Wednesday December 22 2010 (This review has been prepared with Focus Numérique, a French photo news website)
Owning a 50mm lens is probably a must for any photographer. These primes are ideal for many good reasons. Mounted on a full-frame body, they provide a neutral field of view. Not a wide-angle, and not yet a telephoto lens, it is said to be close to human vision. On wide sensors, a 50mm lens can be the perfect companion for many different activities, including reportage, portraits, or even landscapes.
Mounted on an APS-C sensor, they become a short 75mm telephoto that is highly suitable for portraits.
In addition to their optical qualities, 50mm lenses usually use a simple optical formula. They are thus small, light, fast, and usually affordable, although at least one sells for more than 1,000 USD.
Many qualities, yes, but many models, too, and choosing the right one isn’t always easy. That’s why we have produced this short analysis.
Canon and Nikon may have recently made significant strides with their 2010 DLSR models, but they can’t compete with the GH2. The ability to continuously auto-focus during recording is faster on the GH2 than on Nikon’s cameras, with Canon lagging even further behind, and the sheer quality is visibly better than the GH2’s main rivals. click here to read the full review
Panasonic GH2 versus Canon 60D at EOSHD
IMAGE QUALITY
Canon 60D – 7/10
Panasonic GH2 – 9/10
NOTES ON IMAGE QUALITY VERUS 5D MARK II and GH2
Image quality is subjective. Some have valid reasons for liking the 5D Mark II and it’s full frame sensor. Some will love the 60D’s image. But Canon are now significantly behind Panasonic in terms of the overall video performance.
The Panasonic GH2 resolves significantly more detail with less noise than even the 5D Mark II at ISO 3200.
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A Canon rumor reader today reported that he bought two canon 60D, and each camera had a different firmware version. One camera was 1.0.5, the other was 1.0.8.
Warm Up with old news – Canon EF lenses, the Canon EF 8-15mm f/4L Fisheye USM lens, the EF 300mm f/2.8L IS II USM lens and the EF 400mm f/2.8L IS II USM lens, will now be available for purchase in March 2011, due to some adjustments in the manufacturing process.
Canon EF 8-15mm f/4L Fisheye USM lens
With its unique focal length range, the EF 8-15mm f/4L USM is the world’s widest fisheye zoom lens. It delivers 180˚ diagonal angle of view images for all EOS SLR cameras with imaging formats ranging from full-frame to APS-C, and provides 180˚ circular fisheye images for full-frame EOS models. Professional photographers and cinematographers will revel in the unique perspectives afforded to them through this lens, particularly when coupled with the highly popular full-frame EOS 5D Mark II DSLR camera. Canon’s new Fisheye zoom lens features both UD and aspherical lens elements to enhance image quality and is equipped with rubber gaskets and seals to enhance weather resistance. Canon’s proprietary SWC (Sub Wavelength Structure Coating) is used to minimize flare and a new fluorine anti-smear coating is applied to the front and rear elements to make lens cleaning easier than ever.
The Canon EF 8-15mm f/4L Fisheye USM lens is expected to be available in March 2011 for an approximate retail price of $1,400.
Canon EF 300mm f/2.8L IS II USM lens
The Canon EF 300mm f/2.8L IS II USM is the 6th generation of a venerable family of Canon 300mm f/2.8 lenses that began in 1974, and have become famous for their exceptional sharpness, contrast and color fidelity. Ideal for a wide range of applications ranging from professional photojournalism and sports photography to nature and wildlife, Canon’s 300mm f/2.8 lenses have always led the industry with new technical advances in every generation. The EF 300mm f/2.8L IS II USM lens carries on this tradition with improved image quality, lighter weight, improved Image Stabilization and enhanced durability making it a great option for handheld work in the field. The optical formula of the new lens has been upgraded with the inclusion of two fluorite lens elements for improved image quality and reduced chromatic aberration. Helping to reduce arm fatigue, Canon has reduced the overall weight of the lens by 8 percent to 82.9 oz., making it the lightest weight lens in the Canon EF 300mm f/2.8 series. The Image Stabilizer provides an equivalent of approximately four full shutter speed steps of shake compensation and has been enhanced through the incorporation of a rolling-ball-friction system in place of sliding parts in the compensation optics barrel for a minimum-friction structure. The overall durability of the lens has also been enhanced through increased usage of magnesium alloy and titanium for lens barrel components, together with weather sealing for all exterior joints and switches and a new fluorine anti-smear coating applied to the front and rear elements.
The Canon EF 300mm f/2.8L IS USM lens is expected to be available in March 2011 for an approximate retail price of $7,000.
Canon EF 400mm f/2.8L IS II USM lens
Quintessential for many sports assignments including baseball, football, soccer and golf, Canon’s professional 400mm f/2.8 lenses provide the light gathering capability and long telephoto reach that photographers need to freeze the action and fill the frame . The Canon EF 400mm f/2.8L IS II USM is the 5th generation in Canon’s 400mm f/2.8 series and the successor to the current EF 400mm introduced in 1999. The new lens has been engineered for the ultimate in optical performance through the use of two fluorite lens elements for improved quality and reduced chromatic aberration. Helping photographers in the field, Canon has reduced the overall weight of the lens by a substantial 28 percent from 189.4 oz to 135.8 oz, making it Canon’s lightest weight 400mm f/2.8 lens ever. The Image Stabilizer provides an equivalent of approximately four full shutter speed steps of shake compensation and has been enhanced through the incorporation of a rolling-ball-friction system in place of sliding parts in the compensation optics barrel for a minimum-friction structure. The overall durability of the lens has also been enhanced through increased usage of magnesium alloy and titanium for lens barrel components, together with weather sealing for all exterior joints and switches and a new fluorine anti-smear coating is applied to the front and rear elements.
The Canon EF 400mm f/2.8L IS USM lens is expected to be available in March 2011 for an approximate retail price of $11,000.
Read Canon Rumors and Nikon Rumors on new camera and get latest updates about upcoming camera and lenses
Before and After shots using a Canon 5D Mark II, Nikon 100mm f2.8 lens and various 2x Anamorphic Lens attachments.
Kowa 2x Anamorphic Lens
Isco 2x Anamorphic Lens
Nothing special or scientific here. We were recently asked by a few people “Whats the difference in shooting anamorphic or not”. In some shots the difference is obvious, in other shots…not so much.
Obviously the flares are a big difference, but it also has an overall look and feel that is a bit softer (which is a plus when dealing with these super sharp DSLRs like the 5D Mark II). The other big characteristic, that we’ve seen our entire lives in hollywood movies that use Anamorphics, is the oblong or oval bokeh.
More before and after shots on the way! Let us know if you’d like to see anything specific…
Nikon D3100 14.2MP Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens
14.2-megapixel DX-format CMOS image sensor; 3-inch monitor with One-Touch Live View shooting and movie capture
Includes 3x 18-55mm Zoom-NIKKOR VR Image Stabilization lens
ISO range – 100-3200 expandable to 12800
Full 1080p HD Cinematic Video with full-time autofocus and sound
Easy-To-Use Nikon Guide Mode with intuitive controls and on-board assistance
Capture images to SD/SDHC/SDXC memory cards (not included)
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DxOMark review: Which 50mm lens for my camera?
