Panasonic G9 II is a successor of the original Panasonic G9 which was announced 6 years ago, After a long gap of time Panasonic finally decided to upgrade its still photography dedicated camera, the G9. Yes, we do have video series like the GH6 dedicated to Cinematographers, and on the other side, we have the G9. The Major key ingredient to this update is the newly developed 25MO M4/3 Format Sensor with 779 Hybrid Phase AF points. With the implementation of the new Phase AF technology, the camera AF system now upscaled and does AF more quickly and precisely, either you are shooting a human, bird animal, or car the AF system does its job.
Panasonic G9 Mark II Major Features
25MP CMOS sensor
5-axis in-body image stabilization (CIPA-rated to 8 stops)
On-sensor phase detection (779 points)
3″, 1.84M-dot fully articulating touchscreen
3.86M-dot OLED electronic viewfinder with 0.8x magnification
60 fps burst shooting with AF-C and electronic shutter (10 fps mechanical)
100MP handheld high-res mode
Up to 5.8K Open Gate 4:2:0, C4K 4:2:2 10-bit, with V-Log
ProRes 422 and 422 HQ recording to SSD
Full-size HDMI
390 shots per charge battery life, using LCD
USB-C power delivery, external SSD support
Dual UHS-II card slot
Wi-Fi + Bluetooth
The Panasonic will be available from early November with a recommended price of $1899 body-only. This is a $200 price increase from the launch price of its predecessor, the G9.
Get a Panasonic G9 Mark II Camera from the B&H Store
New Sensor and New Engine Boasting Outstanding Photographic Performance
PDAF technology implemented in LUMIX G Series for the First Time
Flagship Micro Four Thirds Model for Still Images with Improved High-Speed Performance and Ergonomics
Newark, NJ (September 12, 2023) – Panasonic is proud to announce the launch of the LUMIX G9II digital mirrorless camera, equipped with a new sensor and Phase Detection Auto-Focus (PDAF) technology. The LUMIX G9II is the first camera in the Micro Four Thirds LUMIX G Series to feature PDAF technology.
In line with the growing need to produce highly creative artwork and photography using diverse methods, this new model creates high-resolution, high-quality images and rich colors straight out of camera. Furthermore, with a new auto-focus technology that combines Panasonic’s accumulated expertise in recognition technology with PDAF, and a high-speed burst shooting mode that ensures decisive moments are always captured, this new model boasts significantly improved power and high-speed performance. The camera supports photographers from various fields using a system that can be combined with the compact and lightweight LUMIX G Micro Four Thirds lenses for ultimate flexibility.
The new 25.2-megapixel Live MOS Sensor and new engine produce high-resolution images in outstanding quality with rich color tones, while the hybrid PDAF technology enables accurate auto-focus and high-speed tracking of fast-moving subjects. Moreover, burst shooting at 60 fps in AFC mode and SH pre-burst recording*1 that begins before the shutter is released ensures that the decisive moment is always captured, even with dynamically moving subjects.
LUMIX’s popular image stabilization system is further improved, combining 8-stop*2 B.I.S. (Body Image Stabilizer), 7.5-stop*3 5-axis Dual I.S. 2, and advanced Active I.S. for incredible video image stabilization. Together, these functions provide even greater support for handheld shooting of dynamic scenes that would previously have been difficult to capture. In addition, creators can enjoy enhanced monochrome photo styles with new LEICA Monochrome and REAL TIME LUT for preferred color settings. Through this next-generation digital mirrorless camera, Panasonic intends to respond to the needs of creators who are pursuing methods of creative expression that go beyond the boundaries of photography and videography.
