Nikon finally announced the long rumored Nikon Zf Camera, the camera features lot of new features, although the sensor remains same as of the Nikon Z6 Mark II camera. Take a look at the Major set of features of the camera
Key specifications
24MP full-frame BSI CMOS sensor
In-body image stabilization rated up to 8EV
Dedicated Monochrome mode
Up to 14fps continuous shooting (JPEG), 11 fps Raw
AF system with tracking and recognition of 9 subject types
4K/60 video from 6K capture with 10-bit N-Log recording
The Nikon Z f is the Beautiful Convergence of Groundbreaking Technology + Iconic Design
MELVILLE, NY (September 20, 2023) Today Nikon announced the release of the Z f, a full-frame mirrorless camera that harmonizes a timeless aesthetic with the best of Nikon’s next-gen camera technology, derived directly from the acclaimed Z 8 and flagship Z 9. At first glance, the Z f is a definitive statement in functional design that ignites the desire to craft an image. Looking closer, it’s a veritable powerhouse of modern performance fueled by the EXPEED 7 processing engine that enables an enhanced AF system, impressive speed and astounding low-light capability. The new processing power also adds incredible new features such as pixel-shift shooting, the most advanced in-body stabilization of any Z series camera, plus the addition of a dedicated monochrome mode.
“It’s exciting to see the leaps in innovation that propelled the Z 9 trickling down, making the latest technology and features more accessible than ever before inside the Z f, a camera which is a beautiful marriage of form and function,” said Jay Vannatter, Executive Vice President, Nikon Inc. “The Z f is more than a means to simply capturing an image; using the camera is an experience unto itself, one which not only sparks creativity, but also elevates the user’s intent with its advanced performance and feature set.”
Technology Forward
The Z f is equipped with the EXPEED 7 image-processing engine, enhancing response time, burst speed and AF performance, while adding new features to create an entirely new category of Z series full-frame mirrorless. The 24.5-megapixel full frame BSI CMOS sensor effortlessly captures stunning colors and incredible definition with minimal noise and stellar dynamic range, even in challenging light. This well-balanced sensor is paired with an AF system that offers 3-D Tracking plus subject detection developed with Deep Learning technology, detecting and locking on to 9 different types of subjects. Similar to the Nikon Z 8, the camera finds people, dogs, cats, birds, cars, motorcycles, bicycles, trains and planes. It can even detect the world’s smallest1 size of a face in the frame — approx. 3% of the frame’s longest side. The AF system uses 299 AF points in Auto Area AF, covering 96% of the horizontal axis of the frame, making it easy to lock on and track a subject, even near the edge of the viewfinder. When the inspiration hits to go fully manual, the Z f uses Eye/Face-Detection in MF mode, recognizing the eye and allowing users to magnify the area on the screen to nail critical focus.
With the additional processing power, the Z f achieves 5-axis in-camera vibration reduction (VR) image stabilization equivalent to an 8.0-stop2 increase in shutter speed, the best among Nikon Z series cameras. The Z f is also the world’s first camera3 to support focus-point VR4, which minimizes blurring at the focus point rather than the center of the frame, even when subject is positioned near the edge of the viewfinder. The camera is also capable of high-speed continuous shooting at approx. 14 frames per second, or up to 30 frames per second5, when High-Speed Frame Capture+ (C30) is set. To ensure no shot is missed, the camera is also capable of using the Pre-Release function to start recording before the shutter is fully pressed.6 What’s more, the additional processing power in combination with the BSI sensor improves low-light performance, raising the standard ISO range from 100 to 64,000. In challenging light, even fine details and textures come out sharp and clear with rich saturation, while mid-tones, where noise tends to increase, come out much cleaner than before.
For those who want the ultimate in fidelity while reducing moiré, false colors and noise for immersive depth, the Z f is the first Nikon camera capable of pixel-shift shooting7 to create images up to 96 megapixels. Ideal for landscape, architecture and commercial artists, the system works by subtly shifting the image sensor position when capturing between 4, 8, 16 or 32 RAW (NEF) files, acquiring more accurate color information and massive resolution.
Forever Iconic
The heart of the Z f is “fusion”- an idea embedded in the name while paying homage to important models through Nikon’s history. It represents the fusion of past, present and future. With an iconic exterior design reminiscent of the FM2, the Z f links Nikon’s heritage of innovation and precision craftsmanship. The magnesium-alloy body is durable and features a glossy finish, which is adorned with a classic Nikon logo. The characters on the mechanical dials for shutter speed, ISO and exposure compensation are all etched, and provide the user with satisfying tactile response, while the feel of the shutter-release button was given meticulous consideration.
Black and white capture is an ageless medium, one that lets the user see a different perspective and explore the principles of light in new ways. The Z f includes a physical switch to engage a dedicated B&W photo mode, which enables multiple monochromatic Picture Controls. In addition to the sharp, dynamic and higher-contrast “Monochrome” mode in Picture Control, the new “Flat Monochrome” mode reproduces tones with a smooth gradation from shadow to light, rich in mid-tones for a warm, soft impression. The new “Deep Tone Monochrome” mode expresses high-contrast and highlights by bringing more emphasis to dark tones, keeping mid-tones dark and with fewer blocked shadows.
Primary features of the Zf
Full-frame 24.5-megapixel BSI CMOS sensor combined with the new EXPEED 7 Processing engine for amazing fidelity and image quality paired with stellar processing power.
