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By admin, on October 15th, 2022
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We have published a while ago “Canon R6 Mark II Uses 24MP Stacked Sensor” now finally a more detailed set of confirmations is coming via rumor mills.
Canon R6 Mark II Leaked Specification
24mp Full-frame CMOS Sensor
Dual Pixel RAW / RAW burst
Dual Pixel CMOS AF
In-body stabilization
Digital Tele-Converter
12fps Mechanical
Hybrid Auto
4K 30p (No Crop)
4K 60p (Cropped. The EOS R6 is a 1.1x crop)
Canon Log 3/HDR PQ
Cloud RAW processing
RF/RF-S Lenses
SD/SDHC dual card slot
Not much change in the form factor over the original EOS R6
The Canon R6 will use the same stacked sensor we have seen in the Canon R3 camera. The camera announcement is expected first half of 2023.
Since they are testing R6 Mark II prototypes in Sep of 2022 as per rumors we have, The official announcement of the camera may happen between Feb to June of 2023., if everything goes on schedule inside Canon. more here
We will post an update as soon as more details become available to us
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source CR.com
By admin, on October 14th, 2022
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Sony ZV-1F vs Sony ZV1 – The Sony ZV1F camera is $250 cheaper than the Sony ZV1. The biggest noticeable difference is the lens of the and the HYBRID AF SENSOR inside the ZV1 camera. With the Sony ZV1F, we are getting a 20mm prime lens and with the Sony ZV1, we are getting a 24-70 eg zoom lens. So, of course, you will lose some flexibility u have in the Sony ZV1 camera, but at the same time, you will gain a little bit more wide-angle coverage which is highly important when you are creating content with the camera, for which it is made. For the first time in a Sony vlogging camera, we are about to witness a cold shoe, it can only act as an external mic holder but it doesn’t have any active contacts inside it.
1. Sensor Details
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Sony ZV-1F |
Sony ZV1 |
Sensor Resolution |
Effective: 20.1 Megapixel (5472 x 3648) |
Effective: 20.1 Megapixel (5472 x 3648) |
Aspect Ratio |
1:1, 3:2, 4:3, 16:9 |
1:1, 3:2, 4:3, 16:9 |
Sensor Type |
13.2 x 8.6 mm (1″-Type) CMOS |
1″-Type CMOS |
Image File Format |
JPEG |
JPEG, Raw |
Image Stabilization |
Digital |
Digital, Optical |
we have two different variations of Sony’s 1-inch sensor being used in Sony ZV-series compact cameras, the first one of the CDAF sensor being used in the ZV-1F camera, and the other variation of Sony compact the ZV-1, which uses HYBRID CMOS AF sensor, comes at a higher price.
Recommendation
So, the autofocusing performance of the camera upscales the video recording performance to the next level, so if ur able to upscale your budget and get the Sony ZV1 camera you must get that.
Yes, we do have all the fancy Auto Focus modes we have witnessed in the ZV1. But as usual, the hardware is missing (no active Hybrid AF points). Despite all the -ve things, we do have some good news in the AF department. At least the Eye AF mode of the camera works well and tracks AF all the time.
2. Optical Zoom / Prime Lens
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Sony ZV-1F |
Sony ZV1 |
Focal Length |
7.6mm (35mm Equivalent Focal Length: 20mm) |
9.4 to 25.7mm (35mm Equivalent Focal Length: 24 to 70mm) |
Digital Zoom |
4x Maximum digital
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2.7x (16.3x digital) |
Maximum Aperture |
f/2 |
f/1.8 to 2.8 |
Minimum Aperture |
f/8 |
f/11 |
Focus Range |
2″ to Infinity / 5 cm to Infinity |
f/11 |
Optical Design |
6 Elements in 6 Groups |
10 Elements in 9 Groups |
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3. Missing Mechanical Image Stabilization
Sony ZV1-F camera doesn’t have any kind of Mechanical IS, which includes Sensor shift IS and OSS [Lens based]. Not only that Gyro IS is also missing, but the good news is we are getting at least EIS [electronic Image stabilization] from the camera. And when you implement it you have to face a 1.25X crop which turns your 20mm lens into a 25mm lens. That’s the only major positive thing I like inside ZV1-F is even after implementing EIS feature the widest coverage is similar to the ZV1 24mm focal length.
