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Firmware Update

Sony ZV-E10 Mark II OR Sony ZV-E20 Announcement Soon

 

Sony ZV-E10 Mark II OR Sony ZV-E20 is expected to arrive before October 2023. According to the latest rumors coming out from the rumor mill, an accessory maker accidentally published the ZV-E20 accessory in their product catalog list. But unfortunately, the rumor mill did not publish any supporting images or screenshots to verify the information they have published , so take it with a grain of salt.

UPDATE @ 26 July 2023

Finally, we have the image of the accessory maker that accidentally leaked the name of the Sony ZV-E20 camera. The accessory maker is C-Frog, which specializes in making waterproof cases for cameras. So, finally, we do have a strong lead. Now we have to wait for further confirmation.”

We will publish more updates as soon as they become available to us.

Follow us on our social pages  FACEBOOK | TWITTER | INSTAGRAM, If you have time –>see more Sony Alpha Rumor

source addict

Sony A7C II and Sony A7CR Rumored Specifications

According to the latest rumors coming from the rumor mill, Sony is about to announce two different full-frame mirrorless cameras of the Sony A7C series.

The first camera is the Sony A7C Mark II. The camera will feature the same 33-megapixel sensor that we have seen in the Sony A7 IV camera. Not only this, we published its core specifications several months ago and you can look at the specifications of the upcoming Sony A7C Mark II camera once again.

Sony A7C Mark II Rumored Specification

  • 33MP Full-Frame Exmor R CMOS Sensor
  • BIONZ XR & AI Processing Unit
  • Up to 10 fps Shooting, ISO 100-51200
  • 4K 60p Video in 10-Bit, S-Cinetone
  • 2.36m-Dot EVF
  • 3″ 1.03m-Dot Vari-Angle Touchscreen LCD
  • 759-Pt. Fast Hybrid AF, Real-time Eye AF
  • Focus Breathing Compensation
  • 5-Axis SteadyShot Image Stabilization
  • Creative Looks and Soft Skin Effect
  • 4K 15p UVC/UAC Streaming via USB Type-C

The next camera on the list is Sony A7CR. The Sony A7CR camera is rumored to feature a 61-megapixel full-frame sensor from the Sony A7R V camera with the same AI features that we have seen in the A7R V camera. But this time, we will have enhanced video core specifications and since it’s coming under the A7C series, we do hope and expect the A7CR  camera will record 8K up to 30fps internally, and possibly in upcoming future updates it can be raised up to 60fps internal recording.

Sony A7CR Rumored Specification

  • 61MP Full-Frame Exmor R BSI CMOS Sensor
  • BIONZ XR & AI Processing Unit
  • AI-Based Real-Time Tracking AF System
  • 8K 24p, 8K 30p
  • 8K 60p (With firmware update)
  • 4K 16-Bit Raw Output; S-Log3/S-Cinetone
  • 3.2″ 4-Axis Multi-Angle Touchscreen LCD
  • 8-Stop 5-Axis Image Stabilization
  • Dual CFexpress Type A/SD Card Slots

These are the initial set of rumors we have about these two upcoming cameras. The expected arrival date of these cameras is somewhere around the early fall of 2023, most probably in September of 2023.

Stay tuned and we will publish more updates as soon as they become available to us.

Follow us on our social pages  FACEBOOK | TWITTER | INSTAGRAM, If you have time –>see more Sony Alpha Rumor

source SAR.com

Nikon 35-150mm F2-2.8 Development Announcement

Now we have confirmation that the Tamron 35-150mm F2-2.8 lens is coming out soon. The development announcement was made by Tamron Japan, and the lens will officially arrive at the end of August 2023 or early September 2023.

The lens is said to be Nikon’s first Z-mount zoom lens that features an F2 aperture, and of course, it’s coming from third-party lens maker Tamron.

Undoubtedly, wedding photographers who use Nikon Z-mount system cameras will buy this lens without a doubt since it’s a perfect combination of price and features. Although we do have a 28-70mm f2.0 lens in Canon’s RF mount, unfortunately, the price is too high when compared to third-party rebranded lenses like we have in the Z-mount. That’s why it’s also very important for Canon to reconsider their decision about locking their mount since we are not able to enjoy affordable high-quality third-party lenses released under the RF mount.