Excellent AF tracking capability with 3D-tracking mode for photographers and dedicated Subject-tracking AF in video mode.
With up to 299 points in Auto-area AF, the range of coverage and number of focus points used in Auto-area AF mode have been increased for better focus acquisition performance with distant or moving subjects.
The first full-frame Z-series mirrorless camera to be equipped with a vari-angle touchscreen monitor.
Starlight view mode boosts display brightness for users to visually confirm composition in extremely dark scenes. It also achieves sharp focus with the low-light limit extendable down to -10 EV.8
Video frame rates and resolutions up to 4K UHD 30 oversampled from 6K,9 as well as 4KUHD 60P (DX-mode) and 1080/120P with recording times up to 125 minutes.10
The first Nikon camera to feature video recording in shutter-priority auto mode, letting the user select the shutter speed, while the camera adjusts the aperture and ISO.
In-camera, 10-bit H.265 recording, allowing users to record full-scale video directly to the camera without the need for an external recorder.
The first Z-series camera to support Touch Fn for adjustment of camera settings while framing pictures in the viewfinder. The user is now able to move the focus point via the LCD screen while looking through the viewfinder.
Supports the merging of NEF (RAW) images shot with pixel shift shooting to create a highly detailed image up to 96 megapixels.
Fast shooting, with up 14 fps bursts plus High-Speed Frame Capture+ (C30), which achieves high-speed continuous shooting at up to 30 fps. Pre-Release Capture is also available, buffering the images before the shutter is fully depressed.
Advanced features for dedicated portrait photographers include the skin softening function and a portrait impression balance function for users to better achieve the portraits they intended. Rich Tone Portrait Picture Control is a new setting that better captures details of the subject’s complexion.
Equipped with two memory card slots, one compatible with widely available UHS II SD cards and the other compatible with Micro SD cards.
Rugged and reliable construction, with magnesium alloy on the front and top covers, for maximum durability with minimal weight. The camera is engineered with high dust- and drip-resistance,11 effective sealing on the exterior cover joints, shutter-release button and vari-angle mechanism. Additionally, an electro-conductive coat that keeps the surface clean from dust and a fluorine coat that makes for easier cleaning.
In addition to the basic black body, the Z f lets users express their own style through six different color options. These premium exteriors render the embossed artificial leather sections of the camera — covering the grip and all around to the rear of the folding camera monitor — in three rich, expressive standard colors (Indigo Blue, Sepia Brown, Bordeaux Red) and three deep, warm natural colors (Sunset Orange, Moss Green, Stone Gray), rendered with individually matching surface textures. These colors will be sold in limited quantity and will be sold exclusively through the Nikon Store.
Price and Availability
The new Nikon Z f will be available in mid- October 2023 for a suggested retail price of $1999.95* for the body only, with the retro-styled NIKKOR Z 40mm f/2.0 SE for an SRP of $2239.95*, or with a NIKKOR Z 24-70mm F/4 S lens for an SRP of $2599.95*. The additional color options will be available as body-only for an SRP of $2099.95* exclusively from the Nikon Store. Nikon is working with SmallRig to develop a custom grip bracket, which will be available at a later date. For more information about the latest Nikon products, including the vast collection of NIKKOR Z lenses and the entire line of Z series cameras, please visit Nikonusa.com
On September 8, 2023, we were one of the first websites to tell you that the Nikon Z retro camera would be released on September 20th. Finally, the day is almost upon us and we are expecting the Nikon ZF camera announcement from Nikon on September 20th.
Nikon Zf Updated Core Specification
Black camera body
24.4 MP BSI-CMOS sensor
Expeed 7 processor
Weight: 700g (inc. battery, the Z5 is 590g, the Z6II is 615g )
Dimensions: 144mm x 101mm
Up to 30fps (JPG/HEIF)
High Extended Shooting for RAW and HEIF
4k 60 video CROP
10-bit H.265 HEVC video (SDR/HLG/N-log)
1080 120p
USB C PD (fast-charging technology based on the USB-C standard)
ISO 100-64,000 (for comparison the Z6II ISO range is 100-51,200)
AF (273 focus points) comes with features from Z8/Z9 with 3D tracking
Shutter selection options: Mechanical / Electronic Front-Curtain / Auto
AF (273 focus points) comes with features from Z8/Z9 with 3D tracking
New feature related to AF
EN-EL15 battery
The Z f logo is moved to the left (the Zfc has it on the right)
Dual memory card slots (SD+MicroSD) – this is probably why the first reports came out with only one memory card slot, the second slot could
be hidden and be used just like the internal memory on some cameras
Pixel Shift: new high-res mode will be implemented for the first time in a Nikon mirrorless camera
August-September announcement, shipment before the end of 2023
Improved autofocus compared to Z5/Z6II
A few different lens kits/bundles will be available in the $2,000-$2,500 price range
Price for body only: $1,999
One of the bundles will be with the Nikkor Z 40mm f/2 (SE) lens (no new lens will be introduced with the Zf)
Very similar (but improved) design/layout from the Nikon Zfc
Small LCD screen on top for aperture display
New 3rd function on the sub lever of the shutter speed dial (besides photo/video) for B&W mode (B&W/Photo/Movie)
Has a little grip/bump like the Nikon Df (see the mockup pictures)
SIRUI, a third-party lens maker announced 3 new lenses for Fuji X-Mount, these lenses were announced on IBC 2023 and CineD team was lucky to have a closer look at these lenses.
