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Firmware Update

Sony A6700 Announcement on July 12, 2023

According to the latest rumors, Sony A6700 Announcement on July 12, 2023.  The camera is rumored to feature 26.1MP APS-C BSI CMOS Sensor, take a look at the detailed specification below

Sony A6700 Expected Core Specification

  • 26.1MP APS-C BSI CMOS Sensor
  • BIONZ XR & AI Processing Unit
  • AI-Based Real-Time Tracking AF System
  • UHD 4K up to 60p (uncropped)
  • S-Cinetone
  • S-Log3, 4:2:2 10 Bit internal
  •  5-Axis Image Stabilization
  •  updated Quad-VGA OLED Tru-Finder EVF 3.69m-dot resolution for bright, clear viewing in high detail

Follow us on our social pages  FACEBOOK | TWITTER | INSTAGRAM, If you have time –> see more Sony Alpha Rumor

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Best Lenses For Canon R100

 

Let’s talk about the best lenses for the Canon EOS R100 camera. The Canon EOS R100 camera is the best budget entry-level camera available right now from Canon. The camera features a 24.1MP APS-C CMOS sensor and DIGIC 8 processor, so you will get great image quality from the camera. The camera also supports full HD video with Dual Pixel CMOS AF and you can also record 4K videos with a 1.55x crop.

In this post, we have selected some of the best available lenses for the Canon EOS R100 camera. These lenses can be used for shooting portraits, wedding photography, fashion, sports, or even beginner wildlife photography.

Let’s have a look at the best set of lenses available for the Canon EOS R100 camera.

1. The most affordable zoom lens 18-45mm IS STM

The best budget lens or the most usable lens for your Canon EOS R100 camera is its native kit lens, the 18-45mm IS STM. The lens features a stepping drive motor and built-in optical image stabilization to help you achieve stable shots.

In general, the quality of kit lenses is not great, but the 18-45mm IS STM lens is not among those. The quality is very good and it can be used as a general-purpose lens by beginners while they are stepping into the world of digital camera photography.

With 18mm wide coverage, you can shoot some great landscapes, architecture, or friends gathering with this camera. At 45mm, which is near about or approximately 50mm, you can click some good portraits with decent background blur. It’s not a prime lens but you will get some amazing output with this lens if used properly.

The image stabilization function of this particular lens works very effectively and it corrects up to 4 stops of shake correction when paired with the Canon EOS R100 camera body. So even if you are shooting in low light environments, the lens will help you get sharp images inside your camera.

Finally, let’s talk about the Macro lenses performance, The lens uses a center focus macro function that helps you capture close-ups up to 0.26x magnification at 45mm. And the best macro capturing range is at 35mm when the lens allows you to have a magnification ratio of 0.59x which is somewhere near to Canon macro lenses.

Overall, the kit lens’ quality is very good for beginners and it is very useful. And if you want to have some upgrades now, we are recommending some of the best prime lenses paired up with some good zoom lenses.

2. Canon RF 18-150mm Lens 

The Canon has recently announced the 8.3x APS-C zoom Lens for Canon R100 that packs in a useful 29-240mm (35mm equiv.) focal length range. It’s ideal for travel, wedding photography,  landscapes, garden wildlife, and sports.

If you are looking for an all-rounder long focal length zoom lens for your Canon camera, then the best option for you is the Canon RF-S 18-150mm F3.5-6.3 IS STM lens. The lens gives you an awesome range of 8.3x optical zoom, starting with a wider coverage of 18mm. If you are a beginner wedding photographer or travel shooter, or even a wildlife photographer, this lens will be a highly versatile lens for your photography and videography needs.

The lens features a stepping drive STM motor that focuses really fast, with full-time accuracy and silence 1. The lens features optical image stabilization up to 4.5 stops so it helps you capture stable shots even when you are using the lens at 150mm at slower shutter speeds.

This is the only best all-in-one lens option available right now in Canon RF-S mount for its APS-C mirrorless cameras so we highly recommend that if you want an all-in-one zoom lens, the Canon RF-S 18-150mm IS STM lens is highly recommended.

