According to the latest rumours, Sony will be announcing a new product in May 2025. At this very moment, the only thing we know from a tipster’s hint is to consider it as a cine-style FX camera from Sony. Take a look at what the tipster has said to us in the previous post.
It’s a camera made for video users. I already have the review unit and am impressed with its overall performance. The only feature I wish this camera had is open-gate recording. However, the IBIS is the new unit that works like a charm for handheld usage.
Also, take a look at what the Sony Alpha Rumor website (Link) has said.
I am now 100% sure that there will be a new Sony announcement in May! I’m not sure yet what the name of the camera will be… but I’ll say this: I’m not buying the FX3 or the a7CII right now. I’ll have more to say next week.
PS: Btw, I was waiting for the Sony A7V camera announcement.
Sony has announced the FE 50-150mm f/2.0 GM lens. Sony has never announced such a lens before with a focal range from 50 to 150 and having a constant f/2.0 aperture range.
This is the best professional portrait lens a photographer can ever have in a Sony FE Mount camera. It will give unparalleled performance during a professional partner shoot, a wedding event, or even in sports photography.
Pre-order / Buy Sony FE 50-150mm f/2.0 GM Lens from B&H Store
Specification
Details
Focal Length
50-150mm
Maximum Aperture
f/2.0 (constant)
Weight
1340g
Length
200mm
Minimum Focus Distance
15.8 inches (0.4m) at 50mm, 29.1 inches (0.74m) at 150mm
Maximum Magnification
1:5 (0.2x)
Filter Thread
TBD
Mount
Sony E-mount (full-frame)
Price
~€4400 / ~$4000 USD
Shipment Start
Early June 2025
Let’s explore the key features of the 50-150mm f/2.0 GM lens.
Constant f/2.0 aperture: So it offers the best low light performance in its focal range, and at the same time, it gives you flexibility of 50 to 150mm. So it’s a kind of very unique combination of multiple prime lenses you are getting in a single zoom lens.
G Master optics: Sony has used the finest optical elements possible, which include extreme aspheric XA lenses that deliver edge-to-edge sharpness while holding minimal chromatic aberrations.
Fast and accurate autofocus: With the implementation of 4 XD Linear autofocus motors for rapid and silent focusing, the lens takes no time to lock autofocus on the moving subject.
Compact and lightweight: Why are we saying compact and lightweight for a lens that weighs 1340 grams? We are saying from a perspective—if you are buying a 135mm f/2 lens of Sigma for Sony E-mount, you have to carry approximately the same weight and the size too. In approximately the same weight and size, you are getting an amazing zoom lens in your hand which is capable of zooming in/zooming out from 50 to 150mm at f/2 aperture.
Rugged design: It’s completely weather-sealed so you can shoot in dusty and moist environments.
Why is this lens a game changer?
See, it is one of the unique and it’s better to say a revolutionary lens for many reasons. If we consider a single reason, that we are getting an f/2.0 aperture in a daily-use zoom lens which covers approximately 50–150mm distance, which was never possible before.
Tamron 35-150mm f/1.8–2.8 vs Sony 50-150mm F2.0
The Tamron 35-150mm f/1.8–2.8 lens. That’s the budget alternative, Sony 50-150mm F2.0. Centre sharpness-wise, Tamron will produce a great result. But if you want to have corner-to-corner sharpness and best-in-class optics, + brighter aperture at tele-end F2.0 vs F2.8, then for sure Sony is the best option.
The other major difference is the price tag. The Tamron 35-150 f/1.8–2.8 is available at $1599 at the B&H Store, whereas the Sony premium lens will cost you $4000. So if you can pay the price, then it’s completely okay. But if it matters, then Tamron is the best.
Who is this lens made for?
Sony 50-150mm f/2.0 lens is tailored for professional photographers—those who are into:
Wedding photography: So in wedding photography, it actually replaces the requirement of multiple prime lenses in your camera bag. Once you have this, it’s perfect and good to go for all kinds of candid and professional-looking portrait shots.