Nikon 35-150mm F2-2.8 Development Announcement

Tamron announces the development of 35-150mm F/2-2.8 Di III VXD (Model A058) for “Nikon Z mount system.” World’s first* mirrorless zoom lens with maximum wide-open aperture of F2

July 25, 2023, Saitama, Japan – Tamron Co., Ltd. (President & CEO: Shiro Ajisaka), a leading manufacturer of optics for diverse applications, announces the development of the 35-150mm F/2-2.8 Di III VXD (Model A058), a fast-aperture telephoto zoom lens for Nikon Z mount cameras.

PRODUCT NAME 35-150mm F/2-2.8 Di III VXD (Model A058)For Nikon Z mount (35mm full-frame)
DATE OF LAUNCH Launch Planned in the Fall, 20231

* Among the zoom lenses for Nikon Z mount cameras (As of June 2023: TAMRON)
1 The lens for Sony E-mount previously launched October 28, 2021.

Product Overview

The 35-150mm F2-2.8 covers wide-angle through telephoto and is ideal for both travel and portrait photography. It is the first* zoom lens for Nikon Z mount cameras to have a maximum wide-open aperture of F2. With this focal range, you can enjoy shooting magnificent views and large buildings at 35mm and dynamic close-up shots at 150mm. With high-level performance under a wide variety of shooting conditions, this fast lens is ideal for trips aimed at creating photographic works. In addition, by incorporating the VXD (Voice-coil eXtreme-torque Drive) linear motor focus mechanism, the lens features a very high-speed and high-precision autofocus for a fast-aperture lens. It also incorporates a new design in the pursuit of enhanced operability and ergonomic convenience.
Incorporating the most frequently used focal lengths from wide-angle and standard to medium telephoto and telephoto all within this single lens enables seamless shooting without the need to swap lenses, which is beneficial especially when shooting portraits where a sense of rhythm is particularly important. This helps the user capture outstanding shots without missing the fleeting expressions of the model.

Product Features

  1. The world’s first F2-2.8 fast-aperture zoom lens
    Versatile zoom range provides seamless shooting from wide-angle 35mm to telephoto 150mm
    3. Outstanding optical performance throughout the zoom range
    4. Fast, quiet VXD linear motor mechanism for high-speed and high-precision autofocus
    5. Expanded versatility with excellent close-range shooting performance
    6. TAMRON Lens UtilityTMexpands the possibilities of still photography and video shooting
    7. Moisture-Resistant Construction, Fluorine Coating, and Hood Locking Mechanism for greater convenience

Specifications, appearance, functionality, etc. are subject to change without prior notice.
This product is developed, manufactured and sold under the license agreement with Nikon Corporation.

Panasonic G9 II | More Confirmations

We have already published details about the Panasonic G9 Mark II camera; you can check that post here. Now, we have new rumors about the Panasonic G9 Mark II camera. It is expected to arrive in the next 3 to 4 months, so we may see its announcement before November of 2023, along with two new lenses.

Panasonic Upcoming Camera and Lenses

  • LUMIX G9II
  • 50-200mm F2.8 PRO
  • 50-250mm F4

Right now, we are not sure how credible this is, but at the same time, we want to believe this rumor. As we have said earlier, the Panasonic G9 was introduced back in 2017, and it has been a long time since then. We are waiting for a perfect update

‘also see – Canon R5 Mark II to Feature 60MP DPAF Sensor

Follow us on our social pages  FACEBOOK | TWITTER | INSTAGRAM, to get LIVE News and Panasonic Rumor

source: 43rumor

Canon R5 Mark II to Feature 60MP DPAF Sensor

According to the latest information from a new source, the upcoming Canon R5 Mark II camera uses a 60-megapixel sensor. With internal raw recording, it can capture 8k videos of up to 60 frames per second.

Please take a look at the summary of the latest rumors we have related to the Canon EOS R5 Mark II

  • Canon R5 Mark II camera’s early prototypes were said to use 60MP DPAF Sensor
  • Internal 8K/60p video recording
  • 8K/180p via HDMI
  • Advance Heatsink Unit
  • Introduction AI AF (not very clear what it does mean, since Canon is already using dedicated AI AF algorithms in advanced AF tracking, maybe they introduce more advance for of AI inside the upcoming Canon cameras with a dedicated hardware AI chip, just like we have in Sony A7R 5.)
  • Announcement in Q1 of 2023

The 60-megapixel sensor rumor is something new that we have seen. Earlier, it was said that the camera may have a 45 to 50-megapixel sensor. We will post more updates as soon as more information become available to us

Get LIVE RUMORS –> FACEBOOK | TWITTER |  INSTAGRAM to get live news + Canon rumors 24X7

source thecamerainsider

Sony A6700 vs Fuji X-S20

So let’s compare Fuji X S20 camera against the Sony a6700, and find out the best camera for you.  Take a look at the detailed specification comparison below.

