The latest news about Canon R1 surfaces all over the web. Take a look at the important set of specifications coming out from the rumor mill.
Canon R3 Design
According to the sources of the rumor mill, Canon R1 will have a similar body design as the Canon EOS R3.
Large Display Unit of 4 inch?
There will be a large display panel on the backside of the camera, so rumors are expecting a four-inch display screen on a professional-grade photographer’s camera. Since for Cinematographers we already have a separate line of cameras.
45 Megapixel Resolution
The resolution of the camera is rumored to be around 45 megapixels, possibly the stacked version of the Canon R5 sensor.
Class Leading EVF
The viewfinder is said to be of the highest resolution in the Canon lineup, so we can expect a 9-megapixel viewfinder for the first time to be introduced inside Canon.
Global Shutter
Global Shutter is understandably far away for Canon, but yeah, the rumor mill is still speculating. So let’s hope we see at least technology similar to a global shutter or even a sensor with a fast readout speed that captures images without any significant rolling shutter effect.
Dual CFexpress card slots
The camera will have dual CFexpress card slots and one of the sources also said that at least one of the slots is Type-C. So it is kind of a mixed bag and we have to wait for more clarity
NEW Autofocus System
Rumor Mill is speculating on the arrival of the QPAF AF system inside Canon R1.
Cinema EOS Video Features
Team of Cinema EOS working on R1 to develop its high-grade video feature
Canon R1 Arrival Date
Paris Olympic games begin in July of next year
Take it with a grain of salt, since these are not confirmed sets of specs coming out from reliable sources.
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According to the latest rumors, Sony A6700 Announcement on July 12, 2023. The camera is rumored to feature 26.1MP APS-C BSI CMOS Sensor, take a look at the detailed specification below
Sony A6700 Expected Core Specification
26.1MP APS-C BSI CMOS Sensor
BIONZ XR & AI Processing Unit
AI-Based Real-Time Tracking AF System
UHD 4K up to 60p (uncropped)
S-Cinetone
S-Log3, 4:2:2 10 Bit internal
5-Axis Image Stabilization
updated Quad-VGA OLED Tru-Finder EVF 3.69m-dot resolution for bright, clear viewing in high detail
Let’s compare the body design of both cameras. Both are very well built and made for professional shooters with a very deep hand grip and EVF. They are paired up with a variable-angle display screen to give you compositional freedom. Whether you are a photographer or a content creator, you will love the camera’s design.
1. EXTERNAL FAN
The additional advantage we have with the Fuji X-S20 camera is the ability to add an external fan in case of overheating. The external fan will lower the temperature and allow you to record more than double the available recording time.
With the Fuji X-S20 camera, we are getting dual 3.5 mm ports; one is for headphones and the other is for a microphone. The microphone port can also be used as a remote shutter port.
2. EXTENDED BATTERY LIFE
We should discuss this in the design part. We have a larger battery in the Fuji X-S20 camera. The battery allows you to capture approximately 700-800 Liveview shots in a single charge, which is double when compared to the battery life of the Canon R10 camera.
3. VLOG MODE
In vlog mode, we have a dedicated vlog mode in the camera. When you switch the mode dial button to vlog, a new content creator menu pops up. In the content creator menu, you will see 6 different blocks with different modes, including product showcase mode and face tracking priority mode made only for content creators. No content creator or cinematic menu is present in Canon R10.
Let’s talk about the internal core specification of the camera
4. SENSOR
Sensor: The Fujifilm X-S20 camera features Fuji’s popular 26-megapixel sensor. The sensor is a BSI CMOS sensor, not an FSI CMOS sensor like that of Canon R10. So while having a BSI CMOS sensor, we do expect better low-light performance with the Fujifilm X-S20 camera.
Let’s have a look at a quick high ISO test between the two. A sample captured at ISO 25600 of a Canon R10 and Fuji X-S20 camera clearly shows the advantage of having a BSI CMOS sensor while capturing images in low light.
From the high ISO test, it is very clear that Canon is not able to preserve the color details at high ISO range when compared to a Fuji sensor.