SIRUI Announces 3 F1.2 Lens
Sirui Sniper 23mm f/1.2
– 30cm minimum focus
– about 400g weight
– about $350
Sirui Sniper 33mm f/1.2
– 40cm minimum focus
– about 400g weight
– about $350
Sirui Sniper 56mm f/1.2
– 60cm minimum focus
– about 400g weight
– about $350
Panasonic recently announced the Panasonic G92 camera. According to Panasonic, the camera features a major upgrade. The camera is dedicated to still photography, but after looking at its core video specifications, it can also become a perfect companion for cinematographers.
We are comparing the Sony A6700 camera with the Panasonic G92. Based on the major code differences, which camera should you pick for cinematography or for photography? You will get a clear set of answers in this article.
1. Panasonic G9 Mark II, has a large body but is useful for Photographers
Starting from the design part, the Panasonic G9 II camera is fairly large in size and a bit bulky (658g. 134 x 102 x 90 mm vs 493g. 122 x 69 x 75 mm) and adopts the body of the Panasonic S5 Mark II camera. The body design and control type of electronics you find is almost identical to that of its full-frame S5 Mark II.
When compared to the design part of the Sony A6700 camera, the first and foremost thing you will notice is the presence of a large electronic viewfinder in the center of the camera. As a photographer, I would love to have a perfectly placed viewfinder on a camera.
Actual: 27 Megapixel
Effective: 26 Megapixel (6192 x 4128)
Image Sensor
17.3 x 13 mm (Four Thirds) MOS
23.3 x 15.5 mm (APS-C) CMOS
Crop Factor
2x
1.5x
Image Stabilization
Sensor-Shift, 5-Axis
Sensor-Shift, 5-Axis
Built-In ND Filter
None
None
Capture Type
Stills & Video
Stills & Video
2. More Customizable Controls and Dial in Panasonic G9 Mark II
The Panasonic G9 II has more customizable controls and dials, not only on the top side of the camera but also on the rear side. We have a joystick controller on the back side of the Panasonic G9 so we can easily jump to the setting we want to. No joystick controller is present on the rear side of the Sony A6700 camera.
3. Dual Card Slot and Full-Size HDMI in Panasonic G9 II
Dual card slot support is available with the Panasonic G9 II camera, whereas the Sony A6700 camera is limited to a single card slot. At the same time, we also have a full-size HDMI port in G9 Mark II.
4. APS-C vs M4/3 Format Sensor
When it comes to sensor size comparison, the Sony a6700 camera features a large APS-C size sensor. Without a doubt, with a larger sensor and slightly higher resolution, we will have more details in standard shooting modes. Due to the nature of the physical sensor size, the low-light performance of the Sony a6700 camera is expected to be better in low-light shooting environments when compared to the Panasonic G92.
5. Pixel Shift Hand Held High Resolution Mode in Sony
High Resolution Handheld Mode The High Resolution Handheld mode isn’t a new feature for Panasonic cameras; it was introduced with the Panasonic GH6. With the help of pixel shift technology, this mode allows a photographer to capture 100-megapixel images without the need for a tripod. We’ve added some samples to give an idea of how the handheld high-resolution mode works in Panasonic cameras. For reference, we’ve taken images with the Panasonic GH6 camera and compared them to those from the Sony a6700 camera.
Standard Shooting Condition
Pixel Shift Shooting @ 100Mp [ Panasonic GH6 taken as example here]
In the pixel shift mode, as you can notice the camera is able to extract an amazing amount of details even while using it handheld
High-Resolution Sample 2
ISO 1600, you can see the amount of detail Panasonic cameras are able to extract when compared to a 24-megapixel camera like Sony a6700.
Mechanical Shutter
1/8000 to 60 Seconds
Up to 30 Minutes in Bulb Mode Electronic Shutter
1/32000 to 60 Seconds
Up to 60 Seconds in Bulb Mode Electronic Front Curtain Shutter
1/2000 to 60 Seconds
Up to 30 Minutes in Bulb Mode
Mechanical Shutter
1/4000 to 30 Seconds Electronic Shutter
1/8000 to 30 Seconds
Bulb/Time Mode
Bulb Mode
Bulb Mode
ISO Sensitivity
Photo
100 to 25,600 (Extended: 50 to 25,600) Video
100 to 12,800 (Extended: 50 to 12,800)
Photo
100 to 32,000 in Manual Mode (Extended: 50 to 102,400)
100 to 6400 in Auto Mode Video
100 to 32,000 in Manual Mode
100 to 6400 in Auto Mode
2500 to 10,000K Presets: AWB, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4
2500 to 9900K Presets: ATW, AWB, Auto, Cloudy, Color Temperature, Color Temperature Filter, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
Continuous Shooting
Mechanical Shutter
Up to 14 fps at 25.2 MP for up to 170 Frames (Raw) / 200 Frames (JPEG) Electronic Shutter
Up to 75 fps at 25.2 MP for up to 200 Frames (Raw) / 200 Frames (JPEG)
Up to 11 fps at 26 MP for up to 59 Frames (Raw) / 1000 Frames (JPEG)
Interval Recording
Yes
Yes
Self-Timer
2/10-Second Delay
2/5/10-Second Delay
6. The burst speed and Pre-Shooting Buffer
The Panasonic G9 Mark II camera includes features such as a pre-shooting buffer, which you can set the time frame for. When discussing mechanical shutter speed in continuous burst, the G9 Mark II can achieve up to 14 frames per second. If we switch to electronic, it can reach a maximum of 60 frames per second with full-time auto-focus support. Without continuous auto-focus, the G9 Mark II can reach a maximum burst speed of 75 frames per second.