1. Design Comparison

Overall the weight of the camera is approximately the same, we have only a 3-gram difference in body weight. The design is different as you can notice, Fuji film has a centered viewfinder loaded with more dials and customizable buttons on the top end of the camera.

One additional advantage we have in the Fuji X S20 camera is the presence of a joystick on the rear side of the camera that helps a photographer to jump over the menus or the autofocus points quickly, that is to quickly alter the settings during the shoot. The Sony is weather-sealed so you don’t have to worry while taking it out in outdoor locations.

If you talk about ports then both of them feature a micro HDMI output port, 3.5 mm microphone input port, a 3.5 mm headphone jack, and a USB-C type connection port. The transfer speed of the Sony a6700 camera is 10 Gbps whereas with the Fuji X S20, we are limited to 5 Gbps.

The location of EVF is also a very important thing if you consider it, but it’s completely subjective. On Sony, we have it on the extreme left side, and on Fuji, we have it in the center like we have in traditional DSLRs so it depends if you are already a user of a DSLR or Mirrorless camera that features a viewfinder in the center then you have to think twice before buying the Sony a6700 camera but if you are someone who is completely new then you can start with either Sony or Fuji.

The resolution of the electronic viewfinder of both cameras is exactly the same but the refresh rate of Sony is 120 fps and the higher magnification is 0.70x whereas the refresh rate of Fuji X S20 is 100 fps and magnification of 0.62x, so they are almost identical. None of them have a big difference between them in terms of EVF.

Both cameras feature Vari-angle display screens that can be used for content creation as well as low and high-angle shots but with Fuji, we have a higher resolution screen of 1.84 million dots whereas Sony remains limited to its previous generation displays of 1.04 million dots. The good news is now we have an updated menu in the Sony camera so we don’t have to struggle while setting up our shot.

One of the most noticeable things about the Fuji X S20 camera is a dedicated V-Log menu on the top end dial of the camera and when a content creator switches to that menu, the camera opens up a customized menu interface for content creators which is extremely simplified and features product showcase modes.

Both cameras feature a single card slot. Although, for the Sony a6700 camera, you have to use a V90 card to avoid overheating and with the Fuji, since it supports an external fan, you can work with a bit slower card too.

2. The internal core difference between the two cameras

The one has a huge trusted 26-megapixel APS-C sensor of the X-Trans pattern and the other is Sony’s newly developed 26-megapixel CMOS BAYER Pattern sensor. If you are going to compare the two against each other then what we will find is that the Fuji X S20 is able to perform better in low light environments compared to Sony’s a6700 camera.

As you can see, we are comparing the two cameras, Fuji X-T4 against the Fuji X S20 camera. We have picked the X-T4 since the X S20 camera samples are not available yet and as the X-T4 uses the same 26 MP APS-C X-Trans CMOS sensor as of Fuji’s X S20, that’s why we have used it here.

3. IMAGE QUALITY TEST (HIGH ISO vs BASE ISO Test)

credit dpreview.com

HIGH ISO TEST – (above) clearly visible that the color block of Fuji is well more preserved at ISO 51200 compared to Sony A6700 at ISO 51200. Now if you clearly look at the different sets of image samples captured by both paired with best-of-the-class lenses, you will notice that the Fuji X S20 camera sensor (X-T4 also uses the same 26MP X-Trans sensor) is able to preserve a bit more details when compared to the Fuji X-T4 camera at HIGH ISO TEST.


4. BASE ISO TEST (ISO 100)

credit dpreview.com

And things become completely wild when you compare the base ISO, then you will find that the Sony a6700 camera is able to capture a bit more detail at several positions of the sample image when compared to the Fuji X S20 camera. Okay, from the tests, it’s obvious that at a higher ISO range, Fuji is better, and at base ISO, possibly the range from 100 to 800 or 1600 ISO, Sony’s new a6700 camera is better.

So from the image quality test, it is very clear that if you are an outdoor photographer or street shooter photographer that does most of his or her work, probably 90% in natural light, then it’s more recommended to buy a Fuji X S20 camera and have better low light performance with 26 MP X-Trans CMOS Sensor. And for those who work in controlled light environments like wedding photographers or portrait shooters who work 90% under controlled light environments, for them, the a6700 is highly recommended based on the initial tests results of both the camera

It’s not recommended to focus on the ISO range of both cameras, as we have already mentioned the higher ISO test. Even though the Sony a6700 has a higher expandable ISO range on paper, it doesn’t perform as well during actual tests. Therefore, it’s better to consider the image samples rather than just the ISO numbers.