Main features
1. Equipped with a new sensor, new engine, and the first PDAF implementation in LUMIX G Series for outstanding photographic performance and high-speed response
New 25.2-megapixel Live MOS Sensor for high resolution and high-speed response (13+ stop*4 V-Log/V-Gamut, Dynamic Range Boost*5)
New engine that achieves natural, three-dimensional textured images and ensures high-speed processing of high bitrate video
Use of new AI-powered recognition technology (developed using deep learning technology) for real-time auto-focus recognition that now recognizes cars, motorcycles, and animal eyes for improved precision in subject recognition
2. Advanced high-speed performance to ensure decisive moments is always captured
Burst shooting at 60 fps in AFC mode and reinforced buffer memory for continuous burst shooting over three seconds for ensuring the capture of targeted moments
SH pre-burst recording*1 that can begin shooting up to 1.5 seconds before the shutter is released and take approximately 113 consecutive shots
Robust image stabilization system with 8-stop*2 B.I.S. (Body Image Stabilizer), 7.5-stop*3 5-axis Dual I.S. 2, with perspective distortion correction for video, and high mode for advanced Active I.S.
Highly-mobile camera system combined with the compact, lightweight, and diverse range of LUMIX G Series lenses
3. New modes expand the possibilities of creative photography
REAL TIME LUT function enabling personalized color expression through use of LUT files
Enhanced monochrome mode with newly added LEICA Monochrome for deep black-white contrasts
Hand-held 100-megapixel High Resolution mode and Live View Composite mode to expand the range of photographic options
4. A launching point for video creation
4:2:0 10-bit 5.8K (4:3) full sensor recording/ 5.7K (17:9) enables flexible framing options for various social media formats
4:2:0 10 bit C4K/4K 120p/100p enables slow motion videos
Apple ProRes*6 video, which delivers high image quality at low compression, reducing the load on the computer during post-production and allows non-linear editing without transcoding, streamlining your workflow from start to finish.
Recording and playback are supported using an external SSD via USB
Active I.S. Technology corrects shake when shooting on the move
Pricing and Availability:
The LUMIX G9II will be available at valued channel partners in early November for $1899.99 MSRP.
If you compare the Sony A74 versus the Sony A7C II, let me tell you one thing very clearly. The Sony A7C II camera features the same 33-megapixel full-frame CMOS sensor, Even the AF system of the Sony A7C II camera is much more advanced due to the presence of dedicated artificial intelligence CHIP inside, compared to the Sony A74 camera. Now, we all know that if a baseline product/product with a lower price range has as many special features as its higher-end body, then for sure it will cut off the sales of the A74.
To protect it, Sony added some layers of features and design cannibalization, which now depends upon us. Does this crippling hurt the camera’s core, or can we buy it despite the standard crippling done over Sony A7C II to save the Sony A7 IV sales? Which we will explain in this article.
Lens Mount
Sony A7C II
Sony A7 IV
Sensor Resolution
Actual: 34.1 Megapixel
Effective: 33 Megapixel
Actual: 34.1 Megapixel
Effective: 33 Megapixel
Image Sensor
35.9 x 23.9 mm (Full-Frame) CMOS
35.9 x 23.9 mm (Full-Frame) CMOS
Image Stabilization
Sensor-Shift, 7 Stops
Sensor-Shift, 5.5 Stops
Built-In ND Filter
None
None
Capture Type
Stills & Video
Stills & Video
1. DUAL CARD SLOT
From the design point of view, there is a basic design difference between the two. The Sony A7C II camera has only a single card slot compatible with UHS-II V90 cards, while the Sony A7 IV camera features dual card slots in which you can have UHS-II and CFexpress in the other.
2. Full-size HDMI in Sony A7 IV
The other biggest advantage I see in the Sony A7 IV camera is the presence of a full-size HDMI port, which is missing in the Sony A7C II camera.
3. Anti-Dust Shutter in Sony A7IV
The Sony A7 IV camera also features an anti-dust settling mechanism that covers the sensor and protects it. In the Sony A7C II camera, we have an EFCS shutter, so due to the absence of a fully functional mechanical shutter, we do not have such a feature in this camera.
4. Display Difference
On the display side, the Sony A7 IV has a slightly higher resolution electronic viewfinder (3690k dotvs2360k dot) with a better magnification ratio, as well as a slightly higher resolution LCD screen (1.440k dots vs. 1.030k). The position of the viewfinder is also different in both cameras.
