This is Nikon’s first move after the acquisition of RED Camera. Initially, they introduced a LUT (Look-Up Table) that exhibits a color profile similar to RED Cinema cameras for their Nikon mirrorless system cameras, specifically those capable of recording in log format. However, this is just a small step towards a major announcement ?, the btw, we have already shared our wishlist for Nikon next RED Komodo camera with Z Mount – Nikon KOMODO Z – What Can We Expect from Nikon?
The Digital Photography Review team has recorded videos with all new LUTs and has demonstrated them beautifully, allowing you to see the color differences, contrast types, and dynamic range each lens provides.
Okay, that’s a really big surprise that Canon has announced a 28-70 f/2.8 lens with a $1000 (approximately) price tag. It is completely unbelievable that a brand like Canon would put a full-frame lens in the market at such a reasonable price. I can’t believe it, but it’s a fact, and you can order it right now at B&H or other stores.
The RF28-70mm F2.8 IS STM lens is Canon’s new standard zoom lens, primarily for full-frame camera users, offering a widely adjustable focal range from 28mm to 70mm with a constant F2.8 aperture
Nikon Z 50mm 1.4 lens has finally been announced. The lens is very reasonably priced, considering it’s a full-frame lens with a 1.4 aperture. I think other camera makers should learn from Nikon, how affordable and reasonably priced F1.4 lenses are becoming for their Z mount. If native lenses are available at such reasonable prices, why would users look for third-party lenses?
Close minimum focus distance lets users get as near as 14.5 in (0.37 m) from the subject, which is great for flowers, still life and food photography.
Nine-blade diaphragm helps to create a natural, circular bokeh for a pleasing out of focus area.
Focus breathing is effectively suppressed to minimize the shift of the angle of view when adjusting the focus.
Near Silent operation for video production, with a click-less control ring and near silent lens drive thanks to the use of STM motors.
Weather Sealed and designed with careful consideration for dust- and drip-resistant performance.
Nikon Z 50mm 1.4 Sample Images
Shutter Speed
1/250 sec.
Aperture
f/1.4
Focal length
50mm
Imaging Sensitivity
200
format
Full size/FX format
I captured the casual expression of a person peeking through the leaves. By opening the aperture to f/1.4, the focused eye area is sharp, while the leaves in the foreground and background are softly blurred, enveloping the person. This is a shot that subtly conveys her feelings.
The neutral perspective of the 50mm and the large foreground and background bokeh produced by the maximum aperture of F1.4 make people stand out in a three-dimensional way. Another feature of the 50mm lens is the high degree of freedom it offers, allowing you to change the impression of the subject in a variety of ways depending on the distance and angle.
This image was taken using RAW data, which was converted to TIFF or JPEG using software such as NX Studio, and then finished as a work of art by the photographer using software from another company.
● The original data has been resized to 1280 x 852 pixels.
Canon announced the C80 camera, the massive update is the introduction of a full-frame 26 MP Stacked CMOS sensor. The Canon C80’s stacked CMOS sensor can capture video up to 6K resolution without oversampling, and hence you can record as much as you want without overheating issues. And also features a triple-base ISO design, with bases at ISO 800, 3200, and 12,800.
2nd Gen of DPAF
The new sensor is fabricated with advanced DPAF 2nd gen of Autofocus points, The AF algorithm is also updated, so now you can easily track and focus 3d moving objects more precisely as well and animal eye AF tracking is also included.
A PURE Cinema Camera
12G-SDI terminals to allow for output of uncompressed video signals, Canon’s multi-function shoe, a new lightweight handle accessory for attaching multi-function accessories, a third 1/4″-20 tripod thread on the base of the camera and another on top, and an ethernet terminal. Connections include full-sized HDMI-out, two mini XLR audio inputs, a 3.5mm microphone jack, 4-channel audio support, and a Time Code terminal. There are 13 custom buttons.
Built-in ND Filters
ND filter system as the EOS C400, with five settings ranging from ND2 to ND10, and there’s a helpful tape measure hook on the top of the camera for planning focus and focus pulls.
Crop in 4k 60p? Disappointing thing in 2024
Canon C80 can capture up to 6K/30p video using the width of its sensor or up to 4K/60p using a Super 35mm crop when using Canon’s Cinema RAW LT (‘light’) codec.
Codec Support
The camera also supports compressed codecs, including Canon’s XF-AVC, XF-HEVC S, and XF-AVC S codecs, all of which support video capture up to 4K/60p (downsampled from 6K) in 4:2:2 10-bit color, using either All-I or Long-GOP formats.
Limitation of the UHS-II SD Cards
It doesn’t support Canon’s higher bit rate Cinema RAW formats, HQ and ST, which require write speeds beyond the ability of the C80’s dual-SD (UHS-II) memory cards.
