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By admin, on April 10th, 2022
Main points for the Nikon Medium-Term Management Plan for 2022-2025
Concentrate management resources in high value-added products and mirrorless cameras (meet expectations of professionals and hobbyists and raise ASP 20%)
Bolster the Z mount system by expanding lens lineup (50+ lenses and a 2+ lens attach rate)
Appeal to video creators by strengthening video functions
Strengthen remote operation and automatic image capture features to meet professional needs
Focus on licensing business
Earnings plan: achieve revenue of ¥200.0B and an Operating profit margin of 10% on a stable basis
The Goal of Nikon is to Create 50+ Z Mount Lenses as well as an in-camera division It’s really clear that Nikon wants to create a more smart video-centered camera to appeal to a bit wider consumer base in the market.
Keep in mind smart camera doesn’t mean a smartphone-type camera with Android or iOS, it means a camera with better connectivity, a camera with a very well artificial intelligent autofocusing mechanism, and remote storage availability.
Nikon Z4 Fullframe Camera Rumor
Nikon Upcoming Camera 2022
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By admin, on April 5th, 2022
According to the latest rumor coming out from Rumor Mills, Fuji XF 18-120mm F4 Lens is expected to arrive soon. The most important feature of this lens is its constant F4 aperture throughout the zoom range. The lens expected to arrive this year.
We will post more update once it become available to us
Also see
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image and news credit fujirumor.com
By admin, on March 30th, 2022
A PDR (photography dynamic range) ranking report made by photos to photos website and believe me, reading the entire report is really very interesting. As usual, the report is full of very well capable and costly cameras. But one of the most eye-catching things in this entire report is the presence of Canon 6D(ML) with amazing dynamic range test scores, and surprisingly the PDR test score of these cameras is even better than the Fuji film GFX 50S medium format camera, not only that, you will find several other full-frame cameras below them which include Nikon Z6 Mark II, Z9, and the Sony Alpha A1.
How did they reach the top of the list since Canon DSLRs cameras are known for having less than average Dynamic Range than others in the market before the mirrorless era arrived? if you look at the report it’s really surprising how these DSLRs cameras are beating up today’s latest full-frame and medium format in the list.
magic lantern firmware Boosted the overall performance of the Canon 6D DSLR camera to the next level. As you can see, if we compare the 6D PDR with Canon 6D(ML), the DR range is boosted with increasing ISO.
We have already covered this in our previous post also that with the implementation of magic lantern firmware in Canon cameras the dynamic range is boosting up to a phenomenal level.
I am not encouraging anyone here to use the magic lantern firmware for Canon DSLR cameras to boost up their dynamic range. But it’s also important to shootout for the work done by the magiclantern.fm team, so we are able to witness the level of dynamic range coming out from these all DSLR cameras which was never possible with the original Canon made firmware.
I will just request to Canon and their team member reading this article, they must collaborate with these brilliant engineers who have modified the image and video decoding algorithms of the DSLR camera and their ability to dig out the maximum image quality possible from these old sensors. If they are able to collaborate with these guys, just think about the level of image quality we will be getting in upcoming Canon mirrorless cameras in near future.
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By admin, on March 19th, 2022
According to the latest rumors, Fuji X-H2 will be using a 26 MP X-Trans BSI CMOS Sensor paired with a new image processor. At the moment we don’t know its a new sensor or the old one, but according to rumors, the camera will have a brand new image processor to upscale the video performance when compared to Fuji X-T4.
Earlier it was told that the camera will arrive with a new 40MP sensor and will also have 8k recording capabilities.
Stay with us we will post more updates as soon they become available to us.
See more Sigma Lenses for Fuji X-Mount
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source FujiRrumor.com
By admin, on March 16th, 2022
We have recently published a list of Canon’s upcoming cameras 2022 based on the latest rumors we have, but now we have a list of Canon’s upcoming Camera model codes. The model code you see below is for those who are already registered in the worldwide wireless certification agency and in the Canon announcement pipeline.
Canon’s upcoming camera model codes
- DS126841: Digital camera, Wi-Fi (IEEE802.11b/g/n), Bluetooth installed
- DS126842:L Digital camera, Wi-Fi (IEEE802.11b/g/n), Bluetooth installed
- DS126862: Digital camera
- DS126863: Digital camera
- DS126877: Digital camera
- DS126881: Digital camera
Canon Upcoming Lenses
- Interchangeable Lens: SKU: 4858C001, 5564C001
- CN-E20-50mm T2.4 LF: Cinema Camera Lens, EF Mount, Full Size Compatible
- CN-E20-50mm T2.4 L FP: Cinema camera lens, PL mount, full size compatible
- DS401244: Speedlight
Canon DS126841 and DS126842, are registered back on Sept 2021. From the initial set of information, both the camera uses RF Mount and feature FF Sensor.