Focus
Focus Type
Auto and Manual Focus
Auto and Manual Focus
Focus Mode
Continuous-Servo AF, Manual Focus, Single-Servo AF
Automatic, Continuous-Servo AF, Direct Manual Focus, Manual Focus, Single-Servo AF
Autofocus Points
Phase Detection: 779
Photo
Phase Detection: 759 Video
Phase Detection: 495
Autofocus Sensitivity
-4 to +18 EV
-3 to +20 EV
7. Hybrid AF – Sony is the Beast, G9 Mark II Reliable
One of the biggest advantages of the G9 Mark II camera is that for the first time, we have a sensor that is equipped with 779 hybrid auto-focusing points. This significantly improves the focusing performance of the camera compared to its predecessor. Now, the camera is able to track cars, animals, and planes.
While the Sony a6700 camera with dedicated artificial intelligence will perform more precisely and accurately in terms of auto-focusing performance since the camera is now backed by the AU Chip and Sony is making of the Hybrid AF sensors from generations. For the first time, Panasonic introduced HYBRID AF in the G9 Mark II is also very useful for general purposes shooting and tracking moving subjects. The auto-focus system in the G9 Mark II is much better than the previous generation’s Depth from Defocus (DFD) auto-focus system.
Verdict: Panasonic G9 Mark II vs Sony A6700 – Best Camera for Photographers
Despite the fact that the Panasonic G9 Mark II camera has a small sensor, it is still capable of producing approximately 100-megapixel detailed images due to its handheld high-resolution mode. This makes the G9 Mark II one of the most suitable cameras for studio photographers who capture images in a controlled environment or work with models.
However, for those who often work in candid situations, such as wedding photographers or street shooters, the G9 Mark II’s handheld high-resolution mode may not be as effective. This is particularly true in cases where subjects are constantly moving, including wildlife and sports photography. In these specific scenarios, it is recommended to consider alternatives like the Sony a6700 or Canon R10, which offer higher continuous burst speeds.
H.264 ALL-Intra/H.265 Long GOP 4:2:2/4:2:0 8/10-Bit
5760 x 4320 at 23.98/24.00/25/29.97 fps [200 Mb/s]
5728 x 3024 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94 fps [200 to 300 Mb/s]
4352 x 3264 at 47.95/48.00/50/59.94 fps [300 Mb/s]
4096 x 2160 at 23.98/24.00/25/29.97/47.95/50/59.94/100/120 fps [150 to 600 Mb/s]
3840 x 2160 at 23.98/24.00/25/29.97/47.95/50/59.94/100/120 fps [72 to 600 Mb/s]
1920 x 1080 at 23.98/24.00/25/29.97/47.95/50/59.94/100/120/200/240/300 fps [20 to 400 Mb/s] ProRes 422/ProRes 422 HQ
1920 x 1080 at 23.98/24.00/25/29.97/50/59.94 fps [121 to 454 Mb/s]
XAVC HS 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/50/59.94/100/120 fps [50 to 280 Mb/s] XAVC HS 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98/50/59.94/100/120 fps [30 to 200 Mb/s] XAVC S 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/100/120 fps [100 to 280 Mb/s]
1920 x 1080 at 23.98/25/29.97/50/59.94 fps [50 Mb/s] XAVC S 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/100/120 fps [60 to 200 Mb/s]
1920 x 1080 at 23.98/25/29.97/50/59.94/100/120 fps [16 to 100 Mb/s] XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [240 to 600 Mb/s]
1920 x 1080 at 23.98/25/29.97/50/59.94 fps [89 to 222 Mb/s]
External Recording Modes
4:2:2 10-Bit via USB
5728 x 3024 at 23.98/24.00/25/29.97 fps
4096 x 2160 at 23.98/24.00/25/29.97/47.95/50/59.94 fps
3840 x 2160 at 23.98/24.00/25/29.97/47.95/50/59.94 fps
4:2:2 10-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
HD (1920 x 1080) at 23.98/50/59.94 fps
The Sony A6700 comes with a host of impressive features:
Full pixel readout from the 6K sensor for high-quality UHD 4K video, minimizing moiré and aliasing.
UHD 4K recording with frame rates up to 120p and full HD recording up to 240p, using full 1:1 pixel readout without binning.
Advanced XAVC HS and XAVC S-I formats for recording in 10-bit 4:2:2, providing consistent performance and quality at bitrates up to 600 Mb/s.
The S-Log3 and S-Gamut3.Cine Gamma Curves offer more than 14 stops of dynamic range for increased post-production flexibility, including matching video from other Sony Cinema Line cameras.
User-created LUTs and presets can be set for accurately monitoring footage or previewing a specific look during shooting. These can be applied to the camera’s monitor, EVF, or HDMI out.
AI Autoframing for content creators.
The ability to record for more than two hours in 4K 30p, or more than 40 minutes at 4K 60p on a 128GB card.
Panasonic G9 Mark II Features
DCI 4K and UHD 4K 60p UNCROPPED unlimited recording with 4:2:2 10-bit color, and for videographers who want to create high-resolution slow-motion video, the camera also supports C4K/4K 120p video capture with 4:2:0 10-bit color.