 

Sony A6700 FUJIFILM X-S20
Sensor Resolution Actual: 27 Megapixel
Effective: 26 Megapixel (6192 x 4128)
Effective: 26.1 Megapixel
Image Sensor 23.3 x 15.5 mm (APS-C) CMOS 23.5 x 15.6 mm (APS-C) CMOS
Crop Factor 1.5x 1.5x
Image Stabilization Sensor-Shift, 5-Stops Sensor-Shift, 7-Stops

5. IMAGE STABILIZATION (5 Stops vs 7 Stops IBIS)

We have two different image stabilization modes here, one is for stills and the other is for video. For now, let’s begin with the stills part. If you are a photographer, then you will find that the Fuji X S20 camera is able to give you 7 stops of sensor-shift image stabilization feature compared to Sony’s a6700 camera which remains limited to 5 stops of image stabilization. It has been years after the announcement of Sony a6600 camera which also had the same 5 stops of IBIS inside the camera body, so we were hoping for some scaling in the IBIS part of the camera.

In the video, we have gyro-based image stabilization support inside the Sony a6700 camera, so having gyro-based image stabilization in a camera means a lot to a person who is mostly shooting videos @outdoors. And on the other side, we do not have any gyroscopic image stabilization in Fuji. So, if you move too much and create daily content for your channel better to have a camera with gyroscopic data.

Now, one more thing to be noted before we end this discussion is that Sony has introduced a new blur correction feature that works at the pixel level and delivers exceptional-quality of details. And to show that, I have tested it against the Fuji X-T4 camera and a few more. This blur correction algorithm is already running inside the Sony a6700 camera and that’s why possibly your images are able to resolve more details at the base ISO range.
Best AutoFocus – Sony A6700 vs Fuji X-S20

Sony A6700 Fuji X-S20
Focus Type Auto and Manual Focus Auto and Manual Focus
Focus Mode Automatic, Continuous-Servo AF, Direct Manual Focus, Manual Focus, Single-Servo AF Continuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus Points Photo
Phase Detection: 759
Video
Phase Detection: 495
Contrast Detection, Phase Detection: 117

6. AUTOFOCUS

The A6700 and X-S20 both have hybrid autofocus systems that use a combination of contrast and phase detection points to focus quickly and accurately. The Sony has 759 phase-detection points that cover 93% of the sensor area, while the Fuji has up to 425 points that cover 99% of the sensor surface. Both cameras are great at recognizing and tracking subjects, including people, animals, birds, insects, and vehicles. Sony goes even further with its dedicated processing chip for deep learning subject detection capabilities, at least in theory.

7. AI AF is a Clear Advantage  – Sony A6700

Yes, the new AI processor does help with autofocus. It uses a movement prediction algorithm to calculate human body movements and easily track moving subjects, particularly organic movements. This is an improvement over the previous a6600 camera and even its latest competitors, as none of them have an AI chip like Sony in this price range.

8. Tracking the face of a butterfly – Sony A6700

That’s the biggest advantage that I see in the new update of the chip. The camera is able to track the face of butterflies, insects, as well as moving cars and planes very easily. So that’s the biggest advantage associated with the new AI chip. Although the burst speed is locked, the continuous shooting of the camera is limited to 11 FPS, that’s another issue. But yes, the camera is able to track 3D objects at the next level, which is an amazing thing and we should appreciate that.
Exposure Control – Sony A6700 vs Fuji X-S20