4. Exposure Control
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Sony ZV-1F |
Sony ZV1 |
ISO Sensitivity |
Auto, 125 to 12800 (Extended: 80 to 12800) |
Auto, 100 to 12800 (Extended: 64 to 25600) |
Shutter Speed |
Electronic Shutter
32,000 to 1/4 Seconds in Program Mode
32,000 to 1/4 Seconds in Manual Mode
32,000 to 1/4 Seconds in Aperture Priority Mode
32,000 to 1/4 Seconds in Shutter Priority Mode |
Mechanical Shutter
1/2000 to 30 Seconds
1/2000 to 30 Seconds in Bulb Mode
1/2000 to 4 Seconds in Auto Mode
Electronic Shutter
1/32000 to 30 Seconds
1/32000 to 4 Seconds in Auto Mode |
Metering Method |
Average, Center-Weighted Average, Highlight, Multi, Spot |
Average, Center-Weighted Average, Multi, Spot |
Exposure Modes |
Aperture Priority, Manual, Program, Shutter Priority |
Aperture Priority, Manual, Program, Shutter Priority |
Exposure Compensation |
-3 to +3 EV (1/3 EV Steps) |
-3 to +3 EV (1/3 EV Steps) |
White Balance |
Auto, Cloudy, Color Temperature, Custom, Daylight, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater, White Balance Adjustment |
Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater |
Continuous Shooting |
Electronic Shutter
Up to 16 fps (JPEG) |
Up to 24 fps at 20.1 MP |
Interval Recording |
Yes |
Yes |
Self-Timer |
2/5/10-Second Delay |
2/5/10-Second Delay |
5. Video Resolution and Time Limit
As you can see the Sony ZV1-F camera is limited to 29 Min recording timeline and the frame rates are also limited, it a clear indication that Sony not only wants to increase its consumer base they also want to save the ZV1 sales, by cutting down some basic features from the camera.
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Sony ZV-1F |
Sony ZV1 |
Recording Modes |
XAVC
UHD 4K (3840 x 2160) at 24.00p/25p/29.97p/50p/59.94p [60 to 100 MB/s]
Full HD (1920 x 1080) at 24.00p/25p/29.97p/50p/59.94p/100p/119.88p [16 to 100 MB/s] |
MP4/XAVC S
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p [60 to 100 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p [16 to 100 Mb/s]
AVCHD/MP4
Full HD (1920 x 1080) at 50i/59.94i [17 to 24 Mb/s] |
Recording Limit |
Up to 29 Minutes |
Unlimited |
Broadcast Output |
NTSC/PAL |
NTSC/PAL |
Audio Recording |
Built-In Microphone (Stereo)
External Microphone Input (Stereo) |
Built-In Microphone (Stereo)
External Microphone Input (Stereo) |
Live Streaming |
Yes |
AC3, Linear PCM (Stereo) |
Webcam Functionality |
Yes |
Yes |
Monitor
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Sony ZV-1F |
Sony ZV1 |
Size |
3″ |
3.0″ |
Resolution |
921,600 Dot |
921,600 Dot |
Display Type |
Articulating Touchscreen LCD |
Articulating Touchscreen LCD |
Its a plastic cold shoe mount means no active contact. Its made up of plastic to support your external mic units that’s all.