AWB Lock mode locks in auto white balance and Advance Autofocus MODE to rack focus motion picture effect.
Supports ProRes 422 codec delivering outstanding image quality with low compression. performance and quality at bitrates up to 800 Mb/s.
Real Time LUT video recording to streamline your workflow and color grading.
Recording and playback is supported using an external SSD via USB. Additionally, you have the ability to record ProRes 422 HQ and 4:2:2 10-bit All-Intra directly to an SSD, which combines portability and high capacity for improved efficiency in data backup and post-processing.
Larger Body the same heatsink unit as of the Panasonic S5 Mark II.
Verdict: Best Camera for Video Panasonic G9 Mark II vs. Sony A6700
The Panasonic G9 Mark II camera is highly usable for professional cinematography work.These features include direct recording to SSD drives, 4K 60fps uncropped recording mode, a heat sink mechanism similar to the S5 Mark II camera, ProRes mode, and bit rates up to 800 megabytes per second.
For content creators who produce short videos for their YouTube channels, the Sony a6700 camera may be more suitable due to its AI auto-framing technology, which is undoubtedly highly beneficial for content creators working alone.
The introduction of a hybrid cinema auto-focus sensor in the Panasonic G9 Mark II has significantly improved its auto-focusing performance in video. Additionally, the introduction of 8 stops of image stabilization helps to create handheld content in a much better way compared to previous generations of Panasonic mirrorless cameras.
One of the most notable features of the G9 Mark II is its larger body with a better heat sink mechanism, similar to the Panasonic S5 Mark II. This ensures that the camera can operate for extended periods without overheating.
1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output on Camera Body 1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input on Camera Body
1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output 1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input
Power I/O
1 x USB-C Input/Output
1 x USB-C Input/Output
Other I/O
1 x USB-C (USB 3.2 / 3.1 Gen 2) Data/Video Input/Output (Shared with Power Input)
1 x USB-C (Shared with Power Input)
Wireless
2.4 / 5 GHz Wi-Fi 5 (802.11ac)
Bluetooth 5.0
2.4 / 5 GHz Wi-Fi 5 (802.11ac)
Bluetooth 4.2
Mobile App Compatible
Yes: Android & iOS
App Name: LUMIX Sync
Functionality: Access Stored Files, Adjust Settings, Firmware Update, Remote Control *As of September 2023: Check with the manufacturer for the most up-to-date compatibility
Yes: Android & iOS
App Name: Creators’ App
Functionality: Access Stored Files, Remote Control *As of July 2023: Check with the manufacturer for the most up-to-date compatibility
Global Positioning (GPS, GLONASS, etc.)
GPS
*Via Connected Smartphone
GPS
*Via Connected Smartphone
Battery Type
1 x DMW-BLK22 Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 370 Shots)
1 x NP-FZ100 Rechargeable Lithium-Ion (Approx. 550 Shots)
Shoe Mount
1 x Hot Shoe
1 x Intelligent Hot Shoe
Tripod Mounting Thread
1 x 1/4″-20 Female (Bottom)
1 x 1/4″-20 Female (Bottom)
Material of Construction
Magnesium Alloy
Magnesium Alloy
Dimensions (W x H x D)
5.3 x 4 x 3.5″ / 134.3 x 102.3 x 90.1 mm (Without Protrusions)
4.8 x 2.7 x 3″ / 122 x 69 x 75.1 mm
Weight
1.4 lb / 658 g (With Battery, Recording Media)
1.3 lb / 575 g (Body Only)
1.1 lb / 493 g (With Battery, Recording Media)
0.9 lb / 411 g (Body Only)
Canon Latest Sept 2023 Announcements – 4K PTZ Camera & RF-Mount Cinema Prime Lenses
1. Canon Announces CR-N100 4K PTZ Camera and Flagship RC-IP1000 Remote Camera Controller
The new CR-N100 4K PTZ is designed for indoor use-cases and brings the excellent image quality and performance that Canon PTZ cameras are known for at a lower price point.
Canon is also introducing the RC-IP1000, a high-end remote camera controller designed for professional systems.
As a free download, Canon will also release the Multi-Camera Management Application that streamlines the configuration and management of supported Canon PTZ, professional video, and cinema cameras.
2. Canon Announces the Company’s First Set of RF-Mount Cinema Prime Lenses
Canon U.S.A. announced today the introduction of the company’s first RF-Mount Cinema Prime Lenses for the Cinema EOS System.
The new lenses combine high optical performance for 4K and 8K shooting, cinema-style operability, and RF mount communications.
The first set of seven RF-Mount Cinema Prime Lenses is only the beginning. Canon plans to swiftly expand the lineup of RF-mount-compatible video production equipment to meet the needs of professional video production of such content as movies, TV, and commercials.
Pricing and Availability
The seven new Canon RF-Mount Cinema Prime Lenses estimated retail pricing and scheduled availability* are as follows:
Canon Announces CR-N100 4K PTZ Camera and Flagship RC-IP1000 Remote Camera Controller
MELVILLE, N.Y.,September12, 2023 –Canon U.S.A., Inc., a leader in digital imaging solutions, announced today theCR-N100 4K PTZ camera. The camera is designed for indoor use-casesand brings the excellent image quality and performance that Canon PTZ cameras are known for at a lower price point. Canon is also introducing the RC-IP1000, a high-end remote camera controller designed for professional systems. As a free download, Canon will also release the Multi-Camera Management Application that streamlines the configuration and management of supported Canon PTZ, professional video, and cinema cameras.