The price of this lens is $499 (B&H Store and Amazon.com) You can use this lens as a default lens for your Canon R100 camera.

3. Canon RF 16mm f/2.8 STM Lens

Canon RF 16mm f/2.8 lens is the best Canon lens available right now if you want to have ultra-wide prime coverage. The lens is highly recommended for architecture, landscape, and indoor photography.

With its bright aperture of f/2.8, it allows you to capture clear images even in low light. With the 16mm focal length, corner sharpness is never an issue – from center to corner the lens is very sharp. The chromatic aberration and lens distortion are also very well controlled.

This lens features a fast and silent autofocus system, making it a perfect companion when you want to shoot high-quality family group photographs or friends gathering at night, under low light environments. This lens helps you a lot to capture well-lit images even in uncontrolled light environments.

The Price of Canon RF 16mm F2.8 Lens is $249 B&H Store and Amazon.com

4. Canon RF 24mm F1.8 Macro IS STM Lens

I would say the 24mm F1.8 Macro STM lens is the most usable prime lens for a photographer with an APS-C Sensor based body like Canon R100. The eqv focal length of this lens is 38mm which is near the standard focal length of 35mm. The wide angle is ideal for landscape and street photography. This 24mm lens can be used for shooting family and friends’ portraits in a home in a low-light environment. Also perfect for capturing macro images due to its 1:2 magnification ratio and close-up shooting distance of 5.5 inches.

Perfect lens for YouTubers: You can also use this lens for your office and room vlogs, also perfect for food photography or vlogs with this lens. You have to just maintain 3 to 5 feet distance from your camera/rest your camera on a tripod,  make a 3 to 5 feet distance from the camera and start making your online content with excellent sharpness and creamy bokeh in the background.

The 24mm Lens also features OIS (Optical image stabilization), for the first time I have seen Canon giving us OIS features in Prime lenses like 24mm. The OIS is effective up to 5 stops, or 6.5 stops with coordinated IS, to better enable working handheld in low-light conditions and with slower shutter speeds. Whether you are creating videos with the lens or shooting still images the OIS help all the time.

The lens is available at $499 (B&H Store and Amazon.com) You will feel the price is high. But also think twice that it’s a Fullframe lens and will remain compatible with your camera even if you upgrade your camera to full frame. And despite being a 24mm Prime lens, the lens also features OIS and macro Capability, none of such features are available even in competitors’ lenses.

5. Canon RF 35mm F1.8 Macro IS STM

Perfect for professional-quality portraits with a Canon R100 camera. The Canon RF 35mm F1.8 when paired with Canon R100 gives you an equivalent focal length of 50mm Lens in full-frame format. So it actually will act as a 50mm F1.8 with optical image stabilization and macro capability.

The size of this lens is slightly larger than the 24mm F1.8, It measures  74.4 x 62.8 mm and weighs 305g. However, this is still relatively light and compact. The lens pairs very comfortably with the canon R100 camera and has a sleek look and feel. There is a focus switch on the side of the lens,  the lens does support full-time manual focus. That is, you can manually focus the lens by adjusting the focus ring even when the camera is set to autofocus.

The 35mm Lens allows you to set the MAX aperture to F1.8, which enables the lens to capture amazing low-light images in any conditions and generate pleasant, creamy bokeh-filled backgrounds. The lens features Super Spectra coating that has been applied to individual elements to reduce the ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions.

$499 (Amazon.com | B&H Store) is the price of a 35mm F1.8 IS STM Macro lens, this is a very reasonable price lens if you look at its features. The lens is a Fullframe lens and features Macro capability as well as optical image stabilization. We highly recommend this lens for the Canon R100 camera.

6. Canon RF 50mm F1.8 STM Lens

If you are into portrait photography and looking for an affordable option the Canon RF50mm F1.8 Lens is best for you. The RF 50mm lens is equivalent to 85mm when paired with a Crop sensor camera like Canon R100.