Flash
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Sony ZV1-F |
Sony ZV1 |
Built-In Flash |
No |
No |
External Flash Connection |
None |
Hot Shoe |
Interface
|
Sony ZV-1F |
Sony ZV1 |
Media/Memory Card Slot |
Single Slot: SD/SDHC/SDXC [128 GB Maximum] |
Single Slot: SD/SDHC/SDXC/Memory Stick Duo Hybrid |
Connectivity |
USB-C (USB 2.0), HDMI D (Micro), 1/8″ / 3.5 mm Microphone |
1/8″ / 3.5 mm Microphone, HDMI D (Micro), Micro-USB (USB 2.0) |
Wireless |
Wi-Fi
Bluetooth |
Bluetooth
Wi-Fi |
GPS |
No |
No |
Physical
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Sony ZV-1F |
Sony ZV1 |
Battery Type |
1 x NP-BX1 Rechargeable Lithium-Ion, 3.6 VDC, 1240 mAh (Approx. 360 Shots) |
1 x NP-BX1 Rechargeable Lithium-Ion, 3.6 VDC, 1240 mAh (Approx. 260 Shots) |
Dimensions (W x H x D) |
4.2 x 2.4 x 1.8″ / 105.6 x 60 x 46.4 mm |
4.15 x 2.36 x 1.71″ / 10.54 x 5.99 x 4.34 cm |
Weight |
9.0 oz / 256 g (With Battery) |
10.37 oz / 294 g (With Battery, Recording Media) |
6. Sony ZV-1F vs Sony ZV1 Verdict
Sony ZV1 is better, undoubtedly. We have no competition here. the overall core specification of the ZV1 camera is more imoressive without a doubt.
Sony ZV-1F BEST Alternative
Panasonic G100D also available at Amazon.com
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DJIPocket two creator kit at Amazon.com and POCKET THERE ALSO AVAILABLE HERE
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By admin, on October 12th, 2022
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According to the latest rumors surfaced over the web, the upcoming Sony vlogging camera name is Sony ZV-1F and the specification of the camera is
Sony ZV-1F Camera Specification
- October 13, 2022, 23:00 Japan time
- Most likely a fixed-lens camera
- Lower price than ZV-1
- Not a successor to the ZV-1
- 20mm F2 lens
- 20 million pixel sensor
- new menu
- USB-C
- JPG only
- 4K 24p
- 1080p 60p
- New icon on a touch monitor
- Compact design for Vloggers
From the specification we have, it’s very clear that the Sony ZV1 F is a VLOGCAM. The camera will have an even lower price than the Sony ZV1 compact vlogging camera and hence it’s not a true successor of the camera. The camera will give only JPEG output only, no RAW files which cleary means the camera is aimed at beginner vloggers.
We will post more updates as soon as they become available to us.
Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM, If you have time –>see more Sony Alpha Rumor
sources SAR Website
By admin, on October 7th, 2022
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According to a popular Japanese camera news information website asobinet.com, the Canon EOS M50 Mark II (Kiss M2) is partially Discontinued in Japan. Take a look at what they have to say
This time, we were able to confirm that sales have ended for two types, the “EF-M15-45 IS STM Lens Kit” and “Double Lens Kit” (sales have also ended at direct sales stores).
. As of now, there is no sign that Canon will introduce a successor model to the EOS Kiss M2, and it may gradually integrate the APS-C system into the EOS R. That said, it seems difficult to judge at what stage the EOS M system, which is popular in Asia, will be closed
So, as usual, the camera makers do nowadays, they do country-wise discontinuation. As soon as its demand goes low in other Asian countries or in USA, the production of M50 II is likely to be stopped.
stay tuned, We will post more updates soon
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Source
By admin, on September 24th, 2022
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According to the latest rumors surfaced over the web, the Sony A7R V camera is expected to arrive on Oct 26, 2022. Also, take a look at the previously rumored specification of the Sony A7R V camera
Sony A7R V Rumored specs
- Updated Sensor
- Next Generation of Bikonz X image processor
- 8K 30p and 4K 120p Video in 10-Bit
- S-Cinetone
- 5-Axis SteadyShot Image Stabilization
- Dual Drive Shutter tech
- 9.44m-Dot EVF
- Dual CFexpress Type A/SD Card Slots
We will post more information as soon as we get it.
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By admin, on September 20th, 2022
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Again one more re-branded lens? So, it looks like Nikon is in the mood to announce Tamron’s most popular Trio Lenses under its name. Now we are waiting for the third one the Tamron 70-180mm F2.8 VXD under the NIKKOR brand.
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Just as Nikon did with its Nikkor Z 28–75mm F2.8 lens, which appeared to be reworked and rebadged Tamron 28-75mm f/2.8 Di III VXD G2 lens, this Nikkor Z 17-28mm F2.8 seems to essentially be a ‘Nikonized’ version of Tamron’s 17-28mm f/2.8 Di III RXD lens. dpreview
The Nikkor Z 17-28mm F2.8 will be available ‘in late October 2022’ for an MSRP of $1,200.
