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Sony RX10 III Arrived with New 25X Lens and Improved Video Mode

Sony RX100 III imageFinally the Sony RX10 III Arrived with New 25X Lens and Improved Video Mode, the camera uses stacked 20 MP sensor and Along with the camera Sony also announced two nee FE lenses.

The Sony RX10 III arrived with a new zoom lens and stacked CMOS sensor of RX100 M4 camera. However the new zoom lens doesn’t feature constant aperture like Sony RX10 II or RX10 camera and according to Sony the camera not replaces RX10 II, the RX10 II will continue in Sony’s lineup.

The steady shot mechanism used inside the RX10 III camera offers up to 4.5 stops and on the rear side we  have a XGA OLED EVF with 2.36 million dots and a flexible display unit.

Sony claims the its RX10 III lens feature a better aperture range than Canon G3X camera and a better sensor (keep in mind that G3x uses RX100 M3 sensor).’

The camera now features 7 video-centric Picture Profile mode and ‘Gamma Display Assist’ which gives a corrected preview when shooting with S-Log2.

The Sony Cyber-shot DSC-RX10 III will sell for around $1500, a $200 premium over the existing RX10 II.

On March 11, 2016 we have told you Sony Next Zoom camera coming on end of march, at that time we have thought its HX500, however more or less our information was correct and we were the only website in the world to alert you about the zoom camera arrival.


 

Sony RX10 III Press Release

Sony’s New Cyber-shot RX10 III Camera Brings Extended Zoom Capability to Acclaimed RX Line

SAN FRANCISCO, Mar. 29, 2016 – Sony – a worldwide leader in digital imaging and the world’s largest image sensor manufacturer – has today announced an exciting new addition to its acclaimed Cyber-shot RX lineup, the high-zoom RX10 III camera.

Featuring a newly-developed 25x super-telephoto zoom lens with an extensive focal range of 24-600mm1, the new RX10 III camera is able to produce high-quality content at a variety of focal lengths and camera settings that would require three or more large, heavy and expensive lenses for an interchangeable lens camera user. It’s an outstanding choice for a shooting anything from landscapes to distant wildlife and everything in between.

The RX10 III high zoom camera is equipped with a 1.0 type stacked 20.1 MP Exmor RS™ CMOS sensor with DRAM chip and advanced signal processing, along with a powerful BIONZ X™ image processor. These components work together to ensure the highest possible image quality throughout the entire zoom range of the 24-600mm lens. Additionally, they are responsible for a variety of standout professional-caliber features including 40x super slow motion video capture at up to 960 fps, an ultra-fast Anti-Distortion Shutter with a maximum speed of 1/32000 second, high resolution 4K movie shooting and more.

“By pairing the convenience of an ultra-telephoto lens with our innovative stacked CMOS image sensor design, we’ve created a whole new image experience unlike anything else in market today,” said Neal Manowitz, Vice President of Digital Imaging at Sony Electronics. “The new RX10 III offers a true ‘all in one’ package that will appeal to a wide range of amateur, hobbyist and professional photographers and videographers.”

New ZEISS® Vario-Sonnar T* 24-600mm F2.4 – F4 Lens

The impressive 24-600mm ZEISS® Vario-Sonnar T* lens on the Cyber-shot RX10 III camera features a large maximum aperture of F2.4 – F4.0, helping it achieve outstanding image quality throughout the entire zoom range, all the way up to ultra-telephoto. This differentiates it from many other high-zoom lenses that often struggle with light-gathering at longer focal lengths. The aperture unit itself has nine blades that are designed to create a near perfect circle in the F2.4 – F11 range, enabling shooters to create content with beautiful bokeh, where the subject stands out against a softly defocused background.

In total, the extended zoom lens features eight ED glass elements including one super ED glass element, five ED glass elements and two ED aspherical lenses, which all work together to minimize chromatic aberration and deliver high-contrast, ultra-sharp image quality. It also has ZEISS® T* Coating for minimizing flare and ghosting and delivering accurate, faithful color reproduction.

The new lens has built-in Optical SteadyShot™ image stabilization that helps to reduce camera shake and image blur, in particular when shooting at longer focal lengths. When active, the OSS is equivalent to shooting at a shutter speed approximately 4.5 stops3 faster than the current setting of the camera.

Additionally, with a minimum focusing distance of 72 cm (2.36 ft) and 0.49x maximum magnification at a fully extended 600mm, the new lens is capable of producing amazingly detailed tele-macro images.

High Quality Image Detail

The RX10 III features a back-illuminated 20.1 MP 1.0-type stacked CMOS sensor and BIONZ X image processing engine that allow the camera to achieves a wide sensitivity range of ISO 644 – ISO 12800 and produce images with exceptionally low noise, even at higher sensitivity settings.