Portrait photographers: A portrait photographer generally carries lenses like 50mm, 85mm, and 135mm, and they pick and use the lenses depending upon the situation they are shooting in. So this lens will literally eliminate the requirement of having multiple prime lenses in your bag, and it will give you prime-like quality.
Event and concert photographers: If you do event or concert photography, specifically in dim light or low-light environments, then this lens is the best and the most versatile zoom lens available to you.
Indoor sports photographers: Compatible with teleconverters as well as features 4X linear autofocus motors, for blazing fast autofocus performance + AF tracking.
And finally, our Tamron 35-150mm—if you don’t want to spend that much, of course, Tamron is an excellent choice.
The article was published at 3:46 pm, Tuesday, 22 April 2025. By thenewcamera.com Team. You can follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM, –>If you have time –>see moreSony Alpha Rumor Latest Camera News
If you are waiting for a massive discount on the Sony A7 series full-frame mirrorless camera or searching for the best deal on Sony A7 IV in 2025, this is the best time to grab the deal. B&H Photo Video is currently offering a massive discount of $500 on the Sony A7 IV camera body, bringing it down to the lowest price ever for Sony A7 IV.
This sudden price cut raises a big question: Is Sony preparing to announce the Sony A7V camera, the next-generation upgrade to the A7 IV? In general, before a camera successor or next-gen mirrorless model is announced, retail stores and online stores put a huge discount on old camera models to clear stock and make space for new Sony full-frame camera releases.
Since there is no sales season going on, it looks completely weird when you see a major Sony camera discount in 2025 without any ongoing sales event. So this is a very clear indication that with this random price drop on the Sony A7 IV, Sony is about to replace its 3+ year-old Sony A7 IV camera, the Sony A7V is about to arrive. Canon EOS R6 Mark III also about to arrive, so Sony has to be quick with their move in the competitive full-frame mirrorless camera market.
The article “Sony A7V Launch Near? Massive $500 Discount on Sony A7 IV at B&H” was published at 12:24 pm, Tuesday, 22 April 2025 GMT. By thenewcamera.com Team. You can Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM, If you have time –>see moreSony Alpha Rumor
Sony has registered a new model codeWW934774 in Shanghai Suoguang, China, as we now know most of the A7 series cameras / full-frame models have now shifted to Thailand. And now, mainly Sony is manufacturing the ZV series APS-C and Compacts in China. So, with the registration of Model Code WW934774.
Update May 2025: Finally, we got confirmation that the upcoming Model Code WW934774 is the Sony FX2 Camera.
Previous registration Full information – WW277226 (registered in Indonesia, manufactured in Thailand, possibly the Sony A7V or another E-mount camera) Sony registered a New Camera WW277226
The article “Breaking News: Sony Registered one More Camera – Model Code WW934774” was first published on thenecamera.com website, at 3:41 pm Monday, 21 April 2025, by the new camera team Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM, If you have time –>see moreSony Alpha Rumor
One of my fav megazoom cameras, the Sony RX10 IV has officially been discontinued. As a large-zoom fixed-lens camera in Sony’s lineup, it offered 25x optical zoom, enabling shooting needs from 24-600mm equivalent focal length, making it a top choice for many Sony users. However, this model has now been officially listed as discontinued by some Japanese e-commerce sites (although it is still in stock on overseas platforms like Amazon and B&H). According to current information, Sony has not announced any successor to this model. However, with the increasing popularity of large-zoom fixed-lens cameras from Panasonic and Nikon, whether Sony will release a new model remains to be seen. Are you looking forward to a new model in this series?
Canon R50V vs Sony Z10 Mark II. Let’s discuss the major differences between the two, then we will do some deep core specification analysis so you can understand very clearly which camera you should buy.
Canon R50 V Specifications and Pricing
Initially, the Canon R50 V camera is available with a 24-megapixel DPAF CMOS sensor, the same sensor that is being used by entry-level cameras such as Canon R50 and Canon R10. If you buy it with a kit lens, you have to pay approximately $849, and when you are buying the body only, you have to pay approximately $649.
