Before we start, just a quick reminder of 6D Major specification – Newly announced Canon 6D features new 20.2-megapixel full-frame CMOS sensor and DIGIC 5+ Image Processor, 11-Point AF with Center Cross-Type Point, 63-Zone Dual Layer Metering Sensor, Extended ISO Range of 50-102400, Up to 4.5 Full Resolution FPS and Built-In HDR and Multiple Exposure Modes.
Building upon the qualities that made the EOS 5D Mark II camera so successful, the EOS 6D bridges the gap for budget-minded photographers, videographers and cinematographers who are eager to step up into the world of full-frame imaging. but how this camera stand in front of 5D Mark III, let’s see the specification comparison below
It’s no doubt that Canon 5D Mark III have a very advance AF system compared to 6D,
Canon 6D and 5D Mark III share same ISO range, The AF system of Canon 5D Mark III is advance compared to Canon 6D but the core specification of both the camera says
Canon 6D AF Working Range : Center AF Point: EV -3 to 18 Canon 5D Mark III AF Working Range: EV -2 to 18
AF working range also depend on type of lenses you use, but under test condition the Canon 6D (center) AF point will perform better under low-light environment compared to 5D Mark III.
Conclusion
Canon 5D Mark III have more shutter range of 1/8000, Fast continuous shooting speed with bit more megapixel, better LCD screen and a 100% viewfinder.
Canon 6D will cost you approx $ 1.3K less than Canon 5D Mark III, features Full Frame sensor and same ISO range as 5D Mark III with DIGI5+ image processor and built in WiFi with GPS.
The decision is your’s but being a nature photographer I will prefer 6D to save few bucks for new lenses.
Finally first comparison between the Nikon D4 and the Canon EOS 1D X is now available, Matt head of xerodigital tested both Canon 1D X and Nikon D4 side by side, based on test result the overall performance of 1D X is really impressive.
Camera / shot setting: Images captured at RAW mode, processed in Lightroom 4, sharpening and noise reduction set to zero.
Main points of the review
ISO performance: Nikon D4 seemed to have cleaner highlights, while the Canon 1Dx appeared to have better contrast and possibly cleaner shadows. In the end, if we have to award a point here and pick a winner, it’s the Nikon D4 – by a hair
AF in Low-light: During the low-light Test condition Nikon D4 performed better, focuses bit quickly than Nikon D4.
AF Speed: The Canon 1Dx ABSOLUTELY DESTROYED the Nikon D4 in the AF speed test. Canon 1D X is three times faster than the Nikon D4.
Autofocus Consistency: Winner Canon 1D X
Shadow recovery: Winner Nikon D4
AFTER A DECADE OF SHOOTING PROFESSIONALLY WITH NIKON CAMERAS, MATT IS THINKING OF SWITCHING TO CANON…
A head to head comparison between the two flagship cameras. In the end, a decision is made!
Canon is developing C500, a 4K resolution camera for both EF and PL mounts, the C500 will features newly developed Super 35mm-equivalent approximately 8.85-megapixel CMOS sensor, the new camera not support 4K-resolution video but outputs 10-bit uncompressed RAW data stream with no de-Bayering and also able to output quad full-HD (3840 x 2160), 2K (2048 x 1080), full HD (1920 x 1080), and other imaging options. All 4K formats can be selected to operate from one to 60 frames per second.
Press Release
LAKE SUCCESS, N.Y., April 12, 2012 – Canon Inc. is developing two digital cinematography cameras as part of its acclaimed new Cinema EOS System of professional cinematography products. Designated as the Cinema EOS C500* for use with EF-mount lenses, and the Cinema EOS C500 PL* for use with PL-mount lenses, the cameras will be capable of originating 4K (4096 x 2160-pixel) resolution digital motion imagery with uncompressed RAW output for external recording, in response to growing expectations for higher levels of imaging performance in premium Hollywood films and other production markets requiring the utmost in picture quality.
“With the unveiling of our Cinema EOS System last November to great acclaim, Canon marked our full-fledged entry into the motion-picture production market,” stated Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies & Communications Group, Canon U.S.A. “To further serve the needs of Hollywood’s premier filmmakers, Canon is developing the Cinema EOS C500 and Cinema EOS C500 PL digital cinematography cameras, which deliver the added benefit of full 4K motion-image capture to the Cinema EOS System.”