Additionally, the rear of the sensor has a DRAM chip that allows it to read and process large volumes of data exceptionally fast, enabling the camera to shoot super slow motion video at up to 960 fps. The powerful DRAM chip also allows the RX10 III to shoot continuously at up to 14fps with minimal blackout.

With shutter speeds as fast as 1/32000 second, the electronic shutter on the RX10 III minimizes image distortion at faster shutter speeds. It also offers silent shooting at all settings and speeds, ensuring all content can be captured quietly without disrupting the subject, a powerful feature when combined with the wide-ranging zoom lens.

High Quality 4K Movie Recording

The new RX10III model becomes the latest and most versatile Cyber-shot RX camera to offer the advantages of 4K (QFHD 3840×2160) movie recording thanks to its far-reaching 24-600mm lens, which gives videographers the luxury of shooting high quality 4K video from extreme distances.

In 4K video mode, the RX10 III camera utilizes full pixel readout without pixel binning, capturing approximately 1.7x more information than is required for 4K movie output to enhance image detail and minimize moiré and jaggies. It achieves these high-quality results through use of the XAVC S codec, which records video at a high data rate of up to 100 Mbps during 4K recording and up to 50 Mbps during full HD recording5.

The new camera also has a variety of other professional caliber video features including Picture Profile, S-Log2/S-Gamut, Gamma Display Assist, Time Code and more, as well as input for external microphone and output for headphone monitoring.

Super Slow Motion Video Recording

The new RX10 III also possesses the ability to record super slow-motion video at up to 40x slower than the standard rate, allowing users to capture and replay fleeting moments of action with incredible detail, resolution and clarity.

In “HFR” (high frame rate) setting, it offers the option to choose among 960fps, 480fps and 240 fps frame rates and among 60p, 30p and 24p playback formats6,7 with the option to use the movie record button as a ‘start trigger’ to begin recording once button is pressed or ‘end trigger’ to record footage up until the button is pressed.

High Speed Autofocus

The new RX10III camera is equipped with an impressive autofocus system with spatial object detection, allowing the camera to detect and predict motion of a subject before the shutter button is pressed, This helps the camera achieve an incredibly fast and efficient AF response when the shutter is halfway pressed, enabling it to lock on to a subject in as little as 0.09 seconds8. This is a yet another compelling technology, especially when paired with a versatile, highly capable 25x zoom lens with a range up to 600mm.

Ergonomics and Design

Aesthetically, the new RX10 III features a number of upgrades compared to existing RX10 models including triple lens rings for focus, zoom and aperture for direct, precise control. The hand grip shape has also been optimized for the new high-magnification, large-aperture lens to enhance stability when holding the camera at eye level. There is a new focus hold button on the lens barrel as well, allowing the focus to be easily locked on a subject while the shooter reframes the image.

The new model features a high-contrast XGA OLED Tru-Finder™ with approximately 2.35 million dots of resolution, ensuring true-to-life image preview and playback functionality. The camera is also dust and moisture resistant and both Wi-Fi® and NFC™ compatible, with the ability and can access Sony’s growing range of PlayMemories Camera Applications. Learn more at www.sony.net/pmca. A dedicated LCJ-RXJ soft carrying case will also be available for the new camera.

Pricing and Availability

The new Sony Cyber-shot RX10 III extended zoom camera will be available this May for about $1,500 US and $2,000 CA, respectively. The new cameras and all compatible accessories will be sold at a variety of Sony authorized dealers throughout North America.

Sony Announced 50mm and 70-300mm FE Lenses

Canon 50mm F1.8Sony Announced 50mm and 70-300mm FE Lenses today. Both ythe lenses are designed for fullframe mirrorless cameras. The 50mm lens features F1.8 aperture and the 70-300mm lens arrived with F4.5-5.6 aperture range.

Lens-size-comparsion-imageLens size comparison

Both the lenses are the most demanded lenses by Sony FE camera users, both lenses are the ideal and must have lenses for a FE-mount fullframe camera user.

The 50mm Lens is affordable lens from Sony and will cost you approx $250 and the FE 70-300mm F4.5 – 5.6 G OSS lens will cost your approx $1,200 (US pricing)

Continue reading Sony Announced 50mm and 70-300mm FE Lenses

Sony A6300 Over Heating Issue

Sony-A6300-PDF-manual-imageSony A6300 overheating issue has been surfaced over the web, according to camera users Sony A6300 camera overheats during video recording and automatically shut down.

Still we don’t have any word from Sony but we do hope they will issue press release related to the overheating problem. However the overheating problem in Sony camera is not new if we remember the problems of a33 and a55 cameras.