Sony Z10 Mark II Specifications and Pricing
Now, the Sony Z10 Mark II camera was released on July 10, 2024, and uses a 26-megapixel APS-C BSI CMOS sensor from FX30 or Sony A6700 camera, meaning it’s a flagship sensor. With a kit lens, you have to pay $1,099, and without a kit lens, you have to pay only $999.
So, the Canon body is a lot more affordable compared to the Sony Z10 Mark II camera. Now, let’s dive deep into the detailed core specifications of both cameras.
Key Differences in Sensor Technologies
So, initially, we have some basic differences between the two. The Canon uses an FSI CMOS sensor with a resolution from entry-level models, and the Sony Z10 Mark II uses a BSI CMOS sensor from higher-end models. Along with that, we also have a price difference between the two.
Best Camera for Recording 4K 60p Video
Crop Factor Comparison
If you compare both the Canon R50 V and Sony ZV-E10 Mark II, the advantage of the Sony ZV-E10 Mark II camera is clearly visible as it does only a 1.1x crop while recording 4K 60p video. On the other side, we have the Canon R50 V camera, which does a 1.5x crop while recording 4K 60p video. Both cameras allow you to record 10-bit videos at 4K 60p, but at the same time, you have to face a crop in Canon.
Usability and Stabilization
Usability-wise, the Sony ZV-E10 Mark II camera is more usable since, even while recording 4K 60fps with a crop, we can utilize the Active SteadyShot mode as well as the gyro-based image stabilization mode. If you are shooting handheld videos, that will, in turn, help you get stable footage without a gimbal. The electronic image stabilization (EIS) is very effective when you are using it at 30fps or 24fps recording. However, since it already has a very significant 1.5x crop, it doesn’t work that well.
Final Recommendation Best Camera for high-speed 4k videos
So, overall, for 4K 60fps recording, we highly recommend you to get the Sony ZV-E10 Mark II camera. Codec and Color Depth in Both Cameras
Video Codecs
Canon R50 V Video Capabilities
Now, with a 24-megapixel FSI CMOS sensor, our recently announced Canon R50 V camera is able to record 10-bit 4:2:2 videos in H.265 or H.264 codec. You can also record your videos in Canon Log 3 as well as in HLG HDR modes—all these features are available in this entry-level model.
Sony Z10 Mark II Video Capabilities
With a 26-megapixel BSI CMOS sensor, Sony does the same. It also records 10-bit 4:2:2 videos in XAVC HS (H.265) and XAVC S (H.264). Additionally, it supports S-Log2, S-Log3, and Hybrid Log Gamma (HLG), offering up to 14 stops of dynamic range.
Video codec – Comparison and Conclusion
So, in terms of video codec, both cameras record the same 10-bit videos, and neither of them has any limitations over log profiles or any other video codec restrictions. In terms of usability for beginners, videographers, and content creators, both cameras perform well. We are not discussing professional use at this moment.
Detailed Video Specifications Comparison Table
Feature
Canon R50V
Sony ZV-E10 Mark II
Max Video Resolution
4K 60p (cropped, crop factor unspecified), 4K 23.98p (assumed uncropped based on preview)
4K 60p (1.1x crop), 4K 30p/24p (uncropped, oversampled from 5.6K)
Full HD Capabilities
1080p up to 120p (implied from slow-motion options)
1080p up to 120p
Video Codecs
H.265, H.264 (10-bit 4:2:2 internal with log)
XAVC HS (H.265), XAVC S (H.264) (10-bit 4:2:2 internal)
Color Profiles
C-Log, custom picture profiles from Canon cinema series
Cropped in 4K 60p (extent unspecified), uncropped in 4K 23.98p (assumed)
1.1x crop in 4K 60p, uncropped in 4K 30p/24p
Best Camera for Live Streaming
Canon R50 V Live Streaming Capabilities
The recently announced Canon R50 V supports streaming up to 4K 60fps via USB-C, but at the same time, you have to consider the fact that it still has a 1.5x crop. This means you need to use ultra-wide-angle lenses when placing the camera in front of you.