The 4K imaging format is emerging as the new standard for advanced effects and post-production in Hollywood, and it is particularly important for big-budget motion pictures that include scenes compositing live-action cinematography with high-resolution computer-generated imagery. The Cinema EOS C500/C500 PL digital cinematography cameras will not only support 4K-resolution video but also outputs this as a 10-bit uncompressed RAW data stream with no de-Bayering. The cameras offer the additional versatility of being able to output quad full-HD (3840 x 2160), 2K (2048 x 1080), full HD (1920 x 1080), and other imaging options. All of these digital image source formats fully conform to established SMPTE production standards. All 4K formats can be selected to operate from one to 60 frames per second. The cameras employ a 12-bit RGB 4:4:4 signal format during 2K output, which can be selected to operate from one to 60 frames-per-second (fps) as well. If switched to a 10-bit YCrCb 4:2:2 mode, the camera can operate up to 120 fps.
The Cinema EOS C500 simultaneously records in-camera a 50 Mbps HD proxy video to a CF card that is immediately available to support offline editing. Equipped with a newly developed Super 35mm-equivalent approximately 8.85-megapixel CMOS sensor, the cameras will be compatible with Canon’s wide range of interchangeable EF Cinema and PL-mount lenses and EF lenses for Canon SLR cameras. Highly mobile and compact for filmmaking versatility, the Cinema EOS C500/C500 PL digital cinematography cameras – like Canon’s Cinema EOS C300/C300 PL cinematography cameras – provide all of the same ergonomic features, except for the rotating hand grip.
Further details regarding the Cinema EOS C500/C500 PL digital cinematography cameras – including specifications and pricing – have yet to be decided. Plans call for these new products to be launched later this year. In addition to targeting a swift launch of these cameras, Canon will continue to enhance other components of its Cinema EOS System product lineup, which is designed to contribute to the continued advancement of tools for visual expression and the development of cinematic culture.
Canon will display a prototype of the Cinema EOS C500/C500 PL digital cinematography camera at the 2012 NAB Show in booth C4325 at the Las Vegas Convention Center from April 16 to 19.
According to canon rumors (CR3) there will not be a 5D Mark III or any other High-End DSLR announced on February 7, 2012, the expected announcement date of Canon High-End DSLR is later in February or 1st week of March, 2012.
Photographer Stephen Oachs (founder of aperture academy), spotted a Japanese photographer doing in-field testing with new (unreleased) DSLR 5D Mark III or 7D Mark II along with new canon 600mm Lens and Canon 200-400mm with built-in teleconverter,
5D Mark III, 7D Mark II or neither? The new camera above have no pop-up flash, the battery grip seems to have a joystick, wider screen (16:9) compared to 5D mark II or 7D, new button layouts and new Scroll wheel.
5D Mark II + 7D = 5D X? The new camera may have superlative high-speed performance of 7D with a fullframe sensor similar to 5D Mark II, so we may see a new 5D X camera in near future. The New Pro full frame camera with advance AF system is expected to arrive in 1st week of feb, 2012.
News and image src blog.apertureacademy.com via canonrumors
Canon 1D X vs Nikon D4 Specification comparison review, read more details below Buy Nikon D4 from Amazon Buy Canon 1D X from Amazon Nikon D4 with More shooting modes: With Canon 1D X you can use Canon EF lenses only, but with Nikon D4 you can use DX and FX lenses, Nikon D4 offers four image area options: FX format (36.0 x 23.9 mm), 5:4 crop (29.9 x 23.9 mm), 1.2x crop (29.9 x 19.9 mm) and DX format (23.4 x 15.5 mm). The camera also offers three image area options for Full HD video thereby tripling its potential for moviemaking.
About the Sensor: Nikon D4 features 16.2 megapixels Full frame (36 x 23.9 mm) CMOS Sensor and Canon 1D X 18.1 megapixels Full frame (36 x 24 mm) CMOS Sensor , the EOS-1DX’s photodiodes are 21% larger than those in the 1Ds Mark III.