Shutter Type Electronic Shutter, Mechanical Focal Plane Shutter Electronic Shutter, Mechanical Focal Plane Shutter
Shutter Speed Mechanical Shutter
1/4000 to 30 Seconds
Electronic Shutter
1/8000 to 30 Seconds
Mechanical Shutter
1/4000 to 900 Seconds in Manual Mode
Electronic Shutter
1/32000 to 900 Seconds in Manual Mode
Bulb/Time Mode Bulb Mode None
ISO Sensitivity Photo
100 to 32,000 (Extended: 50 to 102,400)
Video
100 to 32,000
Photo
160 to 12,800 in Manual, Auto Mode (Extended: 80 to 51,200)
Video
125 to 12,800 in Manual, Auto Mode (Extended: 25,600)
Metering Method Center-Weighted Average, Multi-Zone, Spot Average, Center-Weighted Average, Multi, Spot, TTL 256-Zones
Exposure Compensation -5 to +5 EV (1/3, 1/2 EV Steps) -5 to +5 EV (1/3 EV Steps)
White Balance 2500 to 9900K
Presets: Auto
2500 to 10,000K
Presets: Auto, Color Temperature, Custom, Fine, Fluorescent (Cool White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
Continuous Shooting Up to 11 fps at 26 MP for up to 59 Frames (Raw) / 1000 Frames (JPEG) Electronic Shutter
Up to 20 fps at 26.1 MP for up to 256 Frames (JPEG) / 28 Frames (Raw)
Mechanical Shutter
Up to 8 fps at 26.1 MP for Unlimited Frames (JPEG) / 35 Frames (Raw)

9. Continuous shooting speed (11 vs 30 fps)

The biggest drawback of the recently announced Sony a6700 camera is its limited continuous shooting speed of 11 FPS. Approximately 10 years ago, Sony announced the a6000 camera which was also limited to 11 frames per second. After 10 years of gap, we have the flagship APS-C Sony mirrorless camera which is again limited to 11 frames per second. So, I am not able to understand the concept behind this. If anyone from Sony can explain why they are locking the burst speed of the camera, it would be a great thing for us.

Despite being the world’s best artificial intelligence APS-C mirrorless camera, the burst speed remains limited to 11 FPS. And that’s why we are not able to directly recommend this camera to wildlife and sports photographers.

The Fuji X S20 camera is able to shoot 8 frames per second with the help of a mechanical shutter and up to 30 frames per second with the help of an electronic shutter. While shooting at 30 frames per second, you are limited to a 1.25x crop. If you want to enjoy the full resolution, you have to shift your burst speed to 20 frames per second. At 20 fps, the camera doesn’t crop.

Furthermore, the X-S20 is equipped with a Pre-Shot mode that enables the capture of fast and unpredictable action even before the shutter button is fully pressed.

10. VERDICT: Which camera should have photographer buy?

The Fuji X-S20 camera features more customized dials on the body as well as a joystick controller for quickly changing the settings. Moreover, inside we have a 7-stop sensor-shift image stabilization unit, a sensor that performs better in low-light environments, as well as a burst speed with continuous shooting up to 30 frames per second. If you combine all these features together, then undoubtedly for outdoor usage like street photography, shooting landscapes, or shooting shots outdoors without using external lights, it is highly recommended that one should use the Fuji X S20 camera. And for sports and wildlife photographers, we highly recommend getting the Fuji X S20 camera for getting proper results.

For those who work in controlled light environments and don’t require a body that allows them to quickly alter the settings Sony A6700 camera is te best choice. Also note that, Sony a6700 camera’s sensor-shift image stabilization is also weak compared to X-S20 as well its continuous shooting speed is also very limited. Considering all these factors together, it is highly recommended to use the Sony a6700 camera in controlled light environments to get the proper output.

On one side, the camera is not able to shoot 11 fps and beyond, and on the other side, the camera is able to shoot 4K up to 120 frames per second, which not even the Fuji X S20 camera can do.
Video Specification comparison between Sony A6700 vs Fuji X-S20 Camera

Sony A6700 Fuji X-S20
Internal Recording Modes XAVC HS 4:2:2/4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98/50/59.94/100/120 fps [30 to 280 Mb/s]
XAVC S 4:2:2/4:2:0 8/10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/100/120 fps [60 to 280 Mb/s]
XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [240 to 600 Mb/s]
H.264 ALL-Intra/H.264 Long GOP/H.265/H.265 Long GOP/MOV/MP4/MPEG-4 AVC 4:2:2/4:2:0 8/10-Bit
6240 x 4160 at 23.98/24.00/25/29.97 fps [50 to 360 Mb/s]
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps [50 to 360 Mb/s]
2048 x 1080 at 23.98/24.00/25/29.97/50/59.94/100/120/200/240 fps [50 to 360 Mb/s]
1920 x 1080 at 23.98/24.00/25/29.97/50/59.94/100/120/200/240 fps [360 Mb/s]
External Recording Modes 4:2:2 10-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
HD (1920 x 1080) at 23.98/50/59.94 fps
Raw/ProResRAW 12-Bit via HDMI
6240 x 4160 up to 29.97 fps
Recording Limit None None
Audio Recording 2-Channel 16-Bit 48 kHz LPCM Audio MOV: 2-Channel 24-Bit 48 kHz LPCM Audio
MP4: AAC Audio

11. BEST CAMERA FOR VIDEO (SONY VS FUJI)

The Sony a6700 camera is able to shoot up to 4K at 120 FPS with a 1.58x crop, which Fuji is not able to do. On the other hand, Fuji is able to record 6.2K open-gate video at 3:2 format and 5.2K videos at 30 frames per second in 16:9 format. Again, the Sony a6600 camera is not able to shoot resolutions higher than 4K. So these are the initial resolution limitations and frame rate limitations we have with these two cameras.

