early stage. The OM SYSTEM OM-1 uses a combination of the new TruePic X image processor, the new image sensor, and the latest digital technologies to make computational photography features better and even easier to use. When paired with high-performance M.Zuiko PRO lenses, the system makes it possible to capture a greater range of imaging expressions only possible with the OM SYSTEM OM-1.

High-Res Shot

The processing time has been significantly reduced. Handheld High-Res Shot mode takes approximately five seconds to merge. Popular for landscape photos due to the ability to capture high-resolution approximately 50 Megapixel images by merging multiple images; and Tripod High-Res Shot, which creates ultra-high-resolution approximately 80 Megapixel images. Composite processing technology reduces noise by approximately two steps for amazingly high pixel count and low noise. A dedicated button is also included on the camera to quickly switch between normal shooting and Handheld High-Res Shot/Tripod High Res Shot for improved usability.

Live ND

Create slow shutter speed effects as though you were using an ND filter up to ND64 (six steps) (ND2 – ND64). When LV Simulation is activated, you can check the slow shutter speed effects in the viewfinder and on the LCD monitor before shooting and create the same effects while using ultra-wide-angle lenses that cannot accommodate an ND filter.

Live Composite

In this setting, Lighten Composite is used to add only the brighter sections to the composite image to prevent the common problem of images that are too bright overall when shooting long exposures, resulting in beautiful photos with plenty of variation. This feature is now compatible with image stabilization and can be used during handheld shooting.

Focus Stacking

This feature alters the focus to capture and composite multiple shots for recording photos that are in focus from the foreground to background. The compositing time has been dramatically reduced for easier use.

HDR Shooting

Multiple images at differing exposures are merged to create one shot with a wide dynamic range, including highlights and shadows.

3. High-speed performance of newly developed autofocus and dramatically improved performance for maximum 50 fps5 sequential shooting with AF/AE tracking

A quad-division photo diode configuration allows for On-chip Phase Detection in both vertical and horizontal directions. 1,053-point, all cross-type, Cross Quad Pixel AF is incorporated; designed to focus on various patterns of subjects across all pixels and the entire shooting range. The high-speed calculation capabilities of the new TruePic X processor and the new AF algorithm enable high-speed, high precision focusing on the subject no matter where it is in the frame. Furthermore, this model is equipped with AI Detection AF,

which was developed using deep learning technology. In addition to greater than ever high-speed, high-precision subject recognition and tracking, this model can recognize formula cars, motorcycles, airplanes, helicopters, trains, and birds, as well as animals (dogs and cats). In addition to C-AF, this functionality is also supported with S-AF for shooting a wider variety of scenes. The detection precision, tracking performance, and responsiveness of Face Priority/Eye Priority AF have been improved significantly.

There have also been exponential improvements to sequential shooting performance, reaching up to 50 fps blackout free AF/AE tracking at approximately 20.37 Megapixel, and up to 120 fps AF/AE locked ultra-high-speed sequential shooting. When using Pro Capture, which is designed for capturing shots that are not possible during normal shooting, you can enjoy sequential shooting up to 50 fps (AF/AE tracking) and up to 120 fps (AF/AE locked).

4. Camera body features enhanced dustproof and splashproof performance, along with a high-speed, high-resolution electronic viewfinder

The dustproof and splashproof performance is achieved by incorporating sealing materials at the appropriate locations on the tough, lightweight magnesium alloy body, ensuring IP53 dustproof and splashproof protection class6, and freezeproof performance to -10°C. Because this model is compact, lightweight, and features dustproof and splashproof performance, it makes for a powerful ally when shooting in punishing environments. The high-performance EVF is equipped with approximately 5.76 million dot resolution, a viewfinder magnification of up to 1.65x, a display delay of 0.005 seconds7, and 120 fps high-speed display, to ensure optimal shooting comfort. Not only does it feature all the best facets of an optical viewfinder, but it also offers the advantages of a digital viewfinder, making it possible to view subjects and check exposure, even in dark locations. The menu screen configuration has been completely redesigned on the OM SYSTEM OM-1. Items have been split, merged, and reclassified, and descriptions have been simplified to make it easier to find the desired functions, and make changing settings simpler for first-time users.