Canon CR-N100 4K PTZ Camera and Multi-Camera Management Application
As online meetings, lectures, liveevents, and seminars become increasingly commonplace, there is a growing need for livestreaming and video recording technology. The CR-N100 camera provides excellent image quality, fast autofocus, and its compacti size allows for easy installation inspaces such as meeting rooms and classrooms. With the addition of the CR-N100 to Canon’s lineup of remote cameras, customers now have greater choices of products that support a wide range of uses, from professional video production to video content use by markets such as corporate, local governments,house of worship, and educational institutions.
The CR-N100 showcases key features that leverage Canon’s history of professional camera technology development, including a 1/2.3” CMOS sensor and a DIGIC DV6 image processor platform that helps to produce 4K/30P high-image-quality video capture. In addition, the camera is equipped with a 20x optical zoom lens with a focal length of 29.3mmー601mmii, supporting image capture ranging from wide-angle to telephoto scenarios. The camera also includes four “scene modes”—Portrait, Sports, Low-light, and Spotlight—which users can choose to create theircontent based on the subject.
Users canbuild a complete, versatile production environment thanks to the CR-N100’s supportfor avariety of video interfaces and IP streaming protocols. The CR-N100 supports NDI|HXiii for high-quality – low latency video and control, SRTiv for secure high-quality video streaming over public networks, and RTP/RTSP/RTMP(s) for live streaming over popular social networks. The CR-N100 also supports Canon’s XC protocol for easy integration into new and existing Canon production environments.The CR-N100 also supports HDMI and the USB Video Class (UVC) transmission standard. UVC allows the CR-N100 to be used as a camera for web conferencesystems simply by connecting it to a PC via USB.
To help with the initial configuration of supported Canon PTZ, professional video, and cinema cameras, Canon is also releasing the Multi-Camera Management Application (MCMA). MCMA enables users to batch-configure initial camera settings as well as manage cameras, making it ideal for corporate, education, and events that require multi-camera environments,such as livestreaming of university lectures and live event broadcasting.
With the Multi-Camera Management Application (MCMA), up to 200 individual camera units can be managed for use in large-scale camera systems. The MCMA streamlines the registration of usernames, passwords, and IP addresses to a camera and the registration of cameras to the RC-IP1000 by executing these procedures all at once, instead of individually. This allows for rapid initial configuration of large-scale systems with minimal workload. What’s more, the status of all connected cameras can be viewed in a convenient list that enables easier execution of operationssuch as updating firmware, restarting, and initialization.
Canon RC-IP1000 Remote Camera Controller
The Canon RC-IP1000 is a high-end controller that provides multiple functions and easy operation required for professional remote video production workflows, meeting the needs of various environments, including broadcast, house of worship,and live event streaming. The RC-IP1000 was designed with ease-of-use in mindand features direct functional buttons and dials ideally positioned and angled for simple operation, as well as an easily visible 7” touch-panel. The controller supports both IP and serial control, and can remotely perform Pan, Tilt, and Zoom (PTZ) movements, and the user can configure and change settings, including focus, exposure, and image settings. The RC-IP1000 is compatible with popular broadcast industry 12G-SDI input for 4K/60P, as well as visual input via IP and HDMI video output. The touch panel can display live video of cameras in single, 2×2, and 3×3 page layoutsfrom cameras via IP, enabling simultaneous operation of multiple camera units.
Pricing and Availability
The Canon CR-N100 4K PTZ Camera is scheduled to be available in early October for an estimated retail price of $1999.00*.
(ASIA PACIFIC, 13 September 2023) — Sony is pleased to announce the new BURANO camera as part of the CineAlta lineup – the company’s top line of digital cinema cameras. The new BURANO features a sensor that matches the colour science of the VENICE 2 and is specially designed for single-camera operators and small crews. This camera combines exceptional image quality with high mobility and is the world’s first digital cinema camera with a PL-Mount to feature in-body image stabilisation. In addition, the compact housing includes for the first time both a thinner-than-before electronically variable ND filter structure alongside the optical image stabilisation mechanism, a technological feat never achieved previously. When removing the PL lens mount, the camera can be used with E-mount lenses and supports fast hybrid AF and subject recognition AF, even perfect for fast-moving subjects.
Main Features: Powerful 8.6K Full-Frame Sensor Using the widely appreciated colour science of the VENICE cameras, BURANO features an 8.6K full-frame sensor that shares most of the VENICE 2 specifications enabling it to work alongside that camera in all types of productions. The sensor features dual base ISO of 800 and 3200 and 16 stopsof latitude to produce stunning images even in the most challenging lighting conditions.
Like all cameras in Sony’s full-frame Cinema Line, BURANO will have the ability to shoot at full-frame, Super 35, and also features a de-squeeze function for anamorphic lenses. It can film at frame rates including up to 8K at 30 frames per second, 6K at 60 frames per second or 4K at 120 frames per second.
BURANO features a compact and lightweight body for high mobility, approximately 32mm shorter and 1.4kg lighter than the VENICE 2 camera. BURANO is housed in a rugged magnesium chassis, making it suitable for filming in the most challenging environments. The camera and accessory packaging bags materials are made primarily of plant-based cellulose instead of plastic as part of Sony’s efforts to be environmentally conscious. Moreover, a moulded pulp cushion is used on the camera as the cushioning material, thus not using expanded polystyrene.