The next is autofocusing performance. Both Fuji and Canon are using their latest generation of image processors
5. IMAGE STABILIZATION
In the Fujifilm X-S20 camera, we are getting sensor-shift image stabilization system up to seven stops. Not only that, for the first time in a Fuji camera, we have a dedicated menu to adjust the image stabilization setting according to our needs. No sensor-shift image stabilization system is present in the Canon R10 camera
6. BURST MODE
The next visible difference between these two cameras is the burst speed or the continuous shooting speed. With the Canon R10 camera and its 24-megapixel resolution, you can achieve a burst speed of up to 24 frames per second. With the Fujifilm X-S20 camera, the maximum burst speed available is 30 frames per second with crop and without crop at full resolution up to 20 frames per second.
While using the mechanical shutter, the Canon R10 allows you to capture 12 frames per second and the Fuji X-S20 camera allows you to capture 8 frames per second.
Buffer memory of Fuji X-S20 camera is more compared to Canon R10, its clearly visible in the table below.
Fuji X-S20
Canon R10
10 FPS
1000+ JPG — 341 RAW
15 FPS
460 JPG — 29 RAW
20 FPS
256 JPG — 79 RAW
23 FPS
70 JPG — 21 RAW
30 FPS (1.25x crop)
407 JPG — 88 RAW
7. AUTO-FOCUSING SYSTEM
Canon R10 arrives with its popular second-generation dual pixel CMOS autofocusing sensor and more than 5000 autofocusing points fabricated inside the sensor. Furthermore, the camera uses 3700 DPAF points while recording video. To simplify it for its users, Canon grouped the points into 651 autofocusing zones.
Now, the Fujifilm X-S20 camera may not be able to match the number of DPAF points, but for the first time, it uses the most advanced artificial intelligence tracking system available inside Fuji. Fujifilm engineers directly used the artificial intelligence AI algorithm of the Fuji X-H2S camera in the Fuji X-S20. This AI enhances the overall performance of the camera and now the camera is even able to track moving drones and insects without an issue. The X-S20 now also features product showcase mode and face AF tracking priority mode.
So more or less both of these cameras have their own advantages and disadvantages when it comes to autofocusing performance.
8. VIDEO
The Fujifilm X-S20 camera is able to shoot 6.2K open gate in 3:2 format at the rate of 30 frames per second. So that’s the maximum resolution available in the Fujifilm X-S20. Now when you want to record in a standard format, that is in 16:9, the resolution drops to 5.2K. So that’s the maximum standard resolution available inside the Fujifilm X-S20 camera. None of these high-resolution modes are available in Canon R10.
The Fuji X-S20 camera is able to record uncropped 4K 60p video as well as full HD videos at the rate of 240 frames per second. Canon R10 fails to impress us as we have to face a 1.6x crop while recording 4K 60 frames of video. At the same time, only a 120 frames per second option is available at full HD format inside Canon R10.
And the biggest difference that will shock you is that no C-Log format is available. Yes, you are able to record 10-bit only in HDR PQ mode in Canon R10, whereas in the Fujifilm X-S20 cameras F-Log and F-Log 2 are both available. In F-Log 2 curve, you are able to extract 13+ stops of dynamic range and at the same time, a 12-bit raw output is available via the HDMI port.
For content creators, we have a dedicated content creator menu and again dedicated autofocusing modes. Not only that but the advanced cinematography and content creation are being backed by the sensor-shift image stabilization of the camera.
For super cinematographers, content creators, and wedding videographers, the Fuji X-S20 camera is the best choice.
So for cinematographers containing creators and wedding video graphs for Fuji x as 20 cameras is the best choice
9. LENSES
Fujifilm X-mount is an open mount and we have a huge range of lenses available and more are coming. At the same time, the Canon RF mount is a locked mount and has a very limited range of lenses available for the APS-C range. If you move towards the DSLR lenses, then you have to be very careful while picking them up since the lenses with STM motors are fully compatible and the older lenses with USM motors will create noise, and not all of them are optimized for dual pixel CMOS autofocusing sensor
10. PRICE DIFFERENCE
We do have a good price difference between these two cameras. If you are on a very tight budget and not able to spend extra on lenses, then you may stay with the Canon R10 camera. But if your budget allows, I highly recommend you to get the Fujifilm X-S20
Canon R100 camera announced the Canon R100 camera features 1st generation of DPAF sensor and DIGIC 8 image processor. 4K video with crop and fixed display screen, so it is not made for content creators in any way.