5. Enhanced video functions for creators (10bit 4K 60p, Full HD 240p)

Stable handheld video recording is possible thanks to a compact, lightweight body and industry-leading image stabilization. Creative video functions include 4K 60p for smooth, high-definition videos, and high-speed movie with Full HD videos at a maximum 240p. The camera also supports H.264 (8bit), H.265 (10bit), and Multi Frame Rate for recording video clips over 30 minutes in length. In addition to RAW data output up to 12 bit 4:4:4 to external devices for advanced post-production tasks, the OM SYSTEM OM-1 supports OM-Log for a greater level of freedom over imaging expressions thanks to color grading, which allows users to capture highlights and shadows without overexposing or underexposing shots. The new HLG (Hybrid Log Gamma)8 video picture mode has been added for easier HDR video recording.

Other Features

  • Reliable SSWF (Supersonic Wave Filter) dust reduction system that vibrates at a speed of more than 30,000 times per second to instantly remove dirt and dust from the image sensor
  • Highly durable shutter unit that clears 400,000 shutter actuations (according to in-house testing conditions)
  • Staggered layout UHS-II compatible dual SD card slots make it easier to remove recording media
  • Five rating categories in the on-camera rating system
  • Night view mode makes it possible to view subjects even in dark environments
  • Starry Sky AF makes focusing on stars easier than ever
  • Record shooting location information with minimal power drain (smartphone connection)
  • Equipped with an independent AEL button and AF-ON button

 

HLD-10, Power Battery Holder (sold separately)

This power battery holder designed exclusively for the OM SYSTEM OM-1 offers the same controls in the vertical position as the horizontal position. It offers IP53 dustproof and splashproof construction when paired with the OM SYSTEM OM-1. When two BLX-1 Lithium-Ion Rechargeable Batteries in the camera and the HLD-10 are used together, approximately 1,000 shots (based on CIPA tests) can be captured. When attached to the OM SYSTEM OM-1, the BLX-1 Lithium-Ion Rechargeable Battery can be charged9 inside the HLD-10.

Pricing: $349.99 USD; $449.99 CAD
Approximate Availability date: Early March 2022

RM-WR1, Wireless Remote Control (sold separately)

This wireless remote-control features IP5710 dustproof and splashproof construction, enabling remote shooting (communication range: within 5 m of the camera body) in any kind of environment, when paired with the OM SYSTEM OM-1. It enables remote shutter release, control of autofocus, image display control between still images and videos, as well as release lock during long exposures. This power saving design is achieved using Bluetooth® Low Energy communication. It can be used to start and stop video recording and connects with the included cable for wired remote use. The RM-WR1 can also be used as a wired remote control when connected using the cable included with Micro Four Thirds camera models equipped with a compatible remote cable terminal, such as the Olympus OM-D E-M1X and the Olympus OM-D E-M1 Mark III.

Pricing: $99.99 USD; $129.99 CAD

Approximate Availability date: Early March 2022

BLX-1 Lithium-Ion Rechargeable Battery (bundled/sold separately)

This is a high-capacity, 2,280 mAh lithium-ion battery. It can be recharged approximately 500 times.

Pricing: $99.99 USD; $129.99 CAD
Approximate Availability date: Early March 2022

BCX-1 Battery Charger (sold separately)11

This dedicated charger can simultaneously charge two BLX-1 Lithium-Ion Rechargeable Batteries. Batteries are fully charged in approximately 150 minutes. Because the battery is compatible with the USB Power Delivery standard, it can be charged with a power bank (9V/3A output).

Pricing: $149.99 USD; $189.99 CAD
Approximate Availability date: Early March 2022

SBCX-1 Battery Charger (sold separately)

BCX-1 battery charger bundled with one BLX-1 lithium-ion battery.

Pricing: $219.99 USD; $279.99 CAD

Approximate Availability date: Early March 2022

APPLICATIONS/SOFTWARE FOR PHOTOGRAPHY AND EDITING SUPPORT

OM Image Share Smartphone App (OI.Share)

This smartphone app is used to connect to the camera via Wi-Fi, transfer images and shooting data, and perform remote operations. On the OM SYSTEM OM-1, OI.Share can be used to update the firmware on the camera body and backup/restore camera settings.

OM Workspace v2.0 Image Editing Software

This image editing software includes advanced RAW processing and editing features. It boosts the abilities of the USB RAW Data Edit feature on the OM SYSTEM OM-1 and enables editing such as tone curve and Dehaze adjustments in addition to processing settings that can be applied on the camera. AI Noise Reduction has been added for RAW processing. When applied to RAW files captured on a supported camera12 for processing, it helps generate clearer images.

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