Built In Optical Image Stabilisation BURANO is the world’s first digital cinema camera with PL-mount to support in-body image stabilisation. With a newly developed image stabilisation mechanism and control algorithm that leverages the advanced image stabilisation technology cultivated in the Alpha™ series of mirrorless interchangeable-lens cameras, unwanted camera shake, such as movement from shooting handheld or walking, can be corrected when shooting with an E-mount or PL-mount lens.
Variable ND Filter for added control and exposure optimisation. BURANO is equipped with an electronic variable ND filter from 0.6 to 2.1, enabling easy adjustments in various lighting conditions. In addition, the electronic variable ND filter allows control of the depth of field with the iris and adjusts to the optimum exposure without changing the depth of field.
E-mount lenses for an increased choice More than 70 E-mount lenses can use the excellent image stabilisation function cultivated with Alpha™, as well as Fast Hybrid AF that combines the benefits of phase detection and contrast detection method and are also compatible with high-precision Subject Recognition AF using AI. Using an E-mount lens further reduces the weight and size of the camera.
Updated Body Design for greater ergonomics BURANO also includes design improvements based on feedback from the filmmaking community. For example, all menu buttons are positioned on the camera operator’s side. Additionally, tally lamps are placed in three locations to make it easier for the surrounding crew to check the shooting status. The 3.5-inch multi-function LCD monitor can be used as a viewfinder, for touch focus, or menu control. The BURANO also comes equipped with an optional robust T-handle, viewfinder arm, two 3-pin XLR audio inputs, and a headphone terminal (stereo minijack), convenient for solo operation.
Recording Formats for added workflow flexibility. The BURANO can record from HD to 8K depending on the resolution, aspect ratio, and codec. BURANO supports multiple internal recording formats, such as the new XAVC H for 8K, which uses the MPEG-H HEVC/H.265 high compression efficiency codec. Other recording formats include XAVC and X-OCN LT. X-OCN is Sony’s original compressed RAW format that can capture information shot with 16-bit linear data, which gives filmmakers more freedom in post for colour grading. X-OCN LT can reduce file transfer time and storage size load, making post-production workflows more efficient than standard versions of RAW data.
BURANO is also equipped with two new CF express Type B memory card slots and supports VPG400, which can sustain high bitrate writing of video data, including X-OCN LT 8K. Sony will also be releasing new compatible CFexpress Type B memory cards, CEB-G1920T (1920 GB)/ CEB-G960T (960 GB).
Versatile and Efficient Production Ecosystem BURANO supports various log recording modes including S-Gamut3 and S-Gamut.Cine, which are colour spaces that cover a colour gamut exceeding BT.2020 and DCI-P3. BURANO can reproduce the same colour as all cameras in Sony’s Cinema Line, including the VENICE 2. This allows filmmakers to match cameras within the line.
BURANO comes with four new cinematic looks: Warm, Cool, Vintage, Teal, and Orange, in addition to supporting industry standard s709 and 709 (800%) Look Up Tables (LUTs).
Furthermore, like the VENICE series amongst others, BURANO can be used for virtual production using large screen LED displays such as Sony’s Crystal LED VERONA. The camera also features gen-lock.
Sony will be releasing separately the GP-VR100 Grip remote control for the BURANO’s main unit, to control the zoom lever and recording start / stop button, particularly useful in solo shooting set ups.
BURANO will support the S700 protocol over ethernet and a 1.5x de-squeeze display function when using anamorphic lens in July 2024 or later. Further updates based on user feedback and suggestions will be rolled out in the future.
Continuous enhancement of Cinema Line in both hardware and software Cinema Line is a series of camera products for content creators, which delivers not only the coveted cinematographic look cultivated through extensive experience in digital cinema production, but also the enhanced operability and reliability that meet discerning creators’ various needs. Set to continuously evolve, Cinema Line currently includes the high end CineAlta cameras VENICE, VENICE 2, BURANO, as well as the various FX models and the unique FR7 PTZ camera. From a software perspective, the newly launched mobile app, Monitor & Control , part of the Sony Creators’ Cloud can be used with the FX3, FX30 amongst others. The app, designed with visual creators in mind, enables wireless video monitoring, support for high-precision exposure determination using false colour and waveform monitors, and intuitive focus operation of compatible cameras, on the screen of a smartphone or tablet. BURANO will also be compatible with this app.
Availability The BURANO, CFexpress Type B memory cards, CEB-G1920T (1920 GB)/ CEB-G960T (960 GB) and new GP-VR100 Grip remote control (sold separately) will be available in Asia Pacific from March 2024 or later.
Fuji GFX100 II features a newly redesigned sensor, the readout speed of the sensor is now 2X improved, microlenses to upscale the image quality are updated as well, and the sensor is now paired up with the company’s latest ‘X Processor 5’ chip to deliver a range of features, many of which were first seen on the X-H2 cameras. With the introduction of the new image processor IBIS performance is also improved upto 8 Stops.
Fuji GFX 100 II Major Features
102MP BSI CMOS 44x33mm medium format sensor
AI-derived subject recognition AF system
In-body image stabilization rated at 8EV
Continuous shooting at up to 8fps
Extensive video options including 8K and anamorphic support
9.44M dot OLED EVF
Waveform and Vectorscope display for video
Direct record to SSD
Camera to cloud support
IPTC metadata
The Fujifilm GFX100 II will be available from September 2023 at a suggested price of $7499.