Canon R100 Full Specification
24.1MP APS-C CMOS Sensor
DIGIC 8 Image Processor
4K 24p Video with Crop, Full HD 60p
Dual Pixel CMOS AF with 143 AF Zones
6.5 fps Electronic Shutter
2.36m-Dot OLED EVF
3″ 1.04m-Dot LCD Screen
Creative Assist Mode
Wi-Fi and Bluetooth with SD Card Slot
Canon R100 Price
Body: $479
Lens kit: $599
Double zoom kit: $829
Canon R100 Press Release
Canon Introduces its Most Affordable, Compact, and Lightweight EOS R Camera Ever: The EOS R100
The Company Also Announced the Wide-Angle “Pancake” Style RF28mm F2.8 STM Lens
MELVILLE, N.Y., May 24, 2023 – Canon U.S.A., Inc., a leader in digital imaging solutions, is excited to announce the launch of the EOS R100 camera and RF28mm F2.8 STM lens, two new affordable compact and lightweight tools for entry-level and emerging content creators to elevate their skills.
The Canon EOS R100 camera was designed for new, first-time mirrorless camera or existing interchangeable camera users who previously enjoyed EOS Rebel or EOS M cameras. The camera touts key features such as a 24.2 megapixel APS-C size sensor, the DIGIC 8 image processor, 4K (Cropped) and Full HD (Full-Width) video at up to 24 and 60 frames-per-second respectively, Autofocus with eye and face detection, and Bluetooth™ and Wi-Fi® connectivity capabilities. For users who are making the EOS R100 their first interchangeable lens (ILC) camera, a significant advantage over using a smartphone camera will be lens selection. The EOS R100 is compatible with the complete lineup of RF and RF-S lenses, and EF and EF-S lenses can be utilized when using one of three available Canon EF-EOS R mount adapters (each sold separately). This selection of lenses includes the Canon RF28mm F2.8 STM lens, which was also announced today.
The Canon RF28mm F2.8 STM is a “pancake” style, value lens that targets a wide variety of users, from amateur to enthusiast full-frame and APS-C camera users. Key features of the new lens include:
Minimum focusing distance of 9.1 inches (0.23m) and a maximum magnification of 0.17x
Retracting feature that helps to shorten the overall length of the lens
Circumferential manual focus mode/control ring selector
Gear-type STM motor providing smooth autofocusing while capturing video
Built-in Control Ring provides quick access to multiple camera controls
7-blade circular aperture helps to provide beautifully blurred background and bokeh
Pricing and Availability
The Canon EOS R100 camera is scheduled to be available in July 2023 for an estimated retail price of $479.99 for body only, $599.99 with the RF-S18-45mm F4.5-6.3 IS STM lens, and $829.99 with the RF-S18-45mm F4.5-6.3 IS STM and RF-S55-210mm F5-7.1 IS STM lenses.
The RF28mm F2.8 STM lens is scheduled to be available in July 2023 for an estimated retail price of $299.99.
Sony ZV-1 II camera finally announced today, The camera features a 20-megapixel stacked CMOS sensor and a brand new 18 to 50 mm equivalent f/1.8 to f/4.0 lens.
So we have a major change in the lens part of the camera. Earlier it was 24 mm equivalent so vlogging was quite restrictive and vloggers were disappointed with the cropped frame they were getting.
Now with the 18 to 50 mm lens, we have wider coverage. On the specifications side, we have 4K video recording mode up to 30 frames per second, full HD videos up to 120 frames per second and reduced resolution capturing up to 960 frames per second for slow-motion videos.
Sony ZV-1 II Major Specification
20.1MP 1″ Exmor RS BSI CMOS Sensor
Wide-Angle 18-50mm-Equiv. f/1.8-4 Lens
UHD 4K30p Video w/
HLG & S-Log3/2 Gammas
3″ Side Flip-Out Touchscreen LCD
Intuitive Touch Focus & Exposure Control
Real-Time Tracking & Eye AF
Bokeh Switch
Face Priority AF
Cinematic Vlog Setting
S&Q Shoot Mode
Product Showcase Setting
The camera doesn’t carry any mechanical shutter as well as the body has minimal controls for photographers. Video specification says the camera is able to record videos in S-Log3 for a wider dynamic range. The recording is limited up to 8-bit.