Get this camera from our link and help to Keep the vlog active – B&H Store – Canon C80
Canon C80 Press Release
Canon Introduces the EOS C80 6K Full-Frame Cinema Camera
New EOS C80 RF-Mount Camera Features a 6K Full-Frame, Back-Illuminated Stacked CMOS
Sensor, Triple-Base ISO, Dual Pixel CMOS AF II and 12G-SDI
MELVILLE, N.Y., September 9, 2024 – Canon U.S.A. Inc., a leader in digital imaging solutions, is pleased to announce the new EOS C80 cinema camera, with a native RF-mount and full-frame, back- illuminated stacked CMOS sensor, designed for filmmakers that require a full-featured camera in a compact body.
The Canon EOS C80 camera features a 6K full-frame, back-illuminated CMOS sensor, with triple-base ISO, allowing the camera to deliver stunning imagery in a wide range of lighting conditions. The base ISOs of 800, 3200, and 12,800 maximize the full dynamic range of the camera. The EOS C80 camera also features Canon’s latest Dual Pixel CMOS Autofocus, Dual Pixel AF II. The back-illuminated stacked sensor’s positioning offers superb light-capturing efficiency, which widens the area of the sensor that can be used for autofocusing. The sensor also empowers fast readout speed, as well as amazing 4K image quality from 6K oversampling.
12-G SDI and a Variety of Interfaces
In addition to moving to a full-frame sensor, the EOS C80 camera has also stepped up from its predecessor by adding 12G-SDI output, which enables uncompressed transfer of your video signal with a secure cable connection. The camera’s design includes a variety of other interfaces including HDMI, mini-XLR audio inputs, time code, built-in Wi-Fi® connectivity, and Ethernet. This internet connectivity enables the camera to be controlled remotely via our IP-based XC Protocol using Canon’s Remote Camera Control Application (available for free on the Canon USA Website), or our Multi-Camera Control App for iPhone (available for free on the App Store).
Compact Design
The compact and lightweight EOS C80 camera is suitable on a drone, gimbal, tripod, or in any configuration where compact size and light weight are important. The camera is ergonomically designed with a new, lightweight handle assembly. The Multi-function Shoe is located just above the LCD screen and the joystick controller provides easy control and menu navigation.
Recording Options
The EOS C80 camera can record up to 6K 30P in Cinema RAW Light. Other recording options include our standard XF-AVC codec which can record in 10-bit 4:2:2 with oversampling from the 6K sensor, creating rich detail and smooth imagery without the need for cropping the image from the sensor.Furthermore, autofocus is enabled when recording in slow or fast motion at up to 4K 120P. Additionally, the EOS C80 camera has two more recording codecs, XF-AVC S and XF-HEVC S. These formats were first introduced with the EOS C400 camera and feature an easy-to-manage naming system and folder structure, while recording in the familiar MP4 format and preserving metadata.
Pricing and Availability
The Canon Cinema EOS C80 Full-Frame camera is scheduled to be available in November 2024 for an estimated retail price of $5,499.00. For more information, please visit www.usa.canon.com.
Finally, the new mirrorless system from DJI is coming! We shouted at the beginning of this year that DJI was preparing this special product, and now we have confirmed that the DJI Osmo Mirrorless system camera with a retro design and a full-frame sensor is about to arrive. Ans as we have told you earlier the camera will use the “L” Mount also know as the DL mount among DJI system cameras. The DL Mount is already used in its Ronin 4D 8k / ZENMUSE X series high-end drones. We are full of excitement and eagerly waiting for more information.
Comparing the recently announced GoPro Hero 13 camera with the upcoming DJI Osmo Action 5 Pro based on the available core specifications, we will update this table as more detailed specs become available. From the initial set of specs, you can get an idea of which camera might be more suitable based on your requirements and budget.
GoPro Hero 13 Black vs. DJI Osmo Action 5 Pro – Quick Comparison
Feature
GoPro Hero 13 Black
DJI Osmo Action 5 Pro*
Sensor Size
1/1.9-inch
1/1.3-inch
Megapixels
27MP
40MP
Pixel Size
1.9μm (larger pixels, better low-light)
1.22μm
Video Resolution
5.3K 60FPS, 4K 120FPS
4K 120FPS
Image Stabilization
HyperSmooth 6.0
360° HorizonSteady
Field of View
Varies with lens (ultra-wide support)
155° FOV
Slow Motion
120 FPS (5.3K), 400 FPS (720p)
120 FPS (4K)
Waterproof
10m without housing
20m without housing
Battery Life
1.5 hrs (5.3K), up to 2.5 hrs (1080p)
Up to 4 hours
Mounting
Magnetic latch, built-in mounting fingers
Magnetic quick-release
Audio
Customizable audio settings
3 stereo microphones, OsmoAudio tech
Wi-Fi
Wi-Fi 6
Wi-Fi 6
Special Features
Supports HB-series lenses
Live streaming, SuperNight, vlogging screen
DJI Osmo Action 5 Pro: Its larger 1/1.3-inch sensor gives it an advantage in resolution, but with smaller 1.22μm pixels, it may not perform as well as the Hero 13 in extreme low-light environments..