Sony ZV-E10 Mark II Live Streaming Capabilities
On the other hand, in the Sony ZV-E10 Mark II, video streaming or USB streaming remains limited to 4K 30fps via UVC/USC.
Best Camera for Live Streaming
So, you can consider the Canon R50 V as a clear winner in terms of streaming capability, but it also suffers from a crop limitation, which you need to keep in mind while choosing between these two cameras.
Canon R50V Autofocus Capabilities
Canon R50V camera uses a Dual Pixel CMOS autofocus sensor paired with DIGIC X image processor, and according to Canon’s official press release, they are using the same autofocus AF algorithm as they have used in the Canon R5 Mark II camera. The camera also includes subject tracking modes, which include birds, animals, airplanes, moving vehicles, as well as one of the most important modes that has been added to this camera—face registration. Here, you can technically register one, two, or multiple faces, and even in a crowd when you are creating a video sequence, like when you’re doing wedding cinematography. Then, even in a crowd, if you have already registered the bride and groom’s faces in the camera, it will track only those two.
Sony ZV-E10 Mark II Autofocus Capabilities
Now, in the Sony ZV-E10 Mark II camera, we have an advanced video autofocus tracking mode, which is directly coming from the Sony A7R V. It does have predictive AI tracking, just as we have seen in higher-end Sony models, so it is also very good at predicting human faces, human bodies, animals, birds, and eyes. Moreover, the camera also has a built-in AI auto-framing mode, which, in turn, the Canon R50 V doesn’t have. This particular AI auto-framing mode helps content creators, especially solo content creators—those who create cooking videos in a single room. The camera will automatically track them and crop them in a frame, like the way a professional cinematographer shoots their movement.
Best Camera with Usable AF in Video
So, each of these cameras does have brilliant autofocus tracking capability and some specialized modes. The Canon R50 V is more suitable for wedding cinematography, where you can register people’s faces for autofocus tracking, whereas in the Sony ZV-E10 Mark II camera, we have AI auto-framing mode, which is more useful for content creators.
Canon R50 V Image Stabilization
Canon R50 V camera is a base model, and we are not able to expect too much out of it. Since the absence of sensor-shift image stabilization looks a bit logical to me, any camera maker out there is not offering any sort of IBIS mechanism in that price range. Although the camera does have EIS (Electronic Image Stabilization), which is effective for video, you have to use ultra-wide-angle lenses when you are using EIS in the camera for creating content or shooting any sort of videos. But keep in mind that EIS is only effective in shooting videos, not in still photography.
Sony ZV-E10 Mark II Image Stabilization
Sony ZV-E10 Mark II camera comes at a higher price, and at least we were expecting the presence of some sort of IBIS feature inside it. But for video recording purposes, we do get Active I.S. inside this camera, supported with a gyro-based image stabilization system. So, specifically, when you are using gyro, you get very stable footage with minimal crop, but you have to post-process it on your laptop or PC using Sony Catalyst Browse software. Other than that, we have Active I.S. mode, where Sony does crop significantly, but we do get gimbal-like stable footage from the camera.
Best camera for Handheld Video
So overall, none of the cameras feature sensor-shift image stabilization systems, but in the Sony ZV-E10 Mark II camera, we do have gyro-based image stabilization as well as Active Mode, which is very effective.Price-wise, what we are getting in Canon R50 V also looks very logical to me, specifically if you are into content creation. So, it’s very obvious that if you are paying a bit higher price for a camera body like the Sony ZV-E10 Mark II, you will get better image stabilization performance, which is specifically made for videographers and cinematographers.