The rest of the things are the body controls. The Sony A7 IV camera has a bit more advanced features, such as a joystick controller on the rear side and a center-placed viewfinder, which generally helps a photographer a bit more in handling a camera and using it while composing a perfect shot
5. Size Difference
As you can see, the Sony A7C Mark II camera is more compact, whereas the A7 IV is a bit bulky. Due to the nature of construction and the type of series they belong to, both have their design interface. So, design-wise, for a professional photographer, undoubtedly the Sony A7 IV camera looks more promising.
6. Heat Sink
Heat Sink According to initial reports, the heat sink mechanism of the Sony A7C Mark II camera is slightly better at dissipating heat from the body in an outward direction. This is one of the biggest reasons why Sony skipped the CF express card in the A7C Mark II camera. With the use of a UHS-II V90 card (See V90 Cards at Amazon), you can record 4K at all resolutions without any major issues.
Does The Absence Of Full Mechanical Shutter Affect The Performance Of The Camera? It all depends upon your usage. If you want to capture portraits at a very high shutter speed which is somewhere around 1/4000 of a second up to 1/8000 of a second in that very specific scenario most cameras with mechanical shutters are not open to some of these special situations then undoubtedly, the A7C Mark II camera’s EFCS (Electronic Front Curtain Shutter) is very usable.
1/4000 to 30 Seconds
1/8000 to 30 Seconds
1/8000 to 1 Second in Movie Mode
1/8000 to 30 Seconds
1/8000 to 1/4 Second in Movie Mode
Bulb/Time Mode
Bulb Mode
Bulb Mode
ISO Sensitivity
Photo
100 to 51,200 in Manual Mode (Extended: 50 to 204,800)
100 to 12,800 in Auto Mode Video
100 to 51,200 in Manual Mode (Extended: 50 to 102,400)
100 to 12,800 in Auto Mode
Photo
100 to 51,200 in Manual Mode (Extended: 50 to 204,800)
100 to 12,800 in Auto Mode Video
100 to 51,200 in Manual Mode (Extended: 100 to 102,400)
100 to 51,200 in Auto Mode
Up to 10 fps for up to 44 Frames (Raw) / 1000 Frames (JPEG)
Up to 10 fps at 33 MP for up to 1000 Frames (Raw) / 1000 Frames (JPEG)
7. Dedicated AI CHIP
AI Chip The introduction of a dedicated artificial intelligence chip inside this camera has improved its overall performance significantly. Specifically, when we talk about autofocus performance, the 3D object tracking has improved greatly.
Continuous Shooting Speed The biggest improvement that we might see between these two cameras is their ability to track moving subjects while using burst mode. Both feature 10 frames per second continuous burst speed, but now the autofocus performance of the A7C Mark II camera is much improved compared to the Sony A74.
The buffer size of the Sony A74 camera remains larger, one of the biggest reasons being its ability to adopt a CF express-type card slot. The memory of the A7C Mark II camera is slightly limited to 100 frames.
8. IBIS
Image Stabilization With the introduction of the A7 Mark II camera, Sony also introduced a brand new sensor-shift image stabilization mechanism which is very helpful for photographers. Now, the overall IBIS support goes up to 7 stops, and in the Sony A74 camera, it is limited to 5.5 stops.
So if you’re a handheld photographer then undoubtedly, the A7C Mark II camera will help you a lot with its autofocus performance and ability to capture more stable images and footage.