The telephoto prime lens measures 69 x 40 mm and weighs 160 g. This makes it the lightest lens on our list, , balancing well with the weight of the camera. To suppresses spherical aberrations Canon has introduced   One precision-molded (PMo) aspherical element inside this lens, it also upscaled the sharpness and accurate subject rendering.

The overall image quality is fantastic. You’ll love how easy it is to snap incredibly sharp, beautiful photos using this lens, and your subjects will love it even more. Although the lens has a limited Macro capability of 50cm, so if you want a better macro performing lens you have to buy the other two primes (24mm and 35mm) mentioned above in the list.

With a price tag of $199 (B&H Store | amazon.com) Canon RF 50mm, F1.8 STM Lens is the most affordable prime lens in RF lineup. The reason behind that is the lens doesn’t have the OIS like the other prime lenses as well as macro capability.

7. Canon 85mm F2 IS STM Macro

Canon 85mm F2 Macro  Lens features optical image stabilization as well as a stepping drive motor. The equivalent focal length of 85mm lens on the Canon R100 body will be 136mm. It reminds me of Canon’s popular 100mm F2.8 Macro Lens. The lens can be used effectively when you want to capture wildlife beauty without disturbing them. 85mm (136mm on R100) will allow you to work from a distance and also Optical Image stabilization within. So, you can also take some amazing macro shots or portraits of models handheld.

The telephoto prime lens measures 78 x 90.5 mm and weighs 500 g. This makes it the largest and the heaviest lens on our list, Configurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation. The rounded nine-blade diaphragm contributes to a pleasing bokeh quality.

The lens creates creamy bokeh at F2 and is perfect for portraits, I have used this lens with a Canon R5 camera and at F3.5 to 5.6 the lens produces razor-sharp images with an exceptional amount of details resolved through the sensor. With its macro capability, the lens is able to do 1:2 maximum magnification along with a minimum focusing distance of 1.15. And the Configurable Control Ring on this lens can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation.

The price tag $549 (B&H Store | amazon.com) price makes this lens one of the most costly prime lenses on our list. although with Optical image stabilization, Macro capability, Steeping drive motor, and rounded nine-blade diaphragm make this lens the perfect choice for professional photographers.

8. Canon RF 100-400mm f/5.6-8 USM

Prime lenses do give the best quality possible since they have minimal moving lens elements inside them optimized for best performance. However, zoom lenses like the 100-400 are also a worthwhile investment.

With prime lenses, if you want to have an optical crop you have to physically move toward your subject. This isn’t always possible depending on what or where you’re shooting. So, we have lenses like the 100-400mm (equivalent focal length  160mm – 640mm).

The resolving power of this lens is just amazing even when paired with the Canon R5 camera, lens features Max magnification up to .41X @ 400mm. So, it’s worthwhile to say the lens also has macro capability. To reduce the chromatic aberrations and color fringing throughout the zoom range the lens has One Ultra-Low Dispersion element. The lens features a built-in optical image stabilization system effective up to 4 stops.

You have to pay $599 (B&H Store | Amazon.com) to get this lens, It may look pricy to you. But the sharpness, OIS, Bokeh, and AF performance are highly impressive. Equivalent to equivalent focal length  160mm – 640mm when used with APS-C body and 100-400 when used with Fullframe.

Fuji X-S20 vs Canon R10 – The 10 Main Differences

Let’s compare the body design of both cameras. Both are very well built and made for professional shooters with a very deep hand grip and EVF. They are paired up with a variable-angle display screen to give you compositional freedom. Whether you are a photographer or a content creator, you will love the camera’s design.

1. EXTERNAL FAN

The additional advantage we have with the Fuji X-S20 camera is the ability to add an external fan in case of overheating. The external fan will lower the temperature and allow you to record more than double the available recording time.

With the Fuji X-S20 camera, we are getting dual 3.5 mm ports; one is for headphones and the other is for a microphone. The microphone port can also be used as a remote shutter port.

2. EXTENDED BATTERY LIFE

We should discuss this in the design part. We have a larger battery in the Fuji X-S20 camera. The battery allows you to capture approximately 700-800 Liveview shots in a single charge, which is double when compared to the battery life of the Canon R10 camera.