The price of the camera is $899 and the shipping of the camera will start from mid-June 2023. It is available in two colors: black and white with a rapid grip optional.
Sony ZV-1 II Press Release
SAN DIEGO, CA – May 23, 2023 — Sony Electronics launches the all-new second generation camera to the ZV-1 in the vlog camera ZV series, the ZV-1 II, which includes highly requested and popular market-leading features. With a wider-angle lens than ZV-1, the ZV-1 II helps vloggers make more engaging storytelling with attractive photogenic image quality.
With the 1.0-type Exmor RS™ image sensor (approximately 20.1 effective megapixels), BIONZ X™ image processing engine, and newly developed ZEISS® Vario-Sonnar T* 18-50 mm F1.8-4i lens, the ZV-1 II allows for creators of many skill levels to enjoy sophisticated capabilities. From the 18-50mmii wide angle lens which can frame everything from group selfies to narrow interiors or dynamic recordings of everyday scenes to the Multiple Face Recognitioniii , which recognizes multiple faces and automatically adjusts to keeps all faces sharp and clear when taking selfie shots that include two or three people, the ZV-1 II is the advanced vlogging camera packed into a travel-size.
“The ZV-1 II is an exciting chapter for content creators and will be the go-to camera for many, including vloggers, social media influencers and short form video creators. With the newest vlog camera in the ZV series, we have taken requests from various users and included features that matter most to vloggers,” says Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “We are striving to take feedback from our community to continue to expand and elevate our ZV series and the ZV-1 II does just that.”
Comprehensive Features for Vloggers & Video Content Creators
The ZV-1 II has a number of new and popular features that will empower creators to capture better content.
Ultra-wide angle and Zoom – 18mmii wide angle of view makes it easy to capture attractive photogenic image with the entire scene – especially when shooting selfies at arm’s length. The 18-50mm optical zoom and the Clear Image Zoom smoothly enlarges images while minimizing loss of image quality to create variety in videos by changing the angle of view.
1.0 type sensor with Bokeh Switch which gives beautiful bokeh by defocusing the background with a single touch.
Intelligent 3-capsule microphone – In Auto mode, the camera recognizes human faces or objects and automaticallyiv switches the direction of the built-in microphone ([Front] or [All Directions]). In Manual mode, you can select [Front] for selfies, [Rear] when shooting with narration or [All Directions]. The supplied windscreen ensures a clear recording of the speaker when outdoors. Easy to use cableless attachment to Multi Interface Shoev and a 3.5 mm microphone jack makes it easy to connect external microphones.
Cinematic Vlog Setting function responds to the demands to easily capture videos with a filmic look. It enables impressive imagery at a touch. Simply tap the on-screen function icon and the camera will automatically set a CinemaScope size (2.35:1) vi and a frame rate of 24 fpsvii –the same as for a cinema movie. Then finish off the work with the on-screen buttons to select from five LOOKs and four MOODs
Creative Look which supports 10 preset looksviii to suit your creative preferences and pro-level imaging features.
Face Priority AE and Soft Skin Effect automatically and immediately detects faces and adjusts the exposure to optimize facial brightness, no matter the lighting. Soft skin effect smooths skin and facial features when filming.
Fast Hybrid AF System – Even in high-definition 4K where precise focusing is required, the camera will keep the images sharp with the same Fast Hybrid AF system seen in α series cameras. The camera is equipped with AF Transition Speed to select the focusing speed during video recording, and AF Subject Shift Sensitivity to control whether the camera shifts focus from one subject to another. t. In addition, the Real-time Eye AF can accurately keep focus on human or animals for both stills and movies.
Product Showcase Setting – which delivers convenient shooting of product review videos with smooth focus transitions from your face to the item you are highlighting.
S&Q shoot modeix which allows a selection up to 5x slow or up to 60x quick motion to add impact to everyday scenes. The combination of shooting and recording frame rates can now be set on a single screen.
ISO sensitivity spanning from 125 to 12800 – allows the camera to record sharp images with less noise, even in low lighting.
Active Mode electronic image stabilization – content can be captured while walking or in motion and is especially useful for handheld shootingx. Useful for handheld Movie and Slow & Quick motion shooting.
Built-in ND filter – to reduce exposure by three stops and allow for beautiful background bokeh even in the brightest situation.