Get this lens from B&H Store
Nikon 17-20mm F2.8 Press release
Wide, bright and super-light: Get more of the Story with the new
NIKKOR Z 17-28mm f/2.8
Capture the Big Picture with Nikon’s Latest Affordable f/2.8 Zoom Lens
MELVILLE, NY (September 20, 2022) Nikon Inc. has announced the NIKKOR Z 17-28mm f/2.8, the latest addition to the growing selection of extremely-capable and very affordable f/2.8 zoom lenses. This new full-frame lens combines the versatility of an ultra-wide angle of field view with the benefits of large fixed aperture, putting low light performance and gorgeous bokeh within reach.
“The amount of NIKKOR Z lenses continues to increase at a rapid pace, giving all kinds of creators mirrorless lenses built with the latest in optical innovation,” said Jay Vannatter, Executive Vice President, Nikon Inc. “The new NIKKOR Z 17-28mm f/2.8 is derived from the same mutual concept as the recent NIKKOR Z 28-75mm f/2.8 lens, establishing a series of affordable zooms that open a gateway to fast-aperture performance and absolute versatility.”
The NIKKOR Z 17-28mm f/2.8 is a lens for storytellers, captivating the viewer with vast landscapes, grand interiors or enveloping their senses with the starry night sky. The combination of the ultra-wide angle perspective and bright constant f/2.8 aperture liberates the creator, turning everyday scenes into impressive images and videos that grab the viewers’ attention or establish the scene. This wide aperture not only enhances the lens’ low light performance, but also creates a gorgeous out-of-focus area to make the subject pop. Scenes that were previously difficult to photograph are easier than ever to capture in vibrant detail, such as a packed dance floor at a wedding reception or a backlit subject within a cityscape.
The new NIKKOR Z 17-28mm f/2.8 is ready to go anywhere. This extremely lightweight and portable lens weighs in at only 450 g (15.9 oz), which is approximately 30% lighter than the NIKKOR Z 14-24mm f/2.8. It’s also lighter and more compact than the NIKKOR Z 14-30mm f/4 lens, and uses a 67mm threaded mount for circular polarizers or neutral density filters. The lens’ minimal weight and internal zooming make it easy to pack or carry anywhere, and create an ideal partner for gimbals since the balance of the lens never changes.
The lens is constructed for creators who aren’t afraid to go off the beaten path in pursuit of their content. The entire lens is sealed to prevent entry of dust and water droplets¹, while the front element features an antifouling coating which makes it easy to wipe away dirt, smudges and fingerprints. The NIKKOR Z 17-28mm f/2.8 puts an emphasis on sharpness, utilizing an optical formula that employs a Super ED glass element for maximum image quality at all focal lengths.
Autofocus speed is blazing fast, thanks to the use of a high-speed stepping motor (STM), working seamlessly with Nikon Z mirrorless cameras to acquire critical focus on faces and eyes within the frame. The STM is also nearly silent, significantly reducing drive noise during video recording. Video content creators will especially appreciate the minimized focus breathing and click-less control ring for smooth exposure transitions. For additional versatility in photos and video, minimum focus distance is a mere 7.56 inches (0.19 m)², letting users get close-up for products and beauty shots with a magnificently blurred background.
Pricing and Availability
The new NIKKOR Z 17-28mm f/2.8 will be available in late October 2022 for a suggested retail price of $1,199.95*. For more information about the latest Nikon products, including other NIKKOR Z lenses and the entire collection of Z series cameras, please visit nikonusa.com.
By admin, on September 17th, 2022
 Creative image of upcoming Sony FX30 Camera
According to the information we have gathered, Sony could announce the FX30 around September 28th (the date varies by region). Please look forward to it. The specs of the FX30 are as follows.
The camera is rumored to feature a 26 MP CMOS sensor and 4K video recording at 40fps.
We know if Sony is making a cinema camera, we would expect at least 6K resolution from a 26MP sensor, and open gate video recording and timecode functionality.
Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM, If you have time –>see more Sony Alpha Rumor
source SAR.com
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