 


 

3. VLOG MODE

In vlog mode, we have a dedicated vlog mode in the camera. When you switch the mode dial button to vlog, a new content creator menu pops up. In the content creator menu, you will see 6 different blocks with different modes, including product showcase mode and face tracking priority mode made only for content creators. No content creator or cinematic menu is present in Canon R10.

Let’s talk about the internal core specification of the camera

4. SENSOR

Sensor: The Fujifilm X-S20 camera features Fuji’s popular 26-megapixel sensor. The sensor is a BSI CMOS sensor, not an FSI CMOS sensor like that of Canon R10. So while having a BSI CMOS sensor, we do expect better low-light performance with the Fujifilm X-S20 camera.
Let’s have a look at a quick high ISO test between the two. A sample captured at ISO 25600 of a Canon R10 and Fuji X-S20 camera clearly shows the advantage of having a BSI CMOS sensor while capturing images in low light.

From the high ISO test, it is very clear that Canon is not able to preserve the color details at high ISO range when compared to a Fuji sensor.
The next is autofocusing performance. Both Fuji and Canon are using their latest generation of image processors

5. IMAGE STABILIZATION

In the Fujifilm X-S20 camera, we are getting sensor-shift image stabilization system up to seven stops. Not only that, for the first time in a Fuji camera, we have a dedicated menu to adjust the image stabilization setting according to our needs. No sensor-shift image stabilization system is present in the Canon R10 camera

6. BURST MODE

The next visible difference between these two cameras is the burst speed or the continuous shooting speed. With the Canon R10 camera and its 24-megapixel resolution, you can achieve a burst speed of up to 24 frames per second. With the Fujifilm X-S20 camera, the maximum burst speed available is 30 frames per second with crop and without crop at full resolution up to 20 frames per second.
While using the mechanical shutter, the Canon R10 allows you to capture 12 frames per second and the Fuji X-S20 camera allows you to capture 8 frames per second.

Buffer memory of Fuji X-S20 camera is more compared to Canon R10, its clearly visible in the table below.

  Fuji X-S20 Canon R10
10 FPS  1000+ JPG  — 341 RAW
15 FPS 460 JPG  — 29 RAW
20 FPS 256 JPG —  79 RAW
23 FPS 70 JPG  —  21 RAW
30 FPS (1.25x crop) 407 JPG —  88 RAW

7. AUTO-FOCUSING SYSTEM

Canon R10 arrives with its popular second-generation dual pixel CMOS autofocusing sensor and more than 5000 autofocusing points fabricated inside the sensor. Furthermore, the camera uses 3700 DPAF points while recording video. To simplify it for its users, Canon grouped the points into 651 autofocusing zones.

Now, the Fujifilm X-S20 camera may not be able to match the number of DPAF points, but for the first time, it uses the most advanced artificial intelligence tracking system available inside Fuji. Fujifilm engineers directly used the artificial intelligence AI algorithm of the Fuji X-H2S camera in the Fuji X-S20. This AI enhances the overall performance of the camera and now the camera is even able to track moving drones and insects without an issue. The X-S20 now also features product showcase mode and face AF tracking priority mode.

So more or less both of these cameras have their own advantages and disadvantages when it comes to autofocusing performance.

 

8. VIDEO

The Fujifilm X-S20 camera is able to shoot 6.2K open gate in 3:2 format at the rate of 30 frames per second. So that’s the maximum resolution available in the Fujifilm X-S20. Now when you want to record in a standard format, that is in 16:9, the resolution drops to 5.2K. So that’s the maximum standard resolution available inside the Fujifilm X-S20 camera. None of these high-resolution modes are available in Canon R10.
The Fuji X-S20 camera is able to record uncropped 4K 60p video as well as full HD videos at the rate of 240 frames per second. Canon R10 fails to impress us as we have to face a 1.6x crop while recording 4K 60 frames of video. At the same time, only a 120 frames per second option is available at full HD format inside Canon R10.