Audio Specifications
Feature
Canon R50V
Sony ZV-E10 Mark II
Microphone Port
Yes (3.5mm)
Yes (3.5mm)
Headphone Port
Yes (3.5mm)
Yes (3.5mm)
Onboard Microphone
Standard stereo mic (not emphasized as vlogging-specific)
Directional 3-capsule mic with windscreen (optimized for vlogging, improved over original)
Digital Audio Support
Digital hot shoe (24-bit, 4-channel audio with compatible Canon mics)
Multi-interface shoe (digital audio with compatible Sony mics, e.g., ECM-W2BT)
Body Design & Battery Life
Body design-wise, both cameras are the same, and even the weight is almost equal, at under 400 grams. However, in the Sony ZV-E10 Mark II camera, we get a deeper hand grip as well as a battery life similar to that of a full-frame camera. The NP-FZ100 battery is capable of giving you approximately 610 shots and more than 2 hours of continuous 4K 30p video recording.
Body Design
Feature
Canon R50V
Sony ZV-E10 Mark II
Dimensions
116 x 86 x 69 mm
121 x 68 x 54 mm
Weight
Not specified (likely ~375g with battery, based on R50)
377g (with battery and SD card)
Viewfinder
None (EVF omitted to reduce cost)
None
Screen
3-inch vari-angle LCD (lower resolution than R50, exact dots unspecified)
Digital hot shoe (24-bit, 4-channel audio support)
Multi-interface shoe (digital audio support)
Wireless
Wi-Fi (version not specified), Bluetooth (assumed based on R50)
Wi-Fi (2.4 GHz), Bluetooth 5.0
Battery and Storage
Feature
Canon R50V
Sony ZV-E10 Mark II
Battery Type
LP-E17 (same as R50)
NP-FZ100 (larger capacity than original ZV-E10’s NP-FW50)
Battery Life (CIPA)
Not specified (likely ~230 shots based on R50)
610 shots (significant improvement over ZV-E10’s 440 shots)
Charging
USB-C charging supported
USB-C charging supported (faster charging with PD support)
Storage
Single SD slot (UHS-II)
Single SD slot (UHS-II support, faster than ZV-E10’s UHS-I)
In contrast, the Canon R50 V camera uses the regular LP-E17 battery, which offers approximately 230 shots and around 1 hour and 20 minutes of 4K 30p video recording.
Still Photography & Sensor Comparison
For still photography, the Canon R50 V camera uses a 24-megapixel FSI CMOS sensor and supports up to 12 FPS with an Electronic First Curtain Shutter (EFCS) and approximately 15 FPS with an electronic shutter.
Whereas in the Sony ZV-E10 Mark II camera, we have a 26MP BSI CMOS sensor with a maximum continuous shooting speed of 11 FPS, limited to an electronic shutter only.Technically, having an EFCS sensor-based camera is a better option if you’re planning to shoot sports or wildlife photography.
As we all know, Canon’s 100-400mm lens is also available at a budget-friendly price, making it a great pair for those into sports and wildlife photography, as well as content creation. However, at the same time, we must consider the advantage of a 26MP BSI CMOS sensor.
Feature
Canon R50V
Sony ZV-E10 Mark II
Resolution
24MP
26MP
Burst Shooting
15 fps (electronic), 12 fps (electronic first curtain)
11 fps (mechanical/electronic)
RAW Support
Yes
Yes (Compressed/Uncompressed)
Image Stabilization
None (lens-based only)
None (lens-based only)
Best Camera for Still Shooters
If you are not into sports and wildlife photography and are looking for higher detail, better low-light performance, and enhanced dynamic range, then getting a 26MP sensor will be a better decision.
Final Conclusion: Which Camera is Best for You—Canon R50 V or Sony ZV-E10 Mark II?
Tailored for Videographers & Content Creators
Both of them are custom-tailored for videographers or content creators, and the best part is Canon is offering us a 10-bit video recording mode in a budget body. But at the same time, we do have some limitations, like having a 1.5x crop in 4K 60 FPS mode. Other than that, we also have limitations in the Canon RF mount, which actually limits us in selecting budget lenses.