Compact and Lightweight for Easy Portability, Operability, Connectivity
The ZV-1 II is perfect for on-the-go; its compact and lightweight design can be easily carried in a pocket or small bag, even with its optical wide zoom lens. The ZV-1 II supports different filming styles with the vari-angle screen suitable for selfies, easy to hold body grip (or with an optional GP-VPT2BT grip), user-friendly key and control layoutxi and the recording indicator on the front face of the body. The monitor display has been redesigned with a bold, clearly visible red frame that makes it obvious when recording is in progress. Power charge easily via a USB Type-C® connector.
Creators can connect and share content easily with Sony’s Creators’ Cloud platform and easy smartphone connection. The Creators’ App can be used to control the ZV-1 II from a smartphone, monitor camera battery and media status, edit date and camera names, and easily transfer stills and videos shot, even in the background. The Creators’ Appxii also provides a convenient way to update camera software.
For easy high-quality live streaming, simply connect the ZV-1 II to a PC or smartphone xiii with a commercially available USB cable (not included) to use it as a webcam. Make your video more attractive in online meetings and live streaming by using Creative Look to improve the skin’s appearance and adjust the hue. Faces will appear clearer and brighter (Face Priority AE) and the eyes will be kept in focus (Real-time Eye AF).
Sustainable and Accessible Design
In addition to Sony’s commitment to a sustainable future with global initiatives like Road to Zero and the 2030 renewable energy goal, the ZV-1 II has been specifically developed with sustainability in mind. Recycled materials, including SORPLASTMxiv, are used for the camera body, reducing environmental impact without sacrificing functionality. Sony’s unique recycled paper “Original Blended Material”, which does not use plastic and is easy to recycle, is used for individual packaging. Using materials such as bamboo, sugar cane fiber, and recycled paper collected from the market, it is both environmentally friendly and high quality.
The ZV-1 II includes accessibility features that facilitate operation in several ways, including screen reader functionality for people with low vision or with visual impairments. Accessibility features allow anyone to enjoy shooting and playback. When the screen reader functionxv is activated, text on the menu screens is read aloud. The screen reader function can be activated by turning the [Screen Reader] function in the [Setup] tab ON. Screen reader volume can be adjusted via the [Sound Options] settings. In addition to the above, the ZV-1 II includes several functions that assist in achieving pinpoint focus on a variety of subjects. Additionally, the Real-time Eye AF can automatically recognize and focus on [Human] or [Animal], or the Real-time Tracking function. Focus Magnification, and Peaking functions make it easier to focus manually, and features like Touch Focus, Touch Tracking, and Touch Shutter let the user focus, track, and shoot simply by touching the subject on the monitor screen. ZV-1 II accessibility features (items listed in the specifications): Screen Reader, Touch AE, Focus Magnifier, Peaking Display, Real-time Eye AF, Real-time Tracking, Touch Focus, Touch Tracking, Touch Shutter, Vari-angle LCD screen and Custom function.
Pricing and Availability
The new ZV-1 II will be available in June 2023 at a variety of Sony’s authorized dealers, for an estimated retail price of $900 USD and $1,200 CAN.
Published by the website Photons to Photo, has posted the measurement data of the dynamic range and high sensitivity performance of Canon’s new entry model “EOS R50”. We all know that Canon R10 and Canon R50 uses the same sensor, that’s why the result of both looks very similar.
Model name
Maximum dynamic range
low light ISO
Low light EV
EOS R50
10.57
1873
9.23
EOS M50
9.84
1409
8.82
EOS R10
10.54
1810
9.18
Canon EOS R7
10.49
2213
9.47
Z50
10.53
2406
9.59
α6600
10.97
2929
9.87
X-T30
10.47
3645
10.19
My Main concern is Canon’s lowlight performance, as you can the camera scores are lower than Nikon Z50 and A6600, we know that Nikon Z30 and Z50 share the same sensor, so we will have a better low-light performance from the Z50 or the Z30 compared to the R50 or the Canon R10.
As you can see from the difference in the low-light samples of the two, Nikon is able to preserve the color in the best way possible. Color box separation lines are clearly visible Nikon Z50 image sample compared to Canon R50.
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With the Fuji X-S20 camera, we are getting dual 3.5 mm ports; one is for headphones and the other is for a microphone. The microphone port can also be used as a remote shutter port.