And the biggest difference that will shock you is that no C-Log format is available. Yes, you are able to record 10-bit only in HDR PQ mode in Canon R10, whereas in the Fujifilm X-S20 cameras F-Log and F-Log 2 are both available. In F-Log 2 curve, you are able to extract 13+ stops of dynamic range and at the same time, a 12-bit raw output is available via the HDMI port.

For content creators, we have a dedicated content creator menu and again dedicated autofocusing modes. Not only that but the advanced cinematography and content creation are being backed by the sensor-shift image stabilization of the camera.
For super cinematographers, content creators, and wedding videographers, the Fuji X-S20 camera is the best choice.

So for cinematographers containing creators and wedding video graphs for Fuji x as 20 cameras is the best choice

9. LENSES

Fujifilm X-mount is an open mount and we have a huge range of lenses available and more are coming. At the same time, the Canon RF mount is a locked mount and has a very limited range of lenses available for the APS-C range. If you move towards the DSLR lenses, then you have to be very careful while picking them up since the lenses with STM motors are fully compatible and the older lenses with USM motors will create noise, and not all of them are optimized for dual pixel CMOS autofocusing sensor

10. PRICE DIFFERENCE

We do have a good price difference between these two cameras. If you are on a very tight budget and not able to spend extra on lenses, then you may stay with the Canon R10 camera. But if your budget allows, I highly recommend you to get the Fujifilm X-S20

Fuji Film X-S20 – Camera $1299 [Body Only B&H] [Amazon.com]  | 15-45mm Lens $1399 [B&H Store] [Amazon.com]

Canon R10 – Camera body $879 [B&H Store] [Amazon.com] | 18-45mm Lens [B&H Store] [Amazon.com]

Canon R100 Press Release

Canon R100 camera announced the Canon R100 camera features 1st generation of DPAF sensor and DIGIC 8 image processor. 4K video with crop and fixed display screen, so it is not made for content creators in any way.

Canon R100 Full Specification

  • 24.1MP APS-C CMOS Sensor
  • DIGIC 8 Image Processor
  • 4K 24p Video with Crop, Full HD 60p
  • Dual Pixel CMOS AF with 143 AF Zones
  • 6.5 fps Electronic Shutter
  • 2.36m-Dot OLED EVF
  • 3″ 1.04m-Dot LCD Screen
  • Creative Assist Mode
  • Wi-Fi and Bluetooth with SD Card Slot

Canon R100 Price

  •  Body: $479
  • Lens kit: $599
  • Double zoom kit: $829

Canon R100 Press Release

Canon Introduces its Most Affordable, Compact, and Lightweight EOS R Camera Ever: The EOS R100

The Company Also Announced the Wide-Angle “Pancake” Style RF28mm F2.8 STM Lens

MELVILLE, N.Y., May 24, 2023 – Canon U.S.A., Inc., a leader in digital imaging solutions, is excited to announce the launch of the EOS R100 camera and RF28mm F2.8 STM lens, two new affordable compact and lightweight tools for entry-level and emerging content creators to elevate their skills.

The Canon EOS R100 camera was designed for new, first-time mirrorless camera or existing interchangeable camera users who previously enjoyed EOS Rebel or EOS M cameras. The camera touts key features such as a 24.2 megapixel APS-C size sensor, the DIGIC 8 image processor, 4K (Cropped) and Full HD (Full-Width) video at up to 24 and 60 frames-per-second respectively, Autofocus with eye and face detection, and Bluetooth™ and Wi-Fi® connectivity capabilities. For users who are making the EOS R100 their first interchangeable lens (ILC) camera, a significant advantage over using a smartphone camera will be lens selection. The EOS R100 is compatible with the complete lineup of RF and RF-S lenses, and EF and EF-S lenses can be utilized when using one of three available Canon EF-EOS R mount adapters (each sold separately). This selection of lenses includes the Canon RF28mm F2.8 STM lens, which was also announced today.