GoPro Hero 13 Black vs. DJI Osmo Action 5 Pro – Detailed Comparison
Imaging
Image Sensor
1/1.9″-Type CMOS
1/1.3″-Type CMOS
Sensor Resolution
Effective: 27.6 Megapixel (5599 x 4927)
Effective: 40 Megapixel (7296 x 5472)
Image Stabilization
Digital
Digital
Optics
Focal Length
12 to 39mm (35mm Equivalent)
35mm Equivalent
Maximum Aperture
f/2.5
f/2.8
Angle of View
156° (8:7)
155°
Zoom
Digital: 2x
Digital: 2x
Recording
Internal Recording Modes
H.265 8/10-Bit
5120 x 2880 at 24.00/25/30.00/50/60.00 fps [120 Mb/s]
3840 x 2160 at 24.00/25/30.00/50/60.00/100/120 fps [120 Mb/s]
2560 x 1440 at 100/120/200/240 fps [120 Mb/s]
1920 x 1080p at 24.00/25/30.00/50/60.00/100/120/200/240 fps [120 Mb/s]
H.265/MP4
3840 x 2880 at 23.98/25/29.97/47.95/50/59.94/100/120 fps
3840 x 2160 at 23.98/25/29.97/47.95/50/59.94/100/120 fps
2688 x 2016 at 23.98/25/29.97/47.95/50/59.94/100/120 fps
2688 x 1512 at 23.98/25/29.97/47.95/50/59.94/100/120 fps
1920 x 1080p at 23.98/25/29.97/47.95/50/59.94/200/240 fps
Still Image Support
JPEG / Raw
27.13 MP (5568 x 4872)
JPEG / Raw
40 MP (7296 x 5472)
Audio Recording
WAV-Channel
AAC: -Channel 16-Bit48 kHz
Internal Storage
No
47 GB
Exposure Control
Metering Range
-2 to 2 EV
Photo – 100 to 25,600
Video – 100 to 51,200
Interval Recording
Yes
Yes
Display
Display Type
Primary Monitor: Fixed 2.3″ Touchscreen LCD
Secondary Monitor: Fixed 1.4″ Non-Touchscreen LCD
Primary Monitor: Fixed 2.5″ Touchscreen OLED
Secondary Monitor: Fixed 1.4″ Touchscreen OLED
Features
Scene Modes
Presets – Yes
Presets – Yes
Creative Effects
Yes
Yes
Built-In Microphone
Stereo
Stereo
Built-In Speaker
Yes
Yes
Interface
Media/Memory Card Slot
Single Slot: microSD/microSDHC (UHS-III) [U3/V30 or Faster Recommended]
Single Slot: microSD/microSDHC/microSDXC [1 TB Maximum]
Rechargeable Lithium-Ion Battery Pack, 3.87 VDC, 1950 mAh
Estimated Battery Life
2.5 Hours
2.4 Hours
Super fast Charging Mode
No
Yes, 15min
General
Built-In Light
Light – No
Light – No
Tripod Mounting Thread
Yes
Yes
Dimensions (W x H x D)
2.8 x 2 x 1.3″ / 71.8 x 50.8 x 33.6 mm
1.7 x 1.3 x 2.8″ / 44.2 x 32.8 x 70.5 mm
Packaging Info
Package Weight
0.81 lb
1.51 lb
Box Dimensions (LxWxH)
9.3 x 4.4 x 3″
10.1 x 4.5 x 1.7″
Price
DJI Osmo Action 5 Pro:
Approx. $399
GoPro Hero 13 Black:
Approx. $449
Conclusion:
GoPro Hero 13 Black offers higher resolution photos and videos, better FOV, and more extensive accessory support, but it comes at a higher price.
DJI Osmo Action 5 Pro excels in battery life, deeper waterproofing, and slightly broader ISO capabilities, making it more affordable while still packing high-end features.
According to the latest rumors, the DJI Action 5 Pro camera features 40MP 1/1.3-inch, Here are the detailed specifications of the DJI Osmo Action 5 Pro based on recent leaks:
Sensor: 40MP 1/1.3-inch
Video: 4K at 120fps
Stabilization: 360° HorizonSteady
Audio: 3 stereo microphones with OsmoAudio
Connectivity: Wi-Fi 6, Bluetooth 5.0
Storage: 47GB internal, up to 1TB memory card support
Field of View: 155°
Additional Features: Subject tracking, live streaming, waterproof up to 20m
Battery Life: Up to 4 hours
The OSMO Action 5 also appears to be compatible with a handheld gimbal, adding to its versatility for content creation on the go
Update #1
DJI has teased the launch of the rumored Osmo Action 5 Pro camera on September 19, 2024 at 9am EDT with the slogan “A Pro Rises”. Below are the latest leaks (images and specs).
– 40MP 1/1.3″
– 155° field of view
– Video up to UHD 4K120p
– 4 hours battery life
– Live stream
– 47GB internal storage
– Memory slots: up to 1TB
– Super night slow motion mode
– 3 stereo microphones
– Osmo Audio
– Voice control
– 360° Horizon Steady
– Subject centering and tracking
– Waterproof 65.6
– Wi-Fi 6 (802.11ax) / Bluetooth 5.0
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