Canon Lens Availability & Limitations
So even if you have purchased a budget body from Canon, then it will be a bit hard to find a usable prime lens within budget. Specifically, if you have purchased the Sony ZV-E10 Mark II camera by paying a bit higher price, you can use lenses like Viltrox Air series, which come at a very low price with usable high-grade optics.
Choosing Based on Personal Requirement
But again, it all depends upon your own personal requirement and usage. If you have already sorted out the best lenses that you are going to use for the Canon R50 V camera and having a crop in 4K 60 FPS mode doesn’t bother you, then without a doubt, the R50 V is much more usable for you.
Advantages of Sony ZV-E10 Mark II
Similarly, in the Sony ZV-E10 Mark II camera, we are getting uncropped 4K 60 FPS mode, we are getting active image stabilization as well as AI autofocus and ZV-E10’s in-body stabilization, plus some extra features and extra battery life in the Sony camera. The most important factor is the range of lenses available for the ZV-E10 Mark II.
Final Verdict
So for me, the best budget camera is the Canon R50 V, but if you consider lens availability, then you have to spend a lot more to get perfect Canon lenses for your camera.
Decision-Making Pros and Cons Table: Canon R50V vs Sony ZV-E10 Mark II
Let’s compare the specifications of the Canon R50V and Sony ZV-E10 cameras. We are also focusing on their video graphics features. Both specifications are up to date as of March 26, 2025. Enjoy the specs comparison between the two.
Specification Comparison Table: Canon R50V vs Sony ZV-E10
Category
Canon R50V
Sony ZV-E10
Release Date
March 26, 2025
July 27, 2021
Sensor
24MP APS-C CMOS
24.2MP APS-C Exmor CMOS
Processor
DIGIC X
BIONZ X
Lens Mount
Canon RF-S (compatible with RF lenses)
Sony E-mount
Native ISO Range
ISO 100-32,000, extendable to 51,200
ISO 100-32,000 (expandable to 50-51,200)
Video Specifications
Feature
Canon R50V
Sony ZV-E10
Max Video Resolution
4K 60p (cropped), 4K 23.98p (assumed uncropped based on preview footage)
4K 30p (1.23x crop), 4K 24p (uncropped, oversampled from 6K)
Full HD Capabilities
1080p up to 120p (implied from slow-motion options)
1080p up to 120p
Video Codecs
H.265, H.264 (10-bit 4:2:2)
XAVC S (H.264, 8-bit 4:2:0)
Color Profiles
C-Log3, custom picture profiles from Canon cinema series
S-Log2, S-Log3, HLG
Internal Recording
10-bit internal recording with C log
8-bit internal recording S Log
Streaming
4K 30p via USB-C (dedicated quick streaming button)
720p via USB-C (requires software setup, no 4K streaming natively)
Slow Motion
1080 120p Supported with option to bake in or exclude audio (specific frame rates not detailed)
1080p 120p (no audio baking options specified)
Recording Limit
Not specified / No limit
No recording time limit
Autofocus in Video
Dual Pixel AF II (fast, reliable tracking, eye detection)
Fast Hybrid AF with Real-time Eye AF, Tracking, Product Showcase mode
Stabilization
No IBIS, relies on lens IS (e.g., 14-30mm PZ) or digital stabilization (crops further)
No IBIS, Active SteadyShot (digital, ~1.44x crop in Active mode), lens OSS support
Cinematic Features
“Peter McKinnon mode” (baked-in cinematic bars)
No SCinetone mode
Audio Specifications
Feature
Canon R50V
Sony ZV-E10
Microphone Port
Yes (3.5mm)
Yes (3.5mm)
Headphone Port
Yes (3.5mm)
Yes (3.5mm)
Onboard Microphone
Standard stereo mic (not emphasized as vlogging-specific)
Directional 3-capsule mic with windscreen (optimized for vlogging)