The Canon RF28mm F2.8 STM is a “pancake” style, value lens that targets a wide variety of users, from amateur to enthusiast full-frame and APS-C camera users. Key features of the new lens include:

  • Minimum focusing distance of 9.1 inches (0.23m) and a maximum magnification of 0.17x
  • Retracting feature that helps to shorten the overall length of the lens
  • Circumferential manual focus mode/control ring selector
  • Gear-type STM motor providing smooth autofocusing while capturing video
  • Built-in Control Ring provides quick access to multiple camera controls
  • 7-blade circular aperture helps to provide beautifully blurred background and bokeh

Pricing and Availability

The Canon EOS R100 camera is scheduled to be available in July 2023 for an estimated retail price of $479.99 for body only, $599.99 with the RF-S18-45mm F4.5-6.3 IS STM lens, and $829.99 with the RF-S18-45mm F4.5-6.3 IS STM and RF-S55-210mm F5-7.1 IS STM lenses.

The RF28mm F2.8 STM lens is scheduled to be available in July 2023 for an estimated retail price of $299.99.

Sony ZV-1 II Press Release | Price and more...

Sony ZV-1 II camera finally announced today, The camera features a 20-megapixel stacked CMOS sensor and a brand new 18 to 50 mm equivalent f/1.8 to f/4.0 lens.

So we have a major change in the lens part of the camera. Earlier it was 24 mm equivalent so vlogging was quite restrictive and vloggers were disappointed with the cropped frame they were getting.

Now with the 18 to 50 mm lens, we have wider coverage. On the specifications side, we have 4K video recording mode up to 30 frames per second, full HD videos up to 120 frames per second and reduced resolution capturing up to 960 frames per second for slow-motion videos.

Sony ZV-1 II Major Specification

  • 20.1MP 1″ Exmor RS BSI CMOS Sensor
  • Wide-Angle 18-50mm-Equiv. f/1.8-4 Lens
  • UHD 4K30p Video w/
  • HLG & S-Log3/2 Gammas
  • 3″ Side Flip-Out Touchscreen LCD
  • Intuitive Touch Focus & Exposure Control
  • Real-Time Tracking & Eye AF
  • Bokeh Switch
  • Face Priority AF
  • Cinematic Vlog Setting
  • S&Q Shoot Mode
  • Product Showcase Setting

The camera doesn’t carry any mechanical shutter as well as the body has minimal controls for photographers. Video specification says the camera is able to record videos in S-Log3 for a wider dynamic range. The recording is limited up to 8-bit.

The price of the camera is $899 and the shipping of the camera will start from mid-June 2023. It is available in two colors: black and white with a rapid grip optional.

Sony ZV-1 II Press Release

SAN DIEGO, CA – May 23, 2023 — Sony Electronics launches the all-new second generation camera to the ZV-1 in the vlog camera ZV series, the ZV-1 II, which includes highly requested and popular market-leading features. With a wider-angle lens than ZV-1, the ZV-1 II helps vloggers make more engaging storytelling with attractive photogenic image quality.

With the 1.0-type Exmor RS™ image sensor (approximately 20.1 effective megapixels), BIONZ X™ image processing engine, and newly developed ZEISS® Vario-Sonnar T* 18-50 mm F1.8-4lens, the ZV-1 II allows for creators of many skill levels to enjoy sophisticated capabilities. From the 18-50mmii wide angle lens which can frame everything from group selfies to narrow interiors or dynamic recordings of everyday scenes to the Multiple Face Recognitioniii , which recognizes multiple faces and automatically adjusts to keeps all faces sharp and clear when taking selfie shots that include two or three people, the ZV-1 II is the advanced vlogging camera packed into a travel-size.

“The ZV-1 II is an exciting chapter for content creators and will be the go-to camera for many, including vloggers, social media influencers and short form video creators. With the newest vlog camera in the ZV series, we have taken requests from various users and included features that matter most to vloggers,” says Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “We are striving to take feedback from our community to continue to expand and elevate our ZV series and the ZV-1 II does just that.”

Comprehensive Features for Vloggers & Video Content Creators

The ZV-1 II has a number of new and popular features that will empower creators to capture better content.