ISO performance:
Nikon D4
Canon 1D X
ISO Standard
100-12,800
100-51,200
ISO Expandable
50-204,800
50 – 204,800
According to the specification, for low light situation Canon 1D X is better, you get two extra stops of Standard ISO range.
Auto Focus
Nikon D4
Canon 1DX
Autofocus
Number of focus points 51
Number of focus points 61
Cross-Type Points
15
41 (5 diagonal)
AF Sensor compatible with Apertures
f/8
f/5.6
AF Engine
Multi-CAM 3500FX (same as D3)
DIGIC IV
Predictive tracking
Yes
Yes
Auto focus Points: The number of AF points and Cross/Type points canon wins, the Canon 1D X features 41 AF cross type points and 5 of the center points are oriented diagonally for faster AF performance.
Update: With the Latest Firmware Update Canon 1DX Now Support F8 Lenses– see details here
AF Points compatible with Apertures
Canon 1D X is disappointing to many extender users.AF is unavailable on the EOS-1D X when lenses with a maximum aperture of f/8 are used.
In Nikon D4 11 focus points are fully functional when lenses with a maximum aperture of f/8 are used. Five central focus points and three points to the left and right of them in the middle line are compatible with f/8. This enables very precise focus acquisition with sports photography and the like when super-telephoto NIKKOR lenses are used with a teleconverter (2.0x) at a combined aperture value of f/8.
F8 Lens: adding a 1.4x extender to an f/5.6 max aperture lens results in an f/8 max aperture lens or adding a 2x extender to an f/4 max aperture lens results in an f/8 max aperture lens.
AF Engine: Canon 1D X AF system uses dedicated Digic 4 processor , EOS-1D X’s comes with 61-point Area AF system that includes 41 cross-type sensors and 5 dual-cross type AF points for extra precision.
Nikon D4 features same (old) AF engine used in D3 DSLR – Multi-CAM 3500FX autofocus sensor handles 51 AF points, aligns its 15 cross-type sensors in the central viewfinder area to detect contrast in both vertical and horizontal lines for better AF performance.
Predictive tracking: Both features Predictive tracking Canon 1D X Predictive tracking is better, read the details below
Nikon D3 / D4 AF Engine Multi-CAM 3500FX capable of maintaining accurate focus even on a high-speed subject such as an F1 racing car traveling in excess of 300km/h.
However, simple predictive tracking AF does not provide maximum focusing performance for a subject that abruptly changes direction moving at high speed or a subject with low contrast moving randomly. To focus accurately on such a subject, the AF system must accumulate data of the locus of the subject’s movement using multiple focus areas so that appropriate judgment can be made.
Canon 1D X offers six presets for different shooting situations, Each of these presets can be adjusted for ‘Tracking sensitivity’
For faster predictive focus measurements so that the EOS-1D X can begin predictive tracking as soon as a subject begins to move.
Canon EOS-1D X AF mode presets, defined by subject behavior:
1. Versatile multi purpose
4. Subjects that accelerate or decelerate quickly
2. Continue shooting, ignore obstructions
5. Erratic Subject Movement
3. Instantly refocus suddenly with obstructions
6. Subjects that change speed and move erratically
Six preset Case studies
There are six AF ‘Case studies’ preset within the EOS-1D X
Case 1 is for general purpose shooting that provides accurate and fast focus across a wide range of shooting situations.
Case 2 is designed for situations where the subject may move away from the AF point momentarily.
Case 3 allows you to instantly focus on subjects that enter the AF point area.
Case 4 is designed for subjects that change speed or direction rapidly.
Case 5 is designed for use with automatic AF point selection, Zone AF and AF Point expansion and subjects that move erratically, up and down or left and right.
Case 6 is for subjects that change speed abruptly and move erratically. Like ‘Case 5’ it is used with Automatic AF point selection, Zone AF and AF Point Expansion.
Continuous shooting
Nikon D4
Canon 1D X
exposure and focusing is locked with the first frame
Continuous shooting
11 fps
14 fps
1DX that wins in the shooting speed, you get 3 extra frame per second in canon.