Take a look what other websites are saying

“Sadly pros can’t even rely on the A6300 as a B-camera due to the overheating, especially not for any kind of live filming or interview work at all.” (eoshd)

“Unlike my a5100 where i could just turn the switch on/off and it would just keep on shooting with a6300 if i turn it off and on the message appears again that it overheated and the camera shuts down. waited no kidding 3-4 min and turn it back on… same isssue turned off in less then 1 min.” (dpreview user forum)

Stay with us and we will update you soon

We will update you soon as we get any new information, stay with us (FACEBOOK | TWITTER | GOOGLE+) If you have time –> see more Sony Rumor

source photorumor

Sony to Announce Three New FE Lenses Soon

Sony upcoming lenses image

According to latest rumors surfaced over the web Sony will announce 3 New Fullframe E-mount Lenses in October 2016.

List of expected lenses thay may arrive soon

Zeiss Batis 35mm f/1.8,
Zeiss 24-70mm f/2
Sony Zeiss 16-35mm f/2.8

Stay with us and we will update you soon as we get any new information.

source – SAR

Best Lenses for Sony A6300 Camera

Best lenses for Sony A6300 camera image

Looking for Best Lenses for Sony A6300 Camera ? We are here recommending some of the best lenses available for the Sony A6300 camera today. These lenses are picked by our editors very carefully and perfect for you mirrorless A6300 camera.

Despite of the announcement of the Sony A6500 camera the popularity of Sony A6300 camera isn’t fading away and we are proud to day that the Sony A6300 is still one of the best mirrorless camera available $1K range.

Take a look at the recommendation below and Do ask your Lens related questions at the comment box below.

Best Lenses for Sony A6300 Camera


 

Sony A6300 best everyday lens image

The Perfect everyday Lens

Samsung A6300 does comes with a optional Zoom lens 16-50mm, the collapsible-barrel design and a power zoom mechanism makes it smallest zoom lens of Sony E-mount series. The 16-50mm does show barrel distortion at the wide end but only in RAW files, If you shoot JPEG you even won’t notice any distortion due to image processing done by BionzX processor. AT tele-end the lens creates a eye pleasing bokeh and makes it perfect for taking portrait shots, however the Bokeh is not as creamy as you get in 50mm F1.8 Lens.


 

Best Zoom Lens for Sony A6300

Sony 55-210mm zoom lens

Best Sony A6300 Zoom Lens ImageThe perfect Zoom Lens – The best and handy zoom lens available for your E-mount camera is the 55-210mm zoon lens. The lens features very light-weight (compared to the DSLR zoom lenses I have used till now) and gives you clear images even when captures at tele-end of the lens or at max aperture.

you will get super sharp images at F8 and F11, but don’t try to shoot portrait with this lens you won’t get satisfied.

The Good: Good general purpose zoom lens

The Bad: only zoom lens for E-mount

Buy this lens from Amazon | B&H


Perfect Portraits from A6300

Best Portrait Lens for Sony A6300

Best Sony 50mm F1.8 Lens image

The 50mm F1.8 Lens is one of the best E-Mount lenses I have ever used, the Lens gives you super sharp images even at max aperture, excellent color and contrast ouput with creamy Boekh. The Lens also features silent and Fast AF motor and compact light-weight design.

Highly recommended for Sony E-Mount users

The Good: Excellent lens for portraits

The Bad: Nothing

Buy Sony 50mm F1.8 Lens from Amazon | B&H


Best macro Lens for Sony A6300 Camera

Sony 30mm F3.5

Best Sony A6300 Lens image

The Best and only macro Lens for Sony A6300 camera is Sony 30mm F3.5, the lens captures tack sharp images at 1:1 proportion. The lens features minimum focusing distance of 9.5 cm and the focal-length of the lens is 30cm. In general the standard Focal-Length of a normal macro DSLR lens varies between 60mm to 100mm, so with a 30mm macro lens you have to get closer to the subject to get a prefect shot.

The Good: Sharp images and creamy bokeh

The Bad: none

Buy this Lens from Amazon | B&H


The best street shooting lens of A6300 camera

Sony 35mm F1.8 Lens

Best street shooting lens for Sony A6300

The first lens that you should buy after the kit lens and the zoom lens.

The Fixed prime lens also offers built-in optical image stabilization and features Linear AF motor for silent and fast Auto-focusing, the lens also offers Direct Manual Focus. The 35mm lens is an excellent to do some serious image work. The max aperture and 35mm focal-length is excellent of capturing streets shots and family portraits.’

The 35mm F1.8 lens is a must have lens for E-mount users.