  • Ultra-wide angle and Zoom – 18mmii wide angle of view makes it easy to capture attractive photogenic image with the entire scene – especially when shooting selfies at arm’s length. The 18-50mm optical zoom and the Clear Image Zoom smoothly enlarges images while minimizing loss of image quality to create variety in videos by changing the angle of view.
  • 1.0 type sensor with Bokeh Switch which gives beautiful bokeh by defocusing the background with a single touch.
  • Intelligent 3-capsule microphone – In Auto mode, the camera recognizes human faces or objects and automaticallyiv switches the direction of the built-in microphone ([Front] or [All Directions]). In Manual mode, you can select [Front] for selfies, [Rear] when shooting with narration or [All Directions]. The supplied windscreen ensures a clear recording of the speaker when outdoors. Easy to use cableless attachment to Multi Interface Shoev ​ and a 3.5 mm microphone jack makes it easy to connect external microphones.
  • Cinematic Vlog Setting function responds to the demands to easily capture videos with a filmic look. ​ It enables impressive imagery at a touch. Simply tap the on-screen function icon and the camera will automatically set a CinemaScope size (2.35:1) vi and a frame rate of 24 fpsvii –the same as for a cinema movie. Then finish off the work with the on-screen buttons to select from five LOOKs and four MOODs
  • Creative Look which supports 10 preset looksviii to suit your creative preferences and pro-level imaging features.
  • Face Priority AE and Soft Skin Effect automatically and immediately detects faces and adjusts the exposure to optimize facial brightness, no matter the lighting. Soft skin effect smooths skin and facial features when filming.
  • Fast Hybrid AF System – Even in high-definition 4K where precise focusing is required, the camera will keep the images sharp with the same Fast Hybrid AF system seen in α series cameras. The camera is equipped with AF Transition Speed to select the focusing speed during video recording, and AF Subject Shift Sensitivity to control whether the camera shifts focus from one subject to another. t. In addition, the Real-time Eye AF can accurately keep focus on human or animals for both stills and movies.
  • Product Showcase Setting – which delivers convenient shooting of product review videos with smooth focus transitions from your face to the item you are highlighting.
  • S&Q shoot modeix which allows a selection up to 5x slow or up to 60x quick motion to add impact to everyday scenes. The combination of shooting and recording frame rates can now be set on a single screen. ​
  • ISO sensitivity spanning from 125 to 12800 – allows the camera to record sharp images with less noise, even in low lighting.
  • Active Mode electronic image stabilization – content can be captured while walking or in motion and is especially useful for handheld shootingx. Useful for handheld Movie and Slow & Quick motion shooting.
  • Built-in ND filter – to reduce exposure by three stops and allow for beautiful background bokeh even in the brightest situation.

Compact and Lightweight for Easy Portability, Operability, Connectivity

The ZV-1 II is perfect for on-the-go; its compact and lightweight design can be easily carried in a pocket or small bag, even with its optical wide zoom lens. The ZV-1 II supports different filming styles with the vari-angle screen suitable for selfies, easy to hold body grip (or with an optional GP-VPT2BT grip), user-friendly key and control layoutxi and the recording indicator on the front face of the body. The monitor display has been redesigned with a bold, clearly visible red frame that makes it obvious when recording is in progress. Power charge easily via a USB Type-C® connector.

Creators can connect and share content easily with Sony’s Creators’ Cloud platform and easy smartphone connection. The Creators’ App can be used to control the ZV-1 II from a smartphone, monitor camera battery and media status, edit date and camera names, and easily transfer stills and videos shot, even in the background. The Creators’ Appxii also provides a convenient way to update camera software. ​ ​ ​

For easy high-quality live streaming, simply connect the ZV-1 II to a PC or smartphone xiii with a commercially available USB cable (not included) to use it as a webcam. Make your video more attractive in online meetings and live streaming by using Creative Look to improve the skin’s appearance and adjust the hue. Faces will appear clearer and brighter (Face Priority AE) and the eyes will be kept in focus (Real-time Eye AF).