Sony A7C II
Sony A7 IV
Internal Recording Modes
H.265/XAVC HS 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/50/59.94 fps [50 to 200 Mb/s] H.265/XAVC HS 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98/50/59.94 fps [30 to 150 Mb/s] H.264/XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [240 to 600 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [89 to 222 Mb/s] XAVC S 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [100 to 200 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [50 Mb/s]
XAVC HS 4:2:2/4:2:0 10-Bit
3840 x 2160 at 23.98/50/59.94 fps [30 to 200 Mb/s] XAVC S 4:2:2/4:2:0 8/10-Bit
3840 x 2160 at 23.98/25/29.97/50/59.94 fps [60 to 200 Mb/s]
1920 x 1080 at 23.98/25/29.97/50/59.94/100/120 fps [16 to 100 Mb/s] XAVC S-I 4:2:2 10-Bit
3840 x 2160 at 23.98/25/29.97/50/59.94 fps [240 to 600 Mb/s]
1920 x 1080 at 23.98/25/29.97/50/59.94 fps [89 to 222 Mb/s]
External Recording Modes
4:2:2 10-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
1920 x 1080p at 23.98/50/59.94 fps
1920 x 1080i at 50/59.94 fps 4:2:0 8-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
1920 x 1080p at 23.98/50/59.94 fps
1920 x 1080i at 50/59.94 fps
4:2:2 8/10-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
HD (1920 x 1080p) at 23.98/50/59.94 fps
HD (1920 x 1080i) at 50/59.94 fps
AI AUTO FRAMING
Yes
NO
Enhanced AI AF
Yes (Dedicated AI CHIP)
NO
IBIS VIDEO
7 STOPS / GYRO Support
5.5 Stops Gyro Support
Gamma Curve
HDR-HLG, Sony S-Log 2, Sony S-Log 3
S Cinetone, Sony S-Log 3
Recording Limit
None
None
Broadcast Output
NTSC/PAL
NTSC/PAL
IP Streaming
MJPEG, UVC/UAC
3840 x 2160 at 12.5p, 14.99p, 25p, 30p
1920 x 1080 at 25p, 30p, 50p, 60p
1280 x 720 at 25p, 30p
MJPEG, UVC/UAC
3840 x 2160 at 12.5p, 14.99p, 25p, 30p
1920 x 1080 at 25p, 30p, 50p, 60p
1280 x 720 at 25p, 30p
9. Videographics Difference Between Both The Cameras
Resolution-wise both cameras feature exactly the same video resolution, Record in 10-bit 4:2:2 using the advanced XAVC S-I format for consistent performance and quality at bitrates up to 600 Mb/s.
With the introduction of the AI chip in Mark II camera tracking performance has improved significantly in videography. The camera is able to track moving subjects from afar and even eye detection is now much more accurate even in animals and insects while you are creating your video.
10. User Uploadable LUT and AI Framing
Other big differences like in professional cameras we have user-uploadable LUTs (Look-Up Tables). With this feature, you are able to control output in a much better way optimizing your workflow as desired.
Auto Framing With introduction of dedicated AI chip we also have an opportunity for artificial intelligent auto framing.
Enhanced Heat Sink Unit As I have said in this post, The A7C Mark II camera’s heat dissipation system is now much more improved and distributes heat effectively.
11. Price Difference vs Features Difference
If you compare the price and specifications we are getting with the Sony A7C Mark II camera it’s much more compared to the set of features that we are getting with the A74. If you want to have the same set of features with the A74 camera body you have to wait for the Sony A75 camera announcement. Otherwise, we highly recommend you get the Sony A7C Mark II camera while looking at its core specification and price ratio.
Panasonic G9 II, boasts a new 25.2 million pixel image sensor and a new engine, above all the image plane phase-detection AF guarantees sharp, precise focus, while the 60fps AFC continuous shooting. The camera also features up to 8.0 stops of image stabilization and 4K/4 K 60p 4:2:2 10bit recording and comes with a pre-installed V-Log, providing more flexibility for post-production. The camera also supports C4K/4K 10bit 120p/100p, enabling super slow-motion video capture. More Details below
Panasonic G9 II Specification
New 25.2 million pixel image sensor
new engine
Image plane phase detection AF
60fps AFC continuous shooting
8.0 stops of image stabilization
7.5 steps Dual IS
C4K/4K 60p 4:2:2 10bit
V-Log
1.84 million dot tilt free angle monitor
3.68 million dot OLED viewfinder
Dustproof and splashproof
Capable of continuous shooting for 3 seconds without blackout
Pre-continuous shooting function
~AFS 75fps
LEICA Monochrome with L2 technology
Real-time LUT
C4K/4K 10bit 120p/100p
8 direction joystick
Wifi
Bluetooth
Lineup covering from 16mm to 1600mm (35mm format equivalent)
Sony A9 III registered on Sep 4, 2023. This camera supports 5.1G, which usually means it’s a mid-range to high-end camera. Based on Sony previous announcement patterns we are expecting the arrival of the Sony A9 III camera sometime between Nov to Jan 2023.