When it comes to video profiles and gamma curves, the A6700 really stands out with its Picture Profiles, which it inherited from Sony’s cinema cameras. These include HLG, S-Log2, S-Log3, and S-Cinetone, giving you tons of options for customization. You can even load custom Look-Up-Table (LUT) profiles onto the camera. The X-S20 has the F-Log2 profile and the Eterna film simulation mode, which gives your footage a unique cinematic look.

Both cameras can record internally in 10-bit 4:2:2, but the Sony A6700 has a higher bitrate of 600Mbps compared to the X-S20’s 360Mbps when using All-Intra compression.

Plus, the X-S20 has the added bonus of being able to output 12-Bit RAW via HDMI. This means that if you pair it with an external recorder, you can get an even wider dynamic range and more color data.

12. VERDICT: Which one Should you buy for the video?

One of the key features of the Fuji camera is its ability to cool down by itself. You can even add an external fan to the camera, which doubles the recording time of the Fuji X-S20. This makes it an ideal choice for recording long podcasts or for wedding cinematography and videography. On the other hand, the Sony A6700 camera has a magnesium alloy body that helps dissipate heat, but it does not have an active cooling mechanism. If you live near the equator and plan to use your camera for longer video recordings, you should be aware of potential overheating issues. However, if you plan to use your camera in an air-conditioned environment, either of these two cameras would be a good choice.


Physical Interface Compared

Media/Memory Card Slot Single Slot: SD/SDHC/SDXC (UHS-II) Single Slot: SD/SDHC/SDXC (UHS-I) [2 TB Maximum]
Video I/O 1 x Micro-HDMI Output 1 x Micro-HDMI Output
Audio I/O 1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output
1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input
1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input
1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output
Power I/O 1 x USB-C Input/Output 1 x USB-C Control/Monitor/Tether
Other I/O 1 x USB-C (Shared with Power Input) 2.4 GHz Wi-Fi (802.11a/b/g), Wi-Fi 4 (802.11n), Wi-Fi 5 (802.11ac)
Mobile App Compatible Yes: Android & iOS
App Name: Creators’ App
Functionality: Access Stored Files, Remote Control
*As of July, 2023: Check with manufacturer for the most up-to-date compatibility
Yes: Android & iOS
App Name: FUJIFILM XApp
Functionality: Access Stored Files, Adjust Settings, Firmware Update, Remote Control, View Live Feed
*As of May, 2023: Check with manufacturer for the most up-to-date compatibility

Camera with Best Display Screen

Size 3.0″ 3″
Resolution 1,030,000 Dot 3 x 2 (1,840,000 Dot)
Display Type Articulating Touchscreen LCD Free-Angle Tilting Touchscreen LCD

13. Battery Life

When it comes to battery life, the X-S20 has the upper hand over the A6700. While the A6700 can take around 570 photos per charge using the LCD screen and about 550 with the viewfinder, the X-S20 can snap around 750 shots in normal mode and even up to 800 in Economy mode. So, if you’re looking for a camera that can keep up with you on a long day of shooting, the X-S20 might be the way to go.

14. Latest Price

Fuji Film X-S20 – Camera $1299 [Body Only B&H] [Amazon.com]  | 15-45mm Lens $1399 [B&H Store] [Amazon.com]

Sony A6700 Camera Latest Price Check here B&H Store,

Nikon Z 35-150mm F2-2.8 Lens Announcement Soon

According to the latest rumors from the “how to fly” Twitter handle, the Tamron 35-150mm lens will arrive under the Nikon Z branding very soon, possibly next week. We can expect an announcement.

The Tamron 35-150mm F2-2.8 is one of the most popular lenses, and I have been getting a lot of queries on my website and YouTube channel about when this lens is coming. Finally, we have the answer, and once it arrives, Z-mount FX users who are associated with wedding and portrait photography will surely buy this lens.

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source how to fly Twitter