Canon’s unreleased digital cameras “DS126841” and “DS126842” have been registered with overseas certification bodies. (DS126801 is 90D. The recently announced R3 is DS126835 / DS126855 / DS126856 / DS126857 / DS126858 / DS126859)
Recently we have spotted Canon’s advanced heat sink system attached with Canon EOS M series style mirrorless body, see more here.
also see Canon ME200S-SH Successor will Have RF Mount, Display Unit and More
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source digicameinfo
By admin, on February 25th, 2022
Finally Sigma announce the ultra-popular trio for Fuji X-Mount. The 16mm F1.4 DC DN, 30mm F1.4 DC DN, and 56mm F1.4 DC DN are the first three lenses for the Fuji X-Mount Camera system. All these lenses are designed and developed for Fuji X-Mount system and will work perfectly if you are using them for Video purpose or for photography only.
Sigma 56mm F1.4 B&H Store
Sigma 56 mm F1.4 Lens for Fuji X-Mount
Major Feature
- X-Mount Lens/APS-C Format
- 84mm (35mm Equivalent)
- Aperture Range: f/1.4 to f/16
- One SLD Element, Two Aspherical Elements
- Super Multilayer Coating
- Stepping Motor AF System
- Weather-Sealed Construction
- Rounded 9-Blade Diaphragm
Sigma 30mm F1.4 Lens
Sigma 30mm f/1.4 DC DN Lens for Fuji X-Mount
Major Features
- X-Mount Lens/APS-C Format
- 45mm (35mm Equivalent)
- Aperture Range: f/1.4 to f/16
- Two Aspherical Elements
- One High-Refractive Index Element
- Super Multi-Layer Coating
- Stepping Motor AF System
- Rounded 9-Blade Diaphragm
Sigma 16mm f/1.4 DC DN
Sigma 16mm f/1.4 DC DN Contemporary Lens
Major Features
- X-Mount Lens/APS-C Format
- 24mm (35mm Equivalent)
- Aperture Range: f/1.4 to f/16
- Two SLD Elements, Three FLD Elements
- Two Aspherical Elements
- Super Multi-Layer Coating
- Stepping Motor AF System
- Weather-Sealed Construction
- Rounded 9-Blade Diaphragm
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By admin, on February 23rd, 2022
Panasonic GH6 v Panasonic GH5 specification comparison, let’s talk about the major difference between the two cameras.
Panasonic GH6 v Panasonic GH5, new 25.2-megapixel Live MOS Sensor boasts high-resolution, high-speed signal readout and wide dynamic range.
The LUMIX GH6 contains V-Log/V-Gamut – a first for LUMIX G Micro Four Thirds cameras – and provides 12+ stops and even 13+ stops of wide dynamic range using Dynamic Range Boost mode
Panasonic GH6 B&H Store
Pro Mirrorless Lens (All in one lens) –
Best Budget Lenses for Panasonic GH6 under budget
Tamron 14-150mm f/3.5-5.8 Di III Lens
| Lens Mount |
Panasonic GH6 |
Panasonic GH5 II |
| Sensor Resolution |
Actual: 26.52 Megapixel
Effective: 25.2 Megapixel (5776 x 4336) |
Actual: 21.77 Megapixel
Effective: 20.3 Megapixel (5184 x 3888) |
| Sensor Type |
17.3 x 13 mm (Four Thirds) MOS |
17.3 x 13 mm (Four Thirds) MOS |
| Crop Factor |
2x |
2x |
| Image Stabilization |
Sensor-Shift, 5-Axis (Improved) |
Sensor-Shift, 5-Axis |
| Built-In ND Filter |
None |
None |
| Capture Type |
Stills & Video |
Stills & Video |
New Major Features in Panasonic GH6 camera
- The GH6 is based around a completely new sensor: the highest resolution chip we’ve yet seen in the Four Thirds sensor size.
- New to the GH6 is the option to shoot in Apple ProRes 422 HQ and 422 formats. At first the camera’s ProRes modes will only be available for 5.7K capture, but DCI 4K and FullHD support will be added in firmware, due later in 2022.
- Camera’s 8-shot high-resolution mode, which delivers 50 or 100MP images,
- GH6’s noise reduction has been updated
- DFD is Updated and does very well in still mode, works best in Full HD 60p mode.
- Magnified live view while recording video
- Fan to extend the recording time limit of 4:2:2 10-bit 4K at up to 60p.