Digital Audio Support
Digital hot shoe (24-bit, 4-channel audio with compatible Canon mics)
Multi-interface shoe (digital audio with compatible Sony mics)
Body Design
Feature
Canon R50V
Sony ZV-E10
Dimensions
116 x 86 x 69 mm
115 x 64 x 45 mm
Weight
~375g with battery
343g (with battery and SD card)
Viewfinder
None (EVF omitted to reduce cost)
None
Screen
3-inch vari-angle LCD 1.04 Mdot
3-inch fully articulated LCD (921k dots)
Tally Light
Yes (front-facing, with red box on screen)
Yes (red tally light on front)
Vertical Video Support
Quarter-20 mount on side for vertical tripod/gimbal use
No dedicated vertical mount
Weather Sealing
None
None
Ergonomics
Compact, lightweight, minimal grip
Compact, lightweight, minimal grip
Ports and Connectivity
Feature
Canon R50V
Sony ZV-E10
USB
USB-C (supports streaming and charging)
USB-C (supports streaming and charging)
HDMI
Micro HDMI
Micro HDMI
Microphone Port
Yes (3.5mm)
Yes (3.5mm)
Headphone Port
Yes (3.5mm)
Yes (3.5mm)
Remote Port
Yes (2.5mm)
No
Hot Shoe
Digital hot shoe (24-bit, 4-channel audio support)
Multi-interface shoe (digital audio support)
Wireless
Wi-Fi 5
Wi-Fi (2.4 GHz), Bluetooth 4.1
Battery and Storage
Feature
Canon R50V
Sony ZV-E10
Battery Type
LP-E17
NP-FW50
Battery Life (CIPA)
270 shots per charge
440 shots
Charging
USB-C charging supported
USB-C charging supported
Storage
Single SD slot UHS-II
Single SD slot UHS-I
Still Photography
Feature
Canon R50V
Sony ZV-E10
Resolution
24MP
24.2MP
Burst Shooting
15 fps (electronic), 12 fps (electronic first curtain)
11 fps (mechanical/electronic)
RAW Support
Yes
Yes
Image Stabilization
None (lens-based only)
None (lens-based only)
Price and Kit Options
Feature
Canon R50V
Sony ZV-E10
Body Only
$649
$699
Kit Option
$849 with RF-S 14-30mm f/4-6.3 PZ IS STM (22-48mm equiv.)
$799 with E PZ 16-50mm f/3.5-5.6 OSS (24-75mm equiv.)
Lens Ecosystem
RF-S (limited native APS-C lenses, full RF compatibility)
E-mount (extensive native APS-C and full-frame options, third-party support)
Additional Features
Feature
Canon R50V
Sony ZV-E10
Vlogging Features
Tally light, vertical mount, quick streaming button, cinematic bars, Canon’s own product showcase mode, and many new features
Product Showcase mode, Background Defocus button, directional mic
Customizability
Custom picture profiles from the cinema series
SCinetone Missing
Firmware Updates
Not applicable yet (preview model)
Regular updates (e.g., improved streaming with firmware v2.00)
Conclusion: Canon R50V vs Sony ZV-E10
The Canon R50 V camera features updated video recording capability, including 10-bit 4:2:2 internal recording and 4K video recording up to 60 frames per second (1.5x crop). However, the Sony ZV-E10 remains limited to 8-bit, and 60 FPS 4K mode is unavailable. Even in the live streaming option, the Canon R50 V can live stream up to 4K 60 FPS. Additionally, in the body, you get a vertical mount to record vertical videos for YouTube Shorts, Instagram, or other media networks.
The only reason Sony excels now is the vast lens found in the E-mount. We have a range of options, and nowadays, even Viltrox Air series lenses are available at very affordable prices and can be easily purchased for the Sony ZV-E10 camera. On the other side, in Canon R50 V, we have a very limited number of lenses, so you have to choose wisely—either go with a higher-priced Sony body like ZV-E102 and later buy affordable lenses or get the R50 V and pay for pricier lenses.
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