Fujifilm Bolsters its Flagship Camera Lineup with Launch of FUJIFILM GFX100 II Mirrorless Digital Camera
VALHALLA, N.Y., September 12, 2023 – FUJIFILM North America Corporation today announced the introduction of FUJIFILM GFX100 II digital camera (GFX100 II), a new flagship addition to the GFX System’s family of mirrorless digital cameras. Incorporating a 55mm large-format image sensor1 – which is nearly 1.7x larger than the 35mm image sensors found in full-frame cameras – GFX100 II produces images with broad dynamic range at a very shallow depth-of-field.
GFX100 II includes a newly developed, 102-megapixel high-speed image sensor and Fujifilm’s latest 5th generation X-Processor 5 image processing engine, which doubles the signal readout speed compared to the current model2. This in turn provides unique benefits to image makers, especially in the areas of high-speed, continuous shutter mode, autofocus (AF) and video.
“Imaging professionals rely on FUJIFILM GFX System cameras and lenses to take their bestimages to another level,” said Victor Ha, vice president, Electronic Imaging Division and Optical Device Division, FUJIFILM North America Corporation. “GFX100 II is another incredible design and engineering feat for Fujifilm. We’re incredibly excited to see the new creative heights that will be achieved with this camera when it gets into the hands of our photographers and filmmakers.”
GFX100 II utilizes Fujifilm’s latest high-speed image sensor, along with its advanced image processing engine to deliver Artificial Intelligence (AI) based subject-detection autofocus (AF), which was most recently featured in the FUJIFILM X-H2S mirrorless digital camera. Developed with Deep Learning technology and updated with the latest prediction AF algorithm, GFX100 II now incorporates AI based subject-detection AF to quickly track and detect animals, birds, vehicles, and other fast-moving objects like insects and drones3, and it automatically keeps them in focus so that photographers can concentrate on framing their images and waiting for the perfect moment to make their image.
Burst shooting performance has been increased from the current4 5.0 frames per second to 8.0 frames per second5, expanding the GFX100 II’s application across various genres, including fashion, commercial, landscape, sports, and photojournalism. An expanded buffer memory4 extends seamless burst capabilities for those once-in-a-lifetime moments.
GFX100 II’s new sensor also provides enhanced capabilities for video production. The ability to internally record Apple ProRes 4:2:2, 10-bit video at 4K/60p and 8K/30p is a major first for GFX System cameras. With the use of an optional, third-party GF to PL lens adapter, multiple video recording formats can be natively accommodated on GFX100 II, making the FUJINON PREMISTA 35mm lens and Anamorphic (35mm) cinema lenses easily adaptable for various uses including cinematic applications. Additionally, GFX100 II supports three Apple ProRes codecs, i.e., Apple ProRes 422 HQ, Apple ProRes 422 and Apple ProRes 422 LT. When recording in Apple ProRes, the camera can also output h.264 and Apple ProRes 422 Proxy files, which can streamline workflows overall from production to post-production.
GFX100 II also features Ethernet, HDMI Type A, and USB-C terminals for enhanced external device connectivity. Dual card slots support one CFExpressTM Type B and one SD card. CFExpressTM Type B cards are required to access the GFX100 II’s enhanced video performance features. Production workflows are additionally streamlined with the camera’s native, accessory free integration for Frame.io Camera to Cloud, which seamlessly delivers files directly to the cloud, and Atomos AirGluTM BT, which allows timecode on GFX100 II to be accurately jammed and synchronized across various compatible accessories, audio recorders, and other hardware and software products that are commonly used in video production.
GFX100 II includes a total of 20 Film Simulation modes, including the new REALA ACE mode, which is based on Fujifilm’s color negative film, offering a neutral color reproduction suitable for all subject types. Additionally, Fujifilm’s innovation of the pixel structure has enabled the use of ISO80 as a standard sensitivity. When the sensor sensitivity is set at
ISO80, the camera can make images with incredible dynamic range and noise levels that are lower than previous GFX100 and GFX100S models. The new sensor’s photosites have been optimized to increase light use efficiency at the sensor’s edges, thus improving both image quality at the edges of the photo, and AF accuracy over the previous, GFX100 and GFX100S models.
Hardware enhancements include a five-axis, in-body image stabilization (IBIS) that provides up to 8-stops of image stabilization, as well as 1.0x viewfinder magnification, and a high- magnification, high-definition 9.44-million-dot EVF. The camera’s new design also features a large, sub-LCD, tilted top panel, and a fashionably textured grip.
Optional Accessories
FUJIFILM VG-GFX II Vertical battery grip (VG-GFX II) accommodates two NP-W235 batteries for extended image- and video-making opportunities.
FUJIFILM FAN-001 Cooling fan (FAN-001) allows for extended video filming in high temperatures.
FUJIFILM EVF-TL1 EVF tilt adapter (EVF-TL1) provides diverse shooting angles while using the viewfinder.
Pricing and Availability
GFX100 II is expected to be available in early fall 2023 at a Manufacturer’s Suggested Retail Price of $7,499.95 USD and $10,124.99 CDN. The pricing for the optional accessories is expected to be as follows:
VG-GFXII – $499.95 USD and $679.99 CDN
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