Sustainable and Accessible Design

In addition to Sony’s commitment to a sustainable future with global initiatives like Road to Zero and the 2030 renewable energy goal, the ZV-1 II has been specifically developed with sustainability in mind. Recycled materials, including SORPLASTMxiv, are used for the camera body, reducing environmental impact without sacrificing functionality. Sony’s unique recycled paper “Original Blended Material”, which does not use plastic and is easy to recycle, is used for individual packaging. Using materials such as bamboo, sugar cane fiber, and recycled paper collected from the market, it is both environmentally friendly and high quality.

The ZV-1 II includes accessibility features that facilitate operation in several ways, including screen reader functionality for people with low vision or with visual impairments. Accessibility features allow anyone to enjoy shooting and playback. When the screen reader functionxv is activated, text on the menu screens is read aloud. The screen reader function can be activated by turning the [Screen Reader] function in the [Setup] tab ON. Screen reader volume can be adjusted via the [Sound Options] settings. In addition to the above, the ZV-1 II includes several functions that assist in achieving pinpoint focus on a variety of subjects. Additionally, the Real-time Eye AF can automatically recognize and focus on [Human] or [Animal], or the Real-time Tracking function. Focus Magnification, and Peaking functions make it easier to focus manually, and features like Touch Focus, Touch Tracking, and Touch Shutter let the user focus, track, and shoot simply by touching the subject on the monitor screen. ZV-1 II accessibility features (items listed in the specifications): Screen Reader, Touch AE, Focus Magnifier, Peaking Display, Real-time Eye AF, Real-time Tracking, Touch Focus, Touch Tracking, Touch Shutter, Vari-angle LCD screen and Custom function.

Pricing and Availability

The new ZV-1 II will be available in June 2023 at a variety of Sony’s authorized dealers, for an estimated retail price of $900 USD and $1,200 CAN.

Canon R50 Sensor Test Score | Low-Light Test

Published by the website Photons to Photo, has posted the measurement data of the dynamic range and high sensitivity performance of Canon’s new entry model “EOS R50”. We all know that Canon R10 and Canon R50 uses the same sensor, that’s why the result of both looks very similar.

Model name Maximum dynamic range low light ISO Low light EV
EOS R50 10.57 1873 9.23
EOS M50 9.84 1409 8.82
EOS R10 10.54 1810 9.18
Canon EOS R7 10.49 2213 9.47
Z50 10.53 2406 9.59
α6600 10.97 2929 9.87
X-T30 10.47 3645 10.19

My Main concern is Canon’s lowlight performance, as you can the camera scores are lower than Nikon Z50 and A6600, we know that Nikon Z30 and Z50 share the same sensor, so we will have a better low-light performance from the Z50 or the Z30 compared to the R50 or the Canon R10.

As you can see from the difference in the low-light samples of the two, Nikon is able to preserve the color in the best way possible. Color box separation lines are clearly visible Nikon Z50 image sample compared to Canon R50.

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source photonstophotos

Nikon Z6 Mark III - Next Camera from Nikon

What’s next from Nikon? According to the latest rumors surfacing on the web, the Nikon Z6 Mark III is Nikon’s next announcement. The expected arrival date for the Nikon Z6 Mark III is somewhere between July and October 2023. The camera is set to feature a range of upgrades in core specifications, including a new sensor and the ability to record 4K 60 FPS video uncropped and 10-bit internally. All these specs somehow looks very similar to the specs we have shared back on November 30th, 2022

Nikon Z6 Mark III Rumored Specification

  • 30-33MP FX-Format CMOS Sensor
  • EXPEED 7 Image Processor
  • 5-Axis In-Body Vibration Reduction
  • UHD 4K60 uncropped Video; N-Log & 10-Bit internal
  • HDR (HLG), ProRes RAW
  • New AI-Based Subject Detection from Nikon Z9
  • Real-time Tracking and Real-time Eye AF
  • Dual Memory Card Slots
  • Body price under $2500

These are the initial inputs we have from unreliable sources. We will post an update if we get any. Also, see the core specs of the Nikon Z7 Mark III camera.

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