Exposure those
| Shutter Type |
Mech & Electronic Shutter |
Mechanical Focal Plane Shutter, Electronic Shutter |
| Shutter Speed |
Electronic Front Curtain Shutter
1/2000 to 60 Seconds
Up to 30 Minutes in Bulb Mode
Electronic Shutter
1/32000 to 1 Second
to 60 Seconds in Bulb Mode
1/25,000 to 1/8 Second in Movie Mode |
Electronic Front Curtain Shutter
1/8000 to 60 Seconds
Up to 30 Minutes in Bulb Mode
1/16000 to 1/24 Second in Movie Mode
Electronic Shutter
1/16000 to 1 Second |
| Bulb/Time Mode |
Bulb Mode, Time Mode |
Bulb Mode |
| ISO Sensitivity |
Photo
100 to 256,000 in Auto Mode (Extended: 50)
Video
100 to 12,800 (Extended: 50) |
Photo
200 to 25,600 in Auto Mode (Extended: 100 to 25,600)
Video
200 to 12,800 in Auto Mode (Extended: 100 to 12,800) |
| Metering Method |
Center-Weighted Average, Highlight Weighted, Multiple, Spot |
Center-Weighted Average, Multiple, Spot |
| Exposure Modes |
Aperture Priority, Manual, Program, Shutter Priority |
Aperture Priority, Manual, Program, Shutter Priority |
| Exposure Compensation |
-5 to +5 EV (1/3 EV Steps) |
-5 to +5 EV (1/3 EV Steps) |
| Metering Range |
0 to 18 EV |
0 to 18 EV |
| White Balance |
Presets: Auto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4 |
Presets: Auto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4 |
| Continuous Shooting |
Mechanical Shutter
Up to 14 fps for up to 65 Frames (Raw) / 95 Frames (JPEG)
Electronic Shutter
Up to 75 fps for up to 200 Frames (Raw) / 200 Frames (JPEG) |
Up to 12 fps at 20.3 MP
Up to 30 fps at 18 MP
Up to 60 fps at 8 MP |
| Interval Recording |
Yes |
Yes |
| Self-Timer |
2/3/10-Second Delay |
2/10-Second Delay |
The full sensor region of the GH6 is very similar to what you’d get by taking a 4:3 crop from a Super35 (APS-C) camera’s 16:9 video. However, while this should deliver comparable noise performance,
Internal Video Capture
| Recording Modes |
H.264/MOV/MPEG-4 AVC/ProRes 422 HQ 4:2:2 10-Bit
5728 x 3024 at 29.97p [1900 Mb/s]
5728 x 3024 at 23.98p/24.00p [1500 Mb/s]
5728 x 3024 at 25p [1600 Mb/s]
H.264/MOV/MPEG-4 AVC/ProRes 422 4:2:2 10-Bit
5728 x 3024 at 29.97p [1300 Mb/s]
5728 x 3024 at 25p [1100 Mb/s]
5728 x 3024 at 23.98p/24.00p [1000 Mb/s]
H.264 ALL-Intra/MOV 4:2:2 10-Bit
4096 x 2160 at 47.95p/50p/59.94p [600 to 800 Mb/s]
4096 x 2160 at 23.98p/24.00p/25p/29.97p [400 Mb/s]
3840 x 2160 at 47.95p/50p/59.94p [600 to 800 Mb/s]
3840 x 2160 at 23.98p/24.00p/25p/29.97p [400 Mb/s]
1920 x 1080 at 200p/239.76p [800 Mb/s]
1920 x 1080 at 100p/119.88p [400 Mb/s]
1920 x 1980 at 23.98p/24.00p/25p/29.97p/47.95p/50p/59.94p [200 Mb/s]
1920 x 1080 at 50i/59.94i [100 Mb/s]
H.264 Long GOP/MOV/MPEG-4 AVC 4:2:2 10-Bit
4096 x 2160 at 50p/59.94p [200 Mb/s]
4096 x 2160 at 47.95p [200 Mb/s]
4096 x 2160 at 23.98p/24.00p/25p/29.97p [150 Mb/s]
3840 x 2160 at 47.95p/50p/59.94p [200 Mb/s]
3840 x 2160 at 23.98p/24.00p/25p/29.97p [150 Mb/s]
1920 x 1080 at 200p/239.76p [200 Mb/s]
1920 x 1080 at 100p/119.88p [150 Mb/s]
1920 x 1080 at 23.98p/24.00p/25p/29.97p/47.95p/50p/59.94p [100 Mb/s]
1920 x 1080 at 59.94i [50 Mb/s] |
H.265/MOV 4:2:0 10-Bit
6K Anamorphic (4992 x 3774) at 23.98p/24.00p/25p/29.97p [200 Mb/s]
4K Anamorphic (3328 x 2496) at 50p [200 Mb/s]
DCI 4K (4096 x 2160) at 50p/59.94p [200 Mb/s]
UHD 4K (3840 x 2160) at 50p/59.94p [200 Mb/s]
H.264/MOV 4:2:2 10-Bit
DCI 4K (4096 x 2160) at 23.98p/24.00p/25p/29.97p [150 to 400 Mb/s]
DCI 4K (4096 x 2160) at 50p/59.94p [200 Mb/s]