Video Shooting
Nikon D4
Canon 1D X
Video Shooting Format
MPEG-4 / H.264
MPEG-4 / H.264
Video Resolutions
1920 x 1080 (30, 25, 24 fps), 1280 x 720 (60, 50, 30, 25 fps), 640 x 424 (30, 25 fps)
1920 x 1080 (30, 25, 24 fps, 1280 x 720 (60, 50 fps), 640 x 480 (60, 50 fps)
Video ISO Range
200-204800
100-51200
Both Canon 1DX and Nikon D4 captures Full HD movie @ 30, 25, 24 fps, but with Nikon you get more options such use of expandable ISO range in video shooting and you can record 1,920 x 1,080/30p Full HD and HD movies in three formats that are FX-, DX-based and 1,920 x 1,080 crop movie format.
Storage: 1DX coming with two slots of high-speed UDMA 7 Compact Flash cards, D4 also comes with two slots one for UDMA 7 and the other slot for the new XDC card format.
Price: Nikon D4 cost $800 less than the Canon 1D X.
Conclusion: Canon 1DX have more advance core specification than the Nikon D4, But Nikon D4 is more versatile and Canon 1D X have some limitations.
Canon 1 DX offers more advance AF system, Canon used dedicated DIGIC IV processor as AF engine and Dual DIGIC5+ image processor for image processing, you also get two extra stops of Standard ISO range.
But, AF is unavailable on the EOS-1D X when lenses with a maximum aperture of f/8 are used. (ex adding a 1.4x extender to an f/5.6 max aperture lens results in an f/8 max aperture)
Nikon D4 used same AF engine as used D3 and only single core Expeed 3 processor is used for processing images, But Nikon D4 is more versatile, It offers crop mode still and video shooting and you canon use FX and DX lenses in D4. No F8 issue, In Nikon D4 11 focus points are fully functional when lenses with a maximum aperture of f/8 are used. Nikon D4 offers iPad and iPhone wireless shooting capability, you also get a new slot for new memory card format (XQD).
Buy Nikon D4 from Amazon Buy Canon 1D X from Amazon
The Rumored Canon C300 4K camera launched today, Canon today also introduced seven new 4K EF Cinema Lenses, Canon’s new EF Cinema Lens lineup includes four top-end zoom lenses covering a zoom range from 14.5 mm to 300 mm-two models each for EF and PL lens mounts-and three single-focal-length lenses for EF mounts. All seven new lenses are capable of delivering exceptional 4K optical performance and offer compatibility with the Super 35 mm-equivalent image format. The three single-focal-length EF lenses can be used with cameras equipped with 35 mm full-frame sensors.
The seven new lenses represent the starting cast of Canon’s new EF Cinema Lens series, a star-studded lineup that will continue to grow in the future with the introduction of new A-list zoom and fixed-focal-length lenses.
EF Cinema Prime Lens_CN-E24mm T1.5 L
EF Cinema Prime Lens CN-E50mm T1.3 L F EF Mount
EF Cinema Prime Lens CN-E85mm T1.3 L F EF Mount
Single-Focal-Length Cinema Lenses for EF Mounts
CN-E24mm T1.5 L F / CN-E50mm T1.3 L F / CN-E85mm T1.3 L F *
Like their wide-angle and telephoto cinema zoom lens co-stars, Canon’s new CN-E24mm T1.5 L F, CN-E50mm T1.3 L F and CN-E85mm T1.3 L F cinema lenses deliver 4K optical performance. The three lenses, designed for use with EF mounts, are compatible with not only industry-standard Super 35 mm-equivalent cameras, but also 35 mm full-frame, APS-H and APS-C sensor sizes. The trio incorporates anomalous dispersion glass and large-diameter aspherical lenses for high resolution imaging throughout the frame, and features a newly designed 11-blade aperture diaphragm for gentle, attractive blurring.
With focus and iris markings that are easily visible from behind the camera, Canon’s three new fixed-focal-length lenses support convenient film-style operation and, offering a focus rotation angle of approximately 300 degrees, facilitate precise focusing performance.