Sony Cameras registration vs. official announcement date
– ZV-E1 was registered on December 12th and announced on March 29th (3.5 months)
– ZV-1II was registered on February 2nd and announced on May 23rd (3.5 months) –
α6700 was registered on February 16th and announced on July 12th (4 months)
– α7CII and α7CR were registered on June 12th and announced on August 29th (2.5 months)
Take a look at the set of rumored specifications of the Sony A9 III camera
Sony A9 III Specification [Rumored]
50MP Full-Frame Exmor RS BSI CMOS Sensor
Up to 60 fps Shooting, ISO 50-102400
8K 30p and 4K 120p Video in 10-Bit
3.7 m-Dot EVF (Blackout free)
759-Pt. Fast Hybrid AF, Real-time Eye AF
5-Axis SteadyShot Image Stabilization
Dual CFexpress Type A/SD Card Slots
Stay tuned we will post an update as soon as we get an update
The Fuji X-100 V successor is finally coming, but not soon it’s expected to arrive next year (2024). The Name of the camera hasn’t been disclosed yet but since it’s the Sixth generation of the X-S100 Series camera, it is expected to be called the Fuji X-S100 VI. However, Some other rumor mills also predict it may be called Fuji X-100Z ( zeta is the sixth letter in the Greek alphabet).
The rumor mill also, suggests the camera will have a new lens. And not only new lenses we are also expecting the introduction of brand-new 40MP APS-C X-Trans CMOS 5 HR BSI Sensor. We will post more updates as soon as we get any new information related to the upcoming camera.
According to the latest rumors surfaced over the web, Z f full-frame retro camera may be released around September 20, and the price is expected to be only US$1,999.
Nikon Zf Updated Core Specification
Black camera body
24.4 MP BSI-CMOS sensor
Expeed 7 processor
Weight: 700g (inc. battery, the Z5 is 590g, the Z6II is 615g )
Dimensions: 144mm x 101mm
Up to 30fps (JPG/HEIF)
High Extended Shooting for RAW and HEIF
4k 60 video CROP
10-bit H.265 HEVC video (SDR/HLG/N-log)
1080 120p
USB C PD (fast-charging technology based on the USB-C standard)
ISO 100-64,000 (for comparison the Z6II ISO range is 100-51,200)
AF (273 focus points) comes with features from Z8/Z9 with 3D tracking
Shutter selection options: Mechanical / Electronic Front-Curtain / Auto
AF (273 focus points) comes with features from Z8/Z9 with 3D tracking
New feature related to AF
EN-EL15 battery
The Z f logo is moved to the left (the Zfc has it on the right)
Dual memory card slots (SD+MicroSD) – this is probably why the first reports came out with only one memory card slot, the second slot could
be hidden and be used just like the internal memory on some cameras
Pixel Shift: new high-res mode will be implemented for the first time in a Nikon mirrorless camera
August-September announcement, shipment before the end of 2023
Improved autofocus compared to Z5/Z6II
A few different lens kits/bundles will be available in the $2,000-$2,500 price range
Price for body only: $1,999
One of the bundles will be with the Nikkor Z 40mm f/2 (SE) lens (no new lens will be introduced with the Zf)
Very similar (but improved) design/layout from the Nikon Zfc
Small LCD screen on top for aperture display
New 3rd function on the sub lever of the shutter speed dial (besides photo/video) for B&W mode (B&W/Photo/Movie)
Has a little grip/bump like the Nikon Df (see the mockup pictures)
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