Buy this lens from B&H | Amazon


Recommended for Travel Shooters

Sony 18-200mm lens

 

Sony18-200mm-lens-image

The 18-200mm E-mount lens is one of the most versatile lens I have ever seen, the lens covers the need of kit and zoom lens. Best to use in daylight condition to get perfect shots. The lens works very well with the Sony’s current Hybrid Sensor AF. However the lens do suffers from distortions however it can be corrected by software’s later on.

The other drawback of the lens that it doesn’t allow you to zoom manually, the Lens act as a compact camera lens and takes bit time while zooming-in and out.

Don’t spend your bucks until you really need this lens, if you are a hardcore daylight travel photographer than you should buy this lens, otherwise think twice before getting it.

The Good: Covers a wide range, keeps you free from changing lenses

The Bad: Distortions and price

Buy this lens from Amazon | B&H


Best Third Party Lenses for Sony A6300

Sigma 19mm F2.8

Best-sigma-lens-for-sonySigma 19mm F2.8 is one of the best available third party lens for Sony E-Mount camera. The Sigma 19mm F2.8 Lens gives remarkable out-put at its range and comes at affordable price.

The Good: Best Wide-Angle prime lens for Sony E-mount

The Bad: None

The Sigma 19mm F2.8 Lens gives you more coverage than 35mm lens, affordable and perfect for hooting outdoors landscape or interiors.

Buy this lens from Amazon | B&H


The Ultimate Lens that your money Can Buy for Sony A6300 Camera

Best Travel and Portrait Lens for Sony A6300

Sony-16-70mm-lens-imageSony 16-70mm f/4 ZA OSS Lens – If you are looking for a all in one solution than Zeiss 16-70mm /(24-105mm 35mm Equivalent) lens is best for you.

The lens is made up of all metal part and features excellent optics with a constant F4 aperture support through-out the entire zoom range. The built in image stabilization system of the lens gives up to four shutter speed steps to benefit while handheld shooting. chromatic aberrations, distortion, lens flare and ghosting are minimal / non-noticable. It’s expensive but it’s a Zeiss OSS and you get what you pay for when quality is your priority.

Few month ago when I used this lens for first time with my A6000 camera I left my Canon 5DS R and Canon 24-105 f/4L lens in bag for a month, you will be surprised to see the quality of images you get from a compact mirrorless system camera while using this lens.

Buy this lens from Amazon | B&H


Affordable alternative to 16-70mm F4

Sony E PZ 18-105mm f/4 G OSS Lens

Sony 18-105mm Lens image

Affordable alternative of Sony 16-70mm F4 Zoom lens is 18-105mm Lens, the 18-105mm lens will cost you half compared to the 16-70mm lens buy there are only two drawback of 18-105mm lens in front of 16-70 is as mentioned below

  1. The size of 18-105mm is quite big although the size of 16-70mm is not too small but manageable
  2. The 16-70mm give more sharp result during test conditions.

If you can afford the 16-70mm is best for you, however the 18-105mm lens is also best lens for its price.

Buy 18-105mm Lens from Amazon | B&H

Sony Next Megazoom HX500 Coming by End of March 2016

Sony-HX500V-imageAccording to one of our readers Sony will going to announce Sony HX400 successor by the end of March 2016. This is not a rumor, the information is confirmed by Sony itself (by sony.cz facebook page while conversation with our reader). Take a look at the screen shot below.

Sony-HX500-confirmationThanks to our reader for passing the information to us. We will update you soon as we get any new information related to Sony HX500.

We will update you soon as we get any new information, stay with us (FACEBOOK | TWITTER | GOOGLE+) If you have time –> see more Sony Rumor.

Sony A7S II vs Sony A7S - High ISO Test

Sony-A7S-vs-Sony-A7S-II-ima

Which camera should you buy, Sony A7S II of Sony A7S. Before we begin you must know that the sensor inside both the camera is same, although lot of optimization has been done to improve the AF performance, introduction of 5 axis image stabilization system and 4K internal video recording mode with fast AF + IS support. The another advantage of Sony A7S II is high frame rate 120/100fps in full 1080p which the A7s only had in 720p.’

A major group Sony A7S users mainly use Sony A7S for low-light event, but if you are looking for major performance upgrade in low-light area you may get disappointed to see the results below.

Sony A7S II vs Sony A7S image comparison High ISO test

Sony A7S II vs Sony A7S image image comparison credit – imaging-resource.com

I am able to notice a bit of noise optimization in in Sony A7S II camera, but I am not able to notice any major performance upgrade in low-light sensitivity. If you are a low-light shooter you must wait for the next version Sony A7S III. New users must buy Sony A7S II since both camera have exactly same price tag.

Buy Sony A7S II camera from Amazon | B&H

Also see – Sony A7S vs Sony A7S II Specification Comparison