UHD 4K (3840 x 2160) at 23.98p/24.00p/25p/29.97p [150 to 400 Mb/s]
4K Anamorphic (3328 x 2496) at 23.98p/24.00p/25p/29.97p [150 to 400 Mb/s]
Full HD (1920 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [100 to 200 Mb/s]
H.264/MOV 4:2:0 8-Bit
4K Anamorphic (3328 x 2496) at 23.98p/24.00p/29.97p/50p/59.94p [100 to 150 Mb/s]
DCI 4K (4096 x 2160) at 23.98p/24.00p/25p/29.97p [100 to 150 Mb/s]
UHD 4K (3840 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [100 to 150 Mb/s]
Full HD (1920 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [100 Mb/s]
H.265/MP4 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p [72 to 100 Mb/s]
H.264/MP4 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p [100 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50/59.94p [20 to 28 Mb/s] |
| Variable Frame Rates |
5.7K: to 60 fps
DCI 4K: to 119.88 fps
3.8K: to 119.88 fps
1080p: to 300 fps |
|
| Gamma Curve |
Panasonic V-Gamut, Panasonic V-Log |
|
| Recording Limit |
Unlimited for DCI 4K (4096 x 2160) at 59.94p (4:2:2 10-Bit) |
|
| Video System |
NTSC/PAL |
| Built-In Microphone Type |
Stereo |
| Audio Recording |
MOV: 2/4-Channel 24-Bit 96 kHz LPCM Audio
MOV: 2/4-Channel 24-Bit 48 kHz LPCM Audio
MP4: 2-Channel 16-Bit 48 kHz AAC Audio |
External Video Capture
| External Recording Modes |
4:2:2 10-Bit via HDMI
DCI 4K (4096 x 2160) at 50p/59.94p
UHD 4K (3840 x 2160) at 50p/59.94p |
4:2:2 10-Bit via HDMI
DCI 4K (4096 x 2160) at 24.00p
UHD 4K (3840 x 2160) at 24.00p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 24.00p/25p/29.97p/50p/59.94p |
| IP Streaming |
None |
None |
Interace
| Media/Memory Card Slot |
Slot 1: CFexpress Type B
Slot 2: SD/SDHC (UHS-II) [U3/V30 or Faster Recommended] |
Dual Slot: SD/SDHC/SDXC (UHS-II) |
| Video I/O |
1 x HDMI Output |
1 x HDMI Output |
| Audio I/O |
1 x 3.5 mm TRRS Headphone/Microphone Microphone Input
1 x 3.5 mm TRRS Headphone/Microphone Headphone Output |
1 x 3.5 mm TRS Stereo Headphone Output
1 x 3.5 mm TRS Stereo Microphone Input |
| Other I/O |
1 x USB Type-C |
1 x USB Type-C (USB 3.2 / 3.1 Gen 1) Data Input/Output (Shared with Power Input)
1 x 2.5 mm Sub-Mini Control Input |
| Power I/O |
1 x USB Type-C Input/Output |
1 x USB Type-C Input/Output |
| Wireless |
5 GHz Wi-Fi 5 (802.11ac) Video Output, Audio Output, Control |
Bluetooth, Wi-Fi |
| Global Positioning (GPS, GLONASS, etc.) |
None |
None |
Focus
| Focus Type |
Auto and Manual Focus |
Auto and Manual Focus |
| Focus Mode |
Automatic, Continuous-Servo AF, Focus Lock AF Area Mode, Manual Focus, Single-Servo AF, Touch AF & Shutter |
Continuous-Servo AF, Flexible, Manual Focus, Single-Servo AF |
| Autofocus Points |
Photo, Video
Contrast Detection: 315 |
Contrast Detection: 225 |
| Autofocus Sensitivity |
-4 to +18 EV |
-4 to +18 EV |
Interface
| Type |
Built-In Electronic (OLED) |
Built-In Electronic |
| Resolution |
3,680,000 Dot |
3,686,000 Dot |
| Eye Point |
21 mm |
21 mm |
| Coverage |
100% |
100% |
| Magnification |
Approx. 0.76x |
Approx. 0.76x |
| Diopter Adjustment |
-4 to +3 |
-4 to +3 |
Environmental
| Operating Temperature |
14 to 104°F / -10 to 40°C |
14 to 104°F / -10 to 40°C |
| Storage Humidity |
10 to 80% |
10 to 80% |
Promised via future firmware:
- Direct recording to SSD over USB
- ProRes recording for DCI 4K and Full HD
- HDMI interface to v2.1 standard
- 4K/120 over HDMI with live view and 4K/120 Raw stream over HDMI
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