The CN-E24mm T1.5 L F, CN-E50mm T1.3 L F and CN-E85mm T1.3 L F support standard manual and electronic industry accessories and matte boxes, and have a unified front lens diameter and uniform gear positions, eliminating the need for adjustments when switching lenses.
Pricing and availability
The Canon CN-E24mm T1.5 L F (EF mount) and CN-E50mm T1.3 L F (EF mount) lenses are scheduled to be available in late July 2012. The CN-E85mm T1.3 L F (EF mount) lens is scheduled to be available in late August. The Canon CN-E24mm T1.5 L F (EF mount) lens will have an estimated list price of $6,800. The Canon CN-E50mm T1.3 L F (EF mount) lens will have an estimated list price of $6,800. The Canon CN-E85mm T1.3 L F (EF mount) lens will have an estimated list price of $6,800.
EF Cinema Zoom Lens_CN-E14.5-60mm T2.6 L S EF Mount
EF Cinema Zoom Lens CN-E30-300mm T2.95-3.7 L S EF Mount
Wide-Angle and Telephoto Cinema Zoom Lenses for EF and PL Mounts
CN-E14.5-60mm T2.6 L S / CN-E14.5-60mm T2.6 L SP *
CN-E30-300mm T2.95-3.7 L S / CN-E30-300mm T2.95-3.7 L SP *
The four new Canon zoom cinema lenses comprise the CN-E14.5-60mm T2.6 L S (for EF mounts) and CN-E14.5-60mm T2.6 L SP (for PL mounts) wide-angle cinema zoom lenses, and the CN-E30-300mm T2.95-3.7 L S (for EF mounts) and CN-E30-300mm T2.95-3.7 L SP (for PL mounts) telephoto cinema zoom lenses. Each lens supports 4K (4096 x 2160 pixels) resolution, which delivers a pixel count four times that of Full HD (1920 x 1080 pixels), and offers compatibility with industry-standard Super 35 mm-equivalent cameras as well as APS-C cameras.i
Employing anomalous dispersion glass, effective in eliminating chromatic aberration, and large-diameter aspherical lenses, the zoom lenses achieve high-resolution imaging from the center of the frame to the outer edges. Each lens is equipped with a newly designed 11-blade aperture diaphragm for soft, attractive blur characteristics, making them ideally suited for cinematographic applications.
The focal length range of 14.5-300 mm covered by the new zoom lenses represents the most frequently used focal lengths in theatrical motion picture production, a range that often requires a combination of three or more separate zoom lenses. Canon’s new wide-angle and telephoto cinema zoom lenses, however, offer a wider angle and powerful zooming to provide complete coverage across this range with just two lenses. The new wide-angle cinema zoom lenses will offer the industry’s widest angle of view among 35 mm digital cinema lenses with a wide-angle-end focal length of 14.5 mm.ii
Zoom, focus and iris markings are all engraved on angled surfaces for improved readability from behind the camera. With a focus rotation angle of approximately 300 degrees and a zoom rotation angle of approximately 160 degrees, the lenses facilitate precise focusing performance while making possible smooth and subtle zoom operation.
The new top-end cinema zoom lens lineup can be used with standard manual and electronic movie industry accessories, as well as matte boxes. Featuring a unified front lens diameter and uniform gear positions, the lenses do away with the need to adjust or reposition accessory gear when switching between other lenses in the series.
Pricing and availability
Both the Canon CN-E14.5-60mm T2.6 L S (EF mount) lens and the Canon CN-E14.5-60mm T2.6 L SP (PL mount) lens are scheduled for late January 2012 availability for an estimated list price of $45,000 each. The Canon CN-E30-300mm T2.95-3.7 L S (EF mount) and Canon CN-E30-300mm T2.95-3.7 L SP (PL mount) lens are scheduled for late March 2012 availability for an estimated list price of $47,000 each.
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Before we start, just a quick reminder of 6D Major specification – Newly announced Canon 6D features new 20.2-megapixel full-frame CMOS sensor and DIGIC 5+ Image Processor, 11-Point AF with Center Cross-Type Point, 63-Zone Dual Layer Metering Sensor, Extended ISO Range of 50-102400, Up to 4.5 Full Resolution FPS and Built-In HDR and Multiple